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THE MAN FROM SNOWY RIVER AND OTHER VERSES

(Second edition)

by Andrew Barton ‘Banjo’ Paterson

[Australian Poet, Reporter — 1864-1941.]

[Note on content: Banjo Paterson and Henry Lawson were writing for the
Sydney ‘Bulletin’ in 1892 when Lawson suggested a ‘duel’ of poetry to
increase the number of poems they could sell to the paper. It was
apparently entered into in all fun, though there are reports that Lawson
was bitter about it later. ‘In Defence of the Bush’, included in this
selection, was one of Paterson’s replies to Lawson.]

[The 1913 printing (Sydney, Fifty-third Thousand) of the Second Edition
(first published in 1902) was used in the preparation of this etext. First
edition was first published in 1895.]


THE MAN FROM SNOWY RIVER AND OTHER VERSES

by A. B. Paterson (“The Banjo”)

with preface by Rolf Boldrewood


Preface

It is not so easy to write ballads descriptive of the bushland of
Australia as on light consideration would appear. Reasonably good verse on
the subject has been supplied in sufficient quantity. But the maker of
folksongs for our newborn nation requires a somewhat rare combination of
gifts and experiences. Dowered with the poet’s heart, he must yet have
passed his ‘wander-jaehre’ amid the stern solitude of the Austral waste
— must have ridden the race in the back-block township, guided the
reckless stock-horse adown the mountain spur, and followed the night-long
moving, spectral-seeming herd ‘in the droving days’. Amid such scarce
congenial surroundings comes oft that finer sense which renders visible
bright gleams of humour, pathos, and romance, which, like undiscovered
gold, await the fortunate adventurer. That the author has touched this
treasure-trove, not less delicately than distinctly, no true Australian
will deny. In my opinion this collection comprises the best bush ballads
written since the death of Lindsay Gordon.

Rolf Boldrewood

A number of these verses are now published for the first time, most of the
others were written for and appeared in “The Bulletin” (Sydney, N.S.W.),
and are therefore already widely known to readers in Australasia.

A. B. Paterson


Prelude


CONTENTS

Preface

Prelude

Contents with First Lines:

THE MAN FROM SNOWY RIVER AND OTHER VERSES

The Man from Snowy River

Old Pardon, the Son of Reprieve

Clancy of the Overflow

Conroy’s Gap

Our New Horse

An Idyll of Dandaloo

The Geebung Polo Club

The Travelling Post Office

Saltbush Bill

A Mountain Station

Been There Before

The Man Who Was Away

The Man from Ironbark

The Open Steeplechase

The Amateur Rider

On Kiley’s Run

Frying Pan’s Theology

The Two Devines

In the Droving Days

Lost

Over the Range

Only a Jockey

How M’Ginnis Went Missing

A Voice from the Town

A Bunch of Roses

Black Swans

The All Right ‘Un

The Boss of the ‘Admiral Lynch’

A Bushman’s Song

How Gilbert Died

The Flying Gang

Shearing at Castlereagh

The Wind’s Message

Johnson’s Antidote

Ambition and Art

The Daylight is Dying

In Defence of the Bush

Last Week

Those Names

A Bush Christening

How the Favourite Beat Us

The Great Calamity

Come-by-Chance

Under the Shadow of Kiley’s Hill

Jim Carew

The Swagman’s Rest

[From the section of Advertisements at the end
of the 1911 printing.]



Contents with First Lines:



THE MAN FROM SNOWY RIVER AND OTHER VERSES


The Man from Snowy River


Old Pardon, the Son of Reprieve


Clancy of the Overflow


Conroy’s Gap


Our New Horse


An Idyll of Dandaloo


The Geebung Polo Club


The Travelling Post Office


Saltbush Bill


A Mountain Station


Been There Before


The Man Who Was Away


The Man from Ironbark


The Open Steeplechase


The Amateur Rider


On Kiley’s Run


Frying Pan’s Theology


The Two Devines


In the Droving Days


Lost


Over the Range


Only a Jockey


How M’Ginnis Went Missing


A Voice from the Town


A Bunch of Roses


Black Swans


The All Right ‘Un


The Boss of the ‘Admiral Lynch’


A Bushman’s Song


How Gilbert Died


The Flying Gang


Shearing at Castlereagh


The Wind’s Message


Johnson’s Antidote


Ambition and Art


The Daylight is Dying


In Defence of the Bush


Last Week


Those Names


A Bush Christening


How the Favourite Beat Us


The Great Calamity


Come-by-Chance


Under the Shadow of Kiley’s Hill


Jim Carew


The Swagman’s Rest


[From the section of Advertisements at the end of the 1911 printing.]

THE MAN FROM SNOWY RIVER, AND OTHER VERSES.

THE LITERARY YEAR BOOK: “The immediate success of this book of bush
ballads is without parallel in Colonial literary annals, nor can any
living English or American poet boast so wide a public, always excepting
Mr. Rudyard Kipling.”

SPECTATOR: “These lines have the true lyrical cry in them. Eloquent and
ardent verses.”

ATHENAEUM: “Swinging, rattling ballads of ready humour, ready pathos, and
crowding adventure. … Stirring and entertaining ballads about great
rides, in which the lines gallop like the very hoofs of the horses.”

THE TIMES: “At his best he compares not unfavourably with the author of
‘Barrack-Room Ballads’.”

Mr. A. Patchett Martin, in LITERATURE (London): “In my opinion, it is the
absolutely un-English, thoroughly Australian style and character of these
new bush bards which has given them such immediate popularity, such wide
vogue, among all classes of the rising native generation.”

WESTMINSTER GAZETTE: “Australia has produced in Mr. A. B. Paterson a
national poet whose bush ballads are as distinctly characteristic of the
country as Burns’s poetry is characteristic of Scotland.”

THE SCOTSMAN: “A book like this… is worth a dozen of the aspiring,
idealistic sort, since it has a deal of rough laughter and a dash of real
tears in its composition.”

GLASGOW HERALD: “These ballads… are full of such go that the mere
reading of them make the blood tingle…. But there are other things in
Mr. Paterson’s book besides mere racing and chasing, and each piece bears
the mark of special local knowledge, feeling, and colour. The poet has
also a note of pathos, which is always wholesome.”

LITERARY WORLD: “He gallops along with a by no means doubtful music,
shouting his vigorous songs as he rides in pursuit of wild bush horses,
constraining us to listen and applaud by dint of his manly tones and
capital subjects… We turn to Mr. Paterson’s roaring muse with
instantaneous gratitude.”

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