The Works
OF
LORD BYRON

A NEW, REVISED AND ENLARGED EDITION
WITH ILLUSTRATIONS.

Poetry. Vol. VII.

EDITED BY
ERNEST HARTLEY COLERIDGE, M.A.,
HON. F.R.S.L.

LONDON:
JOHN MURRAY, ALBEMARLE STREET.
NEW YORK: CHARLES SCRIBNER’S SONS.

1904.

PREFACE TO
THE SEVENTH VOLUME.

Of the seventy-three “Epigrams and Jeux d’Esprit,” which are printed at
the commencement of this volume, forty-five were included in Murray’s
one-volume edition of 1837, eighteen have been collected from various
publications, and ten are printed and published for the first time.

The “Devil’s Drive,” which appears in Moore’s
Letters and Journals, and in the sixth volume of the Collected
Edition of 1831 as an “Unfinished Fragment”
of ninety-seven lines, is now printed and published for
the first time in its entirety (248 lines), from a MS. in
the possession of the Earl of Ilchester. “A Farewell
Petition to J. C. H. Esq.;” “My Boy Hobbie O;”
“[Love and Death];” and “Last Words on Greece,”
are reprinted from the first volume of Murray’s Magazine
(1887).

[vi]
A few imperfect and worthless poems remain in MS.;
but with these and one or two other unimportant exceptions,
the present edition of the Poetical Works may
be regarded as complete.

In compiling a “Bibliography of the successive Editions
and Translations of Lord Byron’s Poetical Works,” I have
endeavoured, in the first instance, to give a full and
particular account of the collected editions and separate
issues of the poems and dramas which were open to
my inspection; and, secondly, to extract from general
bibliographies, catalogues of public and private libraries,
and other sources bibliographical records of editions
which I have been unable to examine, and were known
to me only at second-hand. It will be observed that
the title-pages of editions which have passed through my
hands are aligned; the titles of all other editions are
italicized.

I cannot pretend that this assortment of bibliographical
entries is even approximately exhaustive; but
as “a sample” of a bibliography it will, I trust, with
all its imperfections, be of service to the student of
literature, if not to the amateur or bibliophile. With
regard to nomenclature and other technicalities, my aim
has been to put the necessary information as clearly
and as concisely as possible, rather than to comply
with the requirements of this or that formula. But
the path of the bibliographer is beset with difficulties.
“Al Sirat’s arch”—”the bridge of breadth narrower
[vii]
than the thread of a famished spider, and sharper than
the edge of a sword” (see The Giaour, line 483, note 1)—
affords an easier and a safer foothold.

To the general reader a bibliography says little or
nothing; but, in one respect, a bibliography of Byron
is of popular import. It affords scientific proof of an
almost unexampled fame, of a far-reaching and still
potent influence. Teuton and Latin and Slav have taken
Byron to themselves, and have made him their own.
No other English poet except Shakespeare has been so
widely read and so frequently translated. Of Manfred
I reckon one Bohemian translation, two Danish, two
Dutch, three French, nine German, three Hungarian,
three Italian, two Polish, one Romaic, one Roumanian,
four Russian, and three Spanish translations, and, in
all probability, there are others which have escaped my
net. The question, the inevitable question, arises—What
was, what is, the secret of Byron’s Continental
vogue? and why has his fame gone out into all lands?
Why did Goethe enshrine him, in the second part of
Faust, “as the representative of the modern
era … undoubtedly to be regarded as the greatest genius of
our century?” (Conversations of Goethe, 1874, p. 265).

It is said, and with truth, that Byron’s revolutionary
politics commended him to oppressed nationalities and
their sympathizers; that he was against “the
tramplers”—Castlereagh, and the Duke of Wellington, and the
Holy Alliance; that he stood for liberty. Another point
in his favour was his freedom from cant, his indifference
[viii]
to the pieties and proprieties of the Britannic Muse;
that he had the courage of his opinions. Doubtless in
a time of trouble he was welcomed as the champion of
revolt, but deeper reasons must be sought for an almost
exclusive preference for the works of one poet and a
comparative indifference to the works of his rivals and
contemporaries. He fulfilled another, perhaps a greater
ideal. An Englishman turns to poetry for the expression
in beautiful words of his happier and better feelings,
and he is not contented unless poetry tends to make
him happier or better—happier because better than he
would be otherwise. His favourite poems are psalms,
or at least metrical paraphrases, of life. Men of other
nations are less concerned about their feelings and their
souls. They regard the poet as the creator, the inventor,
the maker par excellence, and he who can imagine or
make the greatest eidolon is the greatest poet. Childe
Harold and The Corsair, Mazeppa and Manfred,
Cain and Sardanapalus were new creations, new types, forms
more real than living man, which appealed to their
artistic sense, and led their imaginations captive. “It
is a mark,” says Goethe (Aus meinem Leben: Dichtung
und Wahreit, 1876, iii. 125), “of true poetry, that, as a
secular gospel, it knows how to free us from the earthly
burdens which press upon us, by inward serenity, by
outward charm…. The most lively, as well as the
gravest works have the same end—to moderate both pleasure
and pain through a happy mental representation.”
[ix]
It is passion translated into action, the pageantry of
history, the transfiguration into visible lineaments of
living moods and breathing thoughts which are the notes
of this “secular gospel,” and for one class of minds
work out a secular redemption.

It was not only the questionable belief that he was
on the side of the people, or his ethical and theological
audacities, or his prolonged Continental exile, which won
for Byron a greater name abroad than he has retained
at home; but the character of his poetry. “The English
may think of Byron as they please” (Conversations of
Goethe, 1874, p. 171), “but this is certain, that they can
show no poet who is to be compared to him. He
is different from all the others, and, for the most part,
greater.” The English may think of him as they please!
and for them, or some of them, there is “a better
oenomel,” a vinum Dæmonum, which Byron has not in
his gift. The evidence of a world-wide fame will not
endear a poet to a people and a generation who care
less for the matter than the manner of verse, or who
believe in poetry as the symbol or “credo” of the
imagination or the spirit; but it should arrest attention and invite
inquiry. A bibliography is a dull epilogue to a poet’s
works, but it speaks with authority, and it speaks last.
Finis coronat opus!

I must be permitted to renew my thanks to Mr. G. F.
Barwick, Superintendent of the Reading Room, Mr. Cyril
Davenport, and other officials of the British Museum, of
[x]
all grades and classes, for their generous and courteous
assistance in the preparation and completion of the
Bibliography. The consultation of many hundreds of
volumes of one author, and the permission to retain a
vast number in daily use, have entailed exceptional
labour on a section of the staff. I have every reason
to be grateful.

I am indebted to Mr. A. W. Pollard, of the British
Museum, for advice and direction with regard to bibliographical
formulas; to Mr. G. L. Calderon, late of the
staff, for the collection and transcription of the title-pages
of Polish, Russian, and Servian translations; and to Mr.
R. Nisbet Bain for the supervision and correction of
the proofs of Slavonic titles.

To Mr. W. P. Courtney, the author of Bibliotheca
Cornubiensis, I owe many valuable hints and suggestions,
and the opportunity of consulting some important
works of reference.

I have elsewhere acknowledged the valuable information
with regard to certain rare editions and pamphlets
which I have received from Mr. H. Buxton Forman, C.B.

My especial thanks for laborious researches undertaken
on my behalf, and for information not otherwise
attainable, are due to M. J. E. Aynard, of Lyons; Signor
F. Bianco; Professor Max von Förster, of Wurtzburg;
Professor Lajos Gurnesovitz, of Buda Pest; Dr. Holzhausen,
of Bonn; Mr. Leonard Mackall, of Berlin; Miss
Peacock; Miss K. Schlesinger; M. Voynich, of Soho
[xi]
Square; Mr. Theodore Bartholomew, of the University
Library of Cambridge; Mr. T. D. Stewart, of the
Croydon Public Library; and the Librarians of Trinity
College, Cambridge, and University College, St. Andrews.

I have also to thank, for special and generous assistance,
Mr. J. P. Anderson, late of the British Museum,
the author of the “Bibliography of Byron’s Works”
attached to the Life of Lord Byron by the Hon. Roden
Noel (1890); Miss Grace Reed, of Philadelphia, for
bibliographical entries of early American editions; and
Professor Vladimir Hrabar, of the University of Dorpat,
for the collection and transcription of numerous Russian
translations of Byron’s Works.

To Messrs. Clowes, the printers of these volumes, and
to their reader, Mr. F. T. Peachey, I am greatly indebted
for the transcription of Slavonic titles included in the
Summary of the Bibliography, and for interesting and
useful information during the progress of the work.

In conclusion, I must once more express my acknowment
of the industry and literary ability of my friend
Mr. F. E. Taylor, of Chertsey, who has read the proofs
of this and the six preceding volumes.

The Index is the work of Mr. C. Eastlake Smith.

ERNEST HARTLEY COLERIDGE.

November, 1903.

[xii]

[xiii]

CONTENTS OF VOL. VII.

Preface to Vol. VII. of the Poems. v
Jeux d’Esprit and Minor Poems, 1798-1824.
Epigram on an Old Lady who had some Curious Notions respecting the Soul. First published, Letters and Journals, 1830, i. 28. 1
Epitaph on John Adams, of Southwell. First published, Letters and Journals, 1830, i. 106. 1
A Version of Ossian’s Address to the Sun. First published, Atlantic Monthly, December, 1898. 2
Lines to Mr. Hodgson. Written on board the Lisbon Packet. First published, Letters and Journals, 1830, i. 230-232. 4
[To Dives. A Fragment.] First published, Lord Byron’s Works, 1833, xvii. 241. 7
Farewell Petition to J. C. H., Esq^re. First published, Murray’s Magazine, 1887, vol. i. pp. 290, 291. 7
Translation of the Nurse’s Dole in the Medea of Euripides. First published, Letters and Journals, 1830, i. 227. 10
My Epitaph. First published, Letters and Journals, 1830, i. 240. 10
Substitute for an Epitaph. First published, Lord Byron’s Works, 1832, ix. 4. 11
Epitaph for Joseph Blacket, late Poet and Shoemaker. First published, Lord Byron’s Works, 1832, ix. 10. 11
On Moore’s Last Operatic Farce, or Farcical Opera. First published, Letters and Journals, 1830, i. 295 (note). 12
[S. M. Dallas.] First published, Life, Writings, Opinions, etc., 1825, ii. 192. 12

[xiv]

An Ode to the Framers of the Frame Bill. First published, Morning Chronicle, March 2, 1812. 13
To the Honorable Mr. George Lamb. First published, The Two Duchesses, by Vere Foster, 1898, p. 374. 15
[La Revanche.] MS.M. 15
To Thomas Moore. Written the Evening before his Visit to Mr. Leigh Hunt in Horsemonger Lane Gaol, May 19, 1813. First published, Letters and Journals, 1830, i. 401. 16
On Lord Thurlow’s Poems. First published, Letters and Journals, 1830, i. 396. 17
To Lord Thurlow. First published, Letters and Journals, 1830, i. 397. 19
The Devil’s Drive. First published (stanzas 1-5, 8, 10-12, 17, 18), Letters and Journals, 1830, i. 471-474; and (stanzas 6, 7, 9, 13-16, 19-27) from a MS. in the possession of the Earl of Ilchester. 21
Windsor Poetics. First published, Poetical Works, Paris, 1819, vi. 125. 35
[Another Version.] On a Royal Visit to the Vaults. From an autograph MS. in the possession of the Hon. Mrs. Norbury, now for the first time printed. 36
Ich Dien. From an autograph MS. in the possession of Mr. A. H. Hallam Murray, now for the first time printed. 36
Condolatory Address, To Sarah Countess of Jersey. First published, The Champion, July 31, 1814. 37
Fragment of an Epistle to Thomas Moore. First published, Letters and Journals, 1830, i. 561, 562 (note). 39
Answer to——’s Professions of Affection. MS. 40
On Napoleon’s Escape from Elba. First published, Letters and Journals, 1830, i. 611. 41
Endorsement to the Deed of Separation, in the April of 1816. First published, Poetical Works, 1831, vi. 454. 41
[To George Anson Byron (?).] First published, Nicnac, March 25, 1823. 41
Song for the Luddites. First published, Letters and Journals, 1830, ii. 58. 42
To Thomas Moore (“What are you doing now?”). First published, Letters and Journals, 1830, ii. 58, 59. 23
To Mr. Murray (“To hook the Reader,” etc.). First published, Letters and Journals, 1830, ii. 91. 44
Versicles. First published, Letters and Journals, 1830, ii. 87. 45

[xv]

Quem Deus vult perdere prius dementat. First published, Letters, 1900, iv. 93. 45
To Thomas Moore (“My boat is on the shore”). First published, Waltz, London, 1821, p. 29. 46
Epistle from Mr. Murray to Dr. Polidori. First published, Letters and Journals, 1830, ii. 139-141. 47
Epistle to Mr. Murray. First published (stanzas 1, 2, 4, 7-9), Letters and Journals, 1830, ii. 156, 157; and (stanzas 3, 5, 6, 10, 11) Letters, 1900, iv. 191-193. 51
On the Birth of John William Rizzo Hoppner. First published, Letters and Journals, 1830, ii. 134. 54
[E Nihilo Nihil; or, An Epigram Bewitched.] MS.M. 55
To Mr. Murray. First published, Letters and Journals, 1830, ii. 171. 56
Ballad. To the Tune of “Sally in our Alley.” MS.M. 58
Another Simple Ballat. MS.M. 61
Epigram. From the French of Rulhiéres. First published, Letters and Journals, 1830, ii. 235. 62
Epilogue. First published, Philadelphia Record, December 28, 1891. 63
On my Wedding-Day. First published, Letters and Journals, 1830, ii. 294. 64
Epitaph for William Pitt. First published, Letters and Journals, 1830, ii. 295. 64
Epigram (“In digging up your bones, Tom Paine”). First published, Letters and Journals, 1830, ii. 295. 65
Epitaph (“Posterity will ne’er survey”). First published, Lord Byron’s Works, 1833, xvii. 246. 65
Epigram (“The world is a bundle of hay”). First published, Letters and Journals, 1830, ii. 494. 65
My Boy Hobbie O. First published, Murray’s Magazine, March, 1887, vol. i. pp. 292, 293. 66
Lines, Addressed by Lord Byron to Mr. Hobhouse on his Election for Westminster. First published, Miscellaneous Poems, 1824. 69
A Volume of Nonsense. First published, Letters, 1900, v. 83.70
Stanzas. First published, Letters and Journals, 1830, ii. 377. 70
To Penelope. First published, Medwin’s Conversations, 1824 p. 106. 71
The Charity Ball. First published, Letters and Journals, 1830, ii. 540. 71

[xvi]

Epigram, On the Braziers’ Address, etc. First published, Letters and Journals, 1830, ii. 442. 72
On my Thirty-third Birthday. First published, Letters and Journals, 1830, ii. 414. 73
Martial, Lib. I. Epig. I. First published, Lord Byron’s Works, 1833, xvii. 245. 74
Bowles and Campbell. First published, The Liberal, 1823, No. II. p. 398. 74
Elegy. First published, Medwin’s Conversations, 1824, p. 121. 75
John Keats. First published, Letters and Journals, 1830, ii. 506. 76
From the French (“Ægle, beauty and poet,” etc.). First published, The Liberal, 1823, No. II. p. 396. 76
To Mr. Murray (“For Orford,” etc.). First published, Letters and Journals, 1830, ii. 517. 76
[Napoleon’s Snuff-box.] First published, Conversations of Lord Byron, 1824, p. 235. 77
The New Vicar of Bray. First published, Works (Galignani), 1831, p. 116. 78
Lucietta. A Fragment. MS.M. 81
Epigrams. First published, The Liberal, No. I. October 18, 1822, p. 164. 81
The Conquest. First published, Lord Byron’s Works, 1833, xvii. 246. 82
Impromptu (“Beneath Blessington’s eyes”). First published, Letters and Journals, 1830, ii. 635. 82
Journal in Cephalonia. First published, Letters, 1901, vi. 238.83
Song to the Suliotes. MS.M. 83
[Love and Death.] First published, Murray’s Magazine, February, 1887, vol. i. pp. 145, 146. 84
Last Words on Greece. First published, Murray’s Magazine, February, 1887, vol. i. p. 146. 85
On this Day I complete my Thirty-sixth Year. First published, Morning Chronicle, October 29, 1824. 86
A Bibliography Of The Successive Editions And Translations Of Lord Byron’s poetical Works. 89
Notes—
Note (1).—On Genuine and Spurious Issues of English Bards, and Scotch Reviewers. 305
Note (2).—Correspondence between the First Edition as numbered and the Present Issue as numbered. 307

[xvii]

Note (3).—The Annotated Copies of the Fourth Edition of 1811 310
Appendix to Bibliography 314
Contents of Bibliography 317
Summary of Bibliography 319
Index 349
Index to First Lines 449

LIST OF ILLUSTRATIONS

1. Mrs. Birdmere’s House, Southwell2
2. Annesley Hall38
3. Diadem Hill (Annesley Park), where Lord Byron parted from Mary Chaworth304
4. The Prison Called Tasso’s Cell, in the Hospital of Sant’Anna, at Ferrara348

[1]

JEUX D’ESPRIT AND
MINOR POEMS, 1798-1824.

EPIGRAM ON AN OLD LADY WHO HAD
SOME CURIOUS NOTIONS RESPECTING THE SOUL.

In Nottingham county there lives at Swan Green,[1]

As curst an old Lady as ever was seen;

And when she does die, which I hope will be soon,

She firmly believes she will go to the Moon!

1798.
[First published, Letters and Journals, 1830, i. 28.]

FOOTNOTES:

[1] “Swan Green” should be “Swine Green.” It lay about a
quarter of a mile to the east of St. James’s Lane, where Byron lodged
in 1799, at the house of a Mr. Gill. The name appears in a directory
of 1799, but by 1815 it had been expunged or changed euphoniæ
gratiâ. (See A New Plan of the Town of Nottingham, … 1744.)

Moore took down “these rhymes” from the lips of Byron’s nurse,
May Gray, who regarded them as a first essay in the direction of
poetry. He questioned their originality.

EPITAPH ON JOHN ADAMS, OF SOUTHWELL,
A CARRIER, WHO DIED OF DRUNKENNESS.

John Adams lies here, of the parish of Southwell,

A Carrier who carried his can to his mouth well;[2]

He carried so much and he carried so fast,

He could carry no more—so was carried at last;

For the liquor he drank being too much for one,

He could not carry off;—so he’s now carri-on.

September, 1807.
[First published, Letters and Journals, 1830, i. 106.]

Mrs. Birdmere’s House, Southwell

A VERSION OF OSSIAN’S ADDRESS
TO THE SUN.
FROM THE POEM “CARTHON.”

O thou! who rollest in yon azure field,

Round as the orb of my forefather’s shield,

Whence are thy beams? From what eternal store

Dost thou, O Sun! thy vast effulgence pour?

In awful grandeur, when thou movest on high,

The stars start back and hide them in the sky;

The pale Moon sickens in thy brightening blaze,

And in the western wave avoids thy gaze.

Alone thou shinest forth—for who can rise

Companion of thy splendour in the skies!

The mountain oaks are seen to fall away—

Mountains themselves by length of years decay—

With ebbs and flows is the rough Ocean tost;

In heaven the Moon is for a season lost,

But thou, amidst the fullness of thy joy,

The same art ever, blazing in the sky!

When tempests wrap the world from pole to pole,

When vivid lightnings flash and thunders roll,

Thou far above their utmost fury borne,

Look’st forth in beauty, laughing them to scorn.

But vainly now on me thy beauties blaze—

Ossian no longer can enraptured gaze![3]

Whether at morn, in lucid lustre gay,

On eastern clouds thy yellow tresses play,

Or else at eve, in radiant glory drest,

Thou tremblest at the portals of the west,

I see no more! But thou mayest fail at length,

Like Ossian lose thy beauty and thy strength,

Like him—but for a season—in thy sphere

To shine with splendour, then to disappear!

Thy years shall have an end, and thou no more

Bright through the world enlivening radiance pour,

But sleep within thy clouds, and fail to rise,

Heedless when Morning calls thee to the skies!

Then now exult, O Sun! and gaily shine,

While Youth and Strength and Beauty all are thine.

For Age is dark, unlovely, as the light

Shed by the Moon when clouds deform the night,

Glimmering uncertain as they hurry past.

Loud o’er the plain is heard the northern blast,

Mists shroud the hills, and ‘neath the growing gloom,

The weary traveller shrinks and sighs for home.

1806.
[First published, Atlantic Monthly, December, 1898.
[2]]

FOOTNOTES:

[2] [I am indebted to the courtesy of Mr. Pierre De La Rose for
sending me a copy of the foregoing Version of Ossian’s Address to
the Sun, which was “Privately printed at the Press of Oliver B.
Graves, Cambridge, Massachusetts, June the Tenth, MDCCCXCVIII.,”
and was reprinted in the Atlantic Monthly in December, 1898.
A prefatory note entitled, “From Lord Byron’s Notes,” is prefixed to
the Version: “In Lord Byron’s copy of The Poems of Ossian
(printed by Dewick and Clarke, London, 1806), which, since 1874,
has been in the possession of the Library of Harvard University as
part of the Sumner Bequest. The notes which follow appear in
Byron’s hand.” (For the Notes, see the Atlantic Monthly,
1898, vol. lxxxii. pp. 810-814.)

It is strange that Byron should have made two versions (for
another “version” from the Newstead MSS., see Poetical Works,
1898, i. 229-231) of the “Address to the Sun,” which forms the
conclusion of “Carthon;” but the Harvard version appears to be
genuine. It is to be noted that Byron appended to the earlier
version eighteen lines of his own composition, by way of moral or
application.]

[4]

LINES TO MR. HODGSON.
WRITTEN ON BOARD THE LISBON PACKET.

Huzza! Hodgson [3], we are going,

Our embargo’s off at last;

Favourable breezes blowing

Bend the canvas o’er the mast.

From aloft the signal’s streaming,

Hark! the farewell gun is fired;

Women screeching, tars blaspheming,

Tell us that our time’s expired.

Here’s a rascal

Come to task all,

Prying from the Custom-house;

Trunks unpacking

Cases cracking,

Not a corner for a mouse

Scapes unsearched amid the racket,

Ere we sail on board the Packet.

Now our boatmen quit their mooring,

And all hands must ply the oar;

Baggage from the quay is lowering,

We’re impatient, push from shore.

“Have a care! that case holds liquor—

Stop the boat—I’m sick—oh Lord!”[5]

“Sick, Ma’am, damme, you’ll be sicker,

Ere you’ve been an hour on board.”

Thus are screaming

Men and women,

Gemmen, ladies, servants, Jacks;

Here entangling,

All are wrangling,

Stuck together close as wax.—

Such the general noise and racket,

Ere we reach the Lisbon Packet.

Now we’ve reached her, lo! the Captain,

Gallant Kidd,[4] commands the crew;

Passengers their berths are clapt in,

Some to grumble, some to spew.

“Hey day! call you that a cabin?

Why’t is hardly three feet square!

Not enough to stow Queen Mab in—

Who the deuce can harbour there?”

“Who, sir? plenty—

Nobles twenty

Did at once my vessel fill.”—

“Did they? Jesus,

How you squeeze us!

Would to God they did so still!

Then I’d ‘scape the heat and racket

Of the good ship, Lisbon Packet.”

[6]

Fletcher! Murray! Bob![5] where are you?

Stretched along the deck like logs—

Bear a hand, you jolly tar, you!

Here’s a rope’s end for the dogs.

Hobhouse muttering fearful curses,

As the hatchway down he rolls,

Now his breakfast, now his verses,

Vomits forth—and damns our souls.

“Here’s a stanza [6]

On Braganza—

Help!”—”A couplet?”—”No, a cup

Of warm water—”

“What’s the matter?”

“Zounds! my liver’s coming up;

I shall not survive the racket

Of this brutal Lisbon Packet.”

Now at length we’re off for Turkey,

Lord knows when we shall come back!

Breezes foul and tempests murky

May unship us in a crack.

But, since Life at most a jest is,

As philosophers allow,

Still to laugh by far the best is,

Then laugh on—as I do now.

Laugh at all things,

Great and small things,[7]

Sick or well, at sea or shore;

While we’re quaffing,

Let’s have laughing—

Who the devil cares for more?—

Some good wine! and who would lack it,

Ev’n on board the Lisbon Packet?

Falmouth Roads, June 30, 1809.
[First published, Letters and Journals, 1830, i. 230-232.]

FOOTNOTES:

[3] [For Francis Hodgson (1781-1852), see Letters,
1898, i. 195, note 1.]

[4] [Compare Peter Pindar’s Ode to a Margate Hoy—

“Go, beauteous Hoy, in safety ev’ry inch!

That storm should wreck thee, gracious Heav’n forbid!

Whether commanded by brave Captain Finch

Or equally tremendous Captain Kidd.”]

[5] [Murray was “Joe” Murray, an ancient retainer of the “Wicked
Lord.” Bob was Robert Rushton, the “little page” of “Childe
Harold’s Good Night.” (See Poetical Works, 1899, ii. 26,
note 1.)]

[6] [For “the stanza,” addressed to the “Princely offspring of
Braganza,” published in the Morning Post, December 30, 1807, see
English Bards, etc., line 142, note 1,
Poetical Works, 1898, i. 308, 309.]

[TO DIVES.[7] A FRAGMENT.]

Unhappy Dives! in an evil hour

‘Gainst Nature’s voice seduced to deeds accurst!

Once Fortune’s minion now thou feel’st her power;

Wrath’s vial on thy lofty head hath burst.

In Wit, in Genius, as in Wealth the first,

How wondrous bright thy blooming morn arose!

But thou wert smitten with th’ unhallowed thirst

Of Crime unnamed, and thy sad noon must close

In scorn and solitude unsought the worst of woes.

1809.
[First published, Lord Byron’s Works, 1833, xvii. 241.]

FOOTNOTES:

[7] [Dives was William Beckford. See Childe Harold,
Canto I. stanza xxii. line 6, Poetical Works, 1899, ii. 37,
note 1.]

FAREWELL PETITION TO R. C. H., ESQ^RE.

O thou yclep’d by vulgar sons of Men

Cam Hobhouse![8] but by wags Byzantian Ben!

Twin sacred titles, which combined appear

To grace thy volume’s front, and gild its rear,[8]

Since now thou put’st thyself and work to Sea

And leav’st all Greece to Fletcher[9] and to me,

Oh, hear my single muse our sorrows tell,

One song for self and Fletcher quite as well—

First to the Castle of that man of woes

Dispatch the letter which I must enclose,

And when his lone Penelope shall say

Why, where, and wherefore doth my William stay?

Spare not to move her pity, or her pride—

By all that Hero suffered, or defied;

The chicken’s toughness, and the lack of ale

The stoney mountain and the miry vale

The Garlick steams, which half his meals enrich,

The impending vermin, and the threatened Itch,

That ever breaking Bed, beyond repair!

The hat too old, the coat too cold to wear,

The Hunger, which repulsed from Sally’s door

Pursues her grumbling half from shore to shore,

Be these the themes to greet his faithful Rib

So may thy pen be smooth, thy tongue be glib!

This duty done, let me in turn demand

Some friendly office in my native land,

Yet let me ponder well, before I ask,

And set thee swearing at the tedious task.

First the Miscellany![10]—to Southwell town

Per coach for Mrs. Pigot frank it down,[9]

So may’st them prosper in the paths of Sale,[11]

And Longman smirk and critics cease to rail.

All hail to Matthews![12] wash his reverend feet,

And in my name the man of Method greet,—

Tell him, my Guide, Philosopher, and Friend,

Who cannot love me, and who will not mend,

Tell him, that not in vain I shall assay

To tread and trace our “old Horatian way,”[13]

And be (with prose supply my dearth of rhymes)

What better men have been in better times.

Here let me cease, for why should I prolong

My notes, and vex a Singer with a Song?

Oh thou with pen perpetual in thy fist!

Dubbed for thy sins a stark Miscellanist,

So pleased the printer’s orders to perform

For Messrs. Longman, Hurst and Rees and Orme.

Go—Get thee hence to Paternoster Row,

Thy patrons wave a duodecimo!

(Best form for letters from a distant land,

It fits the pocket, nor fatigues the hand.)

Then go, once more the joyous work commence [14]

With stores of anecdote, and grains of sense,[10]

Oh may Mammas relent, and Sires forgive!

And scribbling Sons grow dutiful and live!

Constantinople, June 7^th, 1810.
[First published, Murray’s Magazine, 1887, vol. i. pp. 290, 291.]

FOOTNOTES:

[8] [For John Cam Hobhouse (1786-1869), afterwards Lord
Broughton de Gyfford, see Letters, 1898, i. 163, note i.]

[9] [Fletcher was an indifferent traveller, and sighed for
“a’ the comforts of the saut-market.” See Byron’s letters to his mother,
November 12, 1809, June 28, 1810.—Letters, 1898, i. 256, 281.]

[10] [Hobhouse’s Miscellany (otherwise known as the Miss-sell-any)
was published in 1809, under the title of Imitations and Translations
from The Ancient and Modern Classics. Byron contributed nine
original poems. The volume was not a success. “It foundered …
in the Gulph of Lethe.”—Letter to H. Drury, July 17, 1811, Letters,
1898, i. 319.]

[11]
[The word “Sale” may have a double meaning. There may
be an allusion to George Sale, the Orientalist, and translator of the
Koran.]

[12]
[“In Matthews I have lost my ‘guide, philosopher, and
friend.'”—Letter to R. C. Dallas, September 7, 1811, Letters, 1898,
ii. 25. (For Charles Skinner Matthews, see Letters, 1898, i. 150,
note 3.)]

[13]
[Compare—

“In short, the maxim for the amorous tribe is

Horatian, ‘Medio tu tutissimus ibis.'”

Don Juan, Canto V. stanza xvii. lines 8, 9.
The “doctrine” is Horatian, but the words occur in Ovid,
Metam., lib. ii. line 137.—Poetical Works,
1902, vi. 273, note 2.]

[14]
[Hobhouse’s Journey through Albania and other Provinces of
Turkey, 4^to, was published by James Cawthorn, in 1813.]

TRANSLATION OF THE NURSE’S DOLE IN
THE MEDEA OF EURIPIDES.

“If those bright lips had quoted Locke,

I might have thought they murmured Little.”]

[R. C. DALLAS.][19]

Yes! wisdom shines in all his mien,

Which would so captivate, I ween,

Wisdom’s own goddess Pallas;[13]

That she’d discard her fav’rite owl,

And take for pet a brother fowl,

Sagacious R. C. Dallas.

[First published, Life, Writings, Opinions, etc., 1825, ii. 192.]

FOOTNOTES:

[19] [“A person observing that Mr. Dallas looked very wise on a
certain occasion, his Lordship is said to have broke out into the
following impromptu.”—Life, Writings, Times, and Opinions of
Lord Byron, 1825, ii. 191.]

AN
ODE [20]
TO THE FRAMERS OF THE FRAME BILL.[21]

Oh well done Lord E—— n! and better done R——r![22]

Britannia must prosper with councils like yours;

Hawkesbury, Harrowby, help you to guide her,

Whose remedy only must kill ere it cures:

Those villains; the Weavers, are all grown refractory,

Asking some succour for Charity’s sake—

So hang them in clusters round each Manufactory,

That will at once put an end to mistake.[23]

[14]

The rascals, perhaps, may betake them to robbing,

The dogs to be sure have got nothing to eat—

So if we can hang them for breaking a bobbin,

‘T will save all the Government’s money and meat:

Men are more easily made than machinery—

Stockings fetch better prices than lives—

Gibbets on Sherwood will heighten the scenery,

Shewing how Commerce, how Liberty thrives!

Justice is now in pursuit of the wretches,

Grenadiers, Volunteers, Bow-street Police,

Twenty-two Regiments, a score of Jack Ketches,

Three of the Quorum and two of the Peace;

Some Lords, to be sure, would have summoned the Judges,

To take their opinion, but that they ne’er shall,

For Liverpool such a concession begrudges,

So now they’re condemned by no Judges at all.

Some folks for certain have thought it was shocking,

When Famine appeals and when Poverty groans,

That Life should be valued at less than a stocking,

And breaking of frames lead to breaking of bones.

If it should prove so, I trust, by this token,

(And who will refuse to partake in the hope?)

That the frames of the fools may be first to be broken,

Who, when asked for a remedy, sent down a rope.

[First published, Morning Chronicle, Monday, March 2, 1812.]

[See a Political Ode by Lord Byron, hitherto unknown as
his production, London, John Pearson, 46, Pall
Mall, 1880, 8º. See, too, Mr. Pearson’s prefatory Note, pp. 5, etc.]

FOOTNOTES:

[20]
[“Lord Byron to Editor of the Morning Chronicle.

Sir,—I take the liberty of sending an alteration of the two last
lines of stanza 2^d, which I wish to run as follows:—

‘Gibbets on Sherwood will heighten the scenery,

Shewing how commerce, how liberty thrives.’

I wish you could insert it tomorrow for a particular reason; but I
feel much obliged by your inserting it at all. Of course do not put
my name to the thing—believe me,

Your obliged
and very obedient servant,
BYRON.

8, St. James’s Street,
Sunday, March 1, 1812.”]

[21] [For Byron’s maiden speech in the House of Lords, February
27, 1812, see Letters, 1898, ii. 424-430.]

[22] [Richard Ryder (1766-1832), second son of the first Baron
Harrowby, was Home Secretary, 1809-12.]

[23] Lord E., on Thursday night, said the riots at Nottingham
arose from a “mistake.”

[15]

TO THE HONBLE MRS GEORGE LAMB.[24]

The sacred song that on mine ear

Yet vibrates from that voice of thine,

I heard, before, from one so dear—

‘T is strange it still appears divine.

But, oh! so sweet that look and tone

To her and thee alike is given;

It seemed as if for me alone

That both had been recalled from Heaven!

And though I never can redeem

The vision thus endeared to me;

I scarcely can regret my dream,

When realised again by thee.

1812.
[First published in The Two Duchesses, by Vere Foster, 1898, p. 374.]

FOOTNOTES:

[24] [Caroline Rosalie Adelaide St. Jules (1786-1862) married, in
1809, the Hon. George Lamb (see English Bards, etc., line 55,
Poetical Works, 1898, i. 300, note 1), fourth son of the first Viscount
Melbourne.]

[LA REVANCHE.]

There is no more for me to hope,

There is no more for thee to fear;

And, if I give my Sorrow scope,

That Sorrow thou shalt never hear.[16]

Why did I hold thy love so dear?

Why shed for such a heart one tear?

Let deep and dreary silence be

My only memory of thee!

When all are fled who flatter now,

Save thoughts which will not flatter then;

And thou recall’st the broken vow

To him who must not love again—

Each hour of now forgotten years

Thou, then, shalt number with thy tears;

And every drop of grief shall be

A vain remembrancer of me!

Undated, ?1812.
[From an autograph MS. in the possession of Mr. Murray, now for the first time printed.]

TO THOMAS MOORE.
WRITTEN THE EVENING BEFORE HIS VISIT TO MR. LEIGH
HUNT IN HORSEMONGER LANE GAOL, MAY 19, 1813.

Oh you, who in all names can tickle the town,

Anacreon, Tom Little, Tom Moore, or Tom Brown,—[25]

For hang me if I know of which you may most brag,

Your Quarto two-pounds, or your Two-penny Post Bag;

But now to my letter—to yours ’tis an answer—

To-morrow be with me, as soon as you can, sir,[17]

All ready and dressed for proceeding to spunge on

(According to compact) the wit in the dungeon—[26]

Pray Phoebus at length our political malice

May not get us lodgings within the same palace!

I suppose that to-night you’re engaged with some codgers,

And for Sotheby’s Blues [27] have deserted Sam Rogers;

And I, though with cold I have nearly my death got,

Must put on my breeches, and wait on the Heathcote;[28]

But to-morrow, at four, we will both play the Scurra,

And you’ll be Catullus, the Regent Mamurra.[29]

[First published, Letters and Journals, 1830, i. 401.]

FOOTNOTES:

[25] [Moore’s “Intercepted Letters; or, The Twopenny Post-Bag,
By Thomas Brown, the Younger,” was published in 1813.]

[26] [James Henry Leigh Hunt (1784-1859) was imprisoned
February, 1813, to February, 1815, for a libel on the Prince
Regent, published in the Examiner, March 12, 1812.—Letters,
1898, ii. 205-208, note 1.]

[27] [For “Sotheby’s Blues,” see Introduction to The Blues,
Poetical Works, 1901, iv. 570, et ibid., 579, 580.]

[28] [Katherine Sophia Manners was married in 1793 to Sir Gilbert
Heathcote. See Letters, 1898, ii. 402, 406.]

[29] [See Catullus, xxix. 1-4—

“Quis hoc potest videre? quis potest pati,

Nisi impudicus et vorax et aleo,

Mamurram habere, quod Comata Gallia

Habebat uncti et ultima Britannia?” etc.]

ON LORD THURLOW’S POEMS.[30]

When Thurlow this damned nonsense sent,

(I hope I am not violent)

Nor men nor gods knew what he meant.

[18]

And since not even our Rogers’ praise

To common sense his thoughts could raise—

Why would they let him print his lays?

4.[19]

To me, divine Apollo, grant—O!

Hermilda’s [31] first and second canto,

I’m fitting up a new portmanteau;

And thus to furnish decent lining,

My own and others’ bays I’m twining,—

So, gentle Thurlow, throw me thine in.

June 2, 1813.
[First published, Letters and Journals, 1830, i. 396.]

FOOTNOTES:

[30] [One evening, in the late spring or early summer of 1813,
Byron and Moore supped on bread and cheese with Rogers. Their
host had just received from Lord Thurlow [Edward Hovell Thurlow,
1781-1829] a copy of his Poems on Several Occasions (1813), and
Byron lighted upon some lines to Rogers, “On the Poem of Mr.
Rogers, entitled ‘An Epistle to a Friend.'” The first stanza ran thus—

“When Rogers o’er this labour bent,

Their purest fire the Muses lent,

T’ illustrate this sweet argument.”

“Byron,” says Moore, “undertook to read it aloud;—but he
found it impossible to get beyond the first two words. Our laughter
had now increased to such a pitch that nothing could restrain it.
Two or three times he began; but no sooner had the words ‘When
Rogers’ passed his lips, than our fit burst forth afresh,—till even Mr.
Rogers himself … found it impossible not to join us. A day or two
after, Lord Byron sent me the following:—’My dear Moore,
“When Rogers” must not see the enclosed, which I send for your
perusal.'”—Life, p. 181; Letters, 1898, ii. 211-213, note 1.]

Thurlow’s poems are by no means contemptible. A sonnet, “To
a Bird, that haunted the Water of Lacken, in the Winter,” which
Charles Lamb transcribed in one of Coleridge’s note-books, should
be set over against the absurd lines, “On the Poems of Mr. Rogers.”

“O melancholy bird, a winter’s day

Thou standest by the margin of the pool;

And, taught by God, dost thy whole being school

To Patience, which all evil can allay:

God has appointed thee the fish thy prey;

And giv’n thyself a lesson to the fool

Unthrifty, to submit to moral rule,

And his unthinking course by thee to weigh.

There need not schools nor the professor’s chair,

Though these be good, true wisdom to impart;

He, who has not enough for these to spare

Of time, or gold, may yet amend his heart,

And teach his soul by brooks and rivers fair,

Nature is always wise in every part.”

Select Poems, 1821, p. 90.
[See “Fragments of Criticism,” Works of Charles Lamb, 1903, iii. 284.]

[31] [Hermilda in Palestine was published in 1812, in quarto, and
twice reissued in 1813, as part of Poems on Various Occasions (8vo).
The Lines upon Rogers’ Epistle to a Friend appeared first in the
Gentleman’s Magazine for April, 1813, vol. 83, p. 357, and were
reprinted in the second edition of Poems, etc., 1813, pp. 162, 163.
The lines in italics, which precede each stanza, are taken from
the last stanza of Lord Thurlow’s poem.]

TO LORD THURLOW.[32]

“I lay my branch of laurel down.”

“Thou lay thy branch of laurel down!”

Why, what thou’st stole is not enow;

And, were it lawfully thine own,

Does Rogers want it most, or thou?

Keep to thyself thy withered bough,

Or send it back to Doctor Donne:[20][33]

Were justice done to both, I trow,

He’d have but little, and thou—none.

“Then, thus, to form Apollo’s crown.”

A crown! why, twist it how you will,

Thy chaplet must be foolscap still.

When next you visit Delphi’s town,

Enquire amongst your fellow-lodgers,

They’ll tell you Phoebus gave his crown,

Some years before your birth, to Rogers.

“Let every other bring his own.”

When coals to Newcastle are carried,

And owls sent to Athens, as wonders,

From his spouse when the Regent’s unmarried,

Or Liverpool weeps o’er his blunders;

When Tories and Whigs cease to quarrel,

When Castlereagh’s wife has an heir,

Then Rogers shall ask us for laurel,

And thou shalt have plenty to spare.

[First published, Letters and Journals, 1830, i. 397.]

FOOTNOTES:

[32] [“On the same day I received from him the following additional
scraps [‘To Lord Thurlow’]. The lines in Italics are from the
eulogy that provoked his waggish comments.”—Life, p. 181. The
last stanza of Thurlow’s poem supplied the text—

“Then, thus, to form Apollo’s crown,

(Let ev’ry other bring his own,)

I lay my branch of laurel down.”]

[33] [Lord Thurlow affected an archaic style in his Sonnets
and other verses. In the Preface to the second edition of Poems, etc.,
he writes, “I think that our Poetry has been continually declining
since the days of Milton and Cowley … and that the
golden age of our language is in the reign of Queen Elizabeth.”]

[21]

THE DEVIL’S DRIVE.[ii][34]

The Devil returned to Hell by two,

And he stayed at home till five;

When he dined on some homicides done in ragoût,

And a rebel or so in an Irish stew,

And sausages made of a self-slain Jew,

And bethought himself what next to do,

“And,” quoth he, “I’ll take a drive.

I walked in the morning, I’ll ride to-night;

In darkness my children take most delight,

10And I’ll see how my favourites thrive.

“And what shall I ride in?” quoth Lucifer, then—

“If I followed my taste, indeed,

I should mount in a waggon of wounded men,

And smile to see them bleed.

But these will be furnished again and again,

And at present my purpose is speed;[22]

To see my manor as much as I may,

And watch that no souls shall be poached away.

“I have a state-coach at Carlton House,

20A chariot in Seymour-place;[35]

But they’re lent to two friends, who make me amends

By driving my favourite pace:

And they handle their reins with such a grace,

I have something for both at the end of the race.

“So now for the earth to take my chance,”

Then up to the earth sprung he;

And making a jump from Moscow to France,

He stepped across the sea,

And rested his hoof on a turnpike road,

30No very great way from a Bishop’s abode.[36]

But first as he flew, I forgot to say,

That he hovered a moment upon his way,

To look upon Leipsic plain;[23]

And so sweet to his eye was its sulphury glare,

And so soft to his ear was the cry of despair,

That he perched on a mountain of slain;

And he gazed with delight from its growing height,

Nor often on earth had he seen such a sight,

Nor his work done half as well:

40For the field ran so red with the blood of the dead,

That it blushed like the waves of Hell!

Then loudly, and wildly, and long laughed he:

“Methinks they have little need here of me!”

Long he looked down on the hosts of each clime,

While the warriors hand to hand were—

Gaul—Austrian and Muscovite heroes sublime,

And—(Muse of Fitzgerald arise with a rhyme!)

A quantity of Landwehr![37]

Gladness was there,

50For the men of all might and the monarchs of earth,

There met for the wolf and the worm to make mirth,

And a feast for the fowls of the Air!

But he turned aside and looked from the ridge

Of hills along the river,

And the best thing he saw was a broken bridge,[38]

Which a Corporal chose to shiver;[24]

Though an Emperor’s taste was displeased with his haste,

The Devil he thought it clever;

And he laughed again in a lighter strain,

60O’er the torrent swoln and rainy,

When he saw “on a fiery steed” Prince Pon,

In taking care of Number One—

Get drowned with a great many!

But the softest note that soothed his ear

Was the sound of a widow sighing;

And the sweetest sight was the icy tear,

Which Horror froze in the blue eye clear

Of a maid by her lover lying—

As round her fell her long fair hair,

70And she looked to Heaven with that frenzied air

Which seemed to ask if a God were there!

And stretched by the wall of a ruined hut,

With its hollow cheek, and eyes half shut,

A child of Famine dying:[25]

And the carnage begun, when resistance is done,

And the fall of the vainly flying!

Then he gazed on a town by besiegers taken,

Nor cared he who were winning;

But he saw an old maid, for years forsaken,

80Get up and leave her spinning;

And she looked in her glass, and to one that did pass,

She said—”pray are the rapes beginning?”[39]

10.

But the Devil has reached our cliffs so white,

And what did he there, I pray?

If his eyes were good, he but saw by night

What we see every day;

But he made a tour and kept a journal

Of all the wondrous sights nocturnal,

And he sold it in shares to the Men of the Row,

90Who bid pretty well—but they cheated him, though!

11.

The Devil first saw, as he thought, the Mail,

Its coachman and his coat;

So instead of a pistol he cocked his tail,

And seized him by the throat;[26]

“Aha!” quoth he, “what have we here?

‘T is a new barouche, and an ancient peer!”[40]

12.

So he sat him on his box again,

And bade him have no fear,

But be true to his club, and staunch to his rein,

100His brothel and his beer;

“Next to seeing a Lord at the Council board,

I would rather see him here.”

13.

Satan hired a horse and gig

With promises to pay;

And he pawned his horns for a spruce new wig,

To redeem as he came away:

And he whistled some tune, a waltz or a jig,

And drove off at the close of day.

14.

The first place he stopped at—he heard the Psalm

110[27]That rung from a Methodist Chapel:

“‘T is the best sound I’ve heard,” quoth he, “since my palm

Presented Eve her apple!

When Faith is all, ‘t is an excellent sign,

That the Works and Workmen both are mine.”

15.

He passed Tommy Tyrwhitt,[41] that standing jest,

To princely wit a Martyr:

But the last joke of all was by far the best,

When he sailed away with “the Garter”!

“And”—quoth Satan—”this Embassy’s worthy my sight,

120Should I see nothing else to amuse me to night.

With no one to bear it, but Thomas à Tyrwhitt,

This ribband belongs to an ‘Order of Merit’!”

16.

He stopped at an Inn and stepped within

The Bar and read the “Times;”[28]

And never such a treat, as—the epistle of one “Vetus,”[42]

Had he found save in downright crimes:

“Though I doubt if this drivelling encomiast of War

Ever saw a field fought, or felt a scar,

Yet his fame shall go farther than he can guess,

130For I’ll keep him a place in my hottest Press;

And his works shall be bound in Morocco d’Enfer,

And lettered behind with his Nom de Guerre.”

17.

The Devil gat next to Westminster,

And he turned to “the room” of the Commons;

But he heard as he purposed to enter in there,

That “the Lords” had received a summons;

And he thought, as “a quondam Aristocrat,”

He might peep at the Peers, though to hear them were flat;

And he walked up the House so like one of his own,

140That they say that he stood pretty near the throne.

18.

He saw the Lord Liverpool seemingly wise,

The Lord Westmoreland certainly silly,

And Jockey of Norfolk—a man of some size—

And Chatham, so like his friend Billy;[29][43]

And he saw the tears in Lord Eldon’s eyes,

Because the Catholics would not rise,

In spite of his prayers and his prophecies;

And he heard—which set Satan himself a staring—

A certain Chief Justice say something like swearing.[44]

And the Devil was shocked—and quoth he, “I must go,

151For I find we have much better manners below.

If thus he harangues when he passes my border,

I shall hint to friend Moloch to call him to order.”

19.

Then the Devil went down to the humbler House,

Where he readily found his way

As natural to him as its hole to a Mouse,

He had been there many a day;

And many a vote and soul and job he

Had bid for and carried away from the Lobby:[30]

But there now was a “call” and accomplished debaters

161Appeared in the glory of hats, boots and gaiters—

Some paid rather more—but all worse dressed than Waiters!

20.

There was Canning for War, and Whitbread for peace,

And others as suited their fancies;

But all were agreed that our debts should increase

Excepting the Demagogue Francis.

That rogue! how could Westminster chuse him again

To leaven the virtue of these honest men!

But the Devil remained till the Break of Day

170Blushed upon Sleep and Lord Castlereagh:[45]

Then up half the house got, and Satan got up

With the drowsy to snore—or the hungry to sup:—

But so torpid the power of some speakers, ‘t is said,

That they sent even him to his brimstone bed.

21.

He had seen George Rose—but George was grown dumb,

And only lied in thought![46]

And the Devil has all the pleasure to come

Of hearing him talk as he ought.[31]

With the falsest of tongues, the sincerest of men—

180His veracity were but deceit—

And Nature must first have unmade him again,

Ere his breast or his face, or his tongue, or his pen,

Conceived—uttered—looked—or wrote down letters ten,

Which Truth would acknowledge complete.

22.

Satan next took the army list in hand,

Where he found a new “Field Marshal;”

And when he saw this high command

Conferred on his Highness of Cumberland,[47]

“Oh! were I prone to cavil—or were I not the Devil,

190I should say this was somewhat partial;

Since the only wounds that this Warrior gat,

Were from God knows whom—and the Devil knows what!”

23.

He then popped his head in a royal Ball,

And saw all the Haram so hoary;[32]

And who there besides but Corinna de Staël![48]

Turned Methodist and Tory!

“Aye—Aye”—quoth he—”‘t is the way with them all,

When Wits grow tired of Glory:

But thanks to the weakness, that thus could pervert her,

200Since the dearest of prizes to me’s a deserter:

Mem—whenever a sudden conversion I want,

To send to the school of Philosopher Kant;

And whenever I need a critic who can gloss over

All faults—to send for Mackintosh to write up the Philosopher.”[49]

24.

The Devil waxed faint at the sight of this Saint,

And he thought himself of eating;

And began to cram from a plate of ham

Wherewith a Page was retreating—

Having nothing else to do (for “the friends” each so near

210[33]Had sold all their souls long before),

As he swallowed down the bacon he wished himself a Jew

For the sake of another crime more:

For Sinning itself is but half a recreation,

Unless it ensures most infallible Damnation.

25.

But he turned him about, for he heard a sound

Which even his ear found faults in;

For whirling above—underneath—and around—

Were his fairest Disciples Waltzing![50]

And quoth he—”though this be—the premier pas to me,

220Against it I would warn all—

Should I introduce these revels among my younger devils,

They would all turn perfectly carnal:

And though fond of the flesh—yet I never could bear it

Should quite in my kingdom get the upper hand of Spirit.”

26.

The Devil (but ‘t was over) had been vastly glad

To see the new Drury Lane,

And yet he might have been rather mad

To see it rebuilt in vain;

And had he beheld their “Nourjahad,”[51]

230[34]Would never have gone again:

And Satan had taken it much amiss,

They should fasten such a piece on a friend of his—

Though he knew that his works were somewhat sad,

He never had found them quite so bad:

For this was “the book” which, of yore, Job, sorely smitten,

Said, “Oh that mine enemy, mine enemy had written”!

27.

Then he found sixty scribblers in separate cells,[52]

And marvelled what they were doing,

For they looked like little fiends in their own little hells,

240Damnation for others brewing—

Though their paper seemed to shrink, from the heat of their ink,

They were only coolly reviewing!

And as one of them wrote down the pronoun “We,”

“That Plural”—says Satan—”means him and me,

With the Editor added to make up the three

Of an Athanasian Trinity,

And render the believers in our ‘Articles’ sensible,

How many must combine to form one Incomprehensible”!

December 9, 1813.
[Stanzas 1, 2, 3, 4, 5, 8, 10, 11, 12, 17, 18, first published,
Letters and Journals, 1830, i. 471-474: stanzas 6, 7,
9, 13, 14, 15, 16, 19-27, now published for the first
time from an autograph MS. in the possession of the
Earl of Ilchester.]

FOOTNOTES:

[ii] The Devil’s Drive. A Sequel to Porson’s
Devil’s Walk.—[MS. H.]

[34] [“I have lately written a wild, rambling, unfinished rhapsody,
called ‘The Devil’s Drive,’ the notion of which I took from Porson’s
Devil’s Walk.”—Journal, December 17, 18, 1813, Letters,
1898, ii. 378. “Though with a good deal of vigour and imagination, it is,”
says Moore, “for the most part rather clumsily executed, wanting
the point and condensation of those clever verses of Coleridge and
Southey, which Lord Byron, adopting a notion long prevalent, has
attributed to Porson.” The Devil’s Walk was published in the
Morning Post, September 6, 1799. It has been published under
Porson’s name (1830, ed. H. Montague, illustrated by Cruikshank).
(See Poetical Works, 1898, i. 30, note 1.)]

[35] [Lord Yarmouth, nicknamed “Red Herrings,” the eldest son
of the Regent’s elderly favourite, the Marchioness of Hertford (the
“Marchesa” of the Twopenny Post-Bag), lived at No. 7, Seamore
Place, Mayfair. Compare Moore’s “Epigram:” “‘I want the
Court Guide,’ said my lady, ‘to look If the House, Seymour Place,
be at 30 or 20,'” etc.—Poetical Works, 1850, p. 165.]

[36] [The allusion may be to a case which was before the courts,
the Attorney-General v. William Carver and Brownlow Bishop of
Winchester (see Morning Chronicle, November 17, 1813). Carver
held certain premises under the Bishop of Winchester, at the
entrance of Portsmouth Harbour, which obstructed the efflux and
reflux of the tide. “The fact,” said Mr. Serjeant Lens, in opening
the case for the Crown, “was of great magnitude to the entire
nation, since it effected the security, and even the existence of one
of the principal harbours of Great Britain.”]

[37] [The Russian and Austrian troops at the battle of Leipsic,
October 16, 1813, were, for the most part, veterans, while the
Prussian contingent included a large body of militia.]

[38] [For the incident of the “broken bridge” Byron was indebted
to the pages of the Morning Chronicle of November 8, 1813, “Paris
Papers, October 30″—

“The Emperor had ordered the engineers to form fougades under
the grand bridge which is between Leipsic and Lindenau, in order
to blow it up at the latest moment, and thus to retard the march
of the enemy and give time to our baggage to file off. General
Dulauloy had entrusted the operation to Colonel Montford. The
Colonel, instead of remaining on the spot to direct it, and to give
the signal, ordered a corporal and four sappers to blow up the
bridge the instant the enemy should appear. The corporal, an
ignorant fellow, and ill comprehending the nature of the duty with
which he was charged, upon hearing the first shot discharged from
the ramparts of the city, set fire to the fougades and blew up the
bridge. A part of the army was still on the other side, with a park
of 80 pieces of artillery and some hundreds of waggons. The
advance of this part of the army, who were approaching the bridge,
seeing it blow up, conceived it was in the power of the enemy. A
cry of dismay spread from rank to rank. ‘The enemy are close
upon our rear, and the bridges are destroyed!’ The unfortunate
soldiers dispersed, and endeavoured to effect their escape as well as
they could. The Duke of Tarentum swam across the river. Prince
Poniatowsky, mounted on a spirited horse, darted into the water
and appeared no more. The Emperor was not informed of this
disaster until it was too late to remedy it…. Colonel Montfort
and the corporal of the sappers have been handed over to a court-
martial.”]

[39] [Compare Don Juan, Canto VIII. stanza cxxxii. line 4. Sir
Walter Scott (Journal, October 30, 1826 [1890, i. 288]), tells the
same story of “an old woman who, when Carlisle was taken by
the Highlanders in 1745, chose to be particularly apprehensive of
personal violence, and shut herself up in a closet, in order that she
might escape ravishment. But no one came to disturb her solitude,
and … by and by she popped her head out of her place of refuge
with the pretty question, ‘Good folks, can you tell me when the
ravishing is going to begin?'” In 1813 Byron did not know Scott,
and must have stolen the jest from some older writer. It is, probably,
of untold antiquity.]

[40] [The “Four-Horse” Club, founded in 1808, was incorrectly
styled the Four-in-Hand Club, and the Barouche Club. According
to the Club rules, the barouches were “yellow-bodied, with ‘dickies,’
the horses bay, with rosettes at their heads, and the harness silver-mounted.
The members wore a drab coat reaching to the ankles,
with three tiers of pockets, and mother-o’-pearl buttons as large as
five-shilling pieces. The waistcoat was blue, with yellow stripes an
inch wide; breeches of plush, with strings and rosettes to each
knee; and it was de rigueur that the hat should be 3-1/2 inches deep in
the crown.” (See Driving, by the Duke of Beaufort, K.G., 1894,
pp. 251-258.)

The “ancient peer” may possibly be intended for the President
of the Club, Philip Henry, fifth Earl of Chesterfield (1755-1815),
who was a member of the Privy Council, and had been Postmaster-General
and Master of the Horse.]

[41] [Sir Thomas Tyrwhitt (circ. 1762-1833) was the son of the
Rev. Edmund Tyrwhitt, Rector of Wickham Bishops, etc., and
nephew of Thomas Tyrwhitt, the editor of the Canterbury Tales. He
was Private Secretary to the Prince of Wales, auditor of the Duchy
of Cornwall (1796), and Lord Warden of the Stannaries (1805).
He was knighted May 8, 1812. He was sent in the following year
in charge of the Garter mission to the Czar, and on that occasion
was made a Knight of the Imperial Order of St. Anne, First Class.
He held the office of Gentleman Usher of the Black Rod, 1812-1832.
“Tommy Tyrwhitt” was an important personage at Carlton
House, and shared with Colonel McMahon the doubtful privilege
of being a confidential servant of the Prince Regent. Compare
Letter III. of Moore’s Twopenny Post-Bag, 1813, p. 12. “From
G. R. to the E. of Y——th.”

“I write this in bed while my whiskers are airing,

And M—c has a sly dose of jalap preparing

For poor T—mm—y T—rr—t at breakfast to quaff—

As I feel I want something to give me a laugh,

And there’s nothing so good as old T—mm—y kept close

To his Cornwall accounts, after taking a dose!”

See Gentleman’s Magazine, March, 1833, vol. 103, pt. i. pp.
275, 276.]

[42] [“Vetus” [Edward Sterling] contributed a series of letters to
the Times, 1812, 1813. They were afterwards republished. Vetus
was not a Little Englander, and his political sentiments recall the
obiter dicta of contemporary patriots; e.g. “the only legitimate
basis for a treaty, if not on the part of the Continental Allies, at least
for England herself [is] that she should conquer all she can, and
keep all she conquers. This is not by way of retaliation, however
just, upon so obdurate and rapacious an enemy—but as an indispensable
condition of her own safety and existence.” The letters
were reviewed under the heading of “Illustrations of Vetus,” in the
Morning Chronicle, December 2, 10, 16, 18; 1813. The reviewer
and Byron did not take the patriotic view of the situation.]

[43] [Robert Banks Jenkinson (1770-1828), second Earl of Liverpool,
on the assassination of Perceval, became Prime Minister, June
7, 1812; John Fane (1759-1841), tenth Earl of Westmoreland,
was Lord Privy Seal, 1798-1827; Charles Howard (1746-1815),
eleventh Duke of Norfolk, known as “Jockey of Norfolk,” was a
Protestant and a Liberal, and at one time a friend of the Prince of
Wales. Wraxall, Posthumous Memoirs, 1836, i. 29, says that “he
might have been mistaken for a grazier or a butcher by his dress
and appearance.” He figures largely in Gillray, see e.g. “Meeting
of the Moneyed Interest,” December, 1798. John Pitt (1756-1835),
second Earl of Chatham, the hero of the abortive Walcheren expedition,
had been made a general in the army January 1, 1812.
He “inherited,” says Wraxall, ibid., iii. 129, “his illustrious father’s
form and figure; but not his mind.”]

[44] [Edward Law (1750-1818), first Baron Ellenborough, Lord
Chief Justice of the King’s Bench, 1802-18, was given to the use
of strong language. His temper (see Moore’s “Sale of the Tools”)
was “none of the best.” On one occasion, speaking in the House of
Lords (March 22, 1813) with regard to the “delicate investigation,”
he asserted that the accusation [“that the persons intrusted had
thought fit to fabricate an unauthorized document”] “was as false
as hell;” and by way of protest against the tedious harangues of
old Lord Darnley, “I am answerable to God for my time, and
what account can I give at the day of judgment if I stay here
longer?”]

[45] [Compare Moore’s “Insurrection of the Papers”—

“Last night I toss’d and turn’d in bed,

But could not sleep—at length I said,

‘I’ll think of Viscount C—stl—r—gh,

And of his speeches—that’s the way.'”]

[46] [George Rose (1744-1818) was at this time Treasurer of the
Navy. Wraxall, who quotes the “Probationary Odes” with regard
to his alleged duplicity, testifies that he “knew him well in his official
capacity, during at least twelve years, and never found him deficient
in honour or sincerity” (Posthumous Memoirs, 1836, i. 148). Moore
(“Parody of a Celebrated Letter”) makes the Regent conceive how
shocked the king would be to wake up sane and find “that R—se
was grown honest, or W—stm—rel—nd wiser.”]

[47] [Ernest Augustus (1771-1851), Duke of Cumberland and King
of Hanover, fifth son of George III., was gazetted as Field-Marshal
November 27, 1813. His “wounds,” which, according to the
Duke’s sworn testimony, were seventeen in number, were inflicted
during an encounter with his valet, Joseph Sellis (? Sélis), a Piedmontese,
who had attempted to assassinate the Prince (June 1, 1810),
and, shortly afterwards, was found with his throat cut. A jury of
Westminster tradesmen brought in a verdict of felo de se against
Sellis. The event itself and the trial before the coroner provoked
controversy and the grossest scandal. The question is discussed and
the Duke exonerated of the charges brought against him, by J. H.
Jesse, Memoirs, etc., of George III., 1864, iii. 545, 546, and by
George Rose, Diaries, etc., 1860, ii. 437-446. The scandal was
revived in 1832 by the publication of a work entitled The Authentic
Memoirs of the Court of England for the last Seventy Years. The
printer and publisher of the work was found guilty. (See The Trial
of Josiah Phillips for a Libel on the Duke of Cumberland, 1833.)]

[48] [“At half-past nine [Wednesday, December 8, 1813] there was
a grand dress party at Carlton House, at which her Majesty and the
Prince Regent most graciously received the following distinguished
characters from the Russian Court, viz. the Count and Countess
Leiven, Mad. La Barrone (sic) de Staël, Monsieur de Staël,”
etc.—Morning Chronicle, December 10, 1813.]

[49] [In the review of Madame de Staël’s De L’Allemagne
(Edinburgh Review, October, 1813, vol. 22, pp. 198-238), Sir James
Mackintosh enlarged upon and upheld the “opinions of Kant” as
creative and seminal in the world of thought. In the same article
he passes in review the systems of Hobbes, Paley, Bentham,
Reid, etc., and finds words of praise and admiration for each in
turn. See, too, a passage (p. 226) in which he alludes to Coleridge
as a living writer, whose “singular character and unintelligible
style” might, in any other country but England, have won for him
attention if not approval. His own “conversion” from the extreme
liberalism of the Vindiciæ Gallicæ of 1791 to the philosophic conservatism
of the Introductory Discourse (1798) to his lecture on
The Law of Nature and Nations, was regarded with suspicion by
Wordsworth and Coleridge, who, afterwards, were still more
effectually “converted” themselves.]

[50] [See Introduction to The Waltz, Poetical Works, 1898, i. 475.]

[51] [Illusion, or the Trances of Nourjahad, a melodrama founded
on The History of Nourjahad, By the Editor of Sidney Bidulph
(Mrs. Frances Sheridan, née Chamberlaine, 1724-1766), was played
for the first time at Drury Lane Theatre, November 25, 1813.
Byron was exceedingly indignant at being credited with the authorship
or adaptation. (See Letter to Murray, November 27, 1813,
Letters, 1898, ii. 288, note 1.) Miss Sophia Lee, who wrote some of
the Canterbury Tales, “made a very elegant musical drama of it”
(Memoirs of Mrs. F. Sheridan, by Alicia Lefanu, 1824, p. 296);
but this was not the Nourjahad of Drury Lane.]

[52] [Millbank Penitentiary, which was built in the form of a
pentagon, was finally taken in hand in the spring of 1813. Solitary
confinement in the “cells” was, at first, reserved as a punishment
for misconduct.—Memorials of Millbank, by Arthur Griffiths, 1875,
i. 57.]

[35]

WINDSOR POETICS.

LINES COMPOSED ON THE OCCASION OF HIS ROYAL HIGHNESS
THE PRINCE REGENT BEING SEEN STANDING BETWEEN THE COFFINS
OF HENRY VIII. AND CHARLES I., IN THE ROYAL VAULT AT WINDSOR.

Famed for contemptuous breach of sacred ties,

By headless Charles see heartless Henry lies;

Between them stands another sceptred thing—

It moves, it reigns—in all but name, a king:

Charles to his people, Henry to his wife,

—In him the double tyrant starts to life:

Justice and Death have mixed their dust in vain,

Each royal Vampire wakes to life again.

Ah, what can tombs avail!—since these disgorge

The blood and dust of both—to mould a George.[53]

[First published, Poetical Works, Paris, 1819, vi. 125.]

[36]

[Another Version.]

ON A ROYAL VISIT TO THE VAULTS.[54]

[or Cæsar’s Discovery of C. I. AND H. 8. in ye same Vault.]

Famed for their civil and domestic quarrels

See heartless Henry lies by headless Charles;

Between them stands another sceptred thing,

It lives, it reigns—”aye, every inch a king.”

Charles to his people, Henry to his wife,

In him the double tyrant starts to life:

Justice and Death have mixed their dust in vain.

The royal Vampires join and rise again.

What now can tombs avail, since these disgorge

The blood and dirt [55] of both to mould a George!

FOOTNOTES:

[53] [“I cannot conceive how the Vault has got about; but so it
is. It is too farouche; but truth to say, my satires are not very
playful.”—Letter to Moore, March 12, 1814, Letters, 1899, iii. 57-58.
Moore had written to him, “Your lines about the bodies of
Charles and Henry are, I find, circulated with wonderful avidity;
even some clods in this neighbourhood have had a copy sent to them
by some ‘young ladies in town.'”—Ibid., p. 57, note 3.

The discovery “that King Charles I. was buried in the vault of
King Henry VIII.,” was made on completing the mausoleum which
George III. caused to be built in the tomb-house. The Prince
Regent was informed of the circumstance, and on April 1, 1813, the
day after the funeral of his mother-in-law, the Duchess of Brunswick,
he superintended in person the opening of the leaden coffin,
which bore the inscription, “King Charles, 1648” (sic). See An
Account of what appeared on Opening the Coffin of King Charles the
First, by Sir H. Halford, Bart., 1813, pp. 6, 7. Cornelia Knight,
in her Autobiography (1861, i. 227), notes that the frolic prince, the
“Adonis of fifty,” who was in a good humour, and “had given to
Princess Charlotte the centre sapphire of Charles’s crown,” acted
“the manner of decapitation on my shoulders.” He had “forgotten”
Cromwell, who, as Lord Auchinleck reminded Dr. Johnson, had
“gart kings ken that they had a lith in their neck!”]

[54] [From an autograph MS. in the possession of the
Hon. Mrs. Norbury.

The first wrapper has written upon it, “The original Impromptu
within is in the handwriting of the noble author Lord Byron, given
to Mr. Norbury [private secretary to Lord Granville] by Mr. Dallas,
his Lordship’s valued relative.”

Second wrapper, “Autograph of Lord Byron—tres précieux.”

Third (outside) wrapper, “Autographe célèbre de Lord Byron.”]

[55]

Πηλὸν αἵματι πεφυραμἑνον

“Clay kneaded with blood.”

Suetonius, in Tiberium, cap. 57.

ICH DIEN.

From this emblem what variance your motto evinces,

For the Man is his country’s—the Arms are the Prince’s!

?1814.
[From an autograph MS. in the possession of Mr. A. H.
Hallam Murray, now for the first time printed.]

[37]

CONDOLATORY ADDRESS

TO SARAH COUNTESS OF JERSEY, ON THE PRINCE REGENT’S
RETURNING HER PICTURE TO MRS. MEE.[56]

When the vain triumph of the imperial lord,

Whom servile Rome obeyed, and yet abhorred,

Gave to the vulgar gaze each glorious bust,

That left a likeness of the brave, or just;

What most admired each scrutinising eye

Of all that decked that passing pageantry?

What spread from face to face that wondering air?

The thought of Brutus [57]—for his was not there!

That absence proved his worth,—that absence fixed

10His memory on the longing mind, unmixed;

And more decreed his glory to endure,

Than all a gold Colossus could secure.

If thus, fair Jersey, our desiring gaze

Search for thy form, in vain and mute amaze,

Amidst those pictured charms, whose loveliness,

Bright though they be, thine own had rendered less:

If he, that Vain Old Man, whom truth admits

Heir of his father’s crown, and of his wits,

If his corrupted eye, and withered heart,

20[38]Could with thy gentle image bear to part;

That tasteless shame be his, and ours the grief,

To gaze on Beauty’s band without its chief:

Yet Comfort still one selfish thought imparts,

We lose the portrait, but preserve our hearts.

What can his vaulted gallery now disclose?

A garden with all flowers—except the rose;—

A fount that only wants its living stream;

A night, with every star, save Dian’s beam.

Lost to our eyes the present forms shall be,

30That turn from tracing them to dream of thee;

And more on that recalled resemblance pause,

Than all he shall not force on our applause.

Long may thy yet meridian lustre shine,

With all that Virtue asks of Homage thine:

The symmetry of youth—the grace of mien—

The eye that gladdens—and the brow serene;

The glossy darkness of that clustering hair,[58]

Which shades, yet shows that forehead more than fair!

Each glance that wins us, and the life that throws

40A spell which will not let our looks repose,

But turn to gaze again, and find anew

Some charm that well rewards another view.

These are not lessened, these are still as bright,

Albeit too dazzling for a dotard’s sight;

And those must wait till ev’ry charm is gone,

To please the paltry heart that pleases none;—

That dull cold sensualist, whose sickly eye

In envious dimness passed thy portrait by;

Who racked his little spirit to combine

50Its hate of Freedom’s loveliness, and thine.

May 29, 1814.
[First published in The Champion, July 31, 1814.]

FOOTNOTES:

[56] [“The gentlemen of the Champion, and Perry, have got hold
(I know not how) of the condolatory Address to Lady Jersey on
the picture-abduction by our Regent, and have published them—
with my name, too, smack—without even asking leave, or inquiring
whether or no! Damn their impudence, and damn every thing. It
has put me out of patience, and so, I shall say no more about it.”—
Letter to Moore, August 3, 1814, Letters, 1899, iii. 118. For
Byron’s letter to Lady Jersey, of May 29, 1814, and a note from her
with reference to a lost(?) copy of the verses, vide ibid., p. 85.
Mrs. Anne Mee (1775?-1851) was a miniature-painter, who was employed
by the Prince Regent to take the portraits of fashionable beauties.]

[57] [Compare Childe Harold, Canto IV. stanza lix. line 3,
Poetical Works, 1899, ii. 374, note 2.]

[58] [See Conversations …with the Countess of
Blessington, 1834, p. 50.]

Annesley Hall

[39]

FRAGMENT OF AN EPISTLE TO THOMAS MOORE.

“What say I?”—not a syllable further in prose;

I’m your man “of all measures,” dear Tom,—so here goes!

Here goes, for a swim on the stream of old Time,

On those buoyant supporters, the bladders of rhyme.

If our weight breaks them down, and we sink in the flood,

We are smothered, at least, in respectable mud,

Where the divers of Bathos lie drowned in a heap,

And Southey’s last Pæan has pillowed his sleep;

That Felo de se who, half drunk with his Malmsey,

Walked out of his depth and was lost in a calm sea,10

Singing “Glory to God” in a spick and span stanza,

The like (since Tom Sternhold was choked) never man saw.[59]

The papers have told you, no doubt, of the fusses,

The fêtes, and the gapings to get at these Russes,[60]—

Of his Majesty’s suite, up from coachman to Hetman,—

And what dignity decks the flat face of the great man.[40]

I saw him, last week, at two balls and a party,—

For a Prince, his demeanour was rather too hearty.

You know, we are used to quite different graces,

The Czar’s look, I own, was much brighter and brisker,

21But then he is sadly deficient in whisker;

And wore but a starless blue coat, and in kersey-

mere breeches whisked round, in a waltz with the Jersey,[61]

Who, lovely as ever, seemed just as delighted

With Majesty’s presence as those she invited.

June, 1814.
[First published, Letters and Journals, 1830, i. 561, 562 (note).]

FOOTNOTES:

[59]
[The two first stanzas of Southey’s “Carmen Triumphale, for
the Commencement of the Year 1814,” end with the line—

“Glory to God—Deliverance for Mankind!”]

[60]
[“The newspapers will tell you all that is to be told of
emperors, etc. They have dined, and supped, and shown their flat
faces in all thoroughfares and several saloons.”—Letter to Moore,
June 14, 1814, Letters, 1899, iii. 93, 94.

From June 6 to June 27, 1814, the Emperor of Russia, and the
King of Prussia were in England. Huge crowds watched all day
and night outside the Pulteney Hotel (105, Piccadilly), where the
Emperor of Russia stayed. Among the foreigners in London were
Nesselrode, Metternich, Blücher, and Platoff, Hetman of the Cossacks.
The two latter were the heroes of the mob.
Ibid., p. 93, note 1.]

[61] [“The Emperor,” says Lady Vernon (Journal of Mary
Frampton, pp. 225, 226), “is fond of dancing…. He waltzed
with Lady Jersey, whom he admires, to the great discomposure of
the Regent, who has quarrelled with her.”]

ANSWER TO ‘S PROFESSIONS OF AFFECTION.

In hearts like thine ne’er may I hold a place

Till I renounce all sense, all shame, all grace—

That seat,—like seats, the bane of Freedom’s realm,

But dear to those presiding at the helm—

Is basely purchased, not with gold alone;

Add Conscience, too, this bargain is your own—

‘T is thine to offer with corrupting art

The rotten borough[62] of the human heart.

?1814.
[From an autograph MS., now for the first time printed.]

FOOTNOTES:

[62] [The phrase, “rotten borough,” was used by
Sir F. Burdett, Examiner, October 12, 1812.]

[41]

ON NAPOLEON’S ESCAPE FROM ELBA.[63]

Once fairly set out on his party of pleasure,

Taking towns at his liking, and crowns at his leisure,

From Elba to Lyons and Paris he goes,

Making balls for the ladies, and bows to his foes.

March 27, 1815.
[First published, Letters and Journals, 1830, i. 611.]

FOOTNOTES:

[63]
[It may be taken for granted that the “source” of this epigram
was a paragraph in the Morning Chronicle of March 27, 1815:
“In the Moniteur of Thursday we find the Emperor’s own account
of his jaunt from the Island of Elba to the palace of the Thuilleries.
It seems certainly more like a jaunt of pleasure than the progress of
an invader through a country to be gained.”]

ENDORSEMENT TO THE DEED OF
SEPARATION, IN THE APRIL OF 1816.

A year ago you swore, fond she!

“To love, to honour,” and so forth:

Such was the vow you pledged to me,

And here’s exactly what ‘t is worth.

[First published, Poetical Works, 1831, vi. 454.]

[TO GEORGE ANSON BYRON(?)[64]]

And, dost thou ask the reason of my sadness?

Well, I will tell it thee, unfeeling boy![42]

‘Twas ill report that urged my brain to madness,

‘Twas thy tongue’s venom poisoned all my joy.

The sadness which thou seest is not sorrow;

My wounds are far too deep for simple grief;

The heart thus withered, seeks in vain to borrow

From calm reflection, comfort or relief.

The arrow’s flown, and dearly shalt thou rue it;

No mortal hand can rid me of my pain:

My heart is pierced, but thou canst not subdue it—

Revenge is left, and is not left in vain.

?1816.
[First published, Nicnac, March 25, 1823.]

[72] [Glenarvon, a Novel [by Lady Caroline Lamb], 1816.]

QUEM DEUS VULT PERDERE PRIUS DEMENTAT.[73]

God maddens him whom’t is his will to lose,

And gives the choice of death or phrenzy—choose.

[First published, Letters, 1900, iv. 93.]

FOOTNOTES:

[73] [À propos of Maturin’s tragedy,
Manuel (vide post, p. 48, note 1),
Byron “does into English” the Latin proverb by way of contrast to
the text, “Whom the Lord loveth He chasteneth; blessed be the
Name of the Lord” (Letter to Murray, April 2, 1817).]

[46]

TO THOMAS MOORE.

My boat is on the shore,

And my bark is on the sea;

But, before I go, Tom Moore,

Here’s a double health to thee!

Here’s a sigh to those who love me,

And a smile to those who hate;

And, whatever sky’s above me,

Here’s a heart for every fate.

Though the Ocean roar around me,

Yet it still shall bear me on;

Though a desert shall surround me,

It hath springs that may be won.

Were’t the last drop in the well,

As I gasped upon the brink,

Ere my fainting spirit fell,

‘T is to thee that I would drink.

With that water, as this wine,

The libation I would pour

Should be—peace with thine and mine,

And a health to thee, Tom Moore.[74]

July, 1817.
[First published, Waltz, London, W. Benbow, 1821, p. 29.]

FOOTNOTES:

[74] [“This should have been written fifteen months ago; the first
stanza was.”—Letter to Moore, July 10, 1817.]

[47]

EPISTLE FROM MR. MURRAY TO DR. POLIDORI.[75]

Dear Doctor, I have read your play,

Which is a good one in its way,—

Purges the eyes, and moves the bowels,

And drenches handkerchiefs like towels

With tears, that, in a flux of grief,

Afford hysterical relief

To shattered nerves and quickened pulses,

Which your catastrophe convulses.

I like your moral and machinery;

10Your plot, too, has such scope for Scenery!

Your dialogue is apt and smart;

The play’s concoction full of art;

Your hero raves, your heroine cries,

All stab, and every body dies.

In short, your tragedy would be

The very thing to hear and see:

And for a piece of publication,

If I decline on this occasion,

It is not that I am not sensible

20To merits in themselves ostensible,

But—and I grieve to speak it—plays

Are drugs—mere drugs, Sir—now-a-days.[48]

I had a heavy loss by Manuel—[76]

Too lucky if it prove not annual,—

And Sotheby, with his Orestes,[77]

(Which, by the way, the old Bore’s best is),

Has lain so very long on hand,

That I despair of all demand;

I’ve advertised, but see my books,

30Or only watch my Shopman’s looks;—

Still Ivan, Ina,[78] and such lumber,

My back-shop glut, my shelves encumber.

There’s Byron too, who once did better,

Has sent me, folded in a letter,

A sort of—it’s no more a drama

Than Darnley, Ivan, or Kehama;

So altered since last year his pen is,

I think he’s lost his wits at Venice.

In short, Sir, what with one and t’ other,

40I dare not venture on another.

I write in haste; excuse each blunder;

The Coaches through the street so thunder!

My room’s so full—we’ve Gifford here

Reading MS., with Hookham Frere,[49]

Pronouncing on the nouns and particles,

Of some of our forthcoming Articles.

The Quarterly—Ah, Sir, if you

Had but the Genius to review!—

A smart Critique upon St. Helena,

50Or if you only would but tell in a

Short compass what—but to resume;

As I was saying, Sir, the Room—

The Room’s so full of wits and bards,

Crabbes, Campbells, Crokers, Freres, and Wards

And others, neither bards nor wits:

My humble tenement admits

All persons in the dress of Gent.,

From Mr. Hammond to Dog Dent.[79]

A party dines with me to-day,

60All clever men, who make their way:

Crabbe, Malcolm,[80] Hamilton,[81] and Chantrey,

Are all partakers of my pantry.

They’re at this moment in discussion

On poor De Staël’s late dissolution.

Her book,[82] they say, was in advance—[50]

Pray Heaven, she tell the truth of France!

‘T is said she certainly was married

To Rocca, and had twice miscarried,

No—not miscarried, I opine,—

70But brought to bed at forty-nine.

Some say she died a Papist; some

Are of opinion that’s a Hum;

I don’t know that—the fellows Schlegel,[83]

Are very likely to inveigle

A dying person in compunction

To try th’ extremity of Unction.

But peace be with her! for a woman

Her talents surely were uncommon,

Her Publisher (and Public too)

80The hour of her demise may rue—

For never more within his shop he—

Pray—was not she interred at Coppet?

Thus run our time and tongues away;—

But, to return, Sir, to your play:

Sorry, Sir, but I cannot deal,

Unless ‘t were acted by O’Neill.

My hands are full—my head so busy,

I’m almost dead—and always dizzy;

And so, with endless truth and hurry,

90Dear Doctor, I am yours,

JOHN MURRAY.

August 21, 1817.
[First published, Letters and Journals, 1830, ii. 139-141.
Lines 67-82 first published, Letters, 1900, iv. 161.]

FOOTNOTES:

[75] [“By the way,” writes Murray, Aug. 5, 1817
(Memoir, etc., i. 386), “Polidori has sent me his tragedy!
Do me the kindness to send by return of post a delicate
declension of it, which I engage faithfully to copy.”

“I never,” said Byron, “was much more disgusted with any
human production than with the eternal nonsense, and tracasseries,
and emptiness, and ill-humour, and vanity of this young person; but
he has some talent, and is a man of honour, and has dispositions of
amendment. Therefore use your interest for him, for he is improved
and improvable;” and, in a letter to Murray, Aug. 21, 1817, “You
want a ‘civil and delicate declension’ for the medical tragedy?
Take it.”—For J. W. Polidori (1795-1821), see Letters, 1899, iii,
284 note I.]

[76] [Maturin’s second tragedy, Manuel,
produced at Drury Lane,
March 8, 1817, with Kean as “Manuel Count Valdis, failed, and
after five nights was withdrawn.” It was published in 1817. “It
is,” says Byron (letter to Murray, June 14, 1817), “the absurd work
of a clever man.”—Letters, 1900, iv. 134, and note I.]

[77] [Sotheby published, in 1814, Five Tragedies,
viz. “The Confession,” “Orestes,” “Ivan,” “The Death of Darnley,” and
“Zamorin and Zama.”]

[78] [Ina, A Tragedy, by Mrs. Wilmot [Barberina Ogle
(1768-1854), daughter of Sir Chaloner Ogle], afterwards Lady Dacre, was
produced at Drury Lane, April 22, 1815. Her “tragedy,” writes
Byron to Moore, April 23, 1815, “was last night damned.” See
Letters, 1898, ii. 332, note 3, etc.;
ibid., 1899, iii. 195, note I.]

[79] [George Hammond (1763-1853) was a distinguished diplomatist,
who twice (1795-1806 and 1807-1809) held the office of
Under-secretary of State for Foreign Affairs. He is associated with
the foundation of the Anti-Jacobin and the
Quarterly Review. In
the drawing-room of Albemarle Street, he was Murray’s “chief
4-o’clock man,” until his official duties compelled him to settle at
Paris.—Letters, 1900, iv. 160, note 1.

John Dent, M.P., a banker, was nicknamed “Dog Dent” because
he was concerned in the introduction of the Dog-tax Bill in 1796.
In 1802 he introduced a Bill to abolish bull-baiting.—Ibid]

[80] [Sir John Malcolm (1769-1833), soldier, administrator, and
diplomatist, published (January, 1815) his
History of Persia.—Letters, 1899, iii. 113, note 1.]

[81] [For “Dark Hamilton,” W. R. Hamilton (1777-1859), see
Childe Harold, Canto II. stanza xiii. var. I,
Poetical Works, 1899,
ii. 108, note 1. Lines 61, 62 were added October 12, 1817.]

[82] [Madame de Staël’s
Considérations sur la Révolution Française
was offered to Murray in June, 1816 (Memoir, etc., 1891, i. 316),
and the sum of £4000 asked for the work. During the negotiations,
Madame de Staël died (July 14, 1817), and the book was eventually
published by Messrs. Baldwin and Cradock.—Letters, 1900, iv. 94,
note.]

[83] [Byron and the elder Schlegel met at Copet, in 1816,
but they
did not take to each other. Byron “would not flatter him,”
perhaps because he did not appreciate or flatter Byron.]

[51]

EPISTLE TO MR. MURRAY.

My dear Mr. Murray,

You’re in a damned hurry

To set up this ultimate Canto;[84]

But (if they don’t rob us)

You’ll see Mr. Hobhouse

Will bring it safe in his portmanteau.

For the Journal you hint of,[85]

As ready to print off,

No doubt you do right to commend it;

But as yet I have writ off

The devil a bit of

Our “Beppo:”—when copied, I’ll send it.

In the mean time you’ve “Galley”[86]

Whose verses all tally,

Perhaps you may say he’s a Ninny,

But if you abashed are

Because of Alashtar,

He’ll piddle another Phrosine.[87]

[52]

Then you’ve Sotheby’s Tour,—[88]

No great things, to be sure,—

You could hardly begin with a less work;

For the pompous rascallion,

Who don’t speak Italian

Nor French, must have scribbled by guess-work.

No doubt he’s a rare man

Without knowing German

Translating his way up Parnassus,

And now still absurder

He meditates Murder

As you’ll see in the trash he calls Tasso’s.

But you’ve others his betters

The real men of letters

Your Orators—Critics—and Wits—

And I’ll bet that your Journal

(Pray is it diurnal?)

Will pay with your luckiest hits.

You can make any loss up

With “Spence”[89] and his gossip,

A work which must surely succeed;[53]

Then Queen Mary’s Epistle-craft,[90]

With the new “Fytte” of “Whistlecraft,”

Must make people purchase and read.

Then you’ve General Gordon,[91]

Who girded his sword on,

To serve with a Muscovite Master,

And help him to polish

A nation so owlish,

They thought shaving their beards a disaster.

For the man, “poor and shrewd,”[92]

With whom you’d conclude

A compact without more delay,

Perhaps some such pen is

Still extant in Venice;

But please, Sir, to mention your pay.

10.

Now tell me some news

Of your friends and the Muse,

Of the Bar, or the Gown, or the House,[54]

From Canning, the tall wit,

To Wilmot,[93] the small wit,

Ward’s creeping Companion and Louse,

11.

Who’s so damnably bit

With fashion and Wit,

That he crawls on the surface like Vermin,

But an Insect in both,—

By his Intellect’s growth,

Of what size you may quickly determine.[94]

Venice, January 8, 1818.
[First published, Letters and Journals, 1830, ii. 156, 157;
stanzas 3, 5, 6, 10, 11, first published, Letters, 1900, iv. 191-193.]

FOOTNOTES:

[84] [The Fourth Canto of Childe Harold.]

[85] [Murray bought a half-share in Blackwood’s Edinburgh
Monthly Magazine in August, 1818, and remained its joint proprietor
till December, 1819, when it became the property of William Blackwood.
But perhaps the reference is to Byron’s Swiss Journal of
September, 1816.]

[86] [Henry Gaily Knight (1786-1846), who was a contemporary
of Byron at Trinity College, Cambridge, was a poetaster, and,
afterwards, a writer of works on architecture. His Oriental verses
supplied Byron with a subject for more than one indifferent jeu
d’esprit.]

[87] [Phrosyne, a Grecian tale, and
Alashtar, an Arabian tale, were
published in 1817. In a letter to Murray, September 4, 1817,
Byron writes, “I have received safely, though tardily, the magnesia
and tooth-powder, Phrosine and Alashtar. I shall clean
my teeth with one, and wipe my shoes with the
other.”—Letters, 1901, iv.]

[88] [Sotheby’s Farewell to Italy and
Occasional Poems were published in 1818, as the record of
a tour which he had taken in 1816-17
with his family, Professor Elmsley, and Dr. Playfair. For Byron’s
unfinished skit on Sotheby’s Tour, see Letters,
1900, iv. Appendix V. pp. 452, 453.]

[89]
[Observations, Anecdotes, and Characters of Books and Men, by
the Rev. Joseph Spence, arranged, with notes, by the late Edmund
Malone, Esq., 1 vol. 8vo, 1820.]

[90]
[The Life of Mary Queen of Scots, by George Chalmers, 2 vols.
4to, 1819.]

[91]
[Thomas Gordon (1788-1841) entered the Scots Greys in
1808. Two years later he visited Ali Pasha (see Letters, 1898, i.
246, note 1) in Albania, and travelled in Persia and Turkey in the
East. From 1813 to 1815 he served in the Russian Army. He
wrote a History of the Greek Revolution, 1832, 2 vols., but it does
not appear that he was negotiating with Murray for the publication
of any work at this period.]

[92] Vide your letter.

[93] [Probably Sir Robert John Wilmot (1784-1841) (afterwards
Wilmot Horton), Byron’s first cousin, who took a prominent part in
the destruction of the “Memoirs,” May 17, 1824. (For Lady
Wilmot Horton, the original of “She walks in beauty,” see Poetical
Works, 1900, iii. 381, note 1.)]

[94] [Stanzas 12, 13, 14 cannot be published.]

ON THE BIRTH OF JOHN WILLIAM RIZZO HOPPNER.[95]

His father’s sense, his mother’s grace,

In him, I hope, will always fit so;

With—still to keep him in good case—

The health and appetite of Rizzo.

February 20, 1818.
[First published, Letters and Journals, 1830, ii. 134.]

FOOTNOTES:

[95] [Richard Belgrave Hoppner (1786-1872), second son of John
Hoppner, R.A., was appointed English Consul at Venice, October,
1814. (See Letters, 1900, iv. 83, note 1.)
The quatrain was translated (see the following poem) into eleven
different
languages—Greek, Latin, Italian (also the Venetian dialect), German, French,
Spanish, Illyrian, Hebrew, Armenian, and Samaritan, and printed
“in a small neat volume in the seminary of Padua.” For nine of
these translations see Works, 1832, xi. pp. 324-326, and 1891,
p. 571. Rizzo was a Venetian surname. See W. Stewart Rose’s
verses to Byron, “Grinanis, Mocenijas, Baltis, Rizzi, Compassionate
our cruel case,” etc., Letters, iv. 212.]

[55]

[E NIHILO NIHIL;
OR
AN EPIGRAM BEWITCHED.]

Of rhymes I printed seven volumes—[96]

The list concludes John Murray’s columns:

Of these there have been few translations [97]

For Gallic or Italian nations;

And one or two perhaps in German—

But in this last I can’t determine.

But then I only sung of passions

That do not suit with modern fashions;

Of Incest and such like diversions

Permitted only to the Persians,

Or Greeks to bring upon their stages—

But that was in the earlier ages

Besides my style is the romantic,

Which some call fine, and some call frantic;

While others are or would seem as sick

Of repetitions nicknamed Classic.

For my part all men must allow

Whatever I was, I’m classic now.[56]

I saw and left my fault in time,

And chose a topic all sublime—

Wondrous as antient war or hero—

Then played and sung away like Nero,

Who sang of Rome, and I of Rizzo:

The subject has improved my wit so,

The first four lines the poet sees

Start forth in fourteen languages!

Though of seven volumes none before

Could ever reach the fame of four,

Henceforth I sacrifice all Glory

To the Rinaldo of my Story:

I’ve sung his health and appetite

(The last word’s not translated right—

He’s turned it, God knows how, to vigour)[98]

I’ll sing them in a book that’s bigger.

Oh! Muse prepare for thy Ascension!

And generous Rizzo! thou my pension.

February, 1818.
[From an autograph MS. in the possession of Mr. Murray,
now for the first time printed.]

FOOTNOTES:

[96]
[Byron must have added the Fourth Canto of Childe Harold
to the complete edition of the Poetical Works in six volumes. See
Murray’s list, dated “Albemarle Street, London, January, 1818.”
The seventh volume of the Collected Works was not issued till 1819.]

[97]
[A French translation of the Bride of Abydos appeared in
1816, an Italian translation of the Lament of Tasso in 1817.
Goethe (see Letters, 1901, v. 503-521) translated fragments of
Manfred in 1817, 1818, but the earliest German translation of the
entire text of Manfred was issued in 1819.]

[98] [See the last line of the Italian translation of the quatrain.]

TO MR. MURRAY.

Strahan, Tonson, Lintot of the times,[99]

Patron and publisher of rhymes,

For thee the bard up Pindus climbs,

My Murray.

[57]

To thee, with hope and terror dumb,

The unfledged MS. authors come;

Thou printest all—and sellest some—

My Murray.

Upon thy table’s baize so green

The last new Quarterly is seen,—

But where is thy new Magazine,[100]

My Murray?

Along thy sprucest bookshelves shine

The works thou deemest most divine—

The Art of Cookery,[101] and mine,

My Murray.

Tours, Travels, Essays, too, I wist,

And Sermons, to thy mill bring grist;

And then thou hast the Navy List,

My Murray.

[58]

And Heaven forbid I should conclude,

Without “the Board of Longitude,”[102]

Although this narrow paper would,

My Murray.

Venice, April 11, 1818.
[First published, Letters and Journals, 1830, ii. 171.]

FOOTNOTES:

[99] [William Strahan (1715-1785) published Johnson’s
Dictionary, Gibbon’s Decline and Fall, Cook’s Voyages,
etc. He was great-grandfather of the mathematician William
Spottiswoode (1825-1883).

Jacob Tonson (1656?-1736) published for Otway, Dryden, Addison,
etc. He was secretary of the Kit-Cat Club, 1700. He was the
publisher (1712, etc.) of the Spectator.

Barnaby Bernard Lintot (1675-1736) was at one time (1718) in
partnership with Tonson. He published Pope’s Iliad in 1715, and
the Odyssey, 1725-26.]

[100]
[See note 2, p. 51.]

[101] [Mrs. Rundell’s Domestic Cookery, published in 1806,
was one of Murray’s most successful books. In 1822 he purchased the
copyright from Mrs. Rundell for £2000 (see Letters, 1898, ii.
375; and Memoir of John Murray, 1891, ii. 124).]

[102] [The sixth edition of Childe Harold’s Pilgrimage (1813) was
“printed by T. Davison, Whitefriars, for John Murray, Bookseller to
the Admiralty, and the Board of Longitude.”
Medwin (Conversations, 1824, p. 259) attributes to Byron
a statement that Murray had
to choose between continuing to be his publisher and printing the
“Navy Lists,” and “that there was no hesitation which way he
should decide: the Admiralty carried the day.” In his “Notes”
to the Conversations (November 2, 1824) Murray characterized
“the passage about the Admiralty” as “unfounded in fact, and no
otherwise deserving of notice than to mark its absurdity.”]

BALLAD.
TO THE TUNE OF “SALLEY IN OUR ALLEY.”

Of all the twice ten thousand bards

That ever penned a canto,

Whom Pudding or whom Praise rewards

For lining a portmanteau;

Of all the poets ever known,

From Grub-street to Fop’s Alley,[103]

The Muse may boast—the World must own

There’s none like pretty Gally![104]

He writes as well as any Miss,

Has published many a poem;[59]

The shame is yours, the gain is his,

In case you should not know ’em:

He has ten thousand pounds a year—

I do not mean to vally—

His songs at sixpence would be dear,

So give them gratis, Gaily!

And if this statement should seem queer,

Or set down in a hurry,

Go, ask (if he will be sincere)

His bookseller—John Murray.

Come, say, how many have been sold,

And don’t stand shilly-shally,

Of bound and lettered, red and gold,

Well printed works of Gally.

For Astley’s circus Upton [105] writes,

And also for the Surry; (sic)

Fitzgerald weekly still recites,

Though grinning Critics worry:

Miss Holford’s Peg, and Sotheby’s Saul,

In fame exactly tally;

From Stationer’s Hall to Grocer’s Stall

They go—and so does Gally.

[60]

He rode upon a Camel’s hump [106]

Through Araby the sandy,

Which surely must have hurt the rump

Of this poetic dandy.

His rhymes are of the costive kind,

And barren as each valley

In deserts which he left behind

Has been the Muse of Gally.

He has a Seat in Parliament,

Is fat and passing wealthy;

And surely he should be content

With these and being healthy:

But Great Ambition will misrule

Men at all risks to sally,—

Now makes a poet—now a fool,

And we know which—of Gally.

Some in the playhouse like to row,

Some with the Watch to battle,

Exchanging many a midnight blow

To Music of the Rattle.

Some folks like rowing on the Thames,

Some rowing in an Alley,

But all the Row my fancy claims

Is rowing—of my Gally.

April 11, 1818.[107]

FOOTNOTES:

[103]
[For Fop’s Alley, see Poetical Works, 1898, i. 410, note 2.]

[104]
[H. Gally Knight (1786-1846) was at Cambridge with Byron.]

[105]
[William Upton was the author of Poems on Several Occasions,
1788, and of the Words of the most Favourite Songs, Duets, etc.,
sung at the Royal Amphitheatre, Westminster Bridge, etc. In the
dedication to Mrs. Astley he speaks of himself as the author of the
Black Cattle, Fair Rosamond, etc.
He has also been credited with
the words of James Hook’s famous song, A Lass of Richmond Hill,
but this has been disputed.
(See Notes and Queries, 1878, Series V. vol. ix. p. 495.)]

[106] [Compare—

“Th’ unloaded camel, pacing slow.

Crops the rough herbage or the tamarisk spray.”

Alashtar (by H. G. Knight), 1817, Canto I, stanza viii, lines 5, 6.]

[107] [From an autograph MS. in the possession of Mr. Murray,
now for the first time printed. For stanzas 3, 4, 6, see Letters,
1900, iv. 219, 220. For stanzas 1, 2, 3 of “Another Simple
Ballat. To the tune of Tally i.o. the Grinder” (probably a variant
of Dibdin’s song, “The Grinders, or more Grist to the Mill”),
vide ibid., pp. 220, 221.]

[61]

ANOTHER SIMPLE BALLAT.

Mrs. Wilmot sate scribbling a play,

Mr. Sotheby sate sweating behind her;

But what are all these to the Lay

Of Gally i.o. the Grinder?

Gally i.o. i.o., etc.

I bought me some books tother day,

And sent them down stairs to the binder;

But the Pastry Cook carried away

My Gally i.o. the Grinder.

Gally i.o. i.o., etc.

I wanted to kindle my taper,

And called to the Maid to remind her;

And what should she bring me for paper

But Gally i.o. the Grinder.

Gally i.o. i.o., etc.

Among my researches for Ease

I went where one’s certain to find her:

The first thing by her throne that one sees

Is Gally i.o. the Grinder.

Gally i.o. i.o., etc.

[62]

Away with old Homer the blind—

I’ll show you a poet that’s blinder:

You may see him whene’er you’ve a mind

In Gally i.o. the Grinder.

Gally i.o. i.o., etc.

Blindfold he runs groping for fame,

And hardly knows where he will find her:

She don’t seem to take to the name

Of Gally i.o. the Grinder.

Gally i.o. i.o., etc.

Yet the Critics have been very kind,

And Mamma and his friends have been kinder;

But the greatest of Glory’s behind

For Gally i.o. the Grinder.

Gally i.o. i.o., etc.

April 11, 1818.
[From an autograph MS. in the possession of Mr. Murray,
now for the first time printed.]

EPIGRAM.
FROM THE FRENCH OF RULHIÈRES.[108]

If for silver, or for gold,

You could melt ten thousand pimples

Into half a dozen dimples,[63]

Then your face we might behold,

Looking, doubtless, much more snugly,

Yet even then ‘twould be damned ugly.

August 12, 1819.
[First published, Letters and Journals, 1830, ii. 235.]

FOOTNOTES:

[108] [“Would you like an epigram—a translation? It was written
on some Frenchwoman, by Rulhières, I believe.”—Letter to
Murray, August 12, 1819, Letters, 1900, iv. 346.

Claude Carloman de Rulhière (1718-1791), historian, poet, and
epigrammatist, was the author of Anecdotes sur la revolution de Russie
en l’anneé 1762, Histoire de l’anarchie de Pologne (1807), etc. His
epigrams are included in “Poésies Diverses,” which are appended
to Les jeux de Mains, a poem in three cantos, published in 1808, and
were collected in his Oeuvres Posthumes, 1819; but there is no trace
of the original of Byron’s translation. Perhaps it is after
de Rulhière, who more than once epigrammatizes “Une Vieille Femme.”]

EPILOGUE.[109]

There’s something in a stupid ass,

And something in a heavy dunce;

But never since I went to school

I heard or saw so damned a fool

As William Wordsworth is for once.

And now I’ve seen so great a fool

As William Wordsworth is for once;

I really wish that Peter Bell

And he who wrote it were in hell,

For writing nonsense for the nonce.

[64]

It saw the “light in ninety-eight,”

Sweet babe of one and twenty years![110]

And then he gives it to the nation

And deems himself of Shakespeare’s peers!

He gives the perfect work to light!

Will Wordsworth, if I might advise,

Content you with the praise you get

From Sir George Beaumont, Baronet,

And with your place in the Excise!

1819.
[First published, Philadelphia Record, December 28, 1891.]

FOOTNOTES:

[109]
[The MS. of the “Epilogue” is inscribed on the margin of a
copy of Wordsworth’s Peter Bell, inserted in a set of
Byron’s Works presented by George W. Childs to the Drexel Institute.
(From information kindly supplied by Mr. John H. Bewley, of Buffalo,
New York.)

The first edition of Peter Bell appeared early in 1819, and a
second edition followed in May, 1819. In Byron’s Dedication of
Marino Faliero, “To Baron Goethe,” dated October 20, 1820
(Poetical Works, 1891, iv. 341), the same allusions to Sir George
Beaumont, to Wordsworth’s “place in the Excise,” and to his
admission that Peter Bell had been withheld “for one and twenty
years,” occur in an omitted paragraph first published, Letters, 1891,
v. 101. So close a correspondence of an unpublished fragment
with a genuine document leaves little doubt as to the composition of
the “Epilogue.”]

[110] [The missing line may be,
“To permanently fill a station,” see
Preface to Peter Bell.]

ON MY WEDDING-DAY.

Here’s a happy New Year! but with reason

I beg you’ll permit me to say—

Wish me many returns of the Season,

But as few as you please of the Day.[111]

January 2, 1820.
[First published, Letters and Journals, 1830, ii. 294.]

FOOTNOTES:

[111] [Medwin (Conversations, 1824, p. 156)
prints an alternative—

“You may wish me returns of the season,

Let us, prithee, have none of the day!”]

EPITAPH FOR WILLIAM PITT.

With Death doomed to grapple,

Beneath this cold slab, he

Who lied in the Chapel

Now lies in the Abbey.

January 2, 1820.
[First published, Letters and Journals, 1830, ii. 295.]

[65]

EPIGRAM.

In digging up your bones, Tom Paine,

Will. Cobbett [112] has done well:

You visit him on Earth again,

He’ll visit you in Hell.

or—

You come to him on Earth again

He’ll go with you to Hell!

January 2, 1820.
[First published, Letters and Journals, 1830, ii. 295.]

FOOTNOTES:

[112] [Cobbett, by way of atonement for youthful vituperation
(he called him “a ragamuffin deist”) of Tom Paine, exhumed his
bones from their first resting-place at New Rochelle, and brought
them to Liverpool on his return to England in 1819. They were
preserved by Cobbett at Normanby, Farnham, till his death in
1835, but were sold in consequence of his son’s bankruptcy in 1836,
and passed into the keeping of a Mr. Tilly, who was known to be
their fortunate possessor as late as 1844. (See Notes and Queries,
1868, Series IV. vol. i. pp. 201-203.)]

EPITAPH.

Posterity will ne’er survey

A nobler grave than this;

Here lie the bones of Castlereagh:

Stop traveller, * *

January 2, 1820.
[First published, Lord Byron’s Works, 1833, xvii. 246.]

EPIGRAM.

The world is a bundle of hay,

Mankind are the asses who pull;

Each tugs it a different way,—

And the greatest of all is John Bull!

[First published, Letters and Journals, 1830, ii. 494.]

[66]

MY BOY HOBBIE O.[113]

New Song to the tune of

“Whare hae ye been a’ day,

My boy Tammy O.!

Courting o’ a young thing

Just come frae her Mammie O.“

How came you in Hob’s pound to cool,

My boy Hobbie O?

Because I bade the people pull

The House into the Lobby O.[67]

[68]

What did the House upon this call,

My boy Hobbie O?

They voted me to Newgate all,

Which is an awkward Jobby O.

Who are now the people’s men,

My boy Hobbie O?

There’s I and Burdett—Gentlemen

And blackguard Hunt and Cobby O.

You hate the house—why canvass, then?

My boy Hobbie O?

Because I would reform the den

As member for the Mobby O.

Wherefore do you hate the Whigs,

My boy Hobbie O?

Because they want to run their rigs,

As under Walpole Bobby O.

But when we at Cambridge were

My boy Hobbie O,

If my memory don’t err

You founded a Whig Clubbie O.

When to the mob you make a speech,[69]

My boy Hobbie O,

How do you keep without their reach

The watch within your fobby O?

But never mind such petty things,

My boy Hobbie O;

God save the people—damn all Kings,

So let us Crown the Mobby O!

Yours truly,

(Signed) Infidus Scurra

March 23d, 1820.
[First published Murray’s Magazine, March, 1887, vol. i. pp. 292, 293.]

FOOTNOTES:

[113] [John Cam Hobhouse (1786-1869)
(see Letters, 1898, i. 163, note 1)
was committed to Newgate in December, 1819, for certain
passages in a pamphlet entitled, A Trifling Mistake in Thomas
Lord Erskine’s recent Preface, which were voted (December 10) a
breach of privilege. He remained in prison till the dissolution on
the king’s death, February 20, 1820, when he stood and was
returned for Westminster. Byron’s Liberalism was intermittent, and
he felt, or, as Hobhouse thought, pretended to feel, as a Whig and
an aristocrat with regard to the free lances of the Radical party.
The sole charge in this “filthy ballad,” which annoyed Hobhouse,
was that he had founded a Whig Club when he was an undergraduate
at Cambridge. He assured Murray (see his letter, November, 1820,
Letters, vol. iv. Appendix XI. pp. 498-500) that he was not the
founder of the club, and that Byron himself was a member. “As
for his Lordship’s vulgar notions about the mob” he adds, “they
are very fit for the Poet of the Morning Post, and for nobody else.”
There is no reason to suppose that Byron was in any way responsible
for the version as sent to the Morning Post.]

“MY BOY HOBBY O.
[Another Version.]

To the Editor of the Morning Post.

Sir,—A
copy of verses, to the tune of ‘My boy Tammy,’ are
repeated in literary circles, and said to be written by a Noble Lord
of the highest poetical fame, upon his quondam friend and annotator.
My memory does not enable me to repeat more than the first two
verses quite accurately, but the humourous spirit of the Song may
be gathered from these:—

Why were you put in Lob’s pond,

My boy, Hobby O? (bis)

For telling folks to pull the House

By the ears into the Lobby O!

Who are your grand Reformers now,

My boy, Hobby O? (bis)

There’s me and Burdett,—gentlemen,

And Blackguards Hunt and Cobby O!

Have you no other friends but these,

My boy, Hobby O? (bis)

Yes, Southwark’s Knight,* the County Byng,

And in the City, Bobby O!

* “Southwark’s Knight” was General Sir Robert Thomas Wilson
(1777-1849), who was returned for Southwark in 1818, and again
in 1820; “County Byng” was George Byng, M.P. for Middlesex;
and “Bobby” was Sir Robert Waithman (1764-1833), who represented
the City of London in 1818, but lost his seat to Sir William
Curtis in 1820. All these were advanced Liberals, and, as such,
Parliamentary friends of Hobhouse.

“How do you recreate yourselves,

My boy, Hobby O? (bis)

We spout with tavern Radicals,

And drink with them hob-nobby O!

“What purpose can such folly work,

My boy, Hobby O? (bis)

It gives our partisans a chance

Watches to twitch from fob-by O!

“Have they no higher game in view,

My boy, Hobby O? (bis)

Oh yes; to stir the people up,

And then to head the mob-by O.

“But sure they’ll at their ruin pause,

My boy, Hobby O? (bis)

No! they’d see King and Parliament

Both d—d without a sob-by O!

But, if they fail, they’ll be hanged up,

My boy, Hobby O? (bis)

Why, then, they’ll swing, like better men,

And that will end the job-by O!

Philo-Radicle.”

April 15, 1820.”

LINES
ADDRESSED BY LORD BYRON TO MR. HOBHOUSE ON HIS
ELECTION FOR WESTMINSTER.[114]

Would you go to the house by the true gate,

Much faster than ever Whig Charley went;

Let Parliament send you to Newgate,

And Newgate will send you to Parliament.

April 9, 1820.
[First published, Miscellaneous Poems, printed for J. Bumpus, 1824.]

FOOTNOTES:

[114] [“I send you ‘a Song of Triumph,’ by W. Botherby, Esq^re
price sixpence, on the election of J. C. H., Esqre., for Westminster
(not for publication).”—Letter to Murray, April 9, 1820,
Letters, 1901, v. 6.]

[70]

A VOLUME OF NONSENSE.

Dear Murray,—

You ask for a “Volume of Nonsense,”

Have all of your authors exhausted their store?

I thought you had published a good deal not long since.

And doubtless the Squadron are ready with more.

But on looking again, I perceive that the Species

Of “Nonsense” you want must be purely “facetious;”

And, as that is the case, you had best put to press

Mr. Sotheby’s tragedies now in M.S.,

Some Syrian Sally

From common-place Gally,

Or, if you prefer the bookmaking of women,

Take a spick and span “Sketch” of your feminine He-Man.[115]

Sept. 28, 1820.
[First published, Letters, 1900, v. 83.]

FOOTNOTES:

[115] [For Felicia Dorothea Browne (1793-1835), married in 1812
to Captain Hemans, see Letters, iii. 368, note 2.
In the letter which
contains these verses he writes, “I do not despise Mrs. Heman;
but if she knit blue stockings instead of wearing them it would be
better.” Elsewhere he does despise her: “No more modern poesy,
I pray, neither Mrs. Hewoman’s nor any female or male Tadpole
of poet Wordsworth’s.”—Ibid., v. 64.]

STANZAS.[116]

When a man hath no freedom to fight for at home,

Let him combat for that of his neighbours;[71]

Let him think of the glories of Greece and of Rome,

And get knocked on the head for his labours.

To do good to Mankind is the chivalrous plan,

And is always as nobly requited;

Then battle for Freedom wherever you can,

And, if not shot or hanged, you’ll get knighted.

November 5, 1820.
[First published, Letters and Journals, 1830, ii. 377.]

FOOTNOTES:

[116] [The lines were sent in a letter to Moore (November 5, 1820)
by way of Autoepitaphium, “if ‘honour should come unlooked for’
to any of your acquaintance;” i.e. if Byron should fall in the cause
of Italian revolution, and Moore should not think him worthy of
commemoration, here was a threnody “ready at hand.”]

TO PENELOPE.[117]

January 2, 1821.

This day, of all our days, has done

The worst for me and you:—

‘T is just six years since we were one,

And five since we were two.

November 5, 1820.
[First published, Medwin’s Conversations, 1824, p. 106.]

FOOTNOTES:

[117] [“For the anniversary of January 2, 1821, I have a small
grateful anticipation, which, in case of accident, I add.”—Letter
to Moore, November 5, 1820, Letters, 1891, v. 112.]

THE CHARITY BALL.[118]

What matter the pangs of a husband and father,

If his sorrows in exile be great or be small,

So the Pharisee’s glories around her she gather,

And the saint patronises her “Charity Ball!”[72]

What matters—a heart which, though faulty, was feeling,

Be driven to excesses which once could appal—

That the Sinner should suffer is only fair dealing,

As the Saint keeps her charity back for “the Ball!”

December 10, 1820.
[First published, Letters and Journals, 1830, ii. 540.]

FOOTNOTES:

[118] [Written on seeing the following paragraph in a newspaper:
“Lady Byron is this year the lady patroness at the annual Charity
Ball, given at the Town Hall, at Hinckley,
Leicestershire….”—Life, p. 535. Moore adds that
“these verses [of which he only
prints two stanzas] are full of strong and indignant feeling,—every
stanza concluding pointedly with the words ‘Charity Ball.'”]

EPIGRAM
ON THE BRAZIERS’ ADDRESS TO BE PRESENTED IN
ARMOUR BY THE COMPANY TO QUEEN CAROLINE.[119]

It seems that the Braziers propose soon to pass

An Address and to bear it themselves all in brass;[73]

A superfluous pageant, for by the Lord Harry!

They’ll find, where they’re going, much more than they carry.

Or—

The Braziers, it seems, are determined to pass

An Address, and present it themselves all in brass:—

A superfluous {pageant/trouble} for, by the Lord Harry!

They’ll find, where they’re going, much more than they carry.

January 6, 1821.
[First published, Letters and Journals, 1830, ii. 442.]

FOOTNOTES:

[119] [The allusion is explained in Rivington’s
Annual Register, October 30, 1820 (vol. lxii. pp. 114, 115)—

“ADDRESSES TO THE QUEEN.

” … The most splendid exhibition of the day was that of the
brass-founders and braziers. The procession was headed by a man
dressed in a suit of burnished plate armour of brass, and mounted
on a handsome black horse, the reins being held by pages …
wearing brass helmets…. A man in a complete suite of brass
armour … was followed by two persons, bearing on a cushion
a most magnificent imitation of the imperial Crown of England.
A small number of the deputation of brass-founders were admitted
to the presence of her Majesty, and one of the persons in armour
advanced to the throne, and bending on one knee, presented the
address, which was enclosed in a brass case of excellent
workmanship.”—See Letters, 1901, v. 219, 220, note 2.

In a postscript to a letter to Murray, dated January 19, 1821,
he writes, “I sent you a line or two on the Braziers’ Company last
week, not for publication. The lines were even worthy

‘Of ——dsworth the great metaquizzical poet,

A man of great merit amongst those who know it,

Of whose works, as I told Moore last autumn at Mestri

I owe all I know to my passion for Pastry.'”

He adds, in a footnote, “Mestri and Fusina are the
ferry trajects to Venice: I believe, however, that it was at
Fusina that Moore
and I embarked in 1819, when Thomas came to Venice, like
Coleridge’s Spring, ‘slowly up this way.'”

Again, in a letter to Moore, dated January 22, 1821, he encloses
slightly different versions of both epigrams, and it is worth noting
that the first line of the pendant epigram has been bowdlerized, and
runs thus—

“Of Wordsworth the grand metaquizzical poet.”

—Letters, 1901, v. 226, 230.]

ON MY THIRTY-THIRD BIRTHDAY.
JANUARY 22, 1821.[120]

Through Life’s dull road, so dim and dirty,

I have dragged to three-and-thirty.

What have these years left to me?

Nothing—except thirty-three.

[First published, Letters and Journals, 1830, ii. 414.]

FOOTNOTES:

[120]
[“To-morrow is my birthday—that is to say, at
twelve o’ the clock, midnight; i.e. in twelve minutes I shall
have completed thirty and three years of age!!! and I go to my bed with a
heaviness of heart at having lived so long, and to so little purpose.
* * * It is three minutes past twelve—”Tis the middle of night
by the castle clock,’ and I am now thirty-three!—

‘Eheu, fugaces, Posthume, Posthume,

Labuntur anni;’—

but I don’t regret them so much for what I have done, as for what
I might have done.”—Extracts from a Diary, January 21, 1821,
Letters, 1901, v. 182.

In a letter to Moore, dated January 22, 1821, he gives another version—

“Through Life’s road, so dim and dirty,

I have dragged to three-and-thirty.

What have these years left to me?

Nothing—except thirty-three.”

Ibid., p. 229.]

[74]

MARTIAL, Lib. I. Epig. I.

“Hic est, quem legis, ille, quem requiris,

Toto notus in orbe Martialis,” etc.

He, unto whom thou art so partial,

Oh, reader! is the well-known Martial,

The Epigrammatist: while living,

Give him the fame thou would’st be giving;

So shall he hear, and feel, and know it—

Post-obits rarely reach a poet.

[N.D. ? 1821.]
[First published, Lord Byron’s Works, 1833, xvii. 245]

BOWLES AND CAMPBELL.

To the air of “How now, Madam Flirt,” in the Beggar’s Opera.[121]

BOWLES.

“Why, how now, saucy Tom?

If you thus must ramble,[75]

I will publish some

Remarks on Mister Campbell.

Saucy Tom!”

CAMPBELL.

“Why, how now, Billy Bowles?

Sure the priest is maudlin!

(To the public) How can you, d—n your souls!

Listen to his twaddling?

Billy Bowles!”

February 22, 1821.
[First published, The Liberal, 1823, No. II. p. 398.]

FOOTNOTES:

[121] [Compare the Beggar’s Opera, act ii. sc. 2—

Air, “Good morrow, Gossip Joan.”

“Polly. Why, how now, Madam Flirt?

If you thus must chatter,

And are for flinging dirt,

Let’s try who best can spatter,

Madam Flirt!

“Lucy. Why, how now, saucy jade?

Sure the wench is tipsy!

How can you see me made

The scoff of such a gipsy? [To him.]

Saucy jade!” [To her.]

Bowles replied to Campbell’s Introductory Essay to his Specimens
of the English Poets, 7 vols., 1819, by The Invariable Principles of
Poetry, in a letter addressed to Thomas Campbell. For Byron’s two
essays, the “Letter to…. [John Murray]” and
“Observations upon Observations,” see Letters, 1901,
v. Appendix III. pp. 536-592.]

ELEGY.

Behold the blessings of a lucky lot!

My play is damned, and Lady Noel not.

May 25, 1821.
[First published, Medwin’s Conversations, 1824, p. 121.]

[76]

JOHN KEATS.[122]

Who killed John Keats?

“I,” says the Quarterly,

So savage and Tartarly;

“‘T was one of my feats.”

Who shot the arrow?

“The poet-priest Milman

(So ready to kill man)

“Or Southey, or Barrow.”

July 30, 1821.
[First published, Letters and Journals, 1830, ii. 506.]

FOOTNOTES:

[122] [For Croker’s “article” on Keats’s Endymion
(Quarterly Review, April, 1818, vol. xix. pp. 204-208),
see Don Juan, Canto XI. stanza lx. line 1,
Poetical Works, 1902, vi. 445, note 4.]

FROM THE FRENCH.

Ægle, beauty and poet, has two little crimes;

She makes her own face, and does not make her rhymes.

Aug. 2, 1821.
[First published, The Liberal, 1823, No. II. p. 396.]

TO MR. MURRAY.

For Orford [123] and for Waldegrave [124]

You give much more than me you gave;

Which is not fairly to behave,

My Murray!

[77]

Because if a live dog, ‘t is said,

Be worth a lion fairly sped,

A live lord must be worth two dead,

My Murray!

And if, as the opinion goes,

Verse hath a better sale than prose,—

Certes, I should have more than those,

My Murray!

But now this sheet is nearly crammed,

So, if you will, I shan’t be shammed,

And if you won’t,—you may be damned,

My Murray![125]

August 23, 1821.
[First published, Letters and Journals, 1830, ii. 517.]

FOOTNOTES:

[123] [Horace Walpole’s Memoirs of the Last Nine Years of the
Reign of George II. ]

[124] [Memoirs by James Earl Waldegrave, Governor of George III.
when Prince of Wales.]

[125] [“Can’t accept your courteous offer
[i.e. £2000 for three cantos of Don Juan, Sardanapalus,
and The Two Foscari.] These
matters must be arranged with Mr. Douglas Kinnaird. He is my
trustee, and a man of honour. To him you can state all your
mercantile reasons, which you might not like to state to me personally,
such as ‘heavy season’—’flat public’—’don’t go off’—’lordship
writes too much’—’won’t take advice’—’declining popularity’—’deductions
for the trade’—’make very little’—’generally lose by him’—’pirated
edition’—’foreign edition’—’severe criticisms,’ etc., with other
hints and howls for an oration, which I
leave Douglas, who is an orator, to answer.”—Letter to Murray,
August 23, 1821, Letters, 1901, v. 348.]

[NAPOLEON’S SNUFF-BOX.][126]

Lady, accept the box a hero wore,

In spite of all this elegiac stuff:

Let not seven stanzas written by a bore,

Prevent your Ladyship from taking snuff!

1821.
[First published, Conversations of Lord Byron, 1824, p. 235.]

FOOTNOTES:

[126] [Napoleon bequeathed to Lady Holland a snuff-box which had
been given to him by the Pope for his clemency in sparing Rome.
Lord Carlisle wrote eight (not seven) stanzas, urging her, as Byron
told Medwin, to decline the gift, “for fear that horror and murder
should jump out of the lid every time it is opened.”—Conversations,
1824, p. 362. The first stanza of Lord Carlyle’s verses, which teste
Medwin, Byron parodied, runs thus—

“Lady, reject the gift! ’tis tinged with gore!

Those crimson spots a dreadful tale relate;

It has been grasp’d by an infernal Power;

And by that hand which seal’d young Enghien’s fate.”

The snuff-box is now in the jewel-room in the British Museum.]

[78]

THE NEW VICAR OF BRAY.

Do you know Doctor Nott?[127]

With “a crook in his lot,”

Who seven years since tried to dish up

A neat Codicil

To the Princess’s Will,[128]

Which made Dr. Nott not a bishop.

[79]

So the Doctor being found

A little unsound

In his doctrine, at least as a teacher,

And kicked from one stool

As a knave or a fool,

He mounted another as preacher.

In that Gown (like the Skin

With no Lion within)

He still for the Bench would be driving;

And roareth away,

A new Vicar of Bray,

Except that his bray lost his living.

“Gainst Freethinkers,” he roars,

“You should all block your doors

Or be named in the Devil’s indentures:”

And here I agree,

For who e’er would be

A Guest where old Simony enters?

Let the Priest, who beguiled

His own Sovereign’s child

To his own dirty views of promotion,

Wear his Sheep’s cloathing still

Among flocks to his will,

And dishonour the Cause of devotion.

[80]

The Altar and Throne

Are in danger alone

From such as himself, who would render

The Altar itself

But a step up to Pelf,

And pray God to pay his defender.

But, Doctor, one word

Which perhaps you have heard

“He should never throw stones who has windows

Of Glass to be broken,

And by this same token

As a sinner, you can’t care what Sin does.

But perhaps you do well:

Your own windows, they tell,

Have long ago sufferéd censure;

Not a fragment remains

Of your character’s panes,

Since the Regent refused you a glazier.

Though your visions of lawn

Have all been withdrawn,

And you missed your bold stroke for a mitre;

In a very snug way

You may still preach and pray,

And from bishop sink into backbiter!”

[First published, Works (Galignani), 1831, p. 116.]

FOOTNOTES:

[127] [George Frederick Nott (1767-1841), critic and divine, was
Rector of Harrietsham and Woodchurch, a Prebendary of Winchester
and of Salisbury. He was Bampton Lecturer in 1802, and, soon
afterwards, was appointed sub-preceptor to the Princess Charlotte
of Wales. He was a connoisseur of architecture and painting, and
passed much of his time in Italy and at Rome. When he was at
Pisa he preached in a private room in the basement story of the
house in Pisa where Shelley was living, and fell under Byron’s
displeasure for attacking the Satanic school, and denouncing Cain as
a blasphemous production. “The parsons,” he told Moore (letter,
February 20, 1820), “preached at it [Cain] from Kentish Town to
Pisa.” Hence the apostrophe to Dr. Nott. (See Records of Shelley,
Byron, and the Author, by E. T. Trelawny, 1887, pp. 302, 303.)]

[128] [According to Lady Anne Hamilton (Secret History of
the Court
of England, 1832, i. 198-207), the Princess Charlotte incurred the
suspicion and displeasure of her uncles and her grandmother, the
Queen, by displaying an ardent and undue interest in her sub-preceptor.
On being reproved by the Queen for “condescending to
favour persons in low life with confidence or particular respect,
persons likely to take advantage of your simplicity and innocence,”
and having learnt that “persons” meant Mr. Nott, she replied by
threatening to sign a will in favour of her sub-preceptor, and by
actually making over to him by a deed her library, jewels, and all
other private property. Lady Anne Hamilton is not an accurate
or trustworthy authority, but her extremely circumstantial narrative
was, no doubt, an expansion of the contemporary scandal to which
Byron’s lampoon gave currency.]

[81]

LUCIETTA. A FRAGMENT.

Lucietta, my deary,

That fairest of faces!

Is made up of kisses;

But, in love, oft the case is

Even stranger than this is—

There’s another, that’s slyer,

Who touches me nigher,—

A Witch, an intriguer,

Whose manner and figure

Now piques me, excites me,

Torments and delights me—

Cætera desunt.

[From an autograph MS. in the possession of Mr. Murray,
now for the first time printed.]

EPIGRAMS.

Oh, Castlereagh! thou art a patriot now;

Cato died for his country, so did’st thou:

He perished rather than see Rome enslaved,

Thou cut’st thy throat that Britain may be saved!

So Castlereagh has cut his throat!—The worst

Of this is,—that his own was not the first.

So He has cut his throat at last!—He! Who?

The man who cut his country’s long ago.

?August, 1822.
[First published, The Liberal, No. I. October 18, 1822, p. 164.]

[82]

THE CONQUEST.[129]

The Son of Love and Lord of War I sing;

Him who bade England bow to Normandy,

And left the name of Conqueror more than King

To his unconquerable dynasty.

Not fanned alone by Victory’s fleeting wing,

He reared his bold and brilliant throne on high;

The Bastard kept, like lions, his prey fast,

And Britain’s bravest Victor was the last.

March 8-9, 1823.
[First published, Lord Byron’s Works, 1833, xvii. 246.]

FOOTNOTES:

[129] [This fragment was found amongst Lord Byron’s papers, after
his departure from Genoa for Greece.]

IMPROMPTU.[130]

Beneath Blessington’s eyes

The reclaimed Paradise

Should be free as the former from evil;

But if the new Eve

For an Apple should grieve,

What mortal would not play the Devil?

April, 1823.
[First published, Letters and Journals, 1830, ii. 635.]

FOOTNOTES:

[130] [With the view of inducing these friends [Lord and Lady
Blessington] to prolong their stay at Genoa, he suggested their
taking a pretty villa, called “Il Paradiso,” in the neighbourhood of
his own, and accompanied them to look at it. Upon that occasion
it was that, on the lady expressing some intention of residing there,
he produced the following impromptu.—Life, 577.]

[83]

JOURNAL IN CEPHALONIA.

The dead have been awakened—shall I sleep?

The World’s at war with tyrants—shall I crouch?

The harvest’s ripe—and shall I pause to reap?

I slumber not; the thorn is in my Couch;

Each day a trumpet soundeth in mine ear,

Its echo in my heart——

June 19, 1823.
[First published, Letters, 1901, vi. 238.]

SONG TO THE SULIOTES.

Up to battle! Sons of Suli

Up, and do your duty duly!

There the wall—and there the Moat is:

Bouwah![131] Bouwah! Suliotes!

There is booty—there is Beauty,

Up my boys and do your duty.

By the sally and the rally

Which defied the arms of Ali;

By your own dear native Highlands,

By your children in the islands,

Up and charge, my Stratiotes,

Bouwah!—Bouwah!—Suliotes!

[84]

As our ploughshare is the Sabre:

Here’s the harvest of our labour;

For behind those battered breaches

Are our foes with all their riches:

There is Glory—there is plunder—

Then away despite of thunder!

[From an autograph MS. in the possession of Mr. Murray,
now for the first time printed.]

FOOTNOTES:

[131] “Bouwah!” is their war-cry.

[LOVE AND DEATH.]

I watched thee when the foe was at our side,

Ready to strike at him—or thee and me.

Were safety hopeless—rather than divide

Aught with one loved save love and liberty.

I watched thee on the breakers, when the rock

Received our prow and all was storm and fear,

And bade thee cling to me through every shock;

This arm would be thy bark, or breast thy bier.

I watched thee when the fever glazed thine eyes,

Yielding my couch and stretched me on the ground,

When overworn with watching, ne’er to rise

From thence if thou an early grave hadst found.

The earthquake came, and rocked the quivering wall,

And men and nature reeled as if with wine.[85]

Whom did I seek around the tottering hall?

For thee. Whose safety first provide for? Thine.

And when convulsive throes denied my breath

The faintest utterance to my fading thought,

To thee—to thee—e’en in the gasp of death

My spirit turned, oh! oftener than it ought.

Thus much and more; and yet thou lov’st me not,

And never wilt! Love dwells not in our will.

Nor can I blame thee, though it be my lot

To strongly, wrongly, vainly love thee still.[132]

[First published, Murray’s Magazine, February, 1887,
vol. i. pp. 145, 146.]

FOOTNOTES:

[132] [“The last he ever wrote. From a rough copy found amongst
his papers at the back of the ‘Song of Suli.’
Copied November, 1824.—John C. Hobhouse.”

“A note, attached to the verses by Lord Byron, states they were
addressed to no one in particular, and were a mere poetical Scherzo.
—J. C. H.”]

LAST WORDS ON GREECE.

What are to me those honours or renown

Past or to come, a new-born people’s cry?

Albeit for such I could despise a crown

Of aught save laurel, or for such could die.

I am a fool of passion, and a frown

Of thine to me is as an adder’s eye.

To the poor bird whose pinion fluttering down

Wafts unto death the breast it bore so high;[86]

Such is this maddening fascination grown,

So strong thy magic or so weak am I.

[First published, Murray’s Magazine, February, 1887,
vol. i. p. 146.]

ON THIS DAY I COMPLETE MY THIRTY-SIXTH YEAR.[133]

‘T is time this heart should be unmoved,

Since others it hath ceased to move:

Yet, though I cannot be beloved,

Still let me love!

My days are in the yellow leaf;

The flowers and fruits of Love are gone;

The worm, the canker, and the grief

Are mine alone![87]

The fire that on my bosom preys

Is lone [iii] as some Volcanic isle;

No torch is kindled at its blaze—

A funeral pile.

The hope, the fear, the jealous care,

The exalted portion of the pain

And power of love, I cannot share,

But wear the chain.

But ‘t is not thus—and ‘t is not here—[iv]

Such thoughts should shake my soul, nor now

Where Glory decks the hero’s bier,[v]

Or binds his brow.

The Sword, the Banner, and the Field,[vi]

Glory and Greece, around me see!

The Spartan, borne upon his shield,[134]

Was not more free.

Awake! (not Greece—she is awake!)

Awake, my spirit! Think through whom[88]

Thy life-blood tracks its parent lake,[vii]

And then strike home!

Tread those reviving passions down,[ix]

Unworthy manhood!—unto thee

Indifferent should the smile or frown

Of Beauty be.

If thou regret’st thy youth, why live?

The land of honourable death

Is here:—up to the Field, and give

Away thy breath!

10.

Seek out—less often sought than found—

A soldier’s grave, for thee the best;

Then look around, and choose thy ground,

And take thy Rest.

Missolonghi, Jan. 22, 1824.
[First published, Morning Chronicle, October 29, 1824.]

[89]

FOOTNOTES:

[133]
[“This morning Lord Byron came from his bedroom into the
apartment where Colonel Stanhope and some friends were assembled,
and said with a smile—’You were complaining, the other day, that
I never write any poetry now:—this is my birthday, and I have
just finished something, which, I think, is better than what I usually
write.’ He then produced these noble and affecting verses, which
were afterwards found written in his journals, with only the following
introduction: ‘Jan. 22; on this day I complete my 36^th year.'”—A
Narrative of Lord Byron’s Last Journey to Greece, 1825, p.
125, by Count Gamba. In the Morning Chronicle, October 29, 1824,
the lines are headed, “Lord Byron’s Latest Verses,” and are prefaced
by the following note: “We have been indebted to a friend
for the following immortal verses, the last he ever composed. Four
of the lines have already appeared in an article in the Westminster
Review” (“Lord Byron in Greece,” July, 1824, vol. ii. p. 227).]

[iii] Is like to——.—[M.C.]

[iv] —— it is not here.—[M.C.]

[v] —— seals the hero’s bier.—[M.C.]

[vi] The steed—the Banner—and the Field.—[MS. B.M.]

[134] I. [The slain were borne on their shields. Witness the Spartan
mother’s speech to her son, delivered with his buckler: “either with
this or on this” (B.M. Addit. MS. 31,038).]

[vii] My life-blood tastes——.—[M.C.]

[ix] I tread reviving——.—[M.C.]

A
BIBLIOGRAPHY
of the
SUCCESSIVE EDITIONS AND TRANSLATIONS
of
LORD BYRON’S POETICAL WORKS.

Collected Editions.

I.

The/ Poetical Works/ of/ Lord Byron./ In Two Volumes./
Vol. I./ [Vol. II.] From the last London Edition./
Philadelphia:/ Published by Moses Thomas,/ No. 52, Chesnut
Street./ William Fry, Printer./ 1813./ [16º.
[A bound copy: smooth blue calf, lettered “Lord Byron.”]

Collation—

Vol. I.—Title, one leaf; Cont.; Half-title;
Dedication; and Text, pp. 1-203.

Vol. II—Title, one leaf; Cont.; Half-title;
Preface, etc, pp. i.-xii.; Text, pp. 1-261.

Contents—

Vol. I.:—Poems, Original and Translated	p. 1
English Bards, etc.	p. 137
Vol. II.:—Childe Harold’s Pilgrimage, Canto I. (xciii. stanzas)	p. 13
Canto II. (lxxxviii. stanzas)	p. 9
Notes	p. 99
Poems (xx.)	p. 156
The Giaour (1215 lines)	p. 205
Note	p. 261

Note (Vol. I.).—On fly-leaf: “To the R^t Honourable Lord
Byron from his ob^t. servant Geo Ticknor, June 20. 1815.”[90]

“This book was given to me by Lord Byron, April 20, 1816,
on his leaving England. Scrope Davies.”

ΑΠΟ: ΙΩ:
Κεφ. θ.

Καὶ ἐν ταῖς ἡμέραις ἐκείναις ζητήσουσιν οἱ

ἄνθρωποι τὸν θάνατον

καὶ οὐχ εὑρήσουσιν αὐτὸν’ καὶ ἐπιθυμήσουσιν

ἀποθανεῖν, καὶ φεύξεται

ὁ θάνατος ἀπ’ αὐτῶν

On second fly-leaf: “Semper ego tui memoriam colam;
semper tua imago ante oculos observabitur; semper idem mihi
eras; qui idem semper eras bonis omnibus.”

These volumes which were presented by George Ticknor to Lord
Byron,[I] and, in turn, presented by him to Scrope Davies, passed
into the hands of Sir Francis Burdett (1770-1844), and are now
in the possession of his grandson, Mr. F. B. Money-Coutts.

FOOTNOTES:

[I] “He [Byron] spoke to me of a copy of the American edition
of his poems, which I had sent him, and expressed his satisfaction
at seeing it in a small form, because in that way, he said, nobody
would be prevented from purchasing it” (“Journal,” June 21,
1815).—Life, Letters, and Journals of George Ticknor, Boston,
1876, i. 62.

II.

The/ Poetical Works/ of/ Lord Byron./ From the last
London Edition./ In Two Volumes./ Volume I./ [Vol.
II.] Boston:/ Published by Cummings & Hilliard,/
No. I, Cornhill./ Joseph T. Buckingham, Printer,/
1814./ [12º.

Collation—

Vol. I.: pp. xi. + 308—Title, one leaf, pp. i., ii.;
Cont., pp. iii., iv.; Lord Byron
[excerpt from the Analectic Magazine], pp. v.-xi.;
Text, pp. 1-308.

Vol. II.: pp. iv. + 251—Title, one leaf, pp. i, ii; Cont.,
pp. iii, iv; Text, pp. 1-251.

Contents—

Vol. I.:—Poems, Original and Translated	p. 1
English Bards, etc. (Third Edition) (1050 lines), with Postscript	p. 123
Childe Harold’s Pilgrimage, Cantos I., II. (First Edition), with Notes, etc.	p. 179
Vol. II.:—Poems [Twenty-six, i.e. poems issued with Sec. Ed. of Childe Harold, and six (not tabulated) issued with the Corsair]	p. 1
The Giaour (Fifth Edition)	p. 47
The Bride of Abydos (Seventh Edition)	p. 103
The Corsair (Sixth Edition)	p. 159
Prize Prologue (Oct. 1812) (Second Edition)	p. 241
Ode to Napoleon Buonaparte (Second Edition: sixteen stanzas)	p. 245

[91]

III.

The/ Works/ of/ The Right Honorable/ Lord Byron./ In
Four Volumes./ Vol. I./ [Vol. II., etc.] Childe Harold./
London:/ Printed for John Murray, Albemarle Street./
1815./ [8º.

Collation—

Vol. I.: pp. xviii. + 218—Gen. Half-title, one leaf, pp. i., ii.;
Title (R. T. Davison, Lombard-Street,/ White-Friars, London.),
pp. iii., iv.; General Contents to the Four Volumes, pp. v.-x.*;
Half-title (R. Motto—Le Cosmopolite), n.p.;
Prefaces, pp. xi.-xviii.;
Cont. to Vol. I., one leaf, n.p.; Text, pp. 1-218. The
Imprint is at the foot of p. 218.

Note.—In the earlier copies of Vol. I. of this edition, the
misplaced “Advertisement” to The Giaour is on pp. i., ii., and pp.
ix.*, x.*, giving Cont. of Hebrew Melodies, are not inserted.

Vol. II.: pp. 1-202—Gen. Half-title, one leaf; Title (R. Imprint);
Cont. to Vol. II.; Half-title; Dedication; Text, pp. 1-202.
The Imprint is in the centre of the last page, p. [204].

Vol. III.: pp. viii. + 9-228—Gen. Half-title, one leaf; Title
(R. Imprint); Cont. to Vol. III.; Half-title, pp. i., ii.;
Dedication to Thomas Moore, Esq., pp. iii.-viii.; Text, pp. 9-228.
The Imprint is at the foot of p. 228.

Vol. IV.: pp. viii. [ix.*, x.*] + 203—Gen. Half-title, one
leaf; Title (R. Imprint), pp. i.-iv.; Cont. to Vol. IV., pp. v.-x.*;
Text, pp. 1-203.

Contents—

Vol. I.:—To Ianthe, Childe Harold’s Pilgrimage, Cantos I., II., (N. App.)	p. 3
Romaic Books and Authors, etc.	p. 188
Vol. II.:—The Giaour (N.)	p. 1
The Bride of Abydos, Cantos I., II. (N.)	p. 103
Vol. III.:—The Corsair, Cantos I.-III. (N.)	p. i.
Lara, Cantos I., II. (N.)	p. 133
Vol. IV.:—Ode to Napoleon Buonaparte (N.)	p. 1
Poems (N.) [xxxvi., consisting of xxix. pub. in the Seventh Ed. of Childe Harold, vi. pub. in the Second Ed. of the Corsair, and Verses on Sir P. Parker.]	p. 17
Hebrew Melodies (24)	p. 143

Note.—In later issues of Vol. III., 1815, the note on the
“Pirates of Barrataria” is inserted and paginated 133*-137*.

IV.

The/ Works/ of The/ Right Hon. Lord Byron./ In Two
Volumes./ Vol. I./ [Vol. II.] London:/ Printed for
John Murray, Albemarle-Street./ 1815/ [8º.[92]

Contents—

Vol. I.: The Title, as above, is prefixed to Childe Harold’s
Pilgrimage, Cantos I., II. (Fourth Ed.), 1812,
and Hebrew Melodies (First Ed.), 1815, pp. 1-53.

Vol. II.: The Title, as above, is prefixed to Childe Harold’s
Pilgrimage, Canto III.; Childe Harold, etc., Canto
the Fourth; Romance Muy Doloroso, Translation, etc., pp. xiv. + 257;
The Lament of Tasso (Sixth Ed.), 1818, pp. 1-18;
Poems (N.) (Second Ed.), 1816; Monody, etc. (New
Ed.), 1810; Ode to Napoleon (Second Ed.), 1814, pp 1-14.

Note.—These general titles were advertised, in July, 1815, for
the purpose of binding, in two volumes, poems which were
uniformly printed but had been separately issued. It is evident
that they were still to be procured after the collected editions of
1815, 1817, 1818 had been published. In other copies the
Contents are arranged in a different order.

V.

The Poetical Works, etc. From the last London Edition.
In Three Volumes. New York: Published by David Huntington. 1815.

[E. Kölbing, Prisoner of Chillon, 1896.]

VI.

The Works, etc. Including several poems now first collected.
Together with an Original Biography. Embellished
with a portrait, title-page, and six other engravings.
In Three Vols. Philadelphia: Published by Moses
Thomas, J. Maxwell, Printer. 1816. [12º.

[Kölbing.]

VII.

The/ Works/ of/ The Right Honourable/ Lord Byron./
In Five Volumes./ Vol. I./ [Vol. II., etc.] Childe
Harold./ London:/ John Murray, Albemarle-Street./
1817. [8º.

Collation—

Vol. I.:—Title, one leaf, pp. iii., iv.; Half-title
(R. Motto), pp. v., vi.; Pref., pp. vii.-xiv.; Cont., n.p.;
Text, pp. 1-218. The Imprint (T. Davison, Lombard Street,/
Whitefriars, London/), is in the centre of the last page.

Vol. II.: pp. 1-202—Title, one leaf; Cont. to Vol. II.;
Half-title; Dedication; Advertisement; Text, pp. 1-202. The
Imprint is in the centre of the last page, p. [204].

[93]
Vol. III.: pp. viii. + 9-222: Title, one leaf; Cont. to Vol.
III.; Half-title, pp. i. ii.; Dedication to Thomas Moore, Esq.,
pp. iii.-viii.; Text, pp. 9-222. The Imprint is in the centre of
the last page, p. [224].

Vol. IV.: Title, one leaf; pp. iii., iv.; Cont.
to Vol. IV., v.-viii.; Text. The Imprint is in
the centre of the last page.

Vol. V.: pp. vi. + 184—Title, one leaf; Dedication, pp. i., ii.;
Advertisement, pp. iii., iv.; Cont. to Vol. V., pp. v., vi.;
Half-title; Text, pp. 1-184. The Imprint is at the foot of p. 184.

Note.—The Cont. of Vols. I.-IV., 1817, are identical with
the Cont. of Vols. I.-IV., 1815.

Contents—

Vol. V.:-Siege of Corinth (N.)	p. 1
Parisina (N.)	p. 79
Poems (eleven, as pub. in Poems, 1816)	p. 127
Monody, etc. (N.)	p. 171

VIII.

Poems./ By Lord Byron./ New-York:/ Published by
Thomas Kirk and Thomas R. Mercein,/ Moses Thomas,
M. Carey and Son, Philadelphia;/ Wells and Lilly,
Boston;/ and Coale and Maxwell, Baltimore./ T. and
W. Mercein, Printers, 93, Gold Street./ 1817./ [12º.

Collation—

Pp. 1-64 (title-page unnumbered).

IX.

The/ Works/ of/ The Right Honourable/ Lord Byron./ Vol.
I./ [Vol. II., etc.] Childe Harold./ London:/ John
Murray, Albemarle-Street./ 1818.

Collation—

Vol. I.: pp. xiv. + 218—Half-title (R. T. Davison, Lombard
Street,/ Whitefriars, London./), etc. (Vide supra, Vol. I., 1817).

Vol. II.: pp. 1-202—Half-title (R. Imprint), etc. (Vide supra, Vol. II., 1817).

Vol. III.: pp. viii. + 9-222 (Vide supra, Vol. III., 1817).

Vol. IV.: pp. viii. + 203—Half-title (R. Imprint) (Vide supra, Vol. IV., 1817).

Vol. V.:/ pp. 1-184—Half-title, The Siege, etc., one leaf;
Title [The/ Works/ etc./ The Siege of Corinth—Parisina—
Poems./ London:/John Murray, Albemarle-Street,/ 1818./];
Cont. of Vol. V.; Advertisement; Dedication, “To John Hobhouse, Esq.;”
Text, pp. 1-104; The Imprint, T. Davison,
Lombard-street,/ Whitefriars, London,/ is at the foot of p. 184.

Vol. VI.: pp. 1-187—Gen. Half-title (R. T. Davison, Lombard
Street, Whitefriars, London); Title, one leaf [The Works,/ etc.
In Six Volumes (in some copies “In six,” etc., does not
appear)]; Cont. to Vol. VI.; Half-title; Text, pp. 1-187, + Publisher’s[94]
List, pp. 189-192. The Imprint is at the foot of p. 192.

Vol. VII.: pp. 1-273—Title [The/ Works, etc./ 1819.] (R.
London:/ Printed by T. Davison, Whitefriars/); Cont. to Vol. VII.;
Text, pp. 1-273 + Publisher’s Advertisement of Historical
Illustrations (R. London:/ Printed by Thomas Davison, Whitefriars/).

Vol. VIII.: pp. 1-165—Gen. Half-title (R. Imprint); Title
[The/ Works, etc./ 1820]; Cont. to Vol. VIII.; Text, pp. 1-165
+ Publisher’s List (ten pages, with Imprint at the foot of p. [10]).

Note.—For Contents for Vols. I.-V., vide supra, Ed. 1817.

Contents—

Vol. VI.: — Sonnet	p. 1
The Prisoner of Chillon (N.) (and six poems, N.)	p. 3
To Manfred (N.)	p. 67
Lament of Tasso	p. 169
Vol. VII.: — Childe Harold’s Pilgrimage, Canto III. (N.)	p. 1
Canto IV. (N.)	p. 81
Vol. VIII.: — Beppo (N.)	p. 1
Mazeppa	p. 57
Ode	p. 113
A Fragment	p. 127
Romance Muy Doloroso (Transl.)	p. 145
Sonetto di Vittorelli (Transl.)	p. 162

Note.—Vols. I.-IV. of the Edition of 1818 are illustrated by
“Twelve Plates engraved by Charles Heath, and other Artists,
from the original Designs of [Tho.] Stothard.” The “original
Designs,” water-colour drawings, were presented by Lord Byron
to the third Lord Holland, and are now in the possession of the
Earl of Ilchester.

X.

The Works of the right honourable Lord Byron. Comprehending
all his suppressed poems. Embellished with
a portrait, and a Sketch of his Lordship’s life. Vols. I.-VI.
Paris: Published by Galignani, at the French,
English, Italian, German and Spanish library, Nº 18,
Rue Vivienne, 1818, in 12º.

[Bibliographie de la France, June 13, 1818.]

XI.

The Works of Lord Byron. In Thirteen Volumes. Published
by Gerard Fleischer. Leipzic. 1818-1822. [8º.

[Kayser, Index Verborum. 1834. See, too, Jahrbücher
der Literatur. Vienna, 1821. Vol. xv. pp. 105-145.]

XII.

The/ Works/ of/ Lord Byron./ Vol. I./ [Vol. II., etc.]
London:/ John Murray, Albemarle-Street./ 1819./ [8º.[95]

Collation—

Vol. I.: pp. xv. + 479—Title, one leaf, pp. iii., iv.; Cont.
to Vol. I., pp. v., vi.; Half-title, with Motto, pp. vii., viii.;
Preface, etc., pp. ix.-xv.; Text, pp. 1-479. The Imprint
(London:/ Printed by Thomas Davison, Whitefriars./) is in the
centre of the last page, p. [480].

Vol. II.: pp. 1-491—Gen. Half-title (R. Imprint); Title, one
leaf; Cont. to Vol. II.; Text, pp. 1-491; Notes to Beppo, p. [493],
one leaf.

Vol. III.: pp. viii. + 330—Gen. Half-title (R. Imprint), pp. i., ii.;
Title, one leaf, pp. iii., iv.; Cont. to Vol. III., pp. v.-viii.;
Text, pp. 1-330. The Imprint is at the foot of the last page, p. 330.

Note.—In Vol. I. the text and notes of Cantos I., II. of Childe
Harold are identical with the Eleventh Edition of 1819, the text
with the Tenth Edition of 1815. The text of Cantos III. and
IV. is all but identical with the text of the editions of 1816, 1818,
but the notes have been reset.

Contents—

Vol. I.: Childe Harold’s, etc. Cantos I., II. (N.)	p.1
Canto III. (N.).	p. 195
Canto IV. (N.).	p. 273
Vol. II.:—The Giaour (N.)	p. 1
The Bride of Abydos (N.)	p. 79
The Corsair (N.)	p. 149
Lara (N.)	p. 251
The Siege of Corinth (N.)	p. 317
Parisina (N.)	p. 373
The Prisoner of Chillon (N.)	p. 411
Beppo (N.)	p. 439
Vol. III.:—Manfred (N.)	p. 1
Hebrew Melodies (23)	p. 81
Ode to Napoleon Buonaparte (N.)	p. 121
Monody, etc. (N.)	p. 137
Lament of Tasso	p. 147
Poems (N.)	p. 163

Note.—The Poems include thirty pub. with Childe Harold,
Ed. 10, 1815; six pub. with the Corsair, Ed. 2, 1814; eleven pub.
in Poems, 1816; A Sketch, etc. (now first included); six pub.
with The Prisoner of Chillon, 1816, and the translation from the
Spanish Ballad (Romance, etc.) and the Italian Sonnet pub. with
Childe Harold, Canto IV., 1818-fifty-six pieces in all.

XIII.

The/ Works/ of/ The Right Honourable/ Lord Byron./
Comprehending all his Suppressed Poems,/ Embellished
with a Portrait and a Sketch of His/ Lordship’s Life./
Vol. I./ [Vol. II., etc.] Childe Harold’s Pilgrimage,/
Cantos I. and II.—The Giaour./ Second Edition./ Paris./
Published by Galignani,/ At the French, English, Italian,
German and Spanish/ Library, No. 18, Rue Vivienne./ 1819 [12º.[96]

Collation—

Vol. I.: pp. viii. + viii. + 276—Title, one leaf; Advertisement,
one leaf; Memoir of the R.H. Lord Byron, pp. i.-viii.;
Text, pp. i.-viii., 9-284. Frontispiece: Portrait of Lord Byron
by G. Harlow, Lith. de G. Engelmann.

Vol. II.: pp. 1-244—Gen. Half-title (R. Printed by A. Belin);
Title, one leaf; Text, pp. 1-244.

Vol. III.: pp. 1-230—Gen. Half-title, etc., as above; Text, pp. 1-230.

Vol. IV.: pp. 1-211—Gen. Half-title, etc., as above; Text, pp. 1-211.

Vol. V.: pp. 1-225—Gen. Half-title, as above; Dedication, pp. iii.-x.;
Text, pp. 11-235.

Vol. VI.: pp. 1-130—Gen. Half-title, etc., as above; Text, pp. 1-130 +
six pages of General Index.

Contents—

Vol. I.:—Childe Harold’s, etc., Cantos I., II. (N.)	p. 9
The Giaour (N.)	p. 207
Vol. II.:—The Bride, etc. (N.)	p. 1
The Corsair (N.)	p. 71
Lara (N.)	p. 179
Vol. III.:—Ode to N.B. (N.)	p. 1
Poems (xxxvi.) (N.)	p. 13
Hebrew Melodies	p. 79
The Siege, etc. (N.)	p. 107
Parisina (N.)	p. 163
Poems, 1816	p. 195
Monody, etc. (N.)	p. 222
Vol. IV.:—The Prisoner of Chillon, etc. (N.)	p. 1
Manfred (N.)	p. 51
The Lament of Tasso	p. 125
Childe Harold’s, etc., Canto IV. (N.)	p. 139
Vol. V.:—Childe Harold’s, etc., Canto IV. (N.)	p. 1
Publisher’s Advt.	p. [220]
Romance Muy Doloroso (Transl.)	p. 221
Sonetto di Vittorelli (Transl.)	p. 234
Vol. VI.:—Beppo	p. 1
Suppressed Poems: English Bards, etc.	p. 47
Ode (“Oh, shame to thee,” etc.)	p. 121
Windsor Poetics	p. 125
A Sketch	p. 126
Mazeppa	p. 5
Ode (To Venice)	p. 47
A Fragment	p. 57

Note.—Bound up with, and, possibly, an integral part of Vol.
VI., is Mazeppa. Collation: pp. 1-69. 12º.
Half-title (R. Printed by A. Belin); pp 1, 2; Title, one leaf
(Mazeppa,/ A Poem.: By Lord Byron./ Second Edition./ Paris:/ Published by
Galignani,/ At the French, English, Italian, German and
Spanish/ Library, Nº 18, Rue Vivienne./ 1819./), pp. 3, 4;
Second half-title; Advertisement, pp. 7, 8; and Text, pp. 9-69.
(For Contents, vide supra.)

XIV.

The Works of the R.H. Lord Byron. In Six Volumes.
Zwickau. Printed for Brothers Schumann, 1819.

[Jahrbücher der Lit.][97]

XV.

The Works, etc. In Seven Volumes. Brussels: published
at the English Repository of Arts, 1819.

[Kölbing.]

XVI.

Works of Lord Byron. New York. 1820. Four Volumes. [18º.

[Cat. of Library of Boston Athenæum.]

Contents—

Vol. I.:—Childe Harold’s, etc.

Vol. II.:—Bride, etc.—Corsair—Lara—The Giaour.

Vol. III.:—Siege, etc.—Prisoner of Chillon—Parisina—Beppo—English
Bards, etc.—Mazeppa—Ode—Fragment—Don Juan.

Vol. IV.:—Hebrew Melodies—Ode to N.B.—Monody, etc.—Lament
of Tasso—Manfred—Poems.

XVII.

The/ Works/ of/ Lord Byron./ Vol. I./ [Vol. II., etc.]
London:/ John Murray, Albemarle-Street./ 18217 [8º.

Collation—

Vol. I.: pp. xvi. + 216—Gen. Half-title (R. (a) Thomas
Davison, Whitefriars.) pp. i., ii.; Title, one leaf, pp. iii., iv.;
Cont. to Vol. I., pp. v., vi.; Preface, etc., pp. vii.-xi.; Text, pp. 1-216.
The Imprint (b) (London:/ Printed by Thomas Davison,
Whitefriars.) is at the foot of p. 216.

Vol. II.: pp. 1-272—Gen. Half-title (R. Imprint (a)); Title,
one leaf; Cont. to Vol. II.; Text, pp. 1-237. The Imprint (b)
is at the foot of p. 272.

Vol. III.: pp. 1-237—Gen. Half-title (R. Imprint (a)); Title,
one leaf; Cont. to Vol. III.; Text, pp. 1-237. The Imprint (b)
is in the centre of p. [240].

Vol. IV.: pp. 1-274—Gen. Half-title (R. Imprint (a)); Title,
one leaf; Cont. to Vol. IV.; Text, pp. 1-274. The Imprint (b)
is in the centre of p. [276].

Vol. V.: pp. viii. + 284—Gen. Half-title (R. Imprint (a)),
pp. i., ii.; Title, one leaf; Cont. to Vol. V., pp.[v.]-viii.;
Text, pp. 1-284. The Imprint (b) is at the foot of p. 284.

Contents—

[98]

Vol. I.:—Childe Harold’s, etc., Cantos I., II. (N. App.)	p. i.
Vol. II.:—Childe Harold’s, etc., Canto III. (N.)	p. 1
Canto IV. (N.)	p. 77
Vol. III.:—The Giaour (N.)	p. 1
The Bride, etc. (N.)	p. 75
The Corsair (N.)	p. 143
Vol. IV.:—Lara (N.)	p. 1
The Siege (N.)	p. 63
Parisina	p. 117
The Prisoner (N.)	p. 153
Beppo (N.)	p. 179
Mazeppa	p. 235
Vol. V.:—Manfred (N.)	p. 1
Hebrew Melodies	p. 73
Ode to N.B. (N.)	p. 104
Monody, etc	p. 121
Lament of Tasso	p. 127
Poems (N.)	p. 141

Note.—The Poems (fifty-seven in all) include the Ode to Venice.

XVIII.

Lord Byron’s/ Works./ Volume the First./ [Volume the
Second, etc.] Containing:/ The Bride of Abydos—The
Corsair—Lara—/Parisina, etc./ Paris/ Sold by François
Louis,/ At his French and English Library,/ Rue
Hautefeuille, Nº 10;/ And Baudry,/ At the Foreign
Library,/ Rue du Coq Saint Honoré, Nº 9./ 1821./ [12º.

Collation—

Vol. I.: pp. xii. + 216—Title, one leaf, pp. iii., iv.; “Memoir
of Lord Byron,” pp. v.-xii.; Text, pp. 1-216.

Vol. II. pp. 1-240—Title, one leaf; Text, pp. 1-240.

Vol. III.: pp. 1-[224]—Title, one leaf; Text, pp. 1-224 + 4 n.p.

Vol. IV.: pp. 1-[228]—Title, one leaf; Text, pp. 1-224 + 4 n.p.

Vol. V.: pp. 1-244—Title, one leaf; Text, pp. 1-244.

Contents—

Vol. I.:—The Bride, etc., Cantos I., II. (N.)	p. 1
The Corsair, Cantos I.-III. (N.)	p. 55
Lara, Cantos I., II. (N.)	p. 131
Parisina	p. 179
Ode to N.B.	p. 203
Ode to Venice	p. 211
Vol. II.:—English Bards, etc	p. 1
Don Juan, Cantos I., II. (N.)	p. 55
The Giaour (N.)	p. 167
Vol. III.:—Childe Harold, Cantos I.-IV.(N.)	p. 1
Beppo	p. 187
Fare Thee Well	p. 219
Darkness	p. 221
Stanzas for Music (“There be none,” etc.)	p. [224]
Vol. IV.:—Siege, etc. (N.)	p. 1
Manfred (N.)	p. 43
Mazeppa	p. 107
Prisoner of Chillon, a Fable, Sonnet, etc. (N.)	p. 139
Sonnet (“Rousseau,” etc.)	p. 160
Lament of Tasso	p. 161
Various Poems:[J] A Sketch, etc. (and 34 others)	p. 173
Vol. V.:—Hours of Idleness (i.e. Poems Original and Translated), “The Second English Edition,” On Leaving Newstead Abbey, etc	p. 1
Critique, etc	p. 116
Fugitive Pieces (including Windsor Poetics, first pub. by Murray, and the spurious Ode, “Oh, shame to thee,” etc.)	p. 163
The Curse of Minerva (full text)	p. 177
Avis (“Le Vampire, faussement attribué à Lord Byron, est de Polidori, jeune médecin qui a vécu quelque temps à Genève avec le poëte anglais,” etc.)	p. 191
The Vampyre, A Tale	p. 192
Extract of a Letter from Geneva	p. 194
Introduction	p. 201
The Vampyre	p. 207
A Fragment (June 17, 1816)	p. 237

FOOTNOTES:

[J] [Six “Hebrew Melodies” are included in Various Poems.]

[99]

XIX.

The/ Works/ of/ Lord Byron,/ comprehending the/ Suppressed
Poems./ Embellished with a Portrait, And a
Sketch of His Life./ Vol. I./ [Vol. II., etc.] Paris:/
Published by A. and W. Galignani,/ At the French,
English, Italian, German and Spanish Library,/ Nº 18,
Rue Vivienne./ 1822.7 [8º.

Collation—
Vol. I.: pp. 106 + 265—Gen. Half-title (R. Printed by A.
Belin); Title, one leaf, pp. 1, 2; Contents to Vol. I., pp. 3, 4;
The Life of Lord Byron [By J. W. Lake], pp. 5-106;
Text, pp. 1-264.

Vol. XVI: pp. 204—Gen. Half-title (R. Imprint); Title, one
leaf; Text, pp. 1-204.

Contents—

Vol. I.:—Hours of Idleness	p. 1
Translations and Imitations	p. 63
Fugitive Pieces	p. 97
Critique [E.R. Jan. 1808]	p. 153
English Bards, etc.	p. 161
Lines written by Mr. Fitzgerald in a copy of English Bards, etc., with his Lordship’s Reply	p. 234
The Curse of Minerva	p. 235
An Ode (“Oh, shame to thee,” etc.)	p. 255
Windsor Poetics	p. 259
A Sketch, etc.	p. 260
Vol. XVI.:—The Deformed Transformed	p. 1
Transl. of Morgante Maggiore	p. 105
Lord Byron’s Speeches	p. 157

Note.—The frontispiece of Vol. I. is an engraving of the
Portrait by G. Sanders.

Don Juan was included in successive volumes in accordance
with the date of publication: Cantos I., II. in Vol. VII.; Cantos
III., IV., V. in Vol. VIII.; Cantos VI.-XI. in Vol. XIV; and
Cantos XII.-XVI. in Vol. XV.

Volumes XIII.-XV. of this Edition were issued in 1823, and
Vol. XVI. in 1824.

XX.

The/ Works/ of/ Lord Byron./ In Four Volumes./ Vol. I./
[Vol. II., etc.] London:/ John Murray, Albemarle Street./
1823 [8º[100]

Collation—

Vol. I.: pp. xi. + 303—Title, one leaf, pp. iii., iv.; Gen.
Cont., pp. v., xi.; Cont. of Vol. I.; Text, pp. 1-303. The
Imprint (London:/ Printed by Thomas Davison, Whitefriars/)
is in the centre of the last page.

Vol. II.: pp. 1-359—Title, one leaf; Cont. of Vol. II.;
Text, pp. 1-359. The Imprint is in the centre of the last page, p. [360].

Vol. III.: pp. 1-345—Title, one leaf; Cont. of Vol. III.;
Text, pp. 1-345; Notes to Beppo, one leaf, p. [347]. The Imprint
is in the centre of the last page, p. [348].

Vol. IV.: pp. viii. + 372—Title, one leaf, pp. iii., iv.; Cont.
of Vol. IV., pp. v.-viii.; Text, pp. 1-372. The Imprint is at
the foot of p. 372.

Contents—

Vol. I.:—Childe Harold’s, etc., Cantos I., II. (N. App.)	p. 1
Canto III. (N.)	p. 223
Vol. II.:—Childe Harold’s, etc., Canto IV. (N.)	p. 1
The Giaour (N.)	p. 207
The Bride, etc., Cantos I., II. (N.)	p. 287
Vol. III.:—The Corsair, Cantos I.-III. (N.)	p. 1
Lara, Cantos I., II. (N.)	p. 105
The Siege, etc. (N.)	p. 169
Parisina (N.)	p. 225
The Prisoner of Chillon, Sonnet (N.)	p. 265
Beppo (N.)	p. 293
Vol. IV.:—Mazeppa (N.)	p. 1
Manfred (N.)	p. 43
Hebrew Melodics (N.)	p. 121
Ode to N.B. (N.)	p. 159
Monody, etc. (N.)	p. 175
Lament of Tasso	p. 185
Poems (57) (N.)	p. 203

Note.—This edition of 1823, 4 vols. 8º, differs from the 3 vols.
8º of 1819, by the addition of Mazeppa and the Ode to Venice.
The Front, of Vol. I. is “Lord Byron,” by T. Phillips, R.A.,
engr. by C. Warren.

XXI.

The Works of Lord Byron. In Twelve Vols. Paris:
Printed for Baudry, etc. 1822-1824. [12º.

Note.—The Life and Genius of Lord Byron, by Sir Cosmo
Gordon, is affixed to the twelfth volume. See La France
Littéraire, by J. M. Quérard. 1827.

XXII.

The Works of Lord Byron, comprehending the suppressed
Poems. Embellished with a portrait, and a sketch of his
life. In Twelve Volumes. Printed by A. Belin. Published
by Galignani. 1823. [12º.

[B. de la F., May 24, 1823.][101]

XXIII.

The/ Works/ of/ Lord Byron./ Vol. V./ Containing/
Hours of Idleness—Fugitive Pieces—English/ Bards and
Scotch Reviewers—Waltz—/Miscellaneous Poems, etc./
London:/ Knight and Lacey, Paternoster-Row./ 1824./ [8º.

Collation—

Vol. V.: pp. xiii. + 154 + 9 + vi. + 57 + vii. + 61—Gen.
Half-title; Title (R. T. C. Hansard, Paternoster-Row Press);
Preface; Cont., pp. [i.]-xiii.; Second Half-title; Text, pp. 2-154, etc.

Note.—The Imprint (T. C. Hansard/ Paternoster-Row/) is at
the foot of the last page (p. 62). Four pages (n.p.) of publishers’
list of Sherwood, Jones & Co., etc., dated London, June, 1824,
are bound up with Vol. V.

Vol. VI.: pp. vi. + 308 + 2 pages (n.p.)—Gen. Half-title;
Title [The/ etc. In Seven Volumes./ Vol. VI./ London:/
Printed for John and Henry L. Hunt,/ Tavistock Street./ 1824./]
(R. London:/ Printed By C. H. Reynell, Broad-Street, Golden-Square/); Second Half-title; Dedication; Preface, pp. i.-vi.;
Dramatis Personæ, p. [viii.] (B.A.); Text, pp. 9-308; Note to
the Translation of the Morgante Maggiore, one leaf, pp. [309, 310].

Vol. VII.: pp. 1-286—Gen. Half-title; Title [The, etc./
Tavistock-Street./ 1825./], (R. Imprint as above); Text, pp. 1-286.

Contents—

Vol. V.:—Hours of Idleness	p. 1
Review, etc.	p. 1
English Bards, etc.	p. i.
Waltz [N]	p. i.
Ode (“Oh, shame to thee,” etc.)	p. 19
Adieu to Malta	p. 23
Madame Lavalette	p. 26
The Curse of Minerva (111 lines)	p. 28
Farewell to England	p. 35
To my Daughter, etc.	p. 46
Ode to … St. Helena	p. 50
To the Lily of France	p. 53
To Jessy	p. 56
To T. Moore, Esq. (“My Boat,” etc.)	p. 58
Lines to Mr. Hobhouse	p. 60
Enigma [H.]	p. 61
Vol. VI.:—Werner	p. i.
Heaven and Earth	p. 197
Transl. of Morgante Maggiore (Advt.)	p. 259
Vol. VII.:—The Age of Bronze	p. I
The Island	p. 37
Appendix (Extract from the Voyage of Capt. Bligh)	p. 109
The Vision of Judgment	p. 125
Appendix (Court of King’s Bench, Thursday, January 15, 1824. The King v. John Hunt)	p. 187
The Deformed Transformed	p. 191

Note (1).—In Vol. V. the pagination of the “Postscript” of
English Bards, etc., pp. 45-47, is incorrect.[102]

Note (2).—In Vol. VII. (pp. 125, sq.) in the edition of the
Vision of Judgment, issued after the verdict in the case of the
King v. John Hunt, January 15, 1824, stanzas viii., ix. (lines
1, 2), xliii. (lines 1-6), xliv., xlv. (lines 1-6), xlvii. (lines 4, 8),
are omitted in the text, but are quoted in the report of the trial.

Note (3).—The following slip, headed “Notice to the Binder,”
is inserted between a fly-leaf and the general half-title of Vols. VI.,
VII.: “In order that each purchaser of the two concluding volumes
of Lord Byron’s Works may be enabled with them to complete his
particular set,—whatever edition he possesses, an extra Title-page is
given with each—there being several editions in print, comprising
the same marks in different numbers of volumes. In binding these
two last volumes, therefore, the binder should be instructed which
of the Title-pages to retain.” Four pages (n.p.) consisting of
General Half-title (B.R.) and Title-page as above [In Eight
volumes./ Vol. VII., Vol. VIII./] with Imprint as above, at foot
of Reverse, are bound up with Vols. VI., VII. Volume VIII.
was not issued.

XXIV.

The Works, etc. In Eight Volumes. London: John
Murray, etc., 1825. [Small] 8º.

XXV.

The/ Works /of/ Lord Byron./ In Six Volumes./ Vol. V./
London:/ John Murray, Albemarle Street./ 1825./ [8º.

Collation—

Vol. V.: pp. 1-404—Title, one leaf; Cont. of Vol. V.; Text,
pp. 1-404. The Imprint (London:/ Printed by Thomas Davison,
Whitefriars/) is at the foot of p. 404.

Vol. VI.: pp. viii. + 319—Title, one leaf; Cont. of Vol. VI.;
Text, pp 1-319. The Imprint is in the centre of the last page,
p. [320].

Contents—

Vol. V.:—Marino Faliero (N. App.)	p. 1
Prophecy of Dante, Cantos I.-IV. (N.)	p. 243
Cain	p. 291
Vol. VI.:—Sardanapalus (N)	p. 1
The Two Foscari (App.)	p. 171

XXVI.

The/ Complete Works/ of/ Lord Byron/ With/ A
Biographical and Critical notice/ By J. W. Lake, Esq./
Vol. I. [Vol. II., etc.] Childe Harold’s Pilgrimage./
[Monogram.] Paris/ From the Press of Jules Didot
senior,/ vi, Rue Du Pont-de-Lodi./ Published by[103]
Baudry, Rue du Coq-Saint-Honoré,/ And Amyot, Rue
De La Paix./ 1825./ [8º.

Collation—

Vol. I.: pp. c. + 353—Title, one leaf; Cont. of the First
Vol.; A Biographical, etc., pp. i.-c.; Text, pp. 1-353.

Vol. II.: pp. 1-432—Title, one leaf; Cont. of the Second
Vol.; Text, pp. 1-432.

Vol. III.: pp. 1-466—Title, one leaf; Cont. of the Third
Vol.; Text, pp. 1-466.

Vol. IV.: pp. 1-426—Title, one leaf; Cont. of the Fourth
Vol.; Text, pp. 1-426.

Vol. V.: pp. 1-435—Title, one leaf; Cont. of the Fifth Vol.;
Text, pp. 1-435; Note to Cain, one leaf, p. [437].

Vol. VI.: pp. vii. + 529—Title, one leaf, pp. iii., iv.; Cont.
of the Sixth Vol., pp. v.-viii.; Text, pp. 1-529.

Vol. VII.: pp. viii. + 528—Title, one leaf, pp. iii., iv.; Cont.
of the Seventh Vol., pp. v.-viii.; Text, pp. 1-528.

Note.—The Frontispiece of Vol. I. is an engraving of the
Portrait of Lord Byron by G. Sanders.

Contents—

[104]

Vol. I.:—A Biographical, etc.	p. i
Childe Harold’s, etc., Cantos I.-III (N.)	p. 1
Dedication	p. 205
Canto IV. (N.)	p. 213
Vol. II.:—Don Juan, Cantos I.-V. (N.)	p. 1
Preface to Cantos VI., VII., VIII.	p. 301
Cantos VI.-VIII. (N.)	p. 307
Vol. III.:—Don Juan, etc., etc.
Canto IX. (N.)	p. 1
Canto XVI. (N.)	p. 247
Beppo (N.)	p. 295
The Vision of Judgment (N.)	p. 333
The Giaour (N.)	p. 373
Parisina	p. 435
Vol. IV.:—Manfred (N.)	p. 1
Marino Faliero (N.), Preface, etc.	p. 267
Vol. V.:—The Two Foscari (N.)	p. 1
Appendix	p. 123
Werner (N.)	p. 143
Cain (N.)	p. 331
Vol. VI.:—Heaven and Earth (N.)	p. i
The Deformed, etc. (N.)	p. 53
The Bride, etc. (N.)	p. 133
The Corsair (N.)	p. 193
Lara (N.)	p. 279
The Siege, etc. (N.)	p. 331
The Prisoner of Chillon (N.), Sonnet, etc.	p. 377
Mazeppa (N.), Advt., etc.	p. 399
The Island (N.), Advt., etc.	p. 435
The Lament of Tasso, Advt.	p. 517
Vol. VII.:—The Prophecy of Dante (N.), Dedication, etc.	p. 1
The Age of Bronze (N.)	p. 45
The Curse of Minerva (N.)	p. 77
Hours of Idleness	p. 95
Critique, etc.	p. 211
English Bards, etc., Preface	p. 221
Hebrew Melodies	p. 277
Miscellaneous Poems, and The Dream, etc.	p. 301
Morgante Maggiore (N.), Advt.	p. 439
Letter to * * *	p. 475
Parliamentary Speeches, Debate on the Framework Bill	p. 505

Note.—The Miscellaneous Poems (67) include the following
forgeries: Ode (“Oh, shame to thee,” etc.), p. 345; Madame
Lavalette, p. 349; Farewell to England, p. 356; To my Daughter,
P. 366.

XXVII.

Works of Lord Byron. Philadelphia. 1825. Eight Vols. [8º.

Contents—

Vol. I.:—Childe Harold’s Pilgrimage.

Vol. II.:—Giaour—Two Foscari—Werner.

Vol. III.:—Bride, etc.—Corsair—Cain, a Mystery—Sardanapalus.

Vol. IV.:—Lara—English Bards, and Scotch Reviewers—
Marino Faliero-Siege, etc.—Prisoner of Chillon—Song.

Vol. V.:—Manfred—Parisina—Deformed Transformed—Vision
of Judgment—Beppo—Age of Bronze—Heaven and Earth—Curse
of Minerva, etc.

Vol. VI.:—Mazeppa—The Dream—The Island—Prophecy of
Dante—Lament of Tasso—Ode to Buonaparte—Monody, etc.—Hebrew
Melodies—Miscellaneous Poems.

Vols. VII., VIII.:—Don Juan.

[Catalogue of the Boston Athenæum Library, 1874.]

XXVIII.

The Works of the R.H. Lord Byron. In Eight Vols.
New York: published by Wm. Borrodaile, at his wholesale
Book Store, 114, Fulton Street. 1825.

[Kölbing.]

XXIX.

The Works of Lord Byron. Complete in Thirty-two
Volumes. Published by the Brothers Schumann, Zwickau.
1825-1827. [16º.

Note.—Vol. XXXIII. was issued in 1838. [Kayser, 1841.]

XXX.

The Works of Lord Byron, comprising the suppressed poems.
In Thirteen Volumes. Paris. Printed by Didot aîné.[105]
Published by A. and W. Galignani, No. 18, Rue Vivienne.
1826. [32º.

[B. de la F., June 3, 1826.]

XXXI.

The/ Works/ of/ Lord Byron/ Including/ The Suppressed
Poems./ Complete in one volume/. Paris:/ Published by
A. and W. Galignani,/No. 18, Rue Vivienne./ 1826./ [8º.

Collation—

Pp. xliii. + 716—Gen. Half-title (R. Printed by Jules Didot,
Senior,/ Printer to his Majesty, Rue du Pont de Lodi, Nº 6/);
Title-page, one leaf, pp. i., ii.; Cont., pp. iii., iv.; The Life of
Lord Byron [by J. W. Lake], pp. v.-xliii.; Text, pp. 1-716.

The Front. is a Portrait of Lord Byron by F. Sieurac, engr.
by J. T. Wedgwood. The Title-vignette is a harp, etc., resting
on foliage (bays and oak leaves).

The Facsimile of the Letter from Lord Byron to M. Galignani,
dated Venice, April 27, 1819, is inserted between the “Contents”
and the “Life,” etc.

Note (1).—Among Miscellaneous Poems are The Irish
Avatar, p. 515; Ode (“Oh, shame to thee,” etc.), p. 539;
Windsor Poetics, p. 540; and Carmina Byronis in C. Elgin,
p. 541. The Volume concludes (pp. 711-716) with Poems
Attributed to Lord Byron, viz.—

Childish Recollections (32 lines)	p. 711
Lord Byron to his Lady (“How strangely,” etc.)	ib.
Ode to the Island of St. Helena	ib.
To the Lily of France	p. 712
Madame Lavalette	ib.
Adieu to Malta	ib.
Enigma (“‘Twas whispered,” etc.)	p. 713
The Triumph of the Whale	ib.
To Jessy	ib.
To my Daughter	p. 714
To Lady Caroline Lamb	p. 715
The Farewell (“When man compelled,” etc.)	ib.
Lines (“Would you get to the House,” etc.)	ib.
Verses (“All hail, Mont Blanc,” etc.)	ib.
To a Lady (“And wilt thou weep,” etc.)	716
Stanzas (“I heard thy fate,” etc.)[A]	ib.
Lines found in the Travellers’ Book at Chamouni	ib.
Lines found in Lord Byron’s Bible [B]	ib.

Note (2).—This edition was reissued, in 1827, on different paper.
An impression of the portrait by F. Sieurac, in an unfinished state,
precedes the Frontispiece.

FOOTNOTES:

[A] “Stanzas” were published Poetical Works, 1899, iii. 425,
426, with the title, “On the Death of the Duke of Dorset.” Note (I) on p. 425
is incorrect.

[B] “Lines Found in Lord Byron’s Bible” are by Sir Walter Scott
(see Monastery, chap. xii.).[106]

XXXII.

The Works, etc. Complete. One Vol. Frankfort o. M.
Printed by and for H. L. Broenner. 1826. 4º, pp. xvi. + 776.

[Kölbing.]

Note.—A Second Edition, pp. xlvi. + 804, including Morgante
Maggiore and Parliamentary Speeches, was issued in 1829, vide
post, No. xl.; and a third, pp. xxx. + 784, including Francesca
di Rimini, Hints from Horace, and The Blues, etc., in
1837. According to Kayser, the First Edition appeared in 1827,
a second in 1829, and a third, “considerably augmented,” in 1837.

XXXIII.

The Works, etc. In Six Volumes. London: John Murray,
etc. 1827. [Small 8º.

[Kölbing.]

XXXIV.

The/ Works/ of/ Lord Byron./ In Four Volumes./ Vol. I./
[Vol. II., etc.] London:/ John Murray, Albemarle-Street./
1828./ [12º.

Collation—

Vol. I.: pp. ix. + 362—Gen. Half-title, Works/ of/ Lord/
Byron./ (R. London: Printed by Thomas Davison Whitefriars/),
pp. i., ii.; Title, one leaf, pp. iii., iv.; Gen. Cont., pp. v.-ix.;
Cont. of Vol. I. (n.p.); Text, pp. 1-362.

The Front., “Lord Byron,” is engr. by E. Finden from a
portrait by G. (sic) Phillips, R.A.

Vol. II.: pp. 1-424—Gen. Half-title (R. Imprint); Cont. of
Vol. II.; Text, pp. 1-424. The Imprint is at the foot of p. 424.

The Front., “Medora” (Corsair, i. 379), is engr. by E.
Finden from a drawing by H. Corbould.

Vol. III.: pp. vii. + 383—Half-title (R. Imprint), pp. i., ii.;
Title, one leaf, pp. iii., iv.; Cont. of Vol. III., pp. v.-vii.;
Text, pp. 1-383. The Imprint is in the centre of the last page,
p. [384].

The Front., “Lord Byron” (“When late I saw thy … child”),
is engr. by E. Finden from a drawing by H. Corbould.

Vol. IV.: pp. 1-429—Gen. Half-title (R. Imprint); Title, one
leaf; Cont. of Vol. IV.; Text, pp. 1-429. The Imprint is in
the centre of the last page, p. [430].

The Front., “Sardanapalus” (act iv. sc. 1, line 1), is engr.
by E. Finden from a drawing by H. Corbould.

[107]Contents—

Vol. I.:—Childe Harold’s, etc., Cantos I.-IV. (N.)	p. 1
Vol. II.:—The Giaour (N.)	p. 1
The Corsair, Cantos I.-III. (N.)	p. 61
Lara, Cantos I., II. (N.)	p. 143
The Bride, etc., Cantos I., II. (N.)	p. 195
Siege, etc. (N.)	p. 253
Parisina (N.)	p. 299
The Prisoner of Chillon, Sonnet, etc. (N.)	p. 331
Beppo (N.)	p. 353
Mazeppa	p. 391
Vol. III.:—Manfred (N.)	p. 1
Hebrew Melodies: “She walks in beauty” (and 22 others)	p. 61
Ode to N.B. (N.)	p. 89
Monody, etc.	p. 99
Lament of Tasso	p. 105
Poems: Written in an Album (and 55 others)	p. 119
Ode [to Venice]	p. 249
Notes to the Poems	p. 255
Prophecy of Dante, Cantos I.-IV. (N.)	p. 259
Cain	p. 299
Vol. IV.:—Marino Faliero (App.)	p. 1
Sardanapalus (N.)	p. 175
The Two Foscari (App.)	p. 303

XXXV.

The/ Works/ of/ Lord Byron/ Including/ The Suppressed
Poems./ Complete in One Volume./ Paris:/ Published
by A. and W. Galignani,/ No. 18, Rue Vivienne./ 1828./ 8º.

Collation—

Pp. xl. + 718.

Note.—This edition closely corresponds with that issued by
A. and W. Galignani in 1826-7, q.v. ante, No. xxxi. The
“Life of Lord Byron,” by J. W. Lake, is abbreviated and corrected.
Among Attributed Poems are the following additions:
A Drinking Song (“Fill the goblet,” etc.), p. 716; Remember
Thee, ibid.; To Mary (“Remind me not,” etc.), p. 717; Verses
(“There was a time,” etc.), ibid.; On Leaving England, ibid.;
and the following omissions: Verses (“All hail, Mont Blanc,”
etc.), 1826, p. 715; and Lines found in Lord Byron’s Bible,
1826, p. 716.

XXXVI.

The Works of Lord Byron. Complete in One Volume.
Title-Vignette. Published by Broenner, Frankfort. 1828, 8º.

Note.—A Second Edition was issued in 1829, and a third,
“considerably augmented,” in 1837. [Kayser.]

XXXVII.

The/ Works/ of/ Lord Byron./ In Six Volumes./ Vol. I./
[Vol. II., etc.] London:/ John Murray, Albemarle-Street./
1829./ 8º.[108]

Collation—

Vol. I.:—Gen. Half-title, “Byron” (R. London:
Printed by Thomas Davison, Whitefriar’s), pp. i., ii; Title, one
leaf, pp. iii, iv.; General Cont., pp. v.-ix.; Cont. of Vol. I.,
n.p.; Text, pp. 1-235. The Imprint is in the centre of the last
page, p. [236].

Vol. II.: Gen. Half-title (R. Imprint); Title, one leaf; Cont.
of Vol. II.; Text, pp. 1-297. The Imprint is in the centre of
the last page, p. [300].

Vol. III.: Gen. Half-title, etc., as in Vol. II.; Text pp. 1-282.
The Imprint is in the centre of the last page, p. [284].

Vol. IV.: pp. vii. + 275—Half-title (R. Imprint), pp. i., ii.;
Title, one leaf, pp. iii., iv.; Cont. of Vol. IV., pp. v.-vii.;
Text, pp. 1-275. The Imprint is in the centre of the last page, p. [276].

Vol. V.: Half-title, etc., as in Vol. II.; Text, pp. 1-26. The
Imprint is at the foot of p. 264.

Vol. VI.: pp. viii. + 266—Half-title (R. Imprint), pp. i., ii.;
Title, one leaf, pp. iii, iv.; Cont. of Vol. VI. (B.R.), pp. v., vi.;
Preface, pp. vii., viii.; Text, pp. 1-266. The Imprint is in the
centre of the last page, p. [268].

Contents—

Vol. I.:—Childe Harold’s, etc., Cantos I.-III. (Pref. N.)	p. 1
Vol. II.:—Childe Harold’s, etc., Canto IV. (N.)	p. 1
The Giaour (N.)	p. 157
The Corsair, Cantos I.-III. (N.)	p. 217
Vol. III.:—Lara, Cantos I., II. (N.)	p. 1
The Bride, etc., Cantos I., II. (N.)	p. 53
Siege, etc. (N.)	p. 111
Parisina (N.)	p. 157
The Prisoner, etc. (Sonnet, N.)	p. 189
Beppo (N.)	p. 211
Mazeppa	p. 249
Vol. IV.:—Manfred (N.)	p. 1
Hebrew Melodies: “She walks,” etc. (and 21 others)	p. 61
Ode to N.B. (N.)	p. 85
Monody, etc.	p. 95
Lament of Tasso	p. 101
Poems: Written in an Album (and 56 others) (N.)	p. 115
Prophecy of Dante, Cantos I.-IV. (N.)	p. 235
Vol. V.:—Marino Faliero (A)	p. 1
Cain	p. 179
Vol. VI.:-Sardanapalus (N.)	p. 1
The Two Foscari (A)	p. 135
Notes to Captain Medwin’s, etc.	p. 253

XXXVIII.

The/ Works/ of/ Lord Byron./ In Four Volumes./ Vol. I./
[Vol. II., etc.] London:/ John Murray, Albemarle-Street./
1829./ 12º.

Collation—

Vol. I.:—Gen. Half-title, “Byron” (R. (a)
Printed by Thomas Davison, Whitefriars); Title, one[109]
leaf, pp. iii., iv.; Gen. Cont., pp. v.-x.; Cont. of Vol. I.,
n.p.; Text, pp. 1-357. The Imprint (b) (London:/ Printed by
Thomas Davison, Whitefriars/), is in the centre of the last page,
p. [360].

Vol. II.: pp. 1-424—Gen. Half-title (R. Imprint (a)); Title,
one leaf; Cont. of Vol. II.; Text, pp. 1-424. The Imprint (b)
is at the foot of p. 424.

Vol. III.:—Gen. Half-title (R. Imprint (a));
Title, one leaf, pp. iii., iv.; Cont. of Vol. III., pp. v.-viii.;
Text, pp. 1-383. The Imprint (b) is at the foot of the last
page, p. [384].

Vol. IV.: pp. 1-412—Half-title (R. Imprint (a)); Title, one
leaf; Cont. of Vol. IV.; Text, pp. 1-412. The Imprint (b) is at
the foot of p. 412.

Contents—

The Cont. of Vols. I., II., III. of the Edition of 1829 are
identical with the Cont. of Vols. I., II., III. of the Edition of
1828. The pagination of the Text 1829 follows the pagination
of the Text 1828, but the type of 1829 is not the type of 1828.

Vol. IV. (1829):—Marino Faliero	p. 1
Appendix	p. 147
Sardanapalus (N.)	p. 161
The Two Foscari	p. 289
Appendix	p. 381
Notes on Captain Medwin’s “Conversations of Lord Byron”	p. 401

Note.—The original Italian and French Versions of the Cronica
di Sanuto, and the extracts from the works of P. Daru and P. L.
Ginguené, which appeared in 1828, are omitted in 1829, and the
notes (by John Murray) on Captain Medwin’s Conversations, etc.
(1824), are inserted.

XXXIX.

The Poetic Works, etc., including his Don Juan—all his
minor poems, and the suppressed pieces of Cain, and the
V. of Judgment, all complete. In Two Vols. Second
Edition. Philadelphia: Published by the Washington
Press. 1829. [4º and 6º.

XL.

The/ Works/ of/ Lord Byron./ Complete/ In One Volume./
[Title-vignette, “Ship in Storm,” engraved on steel by
C. Tremonet.] The Second Edition, considerably augmented./
Francfort O.M./ Printed by and for H. L.
Broenner./ 1829./ [8º.

Collation—

Pp. xlvi + Cont., one leaf + 804—Title, one leaf; Life, etc.,
by J. W. Lake, pp. i.-xli. + A Character of Lord Byron, by
Sir W. Scott, pp. xlii., xliii. + “Goethe und Byron” (including[110]
the stanzas “Ein freundlich Wort,” etc.) + “Lord Byron’s Last
Lines,” pp. xliv.-xlivi. + Cont., one leaf, n.p. + Text, pp. 1-804.

Note.—The Miscellaneous Poems include Ode “Oh, shame to
thee,” etc., and On Sir John Moore’s Burial, p. 650.
The Attributed Poems are identical with those published
in Paris, 1826 (No. xxxi.), except that they include To Miss
Chaworth (“Remind me not,” etc.), and exclude Lines Found
in Lord Byron’s Bible. The Notes to Childe Harold’s, etc., and
other poems are printed continuously, pp. 715-792. The Waltz,
together with the Notes, is on pp. 795-798.

XLI.

The/ Works/ of/ Lord Byron./ In Four Volumes./ Vol. I./
[Vol. II., etc.] London:/ John Murray, Albemarle-Street./
1830./ [16º.

Collation—

Vol. I.: pp. ix. + 359—Title (R. (a) Thomas Davison, London.),
pp. i., ii.; General Cont., pp. iii.-ix.; Cont. of Vol. I., p. x.;
Text, pp. 1-359. The Imprint (b) (London:/ Printed by Thomas
Davison, Whitefriars/) is in the centre of the last page, p. [360].

The Frontispiece, “Lord Byron,” is engraved by E. Finden from
a portrait by T. Phillips, R.A.

Vol. II.: pp. iv. + 424—Title (R. Imprint), pp. i., ii.; Cont.
of Vol. II., pp. iii., iv.; Text, pp. 1-383. The Imprint (b) is at
the foot of p. 424.

Vol. III.: pp. vi. + 383—Title (R. Imprint), pp. i., ii.; Cont.
of Vol. III., pp. iii.-vi.; Text, pp. 1-383. The Imprint (b) is in
the centre of the last page, p. [384].

Vol. IV.: pp. 1-415—Title (R. Imprint); Cont. of Vol. IV.,
one leaf; Text, pp. 1-415. The Imprint (b) is in the centre of
the last page, p. [384].

The Front, of Vol. II. is that of Vol. II., ed. 1828; the Front.
of Vol. III. that of Vol. IV., 1828; and the Front. of Vol. IV.
that of Vol. III., 1828.

Note.—The Cont. of Vols. I.-IV., 1830, are identical with the
Cont. of Vols. I.-IV., 1829. The Notes have been partly re-set.

XLII.

The Complete Works, etc., including his lordship’s suppressed
poems with others never before published. (With
portrait and fac-simile.) Paris, Galignani, 1830. [12º.

[Quérard, 1846.]

XLIII.

The/ Works/ of/ Lord Byron./ In Six Volumes./ Vol. I./
[Vol. II., etc.] London:/ John Murray, Albemarle-Street./
1831./ [16º.[111]

Collation—

Vols. I.-IV. of Ed. 1831 are identical with Vols. I.-IV. of Ed.
1830. The Frontispieces of Vols. III., IV., which were transposed
in Ed. 1830, are restored to their original position, as in Ed. 1828.

Vol. V.: pp. xii. + 475—Gen. Half-title (R. (a) Thomas Davison,
London), pp. i., ii.; Title, one leaf, pp. iii., iv.; Editor’s Advt.
to Hours of Idleness, pp. v.-vii.; Cont. of Vol. V., pp. ix.-xii.;
Text, pp. 1-475; Publisher’s Advt. of the Life of Lord Byron
(2 Vols. 4to)…. by Thomas Moore, Esq., p. [477].
The Imprint (b) (London:/ Printed by Thomas Davison, Whitefriars:/)
is in the centre of p. 476.

The Frontispiece, “Heaven and Earth,” is engr. by E. Finden
from a drawing by H. Richter.

Vol. VI.: pp. viii. + 459—Gen. Half-title (R. Imprint), pp.
i., ii.; Title, one leaf, pp. iii., iv.; Cont. to Vol. VI., pp. v.-viii.;
Text, pp. 1-459. The Imprint (b) is in the centre of the
last page, p. [460].

The Frontispiece, “The Island,” is engr. by E. Finden from a
drawing by H. Richter.

Contents—

Vol. V.:—Hours of Idleness: Preface, etc.	p. 1
On leaving Newstead Abbey (and 64 others)	p. 11
Critique from Edinb. Rev.	p. 203
English Bards, etc.	p. 209
Hints from Horace	p. 273
The Curse of Minerva	p. 329
The Waltz	p. 345
Age of Bronze	p. 365
The Vision of Judgment	p. 397
Morgante Maggiore	p. 441
Vol. VI.:—Werner	p. 1
The Deformed Transformed	p. 157
Heaven and Earth	p. 227
The Island: Cantos I.-IV. App.	p. 277
Poems:
The Blues	p. 351
Fragment (“Hills of Annesly”)	p. 368
The Prayer of Nature	ib.
Fragment (“Young Oak,” etc., 10 lines)	p. 371
On Revisiting Harrow	p. 372
L’amitie, etc.	p. 373
To my Son	p. 377
Epitaph on John Adams	p. 379
Fragment (“Forget this World,” etc.) (20 lines)	p. 380
To Mrs. —— (“When man expell’d,” etc.)	p. 381
A Love-song (“Remind,” etc.)	p. 382
Stanzas to —— (“There was a time,” etc.)	p. 383
To the Same (“And wilt thou weep,” etc.)	p. 384
Song (“Fill the goblet,” etc.)	p. 386
Stanzas to —— on leaving England	p. 387
Lines to Mr. Hodgson	p. 390
Epistle to (“Oh, banish,” etc.)	p. 393
The Devil’s Drive	p. 396
Additional stanzas to the Ode to Napoleon	p. 400
Stanzas for Music (“I speak not,” etc.)	p. 401
Address—at the Caledonian Meeting	p. 402
Lines—for the opening of “The Siege of Corinth”	p. 404[112]
Extract, “Could I remount,” etc.	p. 406
To Augusta	p. 407
On the bust of Helen by Canova	p. p. 413
To Thomas Moore (“My boat,” etc.)	ib.
To Mr. Murray (“Strahan,” etc.)	p. 414
Stanzas to the River Po	p. 416
The Irish Avatar	p. 419
On the Prince Regent’s returning the picture, etc.	p. 425
To Belshazzar	p. 427
Sonnet to George the Fourth	p. 428
Francesca of Rimini	p. 429
Stanzas (“Oh, talk not to me,” etc.)	p. 431
To the Countess of B—-	p. 432
Lines from a letter to T. Moore (“So we’ll,” etc.)	p. 434
Epistle to Dr. [Polidori]	ib.
Ep. (“My dear Mr. Murray”)	p. 437
To Mr. J. Murray (“For Oxford,” etc.)	p. 439
On this Day, etc.	p. 440
From the Portuguese	p. 442
Paraphrase from … the Medea	p. 443
Epitaph (“Youth, Nature,” etc.)	ib.
On Moore’s Last … Farce	p. 444
On Lord T.’s poems	ib.
To Lord T.	p. 445
To Thomas Moore (“Oh, you,” etc.)	p. 446
Fragment of an Ep. to T. Moore (“What say I,” etc.)	p. 447
On Napoleon’s Escape from Elba	p. 449
Fragment … On hearing that Lady Byron was ill (6 lines)	ib.
To Thomas Moore (“What are you,” etc.)	ib.
Song for the Luddites	p. 450
Versicles	p. 451
To Mr. Murray (“To hook,” etc.)	ib.
On the birth of J. W. R. Hoppner	p. 452
Epigram (from Rulhieres) (sic)	p. 453
Epigr. (“To-day it is,” etc.)	ib.
Epigr. (“Here’s a Happy,” etc.)	ib.
Epigr. (“This day of all,” etc.)	p. 454
Endorsement to the deed, etc.	ib.
Epitaph for William Pitt	ib.
Epigr. (“In digging,” etc.)	p. 455
Stanzas (“When a man,” etc.)	ib.
On his Thirty-third Birthday	ib.
Epigr. (“The Brasiers,” etc.)	p. 456
Epigr. (“The world,” etc.)	ib.
The Charity Ball	p. 457
Impromptu	ib.
Windsor Poetics	p. 458
Lines in the Travellers’ Book at Orchomenus	ib.

Note.—List of publications by John Murray, January 4, 1831—
“A fifth and sixth vol. of Lord Byron’s Works: containing
E.B., etc., Heaven & E., The Def. Trans., The Island, etc., etc.,
forming the portion of the Works recently purchased by Mr.
Murray, and rendering them the first and only complete edition
(Don Juan being alone excepted). 2 vols. 12º.[113]
Printed for the first time, to match with the Edition of
Lord Byron’s Works in 4 vols. 18º.”

XLIV.

The/ Complete works/ of/ Lord Byron,/ Including/ his
Lordship’s Suppressed Poems,/ With others never before
published./ In one Volume./ Paris./ Published by A.
and W. Galignani,/ No. 18, Rue Vivienne./ 1831./ [8º.

Collation—

Pp. xxiv. + 730—Half-title (R. Printed by J. Smith, Rue
Montmorency, Paris./); Title, one leaf; Cont., pp. i.-iv.; The
Life of Lord Byron [abridged from the Life by J. W. Lake] pp.
v.-xxiv.; Text, pp. 1-730.

The Frontispiece, a portrait of Lord Byron, engr. by J. T.
Wedgwood from a painting by W. E. West, in arabesque frame,
rests on miniatures of Newstead Abbey and Missolunghi (sic)
designed by F. Sieurac. The Title-vignette is tomb, harp,
willows, etc. A lithograph of letter, April 27, 1819, to the
Editor of Galignani’s Messenger, is inserted between the Life
and the Text.

Contents—

This edition includes Hours of Idleness (Sec. Ed.), English
Bards, etc., The Curse of Minerva, The Waltz, all poems
published by John Murray before 1831, a selection of poems
included in Moore’s Notices of the Life, etc., poems published by
John Hunt, Letter to … on Bowles’ Strictures
on Pope, Fragment, Parliamentary Speeches, and the following
spurious and additional poems:—

Madame Lavalette	p. 699
Ode (“Oh, shame to thee,” etc.)	p. 705
Carmina Byronis in C. Elgin	p. 707
Ode to the Island of St. Helena	ib.
Enigma on the letter H	p. 708
To Jessy	ib.
To my Daughter	p. 709
Lines to Mr. Hobhouse	p. 710
Lines found in the Travellers’ book at Chamouni	ib.
Stanzas to her who can best understand them	p. 712
In the Valley of Waters	p. 713
Francesca	ib.
Faith, Wisdom, Love and Power	ib.
Thermopylæ	p. 714
Song, “Do you know Dr. Nott?”	p. 716
To Mr. Hobhouse, “What made you,” etc. (20 lines)	p. 717
Enigma on the letter I	p. 720
To Memory (“Oh, memory,” etc.)	p. 721
To my dear Mary Anne	ib.
On an Old Lady (“In Nottingham,” etc.)	p. 722

Note.—Among the Attributed Poems are To the Lily of[114]
France, p. 729; The Triumph of the Whale, ib.; To Lady C.
Lamb, ib.; Stanzas (“I heard thy fate,” etc.), p. 730.

XLV.

The Works, etc., including the suppressed poems. Also
a Sketch of his Life. By J. W. Lake. Complete in one
Vol. Philadelphia. Published by Henry Adams and
sold by John Griggs. 1831. [4º.

Collation—

Pp. xxxix. + 176.

XLVI.

The/ Works/ of/ Lord Byron:/ With/ His Letters and
Journals,/ And His Life,/ By Thomas Moore, Esq./ In
Fourteen Volumes./ Vol. I. [Vol. II., etc.] London:/
John Murray, Albemarle Street./ 183./ [8º.

Collation—

Vol. I.: pp. xv. + 359—Title (R. Imprint, London:/ Printed
by A. Spottiswoode,/ New-Street-Square./), pp. i., ii.; Cont. of
Vol. I., pp. iii., iv.; Half-title, pp. v., vi.; Dedication to Sir W.
Scott, pp. vii., viii.; Preface to the First Vol. of First Ed., pp.
ix., x.; Preface to the Sec. Vol., pp. xi.-xv.; Text (Notices of the
Life of Lord Byron), pp. 1-359.

The Frontispiece, “Lord Byron at the Age of 19,” is engr. by
W. Finden from the portrait by G. Sanders: the Title-vignette,
“Cadiz,” is engr. by E. Finden from a drawing by C. Stansfield.

Vol. II.: pp. 1-341—The Frontispiece “Tepaleen,” is engr. by
F. Finden from a drawing by W. Purser; the Title-vignette,
“Constantinople,” is engr. by E. Finden from a drawing by
C. Stansfield.

Vol. III.: pp. 1-376—The Front., “Marathon,” and the Title-vignette,
“A Street in Athens,” are engr. by E. Finden from
drawings by C. Stansfield.

Vol. IV.: pp. 1-359—The Front., “The Wengen Alps,” and
the Title-vignette, “The Coliseum from the Orto Farnese,” are
engr. by E. Finden from drawings by J. D. Harding.

Vol. V.: pp. 1-376—The Front., “S^ta Maria Dalla Spina,”
is engr. by E. Finden from a drawing by J. M. W. Turner,
R.A.; the Title-vignette, the “Hellespont,” is engr. by E. Finden
from a drawing by J. D. Harding.

Vol. VI.: pp. 1-416—The Front., “Newstead Abbey” [from
the Monk’s Garden], and the Title-vignette, “The Fountain at
Newstead Abbey,” are engr. by E. Finden from drawings by
W. Westall, A.R.A.

Vol. VII.: pp. xv. + 319—Gen. Half-title (R. Imprint), pp. i.,
ii.; Title, one leaf, pp. iii., iv.; Advt. (editorial, June, 1832),
pp. v.-vii.; Cont. of Vol. VII., pp. ix.-xv.; Text, pp. 1-319.
The Imprint is in the centre of the last page, p. [320].[115]

The Front., “The Gate of Theseus,” and the Title-vignette,
“The Plains of Troy,” are engr. by E. Finden from drawings
by J. M. W. Turner, R.A. A facsimile of the two first stanzas
of To D—— faces p. 12.

Vol. VIII.: pp. x. + 328—Gen. Half-title (R. Imprint), pp. i.,
ii.; Title, one leaf, pp. iii., iv.; Advt. (editorial, July 20, 1832),
pp. v.-x.; Cont. of Vol. VIII., n.p.; Text, pp. 1-328. The
Imprint is at the foot of p. 328.

The Front., “Bacharach,” and the Title-vignette, “The
Castle of St. Angelo,” are engr. by E. Finden from drawings
by J. M. W. Turner, R. A. A facsimile of Childe Harold’s, etc.,
Canto III. stanza xci. faces p. 174. In earlier copies the facsimile
faced p. [viii.] of Vol. IX. See Note on reverse of p. vii.
of that volume.

Vol. IX.: pp. vii. + 360—Title (R. Imprint), pp. i., ii.;
Advt. (editorial, July 20, 1832), pp. iii., iv.; Cont. of Vol. IX.,
pp. v.-vii.; Text, pp. 1-360. The Imprint is at the foot of p. 360.

The Front., “Petrarch’s Tomb,” is engr. by E. Finden from
a drawing by J. M. W. Turner, R.A.; the Title-vignette,
“Seville,” is engr. by E. Finden.

Vol. X.: pp. xix. + 316—Gen. Half-title (R. Imprint), pp. i.,
ii.; Title, one leaf, pp. iii., iv.; Advt. (editorial, September 16,
1832), pp. v.-xiii.; Cont. of Vol. X., pp. xv.-xix.; Text, pp.
1-316. The Imprint is at the foot of p. 316.

The Front., “Corinth,” is engr. by E. Finden from drawings
by J. M. W. Turner, R.A., and W. Page; the Title-vignette,
“Athens and the Island of Egina,” is engr. by E. Finden from
drawings by C. Stansfield and W. Page.

Vol. XI.: pp. viii. + 326—Gen. Half-title (R. Imprint), pp. i.,
ii.; Title, one leaf, pp. iii., iv.; Advt. (editorial, October 10,
1832), pp. v., vi.; Cont. of Vol. XI., pp. vii., viii.; Text, pp.
1-326. The Imprint is at the foot of p. 326.

The Front., “The Bridge of Sighs,” and the Title-vignette,
“The Bernese Alps,” are engr. by E. Finden, from drawings by
J. M. W. Turner, R.A.

Vol. XII.: pp. vi. + 324—Gen. Half-title (R. Imprint), pp. i.,
ii.; Title, one leaf, pp. iii., iv.; Advt. (editorial, November 10,
1832), pp. v., vi.; Cont. of Vol. XII., n.p.; Text, pp. 1-324.
The Imprint is at the foot of p. 324.

The Front., “Florence,” is engr. by E. Finden from drawings
by J. D. Harding and G. Moran, junr.; the Title-vignette,
“San Georgio Maggiore,” is engr. by E. Finden from a drawing
by C. Stansfield, A.R.A.

Vol. XIII.: pp. vi. + 369—Half-title (R. Imprint), pp. i., ii.;
Title, one leaf, pp. iii., iv.; Advt. (editorial, December 12,
1832), pp. v., vi.; Cont. of Vol. XIII., n.p.; Text, pp. 1-369.
The Imprint is in the centre of the last page, p. [370].

The Front., “The Arch of Titus,” is engr. by E. Finden, from
drawings by C. Stansfield and W. Page; the Title-vignette,
“The Walls of Rome,” is engr. by E. Finden from a drawing by
J. M. W. Turner, R.A.[116]

Vol. XIV.: pp. 1-360—Gen. Half-title (R. Imprint), pp. [i., ii.];
Title, one leaf, pp. [iii., iv.]; Advt. (editorial, January 10,
1833), pp. [v., vi.]; Text, pp. 1-360. The Imprint is at the foot
of p. 360.

The Front., “Parnassus,” and the Title-vignette, “The Field
of Waterloo,” are engr. by E. Finden from drawings by J. M. W. Turner, R.A.

Vol. XV.: pp. vi. + 334—Half-title (R. Imprint), pp. i. ii.;
Title, one leaf, pp. iii., iv.; Advt. (editorial, February 15, 1833),
pp. v., vi.; Cont. of Vol. XV., n.p.; Text, pp. 1-334. The
Imprint is at the foot of p. 334.

The Front., “Scio,” and the Title-vignette, “Genoa,” are
engr. by E. Finden from drawings by J. M. W. Turner, R.A.

Vol. XVI.: pp. vi. + 335—Half-title (R. Imprint), pp. i., ii.;
Title, one leaf, pp. iii., iv.; Advt. (editorial, March 15, 1833),
pp. v., vi.; Cont. of Vol. XVI., n.p.; Text, pp. 1-335. The
Imprint is in the centre of the last page, p. [336].

The Front., “Cologne,” and the Title-vignette, “St. Sophia,”
are engr. by E. Finden from drawings by J. M. W. Turner, R.A.

Vol. XVII.: pp. viii. + 304—Half-title (R. Imprint), pp. i., ii;
Title, one leaf, pp. iii., iv.; Advt. (editorial, May 15, 1833),
pp. v., vi.; Cont. of Vol. XVII., pp. vii., viii.; Text, pp. 1-248;
Index, pp. 249-304. The Imprint is at the foot of p. 304.

The Front., “The School of Homer,” and the Title-vignette,
“The Castellated Rhine,” are engr. by E. Finden from drawings
by J. M. W. Turner, R.A.

Contents—

Vols. I.-V.:—Notices of the Life of Lord Byron.
Vol. VI.:—The Life, etc., from February, 1823-April, 1824	p.1
App.: cont. two epistles from the Armenian, etc.	p. 269
Miscellaneous Pieces in Prose:
Review of Wordsworth’s Poems, 1807	p. 293
Review of Gell’s Geography of Ithaca, etc., 1811	p. 296
Parliamentary Speeches, etc.	p. 314
A Fragment. [The Vampyre.] 1816	p. 339
Letter to John Murray, Esq., etc.	p. 346
Observations upon “Observations,” etc. [Now first published.]	p. 382
Vol. VII.:—Hours of Idleness: a Series of Poems, Original and Translated:
Dedication.	p. 1
Preface	p. 5
On the Death of a Young Lady (and 69 others)	p. 9
Article from the Edin. Rev.	p. 188
Occasional Pieces: written in 1807-8:
The Adieu (and 15 others)	p. 195
English Bards and Scotch Reviewers	p. 219
Occasional Pieces: written in 1808-1810:
Well, thou art happy (and 15 others)	p. 291
Vol. VIII.:—Childe Harold’s Pilgrimage: Preface to the First and Second Cantos	p. 3
To Ianthe	p. 9
Canto the First [Canto the Second, etc.]	p. 11[117]
Dedication of Canto the Fourth	p. 189
Historical Notes to Canto the Fourth	p. 271
Vol. IX.:—Occasional Pieces: written in 1811-1813:
Lines written beneath a Picture (and 31 others)	p. 3
Hints from Horace	p. 47
The Curse of Minerva	p. 107
The Waltz	p. 123
The Giaour	p. 141
The Bride, etc.	p. 203
The Corsair (Dedication, etc.)	p. 257
Appendix: Remarks on the Romaic, etc.	p. 339
Vol. X.:—Ode to N.B.	p. 1
Lara (Cantos I., II. (N.))	p. 17
Hebrew Melodies: She walks in Beauty (and 22 others)	p. 75
The Siege, etc.	p. 99
Parisina	p. 149
Domestic Pieces:
Fare Thee Well (and five others)	p. 185
Monody, etc.	p. 211
The Prisoner of Chillon	p. 221
The Dream	p. 243d
Occasional Pieces: 1814-1816:
The Devil’s Drive (and 28 others)	p. 257
Vol. XI.:—Manfred	p. 1
The Lament of Tasso	p. 77
Beppo	p. 95
Mazeppa	p. 143
Ode on Venice	p. 179
The Morgante Maggiore (Canto I.)	p. 187
The Prophecy of Dante (Cantos I.-IV.)	p. 259
Occasional Pieces:
Versicles (and 14 others)	p. 307
Vol. XII.:—Francesca of Rimini	p. 1
Stanzas to the Po	p. 13
Stanzas (Written on the Road, etc.)	p. 19
The Blues	p. 21
Marino Faliero (App.)	p. 43
The Vision of Judgment (App.)	p. 231
Occasional Pieces:
Stanzas [“Could Love for ever”] (and 5 others)	p. 317
Vol. XIII.:—Heaven and Earth	p. 1
Sardanapalus	p. 55
The Two Foscari	p. 197
The Deformed Transformed	p. 301
Vol. XIV.:—Cain (App.)	p. 1
Werner	p. 113
The Age of Bronze	p. 263
The Island	p. 299
Stanzas: To a Hindoo Air	p. 357
Lines (“On this day,” etc.)	p. 358
Vol. XV.:—Preface to Don Juan	p. 3
Testimonies of Authors	p. 5
Letter to the Editor of “My Grandmother’s Review”	p. 41
Some Observations upon an article in Blackwood’s Magazine (August, 1819. [Now first pub.])	p. 55
Fragment (“I would to heaven,” etc.)	p. 100
Dedication to Robert Southey, Esq.	p. 101
Don Juan (Cantos I.-III.)	p. 109
Vol. XVI.:—Don Juan (Cantos IV., V., App.)	p. 1
Preface to Cantos VI., VII., VIII.	p. 127
Cantos VI.-X.	p. 133
Vol. XVII.:—Don Juan (Cantos XI.-XVI.)	p. 1[118]
Appendix: Farewell to Malta (and nine additional occasional pieces)	p. 239
Concluding Page of Lord Byron’s “Observations upon an Article,” etc.	p. 247
Index	p. 249

Note (1).—The Title-pages of Vols. XIII., XIV., XV., XVI.,
issued in 1833, do not specify the total number of volumes. The
Title-pages of Vol. I. issued in 1835, Vol. II. in 1833, and
Vol. IX. in 1834, print the words, “In Seventeen Volumes.”
There were probably other variations. There is an illustrated
Title-page ornamented with a Title-vignette (vide supra et ante)
to each volume.

Note (2).—The editor of these volumes was John Wright
(1770?-1844), the editor of Cobbett’s Parliamentary History, and
the ninth and tenth volumes of Boswell’s Life of Johnson (1836),
and of Sir Henry Cavendish’s Debates of the House of Commons
during the Thirteenth Parliament of Great Britain, etc., two
vols. 1841-3.

XLVII.

The Complete Works, etc., including his suppressed poems
and others never before published. In Four Volumes.
Paris, Baudry. 1832. [8º.

[Katalog der Bucher, von Eduard Grisebach, 1894, p. 127.]

Note.—The Front. is “Lord Byron,” from a portrait by
Hopwood. Quérard, 1846, gives the names of the publishers of
this edition as Baudry, Barrois, Amyot.

XLVIII.

The Works, etc., In Verse and Prose. Including his Letters,
Journals, etc. With a sketch of his Life. New York:
George Dearborn, Publisher. 1833. 4º. pp. xxviii., 203,
619. [“… The first complete edition of the Poetical
and Prose Works of Lord Byron.”—Publisher’s Advt.]

Note.—The Catalogue of the Library of Congress, 1880,
describes this or a Second Edition as consisting of two vols. in
one, 8º.

XLIX.

The/ Complete Works/ of Lord Byron,/ Reprinted from the
last London Edition,/ with considerable additions, now
first published;/ Containing/ Notes and Illustrations/ By/
Moore, Walter Scott, Campbell, Jeffrey, Egerton Brydges,
Wilson, Hobhouse,/ Dallas, Hunt, Milman, Lockhart,
Bowles, Heber, Medwin, Gamba, Croby, Ugo Foscolo,[119]
Ellis,/ Kennedy, Parry, Stanhope, Gait, Nathan, Lady
Blessington, Mrs. Shelley, etc./ And/ A Complete Index;/
To which is prefixed/ A Life,/ By Henry Lytton Bulwer,
Esq., M.P.,/ In one Volume./ Paris/ Published by A. and
W. Galignani and Co./ 1835./ [8º.

Collation—

Pp. xxxiii. + 935—Half-title (R. Printed by H. and A.
Firmin Didot, rue Jacob, No. 24.), pp. i., ii.; Title, pp. iii., iv.;
(Publisher’s) Advt., pp. v., vi.; Cont. pp. vii.-x.; The Life of
Lord Byron, pp. xi.-xxxiii.; Text pp. 1-908; Index, pp. 909-935.

The Frontispiece is a portrait of Lord Byron, engr. by J. T.
Wedgwood from a painting by W. E. West. The portrait in
arabesque frame rests on picture of Newstead Abbey and Missolunghi (sic),
designed by F. Sieurac. There is a lithographed
vignette of tomb, harp, wreath, etc., on the title-page, and
a lithograph of the memorial tablet in the chancel of
Hucknall Torkard. A facsimile of the letter dated Venice, April
27, 1819, precedes the text, and facsimiles of original MS. of
“To D——,” and of Childe Harold, Canto IV. stanza xcii.,
face pp. 3, 122.

Miscellaneous Poems—

On an Old Lady (“In Nottingham,” etc.)	p. 842
On Lord Elgin (“Noseless himself,” etc.)	p. 864
Stanzas to her who can best understand them	p. 887
Epigram from Martial (“The Laureate’s House,” etc.)	p. 888
To Mr. Hobhouse (“Would you get,” etc.)	ib
To Mr. Hobhouse (“What made you,” etc.)	ib
On Queen Caroline	p. 901
Elegy on the Recovery of Lady ——	p. 903
Song, “Do you know Doctor Nott?”	ib
To —— (“But once I dared,” etc.)	p. 904
On Sam Rogers (“Nose and Chin,” etc.)	ib
On Lady Milbank’s Dog Trim	p. 905
Lines to Lady Holland (“Lady, accept,” etc.)	ib
Attributed Poems:
To Jessy (“There is a mystic,” etc.)	p. 906
Lines found in the Travellers’ Book at Chamouni	ib
To Lady Caroline Lamb	p. 907
To the Prince of Whales	ib
On the letter I	p. 908
To my dear Mary Anne	ib
Stanzas (“I heard thy fate,” etc.)	ib

Note.—This edition includes the contents of “the last [edition]
published in London in seventeen volumes,” together with the
poems published in the Appendix to the Works of Lord Byron
(1832-1833, xvii. 238-248), and the following pieces not recognized
or collected by John Murray.[120]

L.

The Complete Works, etc. In Four Volumes. Paris,
Baudry, Amyot, Truchy. 1835. [8º.

[Quérard, 1846.]

Note.—This edition was reissued in 1840.

LI.

The/ Works/ of/ Lord Byron./ Complete In One Volume./
With Notes By/

Thomas Moore, Esq.,	Professor Wilson,
Lord Jeffrey,	J. G. Lockhart, Esq.,
Sir Walter Scott,	George Ellis, Esq.,
Bishop Heber,	Thomas Campbell, Esq.,
Samuel Rogers, Esq.,	Rev. H. H. Milmand,
etc. etc. etc.

London:/ John Murray, Albemarle Street./ 1837./ [8º.

Collation—

Pp. viii. + 827—Title (R. London:/ Printed by A. Spottiswoode,/
New-Street-Square./), pp. i., ii.; Contents, pp. iii.-vi.;
Chronology of Lord Byron’s Life and Works, pp. vii., viii.;
Text, pp. 1-812; Index, pp. 813-827. The Imprint, as above, is
at the foot of p. 827.

The Frontispiece, “Lord Byron at the age of 19,” is engr. by
E. Finden from the portrait by G. Sanders. The illustrated Title
is embellished with a vignette of “Newstead Abbey,” engr. by
E. Finden from a painting by T. Creswick.

The Dedication is enclosed in an arabesque of oak branches
issuing from a shield bearing the arms and motto. (Industria) of
Sir Robert Peel. It runs as follows: To/ The Right Honorable/
Sir Robert Peel, Bart./ etc. etc. etc./ This/ Collective Edition/
of The Works of His/ “School and Form Fellow,”/ Is/
Respectfully Inscribed/ By His/ Faithful and Obedient Servant/
John Murray,/ February Fifth./ MDCCCXXXVII./

Facsimiles of Lord Byron’s Handwriting at Various Periods of
His Life, viz.: I. At Harrow in 1803. II. From the Giaour,
1813. First draft. III. Marriage Signatures of Lord and Lady
Byron, January 2, 1815. IV. From Lord Byron’s Diary, 1821.
V. From Lord Byron’s last letter to Mr. Murray, dated Missalonghi,
February 2, 1824 (four pages, n.p.) are inserted between
the “Chronology,” etc., and the Text.

The first edition was bound in brown cloth. Lord Byron’s
Coat of Arms, with Coronet, Supporters and Motto, is stamped in
gold on the cover.

Note.—This Edition, which is printed in double columns enclosed
by a double line, has been reissued at brief intervals from 1838
to 1902.

The contents of this volume includes the contents of Vols.[121]
VII.-XVII. of the Ed. 1832, 1833, together with the following
additions already printed (except No. 4) in Vols. I.-VI.:—

Contents—

1. Translation of … Nurse’s Dole (“Oh, how I wish,” etc.)	p. 546
2. My Epitaph (“Youth, Nature,” etc.)	ib
3. Remember thee! Remember thee!	p. 554
4. John Keats	p. 574
5. Impromptu (“Beneath Blessington’s eyes”)	p. 577
6. To the Countess of Blessington	ib
Appendix: Conversations of Lord Byron as related by Thomas Medwin, Esq., compared with a Portion of His Lordship’s Correspondence. Published, Ed. 1828, iv. 419-429.	p. 809

LII.

The/ Complete Works/ of/ Lord Byron/ From the last London
Edition,/ Now first collected and arranged, and Illustrated/
With all the notes/ By Sir Walter Scott [and 24 others—
five lines] To which is prefixed the Life of the Author/ By
John Galt, Esq./ In one Volume./ Paris:/ Baudry’s
European Library,/ Rue Du Coq, near the Louvre./ A.
and W. Galignani and Co., 18, Rue Vivienne./ Sold also
by Amyot, Rue de la Paix; Truchy, Boulevard des
Italiens; Theophile Barrois, Jun.,/ Rue Richelieu; at the
Librairie des Etrangers, 55, Rue Neuve-Saint-Augustin;/
And by all the Principal Booksellers on the Continent./
1837./ [8º.

Collation—

Pp. II + cxxii + 954—Half-title (R. Printed by Casimir, 12,
Rue de la Vieille-Monnaie); Title, one leaf; Publisher’s Advt., pp. 1-6;
Contents, pp. 7-11; The Life of Lord Byron. By John
Galt, Esq., pp. i.-cxxii.; Text, pp. 1-941; Index, pp. 943-954.
The Imprint, as above, is at the foot of p. 954.

The Frontispiece, “Lord Byron at the age of 17” (sic), is engr.
by Blanchard from the painting by G. Sanders. The Title-page
is embellished with a vignette of a shipwreck.

Facsimiles of Lord Byron’s Handwriting, etc. (as in No. li.),
four pages (n.p.), are inserted between the “Life,” and
the Text.

Note.—This volume “contains all the works of Lord Byron
carefully reprinted from the [last eleven volumes of the] London
edition published by Mr. Murray in 1833.” The prose pieces
published in Vol. VI. of the same edition are included. The
additional poems printed in the Appendix of Vol. XVII., 1833,
“occupy respectively their proper places.”

Galt’s Life of Lord Byron was first published in 1830 as No. 1 of
G. A. Gleig’s “National Library.”[122]

LIII.

The Works, etc., Complete in one Vol. With Notes by
Th. Moore, Lord Jeffrey, etc. Authorized Foreign Edition.
London and Leipzig: Black and Armstrong. 1837.

Note.—Kayser (1841) records the issue of The Works in seventeen volumes, and The Complete Works in ten volumes (pocket
edition), by the same publisher. (See, too, The Prisoner of
Chillon, by E. Kölbing, 1896)

LIV.

Lord Byron’s Complete Works. In Seven Vols. Mannheim.
Henry Hoff. 1837. [16º.

[Kayser, 1841.]

LV.

The Complete Works, etc. Including the Suppressed
Poems and Supplementary pieces selected from his papers
after his Death. In one Vol. Paris. Published by Gamier,
Palais-Royal. 1839. [4º.

[Kölbing.]

Collation—

Pp. xlv. + 724.

LVI.

The/ Poetical Works/ of/ Lord Byron./ In Eight Volumes./
Vol. I.—Part I./ London:/ John Murray, Albemarle
Street. 1839.-[4º.

Note.—This edition (printed by A. Spottiswoode, New-Street-Square),
together with Letters and Journals of Lord Byron, etc.,
by T. Moore. 2 v. 1830. 4º. (“to which have been added the
Letter to [John Murray] on the Rev. W. L. Bowles’ Strictures
on the life and writings of Pope…. Second Edition, and a few
other printed papers, also numerous views, portraits, autograph
letters,” etc.) bound in 44 vols. with the gen. Title (The/ Poetical
Works,/ Letters and Journals,/ of/ Lord Byron:/ with/ Notices
of His Life./ By/ Thomas Moore, Esq./ Vol. I. [Vol. II.]
London: 1844./), printed expressly for the purpose and prefixed to
each volume, which is known as the “Watts” Collection (B.M.C.
44, e-h), was arranged by the late William Watts, Esq., Member
of the Philharmonic Society, who died at Jersey, December 28,
1859, aged 81. (See Kölbing’s P. of Chillon, 1896, pp. 90-92.)

LVII.

The Works, etc. Complete in Five Vols. Leipzig: Bernhard
Tauchnitz. 1842. [8º.

[Kölbing.]

Note.—A Second Edition was issued in 1886.[123]

LVIII.

The Works, etc. A New Edition. Edited by Thomas
Moore, Esq. Complete in four volumes. With Engravings.
Philadelphia. Carey and Hart. 1843.

[Kölbing.]

LIX.

The Complete Works, etc…. A Life by Thomas Moore,
Esq. In One Volume. With a Portrait. Second Edition.
Frankfort o. M. Published by Joseph Baer.; 1846. [8º.

Collation—

Pp. xlviii. + 1004.

Note.—Another edition appeared in 1852 (vide post, No. lxv.).

[Kölbing.]

LX.

The/ Works of Lord Byron;/ In Verse and Prose./
Including/ His Letters, Journals, etc./ With/ A Sketch of
His Life./ Hartford:/ Published by Silas Andrus and
Son./ 1847./ [8º.

Collation—

Pp. xxviii. + 319 + 627—Illustrated Title as above (n.d.),
pp. iii., iv.; Title (R. Publishers’ Advt, New York, Jan. 1834),
pp. v., vi.; Cont. pp. vii.—xiv.; The Life of Lord Byron
[By Fitz Green Halleck], pp. xv.-xxviii.; Text (i.) Letters (635),
Extracts from a Journal, and Prose Pieces, pp. 1-319; Text (ii.)
Poems, etc., pp. 1-627.

The Front., “Lady Noel Byron,” is engr. by A. Dick from
a painting by W. J. Newton. The vignette or illust. title is
Lord Byron, engr. by A. Dick from a painting by W. E. West.
To face p. 1 of the Poems is “Diodati,” engr. by M. Osborne
from a sketch by W. Purser; to face p. 156, “Mazeppa,” engr.
by Illman and Pilbrow from a painting by H. Verner; facsimiles
of Lord Byron’s handwriting face pp. 25, 384.

The volume was issued in roan binding, with portrait of Byron
stamped in gold on the covers.

Among “Poems not included in any Collection of Lord
Byron’s Works until after his Death,” pp. 467-488, are the
following pieces not included in the London editions of 1831,
1832, and of 1833.

To my dear Mary Anne	p. 472
To Miss Chaworth (“Oh, memory,” etc.)	ib.
To Lady Caroline Lamb	p. 480
“In the Valley of Waters,” etc.	p. 482
Stanzas to her who can best understand them	p. 486

[124]

LXI.

The/ Works/ of/ Lord Byron:/ With a/ Life and Illustrative
Notes,/ By/ William Anderson, Esq.,/ Author of Landscape
Lyrics, Scottish Popular Biography, etc./ In Two
Volumes./ Vol. I./ [Vol. II.] A Fullarton & Co.:/
Stead’s Place, Leith Walk, Edinburgh;/ and 106, Newgate
Street, London./ n.d. [1850.] [8º.

Collation—

Vol. I.: pp. ccxxiv. + 270—Title (R. Edinburgh:/ Fullarton
and Macnab, Printers, Leith Walk), pp. i., ii.; Preface, pp. iii.,
iv.; Cont. of Vol. I. pp. v., vi.; Life of Lord Byron, pp. vii.-ccxxiv.;
Text, pp. 1-270. The Imprint, as above, is at the foot
of p. 270.

The Front. [“Lord Byron at the age of 19”] is engr. by E.
Finden from the painting by G. Sanders. The illustrated Title-page
[The/ Works/ of/ Lord Byron/ With Notes and Illustrations./
Vol. I./ Edinburgh:/ A Fullarton & Co./ Stead’s Place, Leith
Walk./] is embellished with a vignette of “Lausanne,” engr. by
W. Finden from a drawing by C. Stansfield, A.R.A.

Vol. II.: pp. 1-465—Title (R. Imprint as above); Cont. of
Vol. II.; Text, pp. 1-465. The Imprint, as above, is at the
foot of p. 465.

The Front., “Newstead Abbey,” is engr. by E. Finden from
a drawing by W. Westall, A.R.A. The illustrated Title-page is
embellished with a vignette, “Villeneuve,” engr. by E. Finden
from a drawing by C. Stansfield, A.R.A.

Note.—These volumes contain all that “the existing laws of
copyright [1850] allows to be free;” e.g. all the dramas except
Manfred and Cain, The Island, The Age of Bronze, etc., are
omitted. In Vol. i. the Life and Text are illust. by 56 Plates;
in Vol. II. the Text is illust. by 41 Plates. Two pages (B.R.)
headed, “Directions for placing the Plates,” and “Directions
for placing Plates in Supplement,” are bound up with Vol. II.

LXII.

The/ Poetical Works/ of/ Lord Byron./ Complete in One
Volume./ Collected and Arranged, with Illustrative
Notes,/ By/ Thomas Moore/ [and 9 others]. With a
Portrait, and View of Newstead Abbey./ Philadelphia./
1850./ [8º.

Collation—

Pp. 829.

Note.—Reissued by the same firm with different addresses in
1854, 1869, 1878, etc. This edition is a reproduction of Murray’s
one-volume edition of 1837.[125]

LXIII.

The/ Poetical Works/ of/ Lord Byron./ Containing/ The
Giaour,/ [and 17 others]. Also/ Several Attributed and
Suppressed Poems not/ Included in Other Editions./
With a Memoir,/ By/ Henry Lytton Bulwer, Esq./
London:/ Henry G. Bohn, York Street, Covent Garden./
1851./ [12º.

Collation—

Pp. xlviii. + 641.

Attributed Poems—

Ode (“Oh, shame to thee”)	p. 624
Madame Lavalette	p. 626
Farewell to England	p. 627
To my Daughter, Etc.	p. 627
Ode to the Island of St. Helena	p. 636
To the Lily of France	p. 638
To Jessy	p. 640
Lines addressed to Mr. Hobhouse	p. 641
Enigma (H.)	ib.

Note.—The Front. is “Lord Byron,” by Harlow, Sanders, and
Phillips (three vignettes), with arabesque border surmounted by
arms and coronet. The Title-vignette (on illustrated Title-page,
dated 1847) is “Newstead Abbey.”

LXIV.

The Poetical Works, etc. Complete in One Volume.
Philadelphia: Lippincott, Grambo and Co., successors to
Grigg, Elliot and Co., Nº 14, North Fourth Street. 1851.
[6º.

Note.—A reissue, entitled The Globe Edition, Philadelphia,
Claxton, Remsen, and Haffelfinger, appeared in 1870.

LXV.

The/ Complete Works/ of/ Lord Byron./ Reprinted from
the Last London Edition;/ Containing Besides the/ Notes
and Illustrations/ By/ Moore, (and 24 others = 4 lines).
Considerable Additions and Original Notes;/ To which
is Prefixed/ a Life/ By Thomas Moore, Esq./ [Abbreviated.]
In One Volume, with a Portrait./ Second Edition./
Frankfort o.M./ Published by Joseph Baer,
Bookseller./ 1852./ [8º.

Collation—

Pp. xlviii. + 1004.

The Front., “Lord Byron at the age of 19,” is engr. by C.
Deucker from the painting by G. Sander (sic).[126]

The “Miscellaneous Poems” are identical with the Miscellaneous
Poems of No. xlviii., save for the omission of the lines,
“In Nottingham County,” etc., and twelve lines from the ballad
“On Mr. Hobhouse.”

LXVI.

The/ Illustrated/ Byron/ with upwards of/ Two Hundred
Engravings/ From Original Drawings/ By/ Kenny
Meadows/ Birket Foster/ Hablot K. Browne/ Gustave
Janet/ and/ Edward Morin./ Henry Vizetelly London.
Gough Sq., Fleet St./ [1854, 1855.] [8º.

Collation—

Pp. viii. + 632.

LXVII.

Poetical Works, with a memoir of his life. (2 vols.)
Philadelphia. 1853. [8º.

[Detroit Public Library.]

LXVIII.

Poetical Works, etc. With life and notes by Allan Cunningham.
Family ed. London, Charles Daly, 17 Greville
Street, Hatton Gardens. [1854.] [12º.

[Cat. of Lib. of Congress, 1880.]

Collation—

Pp. xxii. + 544. 10 pl.

LXIX.

The Works, etc., embracing his suppressed poems, and a
sketch of his life. Illustrated. New edition, complete in
one volume. Boston: Phillips, Sampson, and Company,
110 Washington Street. 1854. [4º.

[Kölbing.]

Collation—

The Poetical Works, etc. Collected and arranged with
notes by Sir Walter Scott, Lord Jeffrey, etc. New and
Complete Edition. With Portrait. London: 1860.
Leipzig. B. Tauchnitz. [8º.

Collation—

Pp. x. + 828.

Note.—An edition of The Works, etc., forming part of the
“Collection of British Authors” (16º), was issued by B. Tauchnitz,
at Leipzig, 1865-1870. [Kayser, 1865, 1871.]

LXXVII.

The Poetical Works, etc. In Three Vols. F. A. Brockhaus.
Leipzig. 1860. [8º.

Note.—Part of the “Library of British Poets.” A Second
Edition was issued in 1867. [Kayser, 1866.]

LXXVIII.

The/ Poetical Works/ of/ Lord Byron./ With Illustrations/
By Keeley Halswelle./ Edinburgh: William P. Nimmo,
2 St. David Street./ London: Simpkin, Marshall & Co./
1861. [8º

Collation—

Pp. xxii + 673.

Note.—The Life of Lord Byron, pp. v.-xv., is by Alexander
Leighton. The dramas are represented by Manfred, Heaven and
Earth, and Cain; the Satires by English Bards, etc., The Waltz,
and Vision of Judgment, … Don Juan by numerous extracts.
Red line-borders.[129]

LXXIX.

The/ Poetical Works/ of/ Lord Byron./ In Ten Volumes./
Vol. I. [Vol. II., etc.] Boston:/ Little, Brown and
Company./ New York: Phinney, Blakeman and Mason./
Cincinnati: Rickey, Mallory and Co./ 1861./ [8º.

Note (1).—Vol. I. contains Life of Lord Byron
[Excerpt from the Encycl. Brit., by J. H. Lister], pp. xi.-xxxv.;
Hours of Idleness (71), and all the “Occasional Pieces,” 1807-1824.
Vol. II., The Satires; Ode to N.B.; Heb. Melodies; “Domestic Pieces;”
Ode on Venice; Monody, etc.; Lament of Tasso, etc. Vol. III.,
Beppo; Proph. of Dante; Francesca, etc.; the Poems published
in The Liberal; The Age of Bronze. Vol. IV., Childe Harold’s,
etc. Vol. V., “The Tales.” Vols. VI., VII., VIII., The
Dramas. Vols. IX., X., Don Juan. The Front. of Vol. I. is
“Byron,” by T. Phillips, R.A.

Note (2).—This edition professes to be an amended reprint of
the London Edition of 1856 in Six Volumes. Doubtful and
“attributed” poems are not included.

LXXX.

The Poetical Works, etc. With Life of the Author, and
Copious Notes. Beautifully illustrated. Family Edition.
Halifax: Milner and Sowerby. 1863. [8º.

Collation—

Pp. xv. + 702.

Note.—Two other editions of the same work were issued in 1865
by the firm, imprinted London; Milner and Sowerby, Paternoster
Row. [Kölbing.]

LXXXI.

The Poetical Works/ of Lord Byron./ With Illustrations./
[Life by A. Leighton.] New Edition Carefully Revised./
Edinburgh:/ William P. Nimmo./ [1868.] [8º.

Collation—

Pp. 437.

Note.—This edition includes three dramas, Manfred, Cain,
Heaven and Earth; Childe Harold, and Don Juan, but omits Hints
from Horace, The Age of Bronze, The Island, The Blues, etc.,
and occasional Pieces first included in the ed. of 1831.

LXXXII.

The Poetical Works/ of Lord Byron./ Reprinted from
the Original Editions./ With explanatory notes, etc./
London:/ Frederick Warne and Company./ Bedford[130]
Street, Covent Garden./ New York: Scribner, Welford
and Co./ [1868.] [16º.

Collation—

Pp. vii. + 638.

Note.—Part of the “Chandos Classics.”

Kölbing notes another edition, pp. viii. + 668.

A Third Edition: London and New York.

A Fourth Edition: Portrait and Original Illustrations. Part of
“The Lansdowne Poets.”

LXXXIII.

The/ Poetical Works/ of/ Lord Byron:/ With/ Life and
Portrait,/ and/ Sixteen Illustrations./ By F. Gilbert./
London:/ John Dicks, 313, Strand./ [1869.] [8º.

Collation—

Pp. xv. + 457. Double columns.

LXXXIV.

The Poetical Works, etc. New Edition. In Eight Volumes.
London: John Murray, Albemarle Street. 1870. [8º.

[Kölbing.]

LXXXV.

The/ Poetical Works/ of/ Lord Byron./ Edited, with a
Critical Memoir,/ By/ William Michael Rossetti./ Illustrated
by/ Ford Madox Brown./ London:/ E. Moxon,
Son, & Co., Dover Street./ 1870./ [8º.

Collation—

Pp. xx. + 604.

Note.—Hints from Horace, Translation of Francesca of Rimini,
and Occasional Pieces, first included in the edition of 1831, are
omitted. This edition was reissued in 1872.

LXXXVI.

The Complete/ Poetical Works/ of/ Lord Byron/ with an
Introductory Memoir/ by/ William B. Scott/ With Illustrations/
London/ George Routledge and Sons/ The
Broadway, Ludgate/ New York: 416, Broome Street/ [1874] [8º.

Collation—

Pp. 750.

Note.—Double columns bordered with red lines.[131]

LXXXVII.

The Poetical Works/ of/ Lord Byron/ Illustrated Edition/
London/ Virtue and Co., City Road and Ivy Lane/
[1874] [8º.

Collation—

Pp. cliv. + 614.

The Front., “Byron,” is engr. by W. J. Edwards from the
portrait by T. Phillips, R.A. The Title-vignette is “The Corsairs’
Isle,” and there are fifty other line engravings.

Note.—This edition includes six “Attributed Poems,”
but omits Hints from Horace,
Transl. of Francesca of Rimini, and the
Occasional Pieces first collected in the editions of 1831 and 1832-1833.
This edition was reissued in 1879.

LXXXVIII.

Poetical Works, etc., embracing his suppressed poems, and
a sketch of his life. New Edition…. (Portrait …
8 plates.) Boston: Lee & Shepard. 1874. [8º.

[Cat. of Lib. of Congress, 1880.]

The Complete/ Poetical Works/ of/ Lord Byron/ With an
Introductory Memoir/ By/ William B. Scott/ London/
George Routledge and Sons/ Broadway, Ludgate Hill/
New York: 9, Lafayette Place/ 1883/ [8º.

Collation—

Pp. 750.

The Front. is the portrait of Lord Byron by G. Sanders;
the vignette on Title-page is “Newstead Abbey.”

Note.—This edition (double column), which includes all poems
published in the one-volume edition of 1837 (No. li.), was
reissued in three volumes, 1883, 1886, 1887. Each volume
concludes with an Index of First Lines.

XCIV.

The/ Poetical Works/ of/ Lord Byron./ With Life./ Engravings on Steel./
Gall & Inglis./ Edinburgh:/ Bernard
Terrace./ London:/ 25 Paternoster Sq^r. / [1881.] [8º.

Collation—

Pp. xviii. + 576.

Note.—This edition, which repeats the order and contents of
that issued by Gall and Inglis in 1857 (No. lxxi.), adds the Fourth
Canto of Childe Harold’s, etc., Mazeppa, and the
Ode on Venice. Coloured vignette-borders.[133]

XCV.

The/ Poetical Works/ of/ Lord Byron./ With Original and
Additional Notes./ In Twelve Volumes./ Vol. I./ [Vol. II., etc.]
Hours of Idleness./ English Bards and Scotch
Reviewers./ London:/ Suttaby and Co., Amen Corner./
New York:/ Scribner and Welford./ 1885./ [8º.

Note.—This edition includes all poems contained in the edition
of 1837, but omits the prose pieces.

The Life and Works of, etc., With Notes and Illustrations.
[“Centenary Edition.”] In Two Volumes. Thomas C.
Jack, London, Edinb. and Glasgow. 1888.

[Kölbing.]

[134]

C.

The Complete/ Poetical Works/ of/ Lord Byron/ With an
Introductory Memoir/ By/ William B. Scott/ London/
George Routledge and Sons, Limited/ Broadway,
Ludgate Hill/ Glasgow, Manchester, and New York/ 1890/ [8º.

Collation—

Pp. 750. Double columns.

Note.—Part of “Routledge’s Popular Library.” The Front.
is an illust. of Childe Harold, Canto III. stanza xxi., and the
Title-vignette, “Newstead Abbey.”

CI.

The Poetical Works, etc. New York: John W. Lovell,
Company, 50, Worth Street, Corner Mission Place. 1890? [8º.

Collation—

Pp. ii. + 544. [Kölbing.]

CII.

The/ Poetical Works/ of/ Lord Byron./ With Original and
Additional Notes./ In Twelve Volumes./ Vol. I. [Vol.
II., etc.] Hours of Idleness./ English Bards and
Scotch Reviewers./ Griffith Farran Okeden & Welsh/
Newbery House, Charing Cross Road/ London, and
Sydney./ [1891.] [8º.

Note.—This edition (The “Bijou Byron”) is a reissue of The
Poetical Works, etc., published by Suttaby and Co. (No. xcv.) in
1885.

CIII.

The Poetical Works, etc., Complete Edition. In Three
Vols. William W. Gibbings. London. 1892.

Note.—A reprint of the Leipzig edition of 1880, published by
F. A. Brockhaus.

CIV.

Works. “Bijou Ed.” 12 Vols. Philadelphia, J. B. Lippincott Co. 1892.
[Pocket size.

[Amer. Cat., 1892.]

[135]

CV.

Dramatic and Poetical Works. “Newstead Ed.”
Philadelphia, D. McKay. 1895. [8º.

[Amer. Cat., 1895.]

Collation—

Pp. 720.

CVI.

Oxford Miniature Byron/ The/ Poetical Works/ of/ Lord
Byron/ In Four Volumes—Vol. I./ London/ Henry
Frowde/ Oxford University Press Warehouse/ Amen
Corner, E.C./ New York: 91 and 93, Fifth Avenue/
1896/ [16º.

Note.—”We are indebted to the courtesy of Mr. John Murray,
publisher of the edition of 1867, for permission to use any
copyright matter contained in that issue.”—Publisher’s Advt.

CVII.

The Poetical/ Works of/ Lord/ Byron/ London/ Bliss/
Sands & Co/ XII. Burl-/ Eigh St./ Strand/ W.C./
[1897] [4º.

Collation—

Pp. xvi + 727.

Note.—This edition forms part of “The Apollo Poets.” The
Front., “Lord Byron,” is a Lamerciergravure, printed in Paris,
of the portrait by T. Phillips, R.A.

CVIII.

Poetical Works, etc. New Edition, carefully revised. With
illustrations. W. P. Nimmo. 1897. [8º.

[English Catalogue, 1898.]

French.

I.

Oeuvres/ Complètes/ de Lord Byron,/ Traduites de
l’Anglais/ Par MM.A.—P. et E.—D.S.; [Amédée Pichot
et Eusèbe de Salle]/ Troisième édition,/ Entièrement
revue et corrigée./ Tome premier./ Paris,/ Ladvocat,
Libraire, Palais-Royal,/ Galerie de Bois, No. 195./ 1821./
[12º.

Note.—Vols. I.-VIII. were issued in 1821; Vols. IX. and X.
(in two parts) in 1822. Vol. I. (pp. i.-xlv.) is preceded by
Notice sur Lord Byron, et ses Ecrits, par Amédée Pichot. Vols.
XI.-XV. (Oeuvres, etc./ Traduites de l’Anglais/ Par A. P.
[137]
… T./) with Gen. half-title, Oeuvres/ de/ Lord Byron./
Inédites,/ were issued in 1824.

In the Museum copy of this edition an unnumbered volume
entitled Essai/ Sur le Génie et le Caractère/ de Lord Byron,/
Par A. P…. T.,/ Précédé/ d’une Notice Préliminaire/ Par M.
Charles Nodier./ Extracts de la Quatrième Edition des Oeuvres/
Complètes de Lord Byron,/ (six volumes in-8 ornés de vignettes.)
Paris./ Ladvocat, etc./ 1824,/ which includes an essay Sur la
Mort de Byron, and a transl. of Heaven and Earth, pp. 195-252,
is bound up with Vol. XV.

Note (1).—”Oeuvres de lord Byron. Quatrième édition,
entièrement revue et corrigée par A. P…. T.; précédée d’une notice
sur lord Byron, par M. Charles Nodier; ornée de vignettes …
A Paris, chez Ladvocat, libraire, Palais-Royal, galerie de bois,
No. 195 (Impr. Firmin Didot), MDCCCXXII.-MDCCCXXV.
(1822-1825), 8 vols. in-8, conv. impr. Tome I: [Tome II.,
etc. (in 8 vols.)], 2 ff. (faux-titre et titre); xvi. pp. (notice
préliminaire de Ch. Nodier); clii. pp. (Essai sur lord Byron); 4 pp.
(Table générale des matières pour les tomes I. à VI.); 249 pp.;
et 1 f.n. ch. (annonce d’ouvrages).

“Frontispiece gravé par Godefroy; portrait de lord Byron,
gravé par Dequevauvilliers; et 5 figures gravées d’après Richard
Westall, par Godefroy, Mougeot, Dequevauvilliers, etc.

“Tome II., etc., etc.

“Les tomes II., III., IV., V., portent la date de 1822; les
tomes I. et VI., celle de 1823; le tome VII., celle de 1824; et
le tome VIII., la date de 1825.” [Manuel de l’Amateur de
Livres du XIX^e siècle. Par Georges Vicaire. Paris, 1894.
Fascic. 3 (1^re Partie), pp. 989, 990.]

Note (2).—”La prem. édit, de cette trad, parut de 1819 à 1820,
et formait 10 vol. in-12; la seconde Ã[dit. fut. publ. de 1820 Ã
1822, et formait 5 vol. in-8.” [Quérard, La France Littéraire,
1827, i. 581.]

“Oeuvres complètes, VI. édit…. Paris, Ladvocat, Delangle,
1829 et ann. suiv., 20 vol. gr. in-18, fig.—Autre édit. Paris,
Furne, 1830-35, 6 vol. in-8, et avec 6 vignettes ajoutées.
XI. édit., avec une notice historique sur lord Byron, des notes
et des pièces inédites. Paris, Furne, Ch. Gosselin, 1842, grand
in-8 à deux colonnes, avec 15 vignettes.” [Quérard, La Littérature
Française Contemporaine. 1827-1844. 1846, ii. 486.]

II.

Oeuvres complètes/ de/ Lord Byron,/ avec notes et
commentaires,/ Comprenant/ Ses Mémoires publiés par
Thomas Moore,/ et ornées d’un beau portrait de l’auteur./
Traduction nouvelle/ Par M. Paulin Paris,/ de la
Bibliothèque du roi./ Tome premier./ Paris./ Dondey-Dupré
Père et Fils, impr.—libr., éditeurs,/ Rue Saint-Louis,
Nº 46,/ et rue Richelieu, Nº 47 bis./ 1830./ [8º.[138]

Note (1).—The Front. of Vol. I., “Noel Byron,” is engr. by
Adele Ethiou, after the portrait by T. Phillips, R.A. The
engraver has added a wreath of bay leaves.

Vols. I.-X. were issued in 1830; Vols. XI., XII., XIII., in 1831.

Note (2).-“Il y a une seconde édition, Paris, etc.,
Dondey-Dupré, 1836, in-8, 13 vol.” [Quérard, 1846, ii. 486.]

III.

Oeuvres complètes/ de/ Lord Byron,/ Traduction nouvelle,/
d’après la dernière édition de Londres,/ Par/ Benjamin
Laroche,/ Traducteur des Oeuvres de J. Bentham, Cooper,
etc.;/ avec les notes et commentaires de Sir Walter
Scott, etc. [Three Lines]. Précédées de/ l’histoire de
la vie et des ouvrages de Lord Byron,/ Par John
Galt./ Tome premier./ Paris./ Charpentier, Libraire-
éditeur,/ Rue de Seine, No. 31./ 1836./ [8º.

Note.—The Front. of Vol. I. is “Byron,” after the portrait by
T. Phillips, R.A. Vol. I. was issued in 1836, Vols. II.-IV. in
1837. The translator (Post-Scriptum, Vol. IV. p. [827]) claims
to have accomplished his work from beginning to end without
collaboration or assistance: “cette traduction a été commencée,
poursuivie et achevée par Moi Seul.”

“II^e édit…. précédée de l’histoire de la vie … de lord
Byron par H. Romand, Paris … 1837, grand in 8, avec une
gravure.

“III^e édit., précédée d’une Notice sur la vie de lord Byron,
par M. Émile Souvestre, Paris, 1838, in-8, avec portrait et
fac-simile.

“IV^e édit. Paris, 1840, 1841. 4 vol. in 12.

“V^e édit, ornée d’un fac-simile, et précédée d’une Notice sur
lord Byron … par M. Villemain. Paris, 1843. Grand in-8.”
[Quérard, 1846, ii. 487.]

“La I^re édition de cette traduction a été publiée en 1836,
4 vol…. Depuis elle a été réimprimée environ 10 fois,
d’abord par M. Charpentier et puis par M. Lecou, et en dernier
lieu par MM. Hachette et Cie.” [Lorenz. Cat. Gén. 1867, i. 407.]

IV.

Oeuvres, traduites en vers français par Orby Hunter, 2 vols.
(Paris, Chapelle. 1841-1842.) [8º.

[Lorenz, Cat. Gén., 1867, i. 407.]

V.

Oeuvres/ de/ Lord Byron/ Traduites en vers français/ Par/
Orby Hunter & Pascal Ramé/ Tome.[139]
fred,—Beppo,—Le Corsair,—Lara/ et Poésies diverses/ Paris/
Daussin,/ Libraire/ Place et rue Favart,/ 8 bis/ 1845/ [8º.

Vols. I.-III. were issued in 1845.

Note.—Vol. II. contains Marino Faliero; La Fiancée, etc.;
Parisina; “Inscription sur le Monument d’un chien,” etc.;
A Venise; “Ode sur l’étoile,” etc.; “Adieu!—Elégié.” Vol. III.
contains Don Juan, Chants I.-VI.; Notes.

VI.

Oeuvres complètes de lord Byron. Traduction nouvelle de
Louis Barré, illustrée par Ch. Mettais, E. Bocourt, Ed.
Frère, Edition Bry aîné Paris, en vente à la librairie
centrale des publications à 20 centimes, 5, rue du Pont-de-Lodi,
5 (Typ. Gaittet et Cie.), 1856, gr. in 4.

Collation—

2 ff. (faux-titre et litre); et 400 pp.
Texte imprimé sur deux colonnes.

[Manuel de l’Amateur, etc., 1894. Fasc. 3 (I’e Partie),
p. 990.]

VII.

Oeuvres/ de/ Lord Byron/ Traduction nouvelle/ Précédée
d’un/ Essai sur Lord Byron/ Par/ Daniel Le Sueur/
Heures d’oisiveté—Childe Harold/ Paris/ Alphonse Lemerre,
éditeur/ 23-31, passage Choiseul, 23-31./ 1891./ [12º.

Note.—The Front., “Lord Byron,” is engr. by Fredéric Massé
after the portrait by G. Sanders. The Title-vignette bears a
motto, Fac et Spera, and the initials A. L. A second volume
(unnumbered), containing Le Giaour; La Fiancée, etc.; Le
Corsair; Lara, etc., was issued in 1892. This translation,
advertised as Oeuvres Complètes, and described by Lorenz as
“Traduction couronnée par l’Académie française,” has not been
continued.

German.

I.

Lord Byron’s Poesien. In 31 volumes. Brothers Schumann,
Zwickau. 1821-1828. [16º.

Note.—Among the several translators were Julius Körner,
Wilhelm Reinhold, Heinrich Doering, August Schumann,
Christian Karl Meissner, etc. Vols. I.-VI. appeared in 1821;
Vols. VII.-XII. in 1822; Vols. XIII., XIV. in 1824;[140]
Vols. XV.-XX. in 1825; Vol. XXI. in 1826; Vols. XXII.-XXVIII.
in 1827; and Vols. XXIX.-XXXI. in 1828.

[Lord Byron in Deutschland, von Dr. Cäsar Flaischlen,
Centralblatt für Bibliothekswesen, 1890, vii. 462-464.]

II.

Lord Byron’s/ sämmtliche Werke./ Herausgegeben/ von/
Dr. Adrian,/ ordentlichem öffentlichem Professor der
neueren Litteratur an der/ Universität zu Giessen./ Erster
Theil./ Lord Byron’s Leben./ Mit dem Bildniss, einem
Facsimile der Handschrift und der/ Abbildung des Stammsitzes
Lord Byron’s./ Frankfurt am Main./ Gedruckt
und verlegt von Johann David Sauerländer./ 1830./ [12º.

Note.—Vols. X. and XII. were issued in 1831. The several
translators were G. H. Barmann, O.L.B. Wolff, K. L. Kannegiesser,
A. Hungari, P. von Haugwitz, Ph. A. G. von Meyer
(the author of Byron’s Leben, i. 3-326), and The Editor.
This edition was reissued in twelve vols. (12º) in 1837.
[Kayser, 1841.]

III.

Dichtungen von Lord Byron. Deutsch v. Gustav Pfizer.
4 Sammlungen. Stuttgart, Liesching. 1836-1839. [8º.

Note.—There was a reissue of this work in 1851.

[Centralblatt, etc., 1890, vii. 468, 469.]

IV.

Lord Byron’s sämmtliche Werke. Deutsch v. Adolf Böttger
[1 vol., with life and portrait.] Leipzig, Otto Wigand.
1839-40. [8º.

[Kayser, 1841.].

Note.—This edition was reissued at Leipzig by Otto Wigand
in 1 vol. 8º in 1841, 1844, 1845; in 12 vols. 16º in 1841, 1842,
and 1847; in diamond edition, in 12 vols. 16º in 1850, 1852,
1856, 1860, 1861; and in 8 vols. 8º in 1854, 1863, 1864. For
the latest edition, vide post, No. xiii. [Kayser, 1848, 1853,
1860, 1865. See, too, Centralblatt, etc., 1890, vii. 457.]

V.

Lord Byron’s/ sämmtliche Werke./ Nach den/ Anforderungen
unserer Zeit/ neu übersetzt von/ Mehreren./
Zweite unveränderte Ausgabe./ Erster Band./ Pforzheim./
Verlag von Dennig Finck & Co./ [Ten Vols.] 1842./ [16º.[141]
Note (1).—The several translators were E. Ortlepp, Dr. Kottenkamp,
H. Kurtz, Professor Duttenhofer, Bardili, Bernd von Guseck.

Note (2).—This edition was first issued in small octavo by Hoffmann
at Stutgard, in 1839, and reissued (16º) by Scheible, Rieger,
and Sattler, 1845, 1846; and in 12 vols. (16º) by Rieger at
Stutgard, in 1856. [Centralblatt, etc., 1890, vii. 466.]

VI.

Lord Byron’s sämmtliche Werke. [8 Bde.] Deutsch von
A. Neidhardt. Berlin, Hofmann. 1865. [8º.

[Kayser, 1871.]

VII.

Dichtungen/ von/ Lord Byron./ Deutsch/ von/ Wilhelm
Schäffer./ Die Belagerung von Korinth./ Der Gefangene
von Chillon. Die Insel./ Hildburghausen./ Verlag des
Bibliographischen Instituts. 1865. [8º.

Note.—This collected edition of translations forms part of the
Bibliothek ausländischer Klassiker, etc.

Don Juan, Cantos I.-VI., transl. by W. Schäffer, was issued in
two vols. in 1867; Childe Harold’s, etc., transl. by A. H. Janert,
in 1868; Corsair, Mazeppa, Beppo, by W. Schäffer,
in 1870; Manfred, Cain, Heaven and Earth,
Sardanapalus, by W. Grüzmacher,
in 1872; Lyrical Pieces, by Heinrich Stadelmann, in
1872; The Giaour, Bride of Abydos, Lara,
Parisina, by Adolf Strodtmann, in 1872.

VIII.

Lord Byron’s ausgewählte Werke, uebersetzt von Mehreren
[4 bde.], herausg. von A. Strodtmann. Leipzig, Bibl.
Inst. 1865-1872. [8º.

[Centralblatt, etc., 1890, vii. 466.]

IX.

Lord Byron’s/ sämmtliche Werke/ in drei Bänden./ Frei
überzetzt/ von/ Adolf Seubert./ Erster Band./ Leipzig./
Druck und Verlag von Philipp Reclam jun./ [1874.] [8º.

X.

Lord Byron’s Werke. Deutsch v. Dr. Adalbert Schroeter.
[6 Bde.] Uebersetzt, mit Einleitung und Anmerkungen
versehen. Stuttgart. In; Coll. Spemann. 1885-1890. [8º.

[Centralblatt, etc., 1890, vii, 470.]

[142]

XI.

Lord Byron’s poetische Werke. In älteren Uebertragungen;
eingeleitet durch e. Studie v. Henry T. Tuckermann.
Stuttgart. Cotta’sche Bibl. der Weltlitteratur, 1886. [In
eight vols.] [8º.

[Kayser, 1887.]

XII.

Lord Byron’s Werke./ Uebersetz/ von/ Otto Gildemeister./
In sechs Bänden./ Erster Band./ Vierte Auflage./
Berlin./ Druck und Verlag von Georg Reimer./ 1888./ [8º.

Note.—A First Edition appeared in 1864, a second in 1866,
and a third in 1877. [Kayser, 1865, 1871, 1883.]

XIII.

Byron’s/ sämmtliche Werke./ Von/ Adolf Böttger./ Achte
Auflage./ Erster Band./ Leipzig,/ Verlag von Otto
Wigand./ 1901./ [8 Bde.] [8º.

Modern Greek

Τα Απαντα / του / Βυρωνος / Τομος Πρωτος / Εν Αθηναις /
Εκ του τυπογραφειου των καταστηματων / Ανεστη κωνστατινιδου
1895/ [Three Vols.] [8º.

Note.—This translation includes Mazeppa, Parisina,
Childe Harold, The Siege of Corinth,
The Bride of Abydos, The Corsair,
The Curse of Minerva, Don Juan, The Giaour.

The paper wrapper and the title-page are embellished with a
lithograph of the portrait by T. Phillips, R.A.

Italian.

I.

Opere complete/ di/ Lord Byron/ voltate dall’ originale
inglese in prosa italiana/ Da/ Carlo Rusconi/ Con note
ed illustrazioni del volgarizzatore/ nonchè dei signori/
Moore (and 33 others = 6 lines)/ a cui si aggiungono/
I dialoghi di Lord Byron compilati da M. Medwin/ Un
saggio sul di lui genio—una prefazione—E un’ appendice/
parte desunti da altri scritti, parte tradotti,/ parte originali./
Padova/ coi tipi della Minerva/ 1842/ [8º.

Note.—This edition, which forms one volume, pp. xxxix. + 1561,[143]
was issued in two parts. A dedication (“A Sua Eccellenza/
Lord Holland/ Ministro Plenipotenziario D’Inghilterra/ alla Corte
di Toscana”/) is prefixed to Part I., pp. [ix.]-[xi.].

II.

Opere/ di/ Giorgio Lord Byron/ Precedute/ da alcune
avvertenze critiche/ Sulle stesse/ e da un discorso/ di/
Cesare Cantù/ prima edizione napolitana adorna di figure
incise/ Napoli/ Francesco Rossi-Romano editore/ Trinità
Maggiore, 6/ 1853/ [8º.

Note.—The Front. is a lithograph of “Lord Byron nell’ età di
17 anni,” after the portrait by G. Sanders.

The several translators were Giuseppe Gazzino, Giuseppe Nicolini,
Pietro Isola, Pellegrino Rossi, Andrea Maffei, Marcello
Mazzoni, and P. G. B. Cereseto.

The translation includes Childe Harold, eight tales, and four
dramas.

III.

Opere di Lord Byron tradotte ed annotate da Gabr. De
Stefano. Napoli, 1857. [8º.

[Pagliaini, 1901.]

Collation—

Pp. 625.

IV.

Opere/ di/ Lord Giorgio Byron/ Precedute/ da un saggio
intorno al genio e al carattere/ Del medesimo/ Volume
unico/ Napoli/ Presso Pasquale Perrone libraio-/Editore/
via Costantinopoli, 107./ 1886/ [8º.

Note.—The translations include Childe Harold,
Don Juan,
eight tales, and seven dramas. A reissue with a portrait, and,
apparently, wanting pp. 669-[711] of the appendix, appeared in
1891 (Ferdinando Bideri, editore/ Via Costantinopoli, 89).

Polish.

I.

Poezye/ Lorda Byrona/ w tłumaczeniu Polskiém. Wydane
staraniem/ Bolesława Maurycego Wolffa./ Tom. I./
W[e,]drówki Czajlda-Harolda./ Petersburg./ Nakadem i
Drukiem B. M. Wolffa./ 1857./ [12º.

Note.—No more published.[144]

II.

Poezye Lorda Byrona w przekładzie polskich poetów. Zbiorowe
wydanie, pod red. Piotra Chmielowskiego. (“Biblioteka
Najcelnijszych Utworów.”) [8º.
Warszawa, 1885, etc.

Russian.

I.

Сочиненія Лорда Байрона Въ переводахъ русскихъ
Поэтовъ изданных полъ редакціею Н.В. Гербеля
5 tom.
С.-Петербургъ
1864-66 [16º.

Second edition of Gerbel.
С.-Петербургъ, 1874-77. In 4 vols.

Third edition.
С.-Петербургъ, 1883-84. In 3 vols.

II.

Байронъ. Европейскіе Классики Въ русскомъ переводѣ
П. Вейнберга
С.-Петербургъ
1876.

Note.—The translations include Hebrew Melodies,
Sardanapalus, Manfred, Childe Harold’s, etc.,
and Don Juan.

Spanish.

Biblioteca Universal./ Coleccion/ de los/ Mejores autores/
Antiguos y modernos,/ Nationales y extranjeros./ Tomo LXIII./
Lord Byron/ Madrid./ Direccion y administracion/
calle de Leganitos, 18, 2.0/ 1880./ [16º.

This translation includes The Corsair, Lara,
Darkness, and Hebrew Melodies (6),
The Lament of Tasso. The Prologo is by
Rafael Ginard de La Rosa.

Swedish.

Byron’s Poetiska Berättelser. Öfversättning af Talis Qualis
[C. W. A. Strandberg]. 1. Maseppa.—2. Belägringen af
Korinth.—3. Fången på Chillon.—4. Parisina—5. Beppo.—6.
Giaurn.—7. Bruden från Abydos.—8. On Eller
Christian OCH Hans Ställbröder. [8 vols.] Stockholm,
J. L. Brudins Förlag. 1854-1856. [12º.

Selections.

I.

The Beauties of Byron, with a sketch of his life and a
dissertation on his genius and writings. By Thomas Parry.
London: J. Sudbury. 1823.

[Kölbing.]

[145]

II.

The Beauties of Byron. Extracts from the works of the
Right Hon. Lord Byron. Embellished with engravings
on steel. London: J. Limbird. 1827.

[Kölbing.]

III.

Life/ and/ Select Poems/ of/ Lord Byron,/ Arranged, etc./
By C. Hulbert,/ Author of Literary Beauties, Poetical
Bouquet, Museum of the World, etc./ London: Sold by
all the Booksellers./ [1828.] [12º.

Collation—

Pp. 84.

IV.

The Beauties of Lord Byron, selected by B. F. French,
10th ed. [Pp. xi. + 204, 3 pl.] Philadelphia. 1828. [24º

[Cat. of Library of Congress, 1880.]

V.

The/ Beauties/ of/ Byron,/ Consisting of/ Selections From
His Works./ By J. W. Lake./ [L.B. in Gothic letters,
enclosed in bay and oak leaves.] Paris,/ Baudry, at the
English, Italian,/ Spanish, German, and Portuguese
Library,/ Rue du Coq Saint-Honoré, No. 9./ Bobée and
Hingray, rue de Richelieu, No. 14./ 1829./ [16º

Collation—

Pp. viii. + 230.

VI.

Lord Byron’s Select Works. Vols. I.-III. Frankfort a. M
Brönner. 1831, 1832. [12º

[Kayser, 1834.]

VII.

Childe Harold’s Pilgrimage; The Giaour; The Siege, etc.;
Parisina; The Island; The Prisoner, etc.; Beppo;
Mazeppa; The Prophecy, etc.; The Waltz; The Lament,
etc.; Hebrew Melodies; Misc. in Prose. By Lord Byron.
Paris. 1832. (1 vol.) [8º.

[“Le Moniteur de la librairie.” Courrier de
l’amateur de livres. Paris, Barrois. 4^e Annèe,
1845, p. 122. (Bibl. Nat. 9, 5610.)][146]

VIII.

Lord Byron’s Select Poetical Works, containing the Corsair,
Lara, the Giaour, the Siege, etc.,
the Bride, etc., Parisina,
Mazeppa, the Prisoner, etc. Paris and Lyons. 1835.
[12º.

[Kayser, 1841.]

IX.

Lord Byron’s Select Works. Consisting of Cain, a Mystery;
Hours of Idleness; English Bards, etc., with Occ. Pieces
and Life of the Author. Asher, London and Berlin. 1837. [32º.

[Kayser, 1841.]

X.

The/ Beauties/ of/ Byron:/ Consisting of/ Selections from
the Popular Works of/ This most admired Writer./ By
Alfred Howard, Esq./ A new Edition./ London:/
Printed for Thomas Tegg and Son, 73, Cheapside;/ R.
Griffin and Co., Glasgow./ T. T. and H. Tegg, Dublin:/
also, J. and S. A. Tegg, Sydney and Hobart Town./
1837./ [12º.

Collation—

Pp. 192.

XI.

The/ Beauties/ of/ Byron,/ consisting of/ selections from his
Works./ By Alfred Howard, Esq./ London:/ Printed by
T. Davison,/ For Thomas Tegg, No. 73, Cheapside;/ R.
Griffin and Co. Glasgow;/ and/ J. Cummings, Dublin./
[n.d.] [12º.

Collation—

Pp. 212.

Note.—The following advertisement is printed on the R. of the
Gen. Half-title: “To the few persons who have not read Lord
Byron’s poems, but who, after perusing these specimens, will undoubtedly
wish to read the whole of them, we beg leave to say
that the only correct editions are published by Mr. Murray, of
Albemarle Street, and Messrs. J. & H. L. Hunt, of Tavistock
Street. The first eight volumes are to be had from the former
publisher; the last two from the latter. All other editions are
piracies, and inflict even more injury on the sense and poetry of
the noble bard than they do on the property of the proprietors.”[147]

XII.

Byron’s Select Works, containing the Corsair; Lara;
Giaour; the Bride, etc.; the Siege, etc.; the Prisoner,
etc.; Select Poems, etc., etc.; to which is prefixed a
biographical notice of Lord B. by J. W. Lake. Paris,
Truchy. 1843. [12º.

[Le Moniteur, etc., 1845, p. 122. See, too, Bibl.
de la France, Aug. 12, 1843, vol. xxxii. p. 413.]

XIII.

A Selection from Lord Byron’s Poetical Works, containing,
etc. Intended for the use of young people, and provided
with explanatory German notes by Charles Graeser.
Marienwerder, Edward Levysohn. 1846.

[Kölbing.]

XIV.

Select Poetical Works of Lord Byron. Containing, etc.
With a memoir by Henry Lytton Bulwer, Esq. London,
Adam Scott. 1848.

[Kölbing.]

XV.

Lord Byron’s Select Works, with an Appendix, containing
songs and ballads for the use of schools, edited by F.
Breier. Oldenburg, Schulze. 1848. [8º.

[Kayser, 1853.]

XVI.

Selections/ From The/ Writings of Lord Byron./ Poetry./
By a Clergyman./ London:/ John Murray, Albemarle
Street./ 1854./ [8º.

Collation—

Pp. viii. + 175.

Note.—The Selection (two vols.—Prose, Poetry) is one of a
series called “Murray’s Railway Reading.” The editor was the
Rev. Whitwell Elwin, sometime editor of the Q.R.

XVII.

Moxon’s Miniature Poets./ A/ Selection From/ The Works/
of/ Lord Byron./ Edited and Prefaced by Algernon Chas.
Swinburne./ London:/ Edward Moxon & Co., Dover
Street./ 1866./ [8º.[148]

Collation—

Pp.xxxii.+244.

Note.—The Selection was reissued by Ward, Lock, and Co. in 1885.

XVIII.

Songs by/ Lord Byron/ [Crest, motto Crede Byron.]/
London/ Virtue & Co., Publishers/ 26 Ivy Lane, Pater
noster Row/ 1872/ [16º.

Collation—

Pp. 270.

Note.—There is an index of “Songs set to Music,” pp. 268-270.

XIX.

Selections from the Writings of Lord Byron. New Edition.
With Portrait. London, John Murray. 1874.

[Kölbing.]

XX.

Beautés de Byron: Childe Harold, le Corsaire, Lara, le
Giaour, le Siège, etc., Don Juan, Extraits (texte anglais)
avec préface et notes en français, par A. Biard. Paris,
Delagrave. 1876. [12º

[Lorenz, 1886.]

XXI.

Favourite Poems./ By/ Lord Byron./ Illustrated./ Boston:/
James R. Osgood and Company./ Late Ticknor & Fields,
and Fields, Osgood & Co./ 1877./ [16º.

Collation—

Pp. 127.

XXII.

The Beauties of Byron. An Original Selection. Stuttgart,
Paul Neff.

[Kölbing.]

XXIII.

Poetry of Byron/ Chosen and Arranged by/ Matthew
Arnold/ London/ Macmillan and Co./ 1881/ [8º.

Collation—

Pp. xxxvi. + 276.[149]

Note.—The title-page is illustrated by an engraving, by G. J.
Stodart, of Thorwaldsen’s statue of Lord Byron. The preface
(pp. vii.-xxxi.) is by Matthew Arnold.

XXIV.

Routledge’s World Library/ “Syllables govern the World.”
John Selden/ Gems from Byron/ With an Introduction/
By the/ Rev. Hugh Reginald Haweis, M.A./ London/
George Routledge and Sons/ Broadway, Ludgate Hill/
New York: 9 Lafayette Place/ 1886/ [16º.

Collation—

Pp. 158.

XXV.

Selections/ From The Poetry of/ Lord Byron/ Edited with/
An Introduction and Notes/ By/ Frederic Ives Carpenter,
Ph.D./ Instructor in English, the University of Chicago/
Dir in klar und truben Tagen/ Lied und Mut war schon
und gross./ II. ‘Faust,’ iii. 1. 1426./ New York/ Henry
Holt and Company/ 1900/ [8º.

Collation—

Pp. lviii. + 412.

XXVI.

Poems/ of/ Lord Byron/ Selected and arranged for use in
Schools/ By/ C. Linklater Thomson/ Head-Mistress of
the Solihull School for Girls, [etc., three lines]./ London/
Adam and Charles Black/ 1901/ [8º.

Collation—

Pp. ix. + 67.

Translations Of Selections.

Armenian.

Lord Byron’s/ Armenian Exercises/ and Poetry./ Venice/
In the Island of S. Lazzaro./ 1886/ [8º

Collation—

Pp. 167 + Index, pp. [169]-[172].

Note.—The Title-page is dated 1886, the paper wrapper
(yellow) 1870. Among the exercises are Pieces of Armenian
History, The Epistle of Paul to the Corinthians, etc.;
and among the translations are “The Destruction of Sennacherib,” “On
Waterloo,” “To the Duke of Dorset,” etc.[150]

French.

I.

Choix de Poésies de Byron, de W. Scott et Th. Moore;
trad. libre de l’angl. Genève et Paris, Paschoud. 1820.
[Two Vols.] [8º.

[Quérard, 1827.]

II.

Les Beautés de lord Byron, galerie de quinze tableaux tirés
de ses oeuvres, accompagnée d’un texte traduit par
Amédée Pichot. Paris, Aubert, Giraldon. 1838. [4º.

[Quérard, 1846.]

III.

Écrin poétique/ de/ littérature anglaise./ Traduction en
vers français,/ Avec notes historiques,/ De poèmes,
épisodes et fragments choisis/ de Lord Byron,/ Thomas
Moore, Gray, Graham, etc./ Ornée du portrait de lord
Byron/ et de jolies vignettes de Thompson./ Par D. Bonnefin./
Chevalier de la légion d’honneur,/ A Paris,/
Chez L. Hachette,/ Libraire de l’Université Royale de
France,/rue Pierre-Sarrazin, no. 12./ 1841./ [8º

Collation—

Pp. ix. + 473.

IV.

Chefs-d’oeuvre de lord Byron. (Le Pèlerinage, etc., Lara,
la Fiancée, etc., Parisina, Mazeppa, le Siége, etc., le Prisonnier, etc.)
La traduction françoise en regard par M. le comte d’Hautefeuille;
précédés d’un essai sur la vie et les
oeuvres de lord Byron et de ses contemporains, renfermant
l’histoire de la poésie anglaise au xix^e siècle, par D.
O’Sullivan. 1847. Place de la Madelaine, 24. [8º

[Lorenz, 1866.]

V.

Rough Hewing/ of/ Lord Byron/ In French,/ With the
English Text./ By Francis D’Autrey./ … Obscurus fio./
Horace, Ars Poetica./ London:/ J. W. Kolckmann,/
Foreign Library,/ 1, Princes Street, Cavendish Square, W./
1869./ [8º.

Collation—

Pp. 233.[151]

VI.

Chefs-d’oeuvre de lord Byron. Traduits en vers français par
A. Regnault. (Two Vols.) 1874. [8º.

[Lorenz, 1876.]

German.

I.

Lord Byron’s ausgewählte Dichtungen. Aus d. Engl. übertragen.
Leipzig, Wienbrack. 1838. [8º.

[Kayser, 1841.]

II.

Byron-Anthologie./ Auserwähltes/ aus/ Lord Byron’s Dichtungen,/
übertragen/ von/ Eduard Hobein./ Schwerin./
Stiller’sche Hofbuchhandlung./ (G. Bolhoevener.) 1866. [8º.

Collation—

Pp. 187.

III.

Auswahl aus Byron: Childe Harold (III. and IV.), Prisoner,
etc., Mazeppa. Hrsg. v. J. Hengesbach. 1892. [12º.

[Kayser, 1895.]

Collation—

Pp. viii. + 116.

Note.—Part of Textausgaben französischer u. englischer
Schriftsteller f. den Schulgebrauch, hrsg. v. Osk. Schmager.

Italian.

I.

Poemi/ di/ Lord G. Byron/ Tradotti/ dall’ originale
inglese/ da/ Pietro Isola/ Socio corrispondente della R.
Accademia delle scienze ed arti/ di Alessandria/ Torino/
Presso Giuseppe Pomba/ 1827/ [8º.

Collation—

Pp. 204.

II.

Opere scelte, tradotte da M. Mazzoni. Milano. 1852. [8º.

[Pagliaini, 1901.]

[152]

III.

A’Mici Amici./ [1873.] [8º.

Collation—

Pp. 27.

Note.—A translation of a few detached passages, by P. Isola,
entitled “In partendo dall’ Inghilterra,” etc. There is no Title-page.

Miscellaneous Poems.

I.

An Ode./ On/ The Star of the Legion of Honour./
Napoleon’s Farewell./ Fare Thee Well./ And/ A Sketch,
etc./ By Lord Byron./ New-York:/ Published by Van
Winkle and Wiley,/ No. 3 Wall-Street./ 1816./ [8º.

Collation—

Title, one leaf, pp. 3, 4; Text, pp. 5-24.

Note.—The Half-title is probably missing. The “Ode” is the
Ode from the French (“We do not curse thee, Waterloo!”). The
edition contains the five pieces enumerated on the title.

II.

Three Poems,/ not Included in the Works of/ Lord Byron./
Lines to Lady J——./ The Ænigma./ The Curse of
Minerva./ [Motto from Ter. Andria, five lines.] London:/
Printed for Effingham Wilson,/ Royal Exchange./ 1818./ [8º.

Collation—

Title (R. John Hill, Printer, 32, Water Lane, Blackfriars.),
pp. 3, 4; Note on the Lines to Lady Jersey, pp. 5, 6; Text and
Notes, pp. 7-18. The second poem is Miss Fanshaw’s Enigma
(Letter H); the third, The Curse of Minerva (112 lines).

III.

English Bards,/ and/ Scotch Reviewers;/ A Satire./ Ode
to the Land of the Gaul.—Sketch/ From Private Life.—Windsor/
Poetics, etc./ By/ The Right Honorable/ Lord
Byron./ Second Edition./ Paris:/ Published by Galignani/
At the French, English, Italian, German and
Spanish/ Library, No. 18, Rue Vivienne,/ 1818./ [12º.

Collation—

Pp. 84, With half-title, “Suppressed/ Poems.” English
Bards, etc., a reprint of the Fourth Edition of 1811, numbers 1052
lines.[153]

IV.

The/ Works/ of/ The Right Honourable/ Lord Byron;/
Containing/ English Bards, and/ Scotch Reviewers;/ The
Curse of Minerva,/ And the Waltz,/ An/ Apostrophic
Hymn./ Philadelphia:/ Published By M. Thomas./ 1820./ [8º.

Collation—

Pp. viii. + 151.

Note.—The English Bards, etc., is a reprint of the Fourth
Edition of 1050 lines. The Curse of Minerva is the complete
edition of 312 lines. The “Fugitive Pieces” are: (1) To Jessy;
(2) “My Boat is on the Shore;” (3) Lines addressed to Mr.
Hobhouse; (4) Adieu to Malta; (5) Enigma [To the Letter H].
It will be observed that, with the exception of No. 5, all these
pieces are genuine.

V.

Poems/ By/ The Right Honourable/ Lord Byron;/ With/
His Memoirs./ London:/ Published by Jones and
Company,/ No. 3, Warwick Square./ 1825./ [8º.

Collation—

Pp. 292 + Cont., p. [293].

This edition contains Hours of Idleness, English Bards, etc.
(3rd ed.), “Poems on His Domestic Circumstances” (twenty-five,
including eight forgeries), and the whole of Don Juan.

VI.

The/ Miscellaneous Poems/ of/ Lord Byron./ London:/
Benbow, Printer and Publisher, 252, High/ Holborn./ 1825./ [12º.

Collation—

Pp. 94.

Note.—The collection numbers fifty-three poems, including the
twenty-five published by R. Bumpus in 1824 (No. xi. of “Poems
on His Domestic Circumstances”), and twenty-eight others (all
genuine), including the Ode to Napoleon Buonaparte, and the
Monody on the Death of Sheridan.

VII.

Don Juan,/ Complete;/ English Bards and Scotch/ Reviewers;/
Hours of Idleness;/ The Waltz;/ and all the
other Minor Poems:/ By/ Lord Byron./ [Emblem (Dove
and olive-branch):—motto (Perseverantia et Amicis).]
London:/ Printed and Published by J. F. Dove,/ St. John’s
Square./ 1827./ [12º.[154]

Collation—

Pp. iv. + 574.

Note.—A second Title-page, with Title-vignette. English
Bards, etc., numbers 1050 lines. Among the “Minor Poems”
are the seven forgeries: (1) Farewell to England; (2) To my
Daughter; (3) Ode—St. Helena; (4) To the Lily of France;
(5) Ode (“Oh, shame to thee,” etc.); (6) Madame Lavalette;
(7) Enigma (Letter H); and The Curse of Minerva (111 lines).

VIII.

Don Juan;/ Hours of Idleness;/ English Bards and Scotch
Reviewers;/ The Waltz;/ and other Poems./ By Lord
Byron./ In Two Volumes./ Vol. I. [Vol. II.] London:
J. F. Dove, St. John’s Square./ 1828./ [12º.

Collation—

Vol. I.: pp. xiv. + 384.

Vol. II.: pp. iv. + 428.

Note.—These pirated volumes were occasionally bound up
with Murray’s four-volume edition of 1828, and numbered
Vols. V., VI.

IX.

XVII.

The Giaour,/ and/ The Bride of Abydos./ By/ Lord Byron./
London:/ H. G. Clarke & Co., 278, Strand./ 1848./ [16º.

Collation—

Pp. 154.

note.—Part of “Clarke’s Cabinet Series.”

XVIII.

Miscellanies./ By Lord Byron./ In Two Volumes.—Vol. I./
[Vol. II.] London:/ John Murray, Albemarle Street./
1853./ [16º.

Collation—

Vol. I.: pp. vii. + 364.

Vol. II.: pp. viii. + 360.

Note.—Vol. I. contains Hours of Idleness;
English Bards, etc.; Hints from Horace;
The Curse of Minerva; The Waltz;
Ode to Napoleon Buonaparte; Hebrew Melodies;
Domestic Pieces;
Monody, etc.; The Dream.

Vol. II. contains The Lament of Tasso;
Ode on Venice;
The Morgante Maggiore; The Prophecy of Dante;
Francesca of Rimini; The Blues;
The Vision of Judgment; The Age of Bronze;
Occasional Pieces, 1807-1824.

Lord Byron’s Tales and Poems. Leipzig, Brockhaus. 1857. [8º.

[Kayser, 1860.]

XXIII.

Poems./ By Lord Byron./ [Motto: “Like an archangel,”
etc., twelve lines, Anon.] With Eight Illustrations,/ By
Birket Foster, John Gilbert, etc./ London:/ Routledge,
Warne, and Routledge,/ Farringdon Street;/ New York:
56, Walker Street./ 1859./ [8º.

Collation—

Pp. xxxii. + 539.

XXIV.

Eastern Tales:/ By/ Lord Byron./ Comprising/ The
Corsair, Lara, The Giaour,/ The Bride of Abydos, and[158]
The Siege of Corinth./ With the Author’s original Introductions and Notes./ Illustrated./ London:/ David
Bogue, 86, Fleet Street./ [1859.] [8º.

Collation—

Pp. 5-265.

XXV.

Byron’s/ Siege of Corinth/ And/ Ode to Napoleon Buonaparte./
With Notes/ For students for the first examination in Arts,/
University of Madras./ 1877./ Madras:/
Addison and Co., 18, Mount Road./ 18767 [8º.

Collation—

Pp. 56.

XXVI.

Poems/ By/ Lord Byron/ London/ George Routledge
and Sons/ Broadway, Ludgate Hill./ New York: 416
Broome Street/ [1880.] [8º.

Collation—

Pp. xxxii. + 719.

Note.—Part of the “Excelsior Series.”

XXVII.

Poems/ of/ Lord Byron./ Carefully Selected./ In Two
Volumes./ Vol. I./ [Vol. II.] Cassell & Company,
Limited:/ London, Paris, New York, & Melbourne./
[1886.] [32º.

Collation—

Vol. I.: pp. 3-316.

Vol. II.: pp. x. + 11-316.

Note.—Part of Cassell’s “Miniature Library of the Poets.”

Vol. II. contains The Siege, etc.; Mazeppa;
The Bride, etc.; Corsair; Giaour;
Lara; The Prisoner, etc.; The Island.

II.

Byron:/ Manfred,/ Fangen paa Chillon og Mazeppa./
Oversat af/ Alfred Ipsen./ København./ Forlagt af P.
Hauberg & Comp. og Jul. Gjellerup./ Trykt hos Martius
Truelsen. [1889?] [16º.

Collation—

Pp. 136.[160]

I.

Le Corsaire, Mazeppa, traduits en vers français suivis de
poésies diverses, par Lucien Méchin, 1848. Paris, Paulin. [12º.

[Lorenz, 1840-1865.]

II.

Le/ Prisonnier de Chillon/ Lara/ Parisina/ Poémes de
Lord Byron,/ Traduits en vers/ et/ Poésies diverses/
Par H. Gomont/ Membre correspondant de l’Académie
de Stanislas/ Paris/ Amyot, Libraire/ Rue de la Paix, 6/
[the second column] Nancy./ Mlle Gonet, libraire/ Rue
des Dominicains, 14/ 1862/ [12º.

Collation—

Pp. viii. + 228.[161]

III.

Le Corsaire, Lara, le Siége de Corinthe.
Traduction nouvelle par Paul Lorencin. (Libraire de la Bibliothèque
Nationiale, tom. 117.) 1868. [32º.

[Lorenz, 1876.]

IV.

Chefs-D’oeuvre/ de/ Lord Byron/ Traduits en vers français/
par/ A. Regnault/ Bibliothécaire et archiviste honoraire
du Conseil D’État/ Membre de l’Académie de Lyon/
Auteur d’une histoire du Conseil D’État,/ D’un Voyage
en Orient (Gréce, Turquie, Egypte)/ Et de notices
historiques sur Moscou et Saint-Pétersbourg/ Tome
premier/ Paris/ Amyot, Librairie-Editeur/ 8, rue de la
Paix, 8/ Et à la librairie, Galignani/ 224, rue de Rivoli,
224/ 1874/ Touts droits réservés/ [8º.

Collation—

Vol. I.: pp. xxxii. + 518.

Vol. II.: pp. 511.

Note.—Vol. I. contains Childe Harold’s, etc.;
The Bride, etc.;
The Giaour; The Siege, etc.; Manfred [Scènes Détachées].

Vol. II. contains The Corsair; Lara;
Mazeppa; The Prisoner, etc.; Parisina;
Beppo; Juan and Haidee; Poésies Diverses.

V.

Lord Byron/ Les/ Deux Foscari/ Tragédie historique/
Beppo/ Poème humoristique/ Traduction en vers (ornée
de 15 vignettes)/ Par/ Achille Morisseau/ Paris/
Calmann Lévy, éditeur/ 3, rue Auber, 3/ 1881/ [8º.

Collation—

Pp. xiii. + 258.

VI.

Le Corsaire. Lara. Illustrations de Gambard et Mittis.
Paris, Dentre. 1892. [32º.

Fait partie de la “Petite Collection Guillaume,” Lorenz, 1900.

German.

I.

Gefangener von Chillon u. Parisina, nebst e. Anh. seiner
lyrischen Gedichte, übers. durch Paul Graf v. Haugwitz.
Breslau, W. G. Korn. Übers. 1821. [8º.

[Kayser, 1834.]

[162]

II.

VIII.

Der Gefangene v. Chillon. Mazeppa. Von Lord Byron.

[Kayser, 1877.]

Note.—No. 557 of the “Universal Bibliothek.” Leipzig,
1871-1876.

IX.

Der Gefangene v. Chillon. Parisina. Zwei poet. Erzählungen,
übers. v. Otto Michaeli. Halle. 1887-1890. [8º.

Note.—Part of the “Bibl. der Gesamt-Litteratur des
In-u. Auslandes.” [Kayser, 1891.]

Hungarian.

Byron Lord’/ Élete’s Munkái./ Irta/ Petrichevich Horváth
Lázár./ Harmadik Rész./ Pesten./ Nyomtatta Landerer
és Heckenast./ 1842./ [12º.

Collation—

Pp. 154 + Sajtó-hibák, p. [155].

Note.—The translations include Mazeppa;
The Dream; and sixteen lyrical pieces.

Icelandic.

Vol. I.: pp. 283.

Vol. II.: pp. 255.

IV.

Poemi e novelle. Milano, Sonzogno. 1882. [16º.

[Pagliaini, 1901.]

Collation—

Pp. 107.

V.

Opere/ Edite e postume/ di Giacinto Casella/ Già Accademico
della Crusca/ Con prefazione del Prof. Alessandro
d’Ancona,/ Uno scritto critico sul Properzio del
Prof. G. Rigutini/ E una notizia biografica sull’ autore/
Scritta da sua moglie./ Due Vol.—Vol. I./ Parte I.—Il
Pellegrinaggio d’Aroldo, la Parisina,/ il Beppo e la sposa
d’Abido, di Lord Byron.—Sopra M. Aurora., di S. Fenzi./
Un frammento dal Lambros, di D. Solomos./ Parte II.—Liriche
originali./ Firenze,/ Tipografia di G. Barbéra./ 1884./ [8º.

Collation—

Vol. I.: pp. lvi. + 438 + Errata Corrige, p. [439].

Vol. II.: pp. xviii. + 450 [Text = pp. 3-450] + Indice, etc.,
p. [451].

Note.—The translations of Childe Harold,
Parisina, Beppo,
and the Bride, etc., are on pp. 1-311 of the first part
of the first volume.

[165]

VI.

Misteri e canti; Caino; Parisina; Un sogno. Traduzione
di Andrea Maffei. Milano, Hoepli. 1886. [64º.

[Pagliaini, 1901.]

Collation—

Pp. 198.

VII.

Misteri, novelle e liriche. Traduzione di Andrea Maffei.
Firenze, Le Monnier. 1890. [64º.

[Pagliaini, 1901.]

Collation—

Pp. xxxviii. + 441.

Polish.

I.

Poemata i powieści … Przez B. hr. K. [Brunona hr.
Kicińskiego]. Tom. 1. (Obłęźenie Koryntu, Korsarz.)
Warszawa, 1820. [8º.

Part of “Biblioteka Romansów,” etc. Wyd. przez W. Malccką.

II.

Powieści, przekład Wandy Maleckiéj. (Mazepa, przek.
H. Dembińskiego, Paryzyna, Giaur, Upiór.) pp. 196.
w druk, J. Wróblewskiego: Warszawa, 1828. [8º.

Wybór Romansów, wyd. W. Maleckiéj. Tom. xiii.

[Another edition.] Warszawa, 1831. [8º.

III.

Paryzyna, Kalmar i Orla, dwa poemata … Przekład Ign.
Szydłowskiego. pp. 58.

druk. J. Zawadzkiego: Wilno, 1834. [8º.

IV.

Poezye/ Lorda Byrona/ tłumaczone/ Giaur/ przez/ Adama
Mickiewicza,/ Korsarz/ Przez/ Edwarda Odyńca./ Wydanie
Alexandra Jełowickiego./ W. Pary[.z]u./ 1835/ [12º.

Collation—

Pp. xiv. + 202.

[166]

V.

Tłómaczenia/ Antoniego Edwarda/ Odyńca./ Tom Drugi./
Narzeczona z Abydos./ W Lipsku/ u Breitkopfa i Haertela./ 1838./

Collation—

Pp. 216.

Note.—The translation of the Bride of Abydos,
with the Notes, is on pp. 1-83 of this volume.

VI.

Tłomaczenia/ Antoniego Edwarda/ Odyńca./ Tom Trzeci./
Korsarz./ Niebo i Ziemia./ W Lipsku/ u Breitkopfa i
Haertela./ 1841./ [12º.

Collation—

Pp. 201.

Note.—The translation of the Corsair, with Notes,
is on pp. 1-112; of Heaven and Earth, pp. 116-201.

VII.

Poemata. Z oryginału przełožył Ant. Zawadzki. (Żale
Tassa; Werner; Narzeczona z Abydos; Wyspa.) pp. 392.
H. Skimborowicz: Warszawa, 1846. [8º.

VIII.

Pięć Poematów/ Lorda Birona/ Przełožył/ Franciszek
Dzieržykraj Morawski./ Nakladem Autora./ Leszno./
Drukiem Ernesta Günthera./ 1853./ [8º.

Collation—

Pp. 272.

Note.—The translations include Manfred;
Mazeppa; The Siege, etc.;
Parisina; and The Prisoner, etc.

IX.

KRUZER (Karol) Przekłady i rymy własne. 5 tom.
druk. E. Skiwskiego: Warszawa, 1876. [8º.

Tom. 3. Parisina. Lara. Kain. Poezje ulotne.

Tom. 4. Poezje ulotne Lorda Byrona.

Portuguese.

Traducçōes/ Poeticas/ de/ Francisco José Pinheiro Guimarāes/
Bacharel em sciencias sociaes e juridicas/ Childe[167]
Harold e Sardanapalo,/ De Lord Byron;/ O Roubo da
Madeixa, de Pope;/ Hernani, de Victor Hugo/ Rio de
Janeiro/ Typographia universal de Laemmert/ Rua dos
Invalidos, 61 B./ 1863./ [8º.

Collation—

Pp. 636.

Note.—The Title-page, a Dedication, and O Sonho,
an imitation of Byron’s Dream, are unpaged.
The translations of Childe Harold, Cantos I.-IV., and
of Sardanapalus, are on pp. 1-424.

Roumanian.

Din Scrierile/ Loui/ Lord Byron/ 3 P^t/ Tradduce/ de/ J. Eliad/
Boukouresti/ In Tipographia loui Eliad/ 1834/ [8º.

Dramas/ By/ Lord Byron./ In Two Volumes./ Vol. I./
London:/ John Murray, Albemarle Street./ 1837./ [12º.

Collation—

Vol. I.: pp. 403.

Vol. II.: pp. 391.

Note.—Vol. I. contains Manfred; Marino Faliero;
Heaven and Earth; Sardanapalus.
Vol. II. contains The Two Foscari; Cain;
The Deformed Transformed; Werner.
The Title-vignette
on the illustrated Title-page of Vol. I. is “Fall of the Staubach,”
engraved by E. Finden, from a drawing by G. Bulmer from a
sketch by Mrs. Somerville. These volumes, together with the
Miscellanies, Tales, etc., were bound in green cloth,
with Lord
Byron’s arms with supporters stamped in gold on one side.

II.

Dramas./ By Lord Byron./ In Two Volumes.—Vol. I./
Containing/ Manfred./ Marino Faliero./ Heaven and
Earth./ Sardanapalus./ London:/ John Murray, Albemarle
Street./ 1853./ [8º.

Collation—

Vol. I.: pp. 325. The Imprint (Bradbury & Evans, Printers,
Whitefriars.) is at the foot of p. 325.

[169]
Vol. II.: pp. 318. The Imprint (London: Bradbury & Evans,
Printers, Whitefriars.) is at the foot of p. 318.

Note.—Vol. II. contains The Two Foscari,
Cain, The Deformed Transformed, and Werner.

Translations of Collections of Dramas.

German.

Lord Byrons/ Dramatische Werke./ Deutsch/ von/ W.
Grüzmacher./ Manfred. Kain. Himmel und Erde.
Sardanapal./ Hildburghausen./ Verlag des Bibliographischen
Instituts./ 1870./ [8º.

Collation—

Pp. 323 + Inhalt, p. [324].

Note.—No. 112 of the “Bibliothek Ausländischer Klassiker.”

Italian.

I.

Marino Faliero/ E/ I Due Foscari/ Tragedie/ di/ Lord G.
Byron/ Versione dall’ originale inglese/ del/ P. G. B.
Cereseto/ Delle scuole pie./ Savona 1845./ Presso
Luigi Sambolino/ Editore-librajo./ [8º.

Collation—

Pp. 304.

II.

Tragedie/ di/ Giorgio Lord Byron/ Traduzione/ del/ Cav.
Andrea Maffei./ Sardanapalo.—Marino Faliero./ I Due
Foscari./ Firenze./ Felice Le Monnier./ 1862./ [8º.

Collation—

Pp. 493 + Indice, p. [495].

Beppo,/ A Venetian Story./ By Lord Byron./ [Motto, nine
lines, as above.] Fifth Edition./ London:/ John Murray,
Albemarle-Street./ 1818./ [8º.

Collation—

Pp. 51. The Imprint, as above, is at the foot of p. 51. The
Imprint (T. Davison, Lombard-Street, Whitefriars./) is at the foot
of the Reverse of the Half-title.

Note.—The Text numbers 99 stanzas. Byron sent four additional
stanzas, viz. stanzas xxviii., xxxviii., xxxix., lxxx., to
Murray circ. March 9, 1818. A Second Edition of Beppo, vide
supra, was published March 12, 1818, and the fifth, May 30,
1818. The intervening editions, third and fourth, were not
advertised in the Morning Chronicle, Morning Post,
Courier, and,
in the absence of direct evidence, it may be conjectured that the
additional stanzas first appeared in the Fifth Edition. A Sixth
Edition, and a Seventh Edition identical with the Fifth Edition,
were issued in 1818.

III.

Beppo; a Venetian Story. Boston. 1818. [12º.

Collation—

Pp. 36.

IV.

Beppo, A Venetian Story. Paris, A. and W. Galignani.
1821. [12º.

[Quérard, 1827.]

Translations of Beppo.

Dutch.

Vertalingen/ En/ Navolgingen/ In Poezy/ door/ Mr. J. Van
Lennep./ [Motto, seven lines.] Te Amsterdam, bij/ P. Meljer
Warnars./ 1834./ [8º.

Collation—

Beppo,/ Eine Venetiansche/ Vertelling./ Naar het Engelsch/
van/ Lord Byron./ pp. 119-159.

Note.—The Title-vignette is the Muse of Poetry with Cupids
and scrolls labelled Walter Scott, Moore, Byron, and Shakespeare.

French.

S. Clogenson/ Beppo/ Poëme/ de Byron/ Traduit en vers
français, avec texte anglais en regard/ Paris,/ Michel[172]
Lévy frères, libraires éditeurs/ Rue Vivienne, 2 bis, et
boulevard des Italiens, 15/ à la librairie-nouvelle./ 1865./ [12º.

Collation—

Pp. 159 + Notes, pp. [161, 162].

Russian.

Беппо … пер. Д. Минаева.
[“Современникъ,” 1863. No. 8.]

Spanish.

Beppo, novela veneciana, por L.B. traduccion castellana.
Paris, 1830. [8º.

[Le Moniteur, etc., 1845.]

Swedish.

Beppo,/ En Venetiansk Historia/ AF/ Lord Byron./ Af
Lord Byron./ Öfversättning/ Af/ Talis Qualis./ Stockholm,/
J. L. Brudins Förlag./ [8º.

Collation—

Pp. 48. (A Preliminary Note, n.p., on fly-leaf.)

Note.—Part (No. 5) of “Byron’s Poetiska Berättelser,” 1853, etc.

Bride of Abydos.

I.

The/ Bride of Abydos./ A Turkish Tale./ By Lord Byron./
Had we never loved so kindly,/ Had we never loved so
blindly,/ Never met or never parted,/ We had ne’er been
broken-hearted./ Burns./ London/ Printed by T. Davison,
Whitefriars, For John Murray, Albemarle-Street./ 1813./ [8º.

Collation—

Title, one leaf; Dedication, one leaf; Text, pp. 1-60; Notes,
pp. 61-72. The Imprint (T. Davison, Lombard Street,/
Whitefriars, London/) is at the foot of p. 72.

Note.—Canto I. numbers 483 lines; Canto II., 724 lines
(not, as numbered, 722 lines, line 492 being numbered 490).

II.

The/ Bride of Abydos./ A Turkish Tale./ By Lord Byron./
[Motto, five lines, as above.] Second Edition./ London:/
Printed by T. Davison, Whitefriars,/ For John Murray,
Albemarle-Street./ 1813./ [8º.

[173]Collation—

Vide supra.

Note.—Canto II. numbers 730 lines (not, as numbered, 724).
On p. 45, after line 401, six additional lines (“Blest as the
Muezzin’s, … long-loved voice endears”) are inserted; but
line 414 is numbered 410, and the wrong enumeration of the
First Edition is repeated. A Third Edition is identical with
the Second.

III.

The/ Bride of Abydos,/ etc. Fourth Edition,/ etc. 1813./ [8º.

Collation—

Vide supra.

Note.—Canto II. numbers 732 lines. The additions in the
Fourth Edition are lines 662, 663 (p. 157), “Hark—— to the
hurried,” etc. The enumeration of the lines is correct. A Fifth
Edition is identical with the Fourth.

IV.

The/ Bride of Abydos,/ etc. Sixth Edition,/ etc. 1814./ [8º.

This edition is identical with the Second and Third Editions.
Lines 622, 623 are omitted. Seventh, Eighth, and Tenth Editions,
issued in 1814, are identical with the Fourth. An Eleventh
Edition was issued in 1815.

V.

The Bride of Abydos./ A Turkish Tale./ By Lord Byron./
Had we never loved so kindly,/ Had we never loved so
blindly,/ Never met or never parted,/ We had ne’er been
broken-hearted./ Burns./ Philadelphia:/ Published by
Moses Thomas,/ No. 52 Chestnut-Street./ William Fry,
Printer./ 1814./ [12º.

Collation—

Pp. 72.

VI.

The Bride of Abydos:/ A Turkish Tale,/ By Lord Byron./
[Motto.] [London, 1844.]

Collation—

Pp. 1-39.

Note.—Part of “Clarke’s Home Library.”

[174]

Translations of Bride of Abydos.

Bohemian.

Lorda Byrona/ Nevěsta z Abydu./ Pověst turecká./ Z anglického
prěložil/ Josef V. Frič./ V Praze./ Tisk a náklad
Jaroslava Pospíšila./ 1854./ [16º.

Collation—

Pp. 66.

Bulgarian.

Абидонска Невѣста, поболгарилъ Н.Д. Катрамов’
Москва, 1850.

Dutch.

De/ Abydeensche/ Verloofde./ Uit het Engelsch van/ Lord
Bijron/ door/ Mr. J. Van Lennep./ Te Amsterdam, bij/
P. Meijer Warnars./ 1826./ [8º.

Collation—

Pp. iv. + 67.

Note.—The Title-vignette represents a pillar with skull and
cross-bones struck by lightning. The “ghastly-turbaned head”
(line 1208) hovers above. There is a Half-title, with Motto and
Transl., on the Reverse.

French.

I.

Zuleika et Selim, on la vierge d’Abydos: par lord Byron:
trad, de l’anglais par Léon Thiessé; et suivi de notes augmentées
du Fare Thee Well, et autres morceaux du même
auteur. A Paris, chez Plancher. 1816. [12º.

[B. de la France, Oct. 5, 1816.]

II.

La Fiancée d’Abydos, poëme en 11 chants, avec des notes;
imité de l’angl. par Aug. Clavareau, Gand, Houdin. 1823. [8º.

[Quérard, 1827.]

German.

I.

Die Braut von Abydos. Deutsch. v. Dr. J. v. Adrian. Frankfurt-a-M.,
Sauerländer. 1819. [8º.

[Centralblatt, 1890, vii. 456.]

[175]

II.

Die Braut von Abydos, eine türkische Sage. Getreu in’s
Deutsche übers. u. seinen Schülern gewidmet von Finck
de Bailleul. Landau. 1843. [8º.

[Kayser, 1848.]

III.

Die Braut von Abydos. Aus der engl. in freie, deutsche
Dichtg. übertrag. von Frdr. Kley. Halle, Schmidt. 1884. [8º.

[Kayser, 1887.]

Collation—

Pp. 62.

Hungarian.

Az abydoszi ara. [The Bride of Abydos, transl. by Tercsi.]
Hangok a multból és Byrontol énekek. pp. 25-66. B’pest. 1884.

[Egyetemes Philologiai Közlöny, 1901, xxv. 227.]

Italian.

La fidanzata d’Abido. Traduzione di Giov. Giovio. Milano,
Guglielmini. 1854. [8º.

[Pagliaini, 1901.]

Polish.

Dziewica z Abydos, poema. Prezkt. Wł. hr. Ostrowskiego.
Warszawa, Glücksberg. 1818. [8º.

Collation—

Pp. 94.

Russian.

I.

Абидосская НевѢста. Турецкая повѢстъ М. Каченовскій.
Выборъ изъ сочиненій лорда Байрона. 1821.

Note.—Bride of Abydos, pp. 177-255.

II.

Невѣста Абидосская. Турецкая повѢстъ лорда Байрона.
Перевелъ съ англійскаго Иванъ Коэловъ.

pp. i.-x. 1-92.
С.-Петербургъ, 1826. 8º.

Second Edition
С.-Петербургъ, 1831. 16º.

[176]

III.

Абидосская Невѣста … Передѣлана … М. Политковской
Москва, 1859.

Collation—

Pp. 1-57.

Swedish.

Bruden Från Abydos,/ En Turkisk Berättelse/ Af/ Lord
Byron./ Öfversättning./ Stockholm,/ J. L. Brudins Förlag./ [8º.

Collation—

Pp. 72.

Note.—No. 7 of “Byron’s Poetiska Berättelser,” 1853, etc.

Cain.

[Note.—Cain, A Mystery was published by John Murray,
together with Sardanapalus, A Tragedy, and The Two Foscari,
A Tragedy, Dec. 21, 1821; vide post, Sardanapalus, A Tragedy,
No. i. (p. 293).]

I.

Cain;/ A Mystery./ By the author of Don Juan./ “Now
the Serpent was more subtil than any beast of/ the field
which the Lord God had made.”/ Gen. iii. I./ London:/
Printed for the Booksellers,/ By W. Benbow, Castle-Street,
Leicester-Square./ 1822./ [12º.

Collation—

Pp. vii. + 8-93.

II.

Cain;/ A Mystery./ By Lord Byron./ To which is added/
a Letter from the Author/ To/ Mr Murray, the original
Publisher./ “Now the Serpent was more subtil than any
Beast of the Field which the Lord/ God had made.”/
Gen. iii. I./ Second Edition./ London:/ Printed and
Published by R. Carlile, 55, Fleet Street./ 1822./ [8º.

Collation—

Pp. iv. + 5-23 + Letter, etc., p. [24].

III.

Cain;/ A Mystery./ By Lord Byron./ “Now the Serpent
was more subtil than any beast of the/ field which the
Lord God had made.”/ Gen. iii. I./ London:/ Printed
for the Booksellers,/ By H. Gray, No. 2, Barbican./ 1822./
[12º.
[177]

Collation—

Pp. vii. + 8-72.

IV.

Cain, A Mystery. New York. 1822. [24.

Collation—

Pp. 100.

V.

Cain, a Mystery. Paris, A. and W. Galignani. 1822. [12º.

[Quérard, 1827.]

VI.

Cain,/ A Mystery./ By Lord Byron./ “Now the Serpent
was more subtil than any beast of the/ field which the
Lord God had made.”/ Gen. iii. I./ London:/ Printed
for the Booksellers,/ Published by W. Benbow, 252, High
Holborn./ 1824./ [12º.

Collation—

Pp. vii. + 8-85.

VII.

Lord Byron’s/ Cain, A Mystery:/ with/ Notes:/ Wherein
the/ Religion of the Bible/ Is considered, in reference to
acknowledged/ Philosophy and Reason./ By Harding
Grant;/ Author of “Chancery Practice.”/ “Judge Righteous
Judgment,”/ “Prove all things.”/ “Justify the ways of
God.”/ London:/ William Crofts, 19, Chancery Lane./
1830./ [8º.

Collation—

Pp. xvi. + 432.

VIII.

Cain;/ A Mystery./ By Lord Byron./ “Now the Serpent
was more subtil than any beast of the field/ which the
Lord God had made.”—Gen. iii. I./ To which is added/
A Letter from the Author/ To/ Mr. Murray, the original
Publisher./ London:/ J. Watson, 33, Windmill Street,/
Finsbury./ 1832./ [12º.

Collation—

Pp. iv. + 5-47 + Letter, etc., p. [48].

[178]

IX.

Cain, a Mystery. Breslau, Kern. 1840. [16º.

[Kayser, 1841.]

X.

Cain./ By/ Lord Byron./ “I tread on air, and sink not;
yet I fear to sink.”/ New and Complete
Edition.—Price
One Penny./ London: J. Dicks, 313, Strand; and all
Booksellers./ New York Samuel French & Son, 122,
Nassau Street—Sole Agents./ 1883, etc./ [12º.

Collation—

Pp. 143-160.

Note.—No. 203 of “Dicks’ Standard Plays.”

Translations of Cain.

Bohemian.

Kain/ Dramatická Báseň/ Lorda Byrona/ Prěložil/ Jose Durdík/
V Praze/ Tisk a náklad dra. Ed. Grégra/ 1871/ [8º.

Collation—

Pp. 117.

French.

Caïn,/ Mystère dramatique/ En trois actes,/ De Lord
Byron,/ Traduit en vers français,/ Et réfuté dans une
suite de remarques philosophiques/ et critiques;/ Précédé/
d’une lettre adressée à Lord Byron, sur les motifs/
et le but de cet ouvrage,/ Par Fabre d’Olivet./ à Paris,/
Chez Servier, libraire,/ rue de L’Oratoire, No. 6./ 1823./
[8º.

Collation—

Pp. 248 + p. [249], Table (R. “Fautes à corriger”).

German.

I.

Cain, ein Mysterium. Deutsch v. G. Parthey. Berlin,
Nicola’ische Buchh. 1831. [12º.

[Centralblatt, vii. 468.]

II.

Cain. Ein Mysterium. Von Lord Byron. Frei übers. v.
Adf. Seubert. Leipzig. 1871-1876.

[Kayser, 1877.]

Collation—

Pp. 70.

Note.—No. 779 of Universal Bibliothek.

[179]

Hebrew.

קין, שיר-חזיון על-פי כתבי הקדש/מאת/לורד בירון/תרגם מאנגלית

לעברית/דוד פרישמן/ווארשא תר”ס

I.

Каинъ … Переводъ Ефрена Барышева.
С.-Петербургъ, 1881.

[180]

II.

Каинъ … Переводъ П.А. Каленова. Москва, 1883.

Childe Harold’s Pilgrimage.

I.

Childe Harold’s Pilgrimage./ A Romaunt./ By/ Lord
Byron./ L’univers est une espèce de livre, dont on n’a lu
que la première page quand on n’a vu que son pays./ J’en ai
feuilleté un assez grand nombre, que j’ai trouvé également
mauvaises. Cet examen ne m’a point/ été infructueux.
Je haïssais ma patrie. Toutes les impertinences des
peuples divers, parmi lesquels j’ai vécu,/ m’ont réconcilié
avec elle. Quand je n’aurais tiré d’autre bénéfice de mes
voyages que celui-là, je n’en re/gretterais ni les frais, ni les
fatigues./ Le Cosmopolite./ London:/ Printed for John
Murray, 32, Fleet-Street;/ William Blackwood, Edinburgh;
and John Cumming, Dublin./ By Thomas
Davison, White-Friars./ 1812./ [4º.

Collation—

Title, one page, pp. i., ii.; Preface, pp. iii.-vi.; Cont.
(Errata on Reverse); Sec. Half-title, pp. 1, 2; Text, pp. 3-226
+ two pages of publisher’s advertisements, pp. [227, 228]. The
Imprint (T. Davison, Lombard Street,/ Whitefriars, London./) is
at the foot of p. [228].

Contents—

Childe Harold’s Pilgrimage, Canto I	p. 1
Childe Harold’s Pilgrimage, Canto II	p. 59
Notes to Canto I	p. 111
Notes to Canto II	p. 119
Poems—
I. Written in an Album	p. 165
II. To…	p. 166
III. Stanzas	p. 169
IV. Stanzas	p. 171
V. Written at Athens	p. 177
VI. Written after Swimming, etc.	p. 178
VII. Song	p. 181
VIII. Translation of a Greek War Song	p. 183
IX. Translation of a Romaic Song	p. 186
X. Written Beneath a Picture	p. 189
XI. On Parting	p. 190
XII. To Thyrza	p. 192
XIII. Stanzas	p. 195
XIV. To Thyrza	p. 197
Appendix—
Romaic Books and Authors	p. 203
Specimens of the Romaic	p. 207
Fac Simile of a Romaic Letter [inserted between Cont. and Half-title]

[181]

II.

Childe Harold’s Pilgrimage./ A Romaunt./ By/ Lord
Byron./ [Motto from Le Cosmopolite, seven lines.] The
Second Edition./ London:/ Printed for John Murray,
Fleet Street;/ William Blackwood, Edinburgh; and John
Cumming,/ Dublin./ By Thomas Davison, White-Friars./
1812./ [8º.

Collation—

Half-title; Title, one leaf; Preface; Cont., pp. i.-xii.; Note
on the Errors in the Inscriptions at Orchomenus, n.p.; Text,
pp. 1-300. The Imprint (T. Davison,/ Lombard Street, Whitefriars,
London./) is at the foot of p. 300.

Contents—

Childe Harold’s Pilgrimage, Cantos I. (93 stanzas), II. (88 stanzas) (N.)	pp. 3-201
Poems (as in First Ed., Nos. I.-XIV.)	pp. 205-237
XV. Euthanasia	p. 241
XVI. Stanzas (“And thou art dead,” etc.)	p. 244
XVII. Stanzas (“If sometimes,” etc.)	p. 249
XVIII. On a Cornelian Heart, etc.	p. 252
XIX. To a Youthful Friend	p. 253
XX. To —— (“Well! thou art happy”)	p. 260
Appendix	p. 267
Specimens of the Romaic	p. 273
Fac Simile of a Romaic Letter	[inserted between Half-title and Title]

III.

Childe Harold’s Pilgrimage,/ A Romaunt: and/ Other
Poems./ By/ Lord Byron./ [Motto from Le Cosmopolite,
six lines.] Third Edition./ London: Printed by T.
Davison, Whitefriars./ For John Murray, Fleet Street;/
W. Blackwood, Edinburgh; and J. Cumming, Dublin./
1812./ [8º.

Note.—Collation and Cont. are identical with those of the
Second Edition. The Note on the Errors in the Inscriptions at
Orchomenus is omitted. The Fac Simile of a Romaic Letter is
inserted at the end of the volume, after p. 300.

IV.

Childe Harold’s Pilgrimage,/ a Romaunt:/ and/ Other
Poems./ By Lord Byron./ [Motto from Le Cosmopolite,
six lines.] Fourth Edition./ London:/ Printed by T.
Davison, Whitefriars,/ For John Murray, Fleet Street;/
William Blackwood, and J. Ballantyne and Co. Edin-/
Burgh; and J. Cumming, Dublin./ 1812./ [8º.

Collation—

Title, one leaf, pp. iii., iv.; Preface, pp. v.-ix.; Addition to
the Preface, pp. ix.-xii.; Cont., pp. xi., xii. (sic);
Text, pp. 1-300.[182]
The Imprint is at the foot of p. 300.

Note.—The Cont. are identical with those of the Second
Edition. The Fac Simile of the Romaic Letter is inserted at the
beginning of the volume (in a bound copy between pp. 184, 185).

V.

Childe Harold’s Pilgrimage,/ A Romaunt:/ and/ Other
Poems./ By/ Lord Byron./ [Motto from Le Cosmopolite,
six lines.] Fifth Edition./ London:/ Printed by T.
Davison, Whitefriars,/ For John Murray, (removed to)
Albemarle-Street;/ William Blackwood, Edinburgh; and
J. Cumming,/ Dublin./ 1812./ [8º.

Collation—

Half-title, pp. iii., iv.; Title, one leaf, pp. v., vi.; Preface,
pp. vii.-xi.; Addition to the Preface, pp. xi.-xiv.; Cont., pp. xv.-xvi.;
Text, pp. 1-300. The Imprint is at the foot of p. 300.

Note.—The Cont. are identical with those of the Second
Edition; but the Fac Simile of the Romaic Letter is not mentioned
in the Table of Cont. nor inserted in the volume.

VI.

Childe Harold’s Pilgrimage,/ A Romaunt:/ and/ Other
Poems./ By Lord Byron./ [Motto—Le Cosmopolite.]
The First American Edition./ Philadelphia:/ Published
by Moses Thomas,/ No. 52, Chestnut-Street./ William
Fry, Printer. 1812./ [12º.

Collation—

Pp. 179.

Note.—”For sale in Philadelphia, by the publisher, M. Carey,
and Bradford and Inskip; in New York, by Inskip and Bradford,
and J. Eastburn; in Boston, by Munroe and Francis, and
West and Blake; and in Baltimore, by F. Lucas, Junr. William
Fry, Printer. 1812.”

VII.

Childe Harold’s Pilgrimage,/ A Romaunt:/ And/ Other
Poems./ By/ Lord Byron./ [Motto from Le Cosmopolite,
six lines.] The Sixth Edition./ London:/ Printed by
T. Davison, Whitefriars,/ For John Murray, Bookseller
to the Admiralty,/ And to the Board of Longitude,/ 50,
Albemarle-Street./ 1813./ [8º.

Note.—The Collation and Cont. are identical with those of the
Fifth Edition; but in the Table of Cont. the words “Fac Simile
of a Romaic Letter” occur as in the Fourth Edition; but in the
copy belonging to the British Museum the letter is not inserted.
In the Sixth Edition the words Childe Harold’s Pilgrimage are
printed in Roman type, and the words A Romaunt in Gothic
type, whereas in all other editions Childe, etc., is in Gothic, and
A Romaunt in Roman type.
[183]

VIII.

Childe Harold’s Pilgrimage,/ A Romaunt:/ And/ Other
Poems./ By/ Lord Byron./ [Motto from Le Cosmopolite,
six lines.] Seventh Edition./ London:/ Printed by
Thomas Davison, Whitefriars,/ For John Murray,
Albemarle-Street,/1814./ [8º.

Collation—

Half-title; Title, one leaf; Preface, etc.; Cent., pp. iii.-xvi.;
Text, pp. 1-296. The Imprint (T. Davison, Lombard-Street,/
Whitefriars, London./) is at the foot of p. 296. The Fac Simile of
the Romaic Letter is inserted between pp. 294, 295.

Contents—

To Ianthe	p. 3
Childe Harold’s, etc., Canto I. (93 stanzas)	p. 6
Childe Harold’s, etc., Canto II. (98 stanzas)	p. 65
Notes to Canto I.	p. 121
Notes to Canto II.	p. 125
Poems—
Nos. I.-XX. as in Eds. II.-VI.	p. 191
XXI. From the Portuguese	p. 245
XXII. Impromptu in Reply to a Friend	p. 246
XXIII. Address to Drury-Lane Theatre	p. 246
XXIV. To Time	p. 250
XXV. Translation of a Romaic Love Song	p. 252
XXVI. A Song (“Thou art not false,” etc.)	p. 255
XXVII. Origin of Love	p. 257
XXVIII. Remember him	p. 257
XXIX. Lines inscribed upon a Cup formed from a Skull	p. 261
Romaic Books and Authors	p. 264
Specimen of the Romaic	p. 271

IX.

Childe Harold’s Pilgrimage,/ A Romaunt:/ And/ Other
Poems./ By/ Lord Byron./ [Motto from Le Cosmopolite,
five lines.] Eighth Edition./ London:/ Printed for John
Murray, Albemarle-Street:/ By Thomas Davison,
Whitefriars./ 1814./ [8º.

Collation—
Title, one leaf, pp. i., ii.; Preface, pp. iii.-vii.; Addition to the
Preface, pp. vii.-x; Cont., pp. xi., xii.; Text, pp. 1-296.

Note.—The Cont. are identical with those of the Seventh
Edition.

[184]

X.

Childe Harold’s Pilgrimage,/ A Romaunt:/ And/ Other
Poems./ By/ Lord Byron./ [Motto from Le Cosmopolite,
five lines.] Tenth Edition./ London:/ Printed for John
Murray; Albemarle-Street,/ 1815./ [8º.

Collation—
Title (R. T. Davison, Lombard street/ Whitefriars, London./),
pp. i., ii.; Preface, pp. iii.-vii.; Addition to the Preface, pp.
vii.-x.; Cont., pp. xi., xii.; Text, pp. 1-302. The Imprint
(T. Davison, Lombard-Street, /Whitefriars, London./) is in the
centre of p. [304].

Note.—The Cont. are identical with those of the Seventh
Edition, save for the insertion of a thirtieth (No. XXX., p. 263)
poem, “On the Death of Sir Peter Parker.”

XI.

Childe Harold’s Pilgrimage./ Canto the Third./ By Lord
Byron./ “Afin que cette application vous forçât de penser
à autre chose; il n’y a/ en vérité de remède que celui-là
et le temps.”/ Lettre du Roi de Prusse à D’Alembert,
Sept. 7, 1776./ London:/ Printed for John Murray,
Albemarle-Street./ 1816./ [8º.

Collation—
Half-title (R. Published This Day in 8vo. 5s.6d./
The Prisoner Of Chillon;/ A Dream;/ And Other Poems./
By the Right Hon. Lord Byron./ T. Davison, Lombard Street,/
Whitefriars, London./); Title, one leaf; Text, pp. 1-79.

Note (1).—The Imprint, as above, is at the foot of p. 79; and
on the reverse of p. 79, “List of the Poems,” etc.

Note (2).—Childe Harold’s Pilgrimage, Canto III., was
published at Boston, 1817, 16º, pp. 72; and, together with The
Prisoner of Chillon and other Poems, at Philadelphia, 1817, 16º.

XII.

Childe Harold’s Pilgrimage./ Canto the Fourth./ By Lord
Byron./ Visto ho Toscana, Lombardia, Romagna,/ Quel
Monte che divide, e quel che serra/ Italia, e un mare e
l’altro, che la bagna./ Ariosto, Satira iii./ London:/
John Murray, Albemarle-Street./ 1818./ [8º.

Collation—
Title, pp. i., ii.; Dedication, pp. iii.-xiv.; Cont., n.p.; Text,
pp. 1-257. The Imprint (T. Davison, Lombard-Street,
Whitefriars, London.) is at the foot of p. [259].

[185]Contents—

Childe Harold’s, etc., Canto IV. [N.]	p. 3
Poems. Romance, etc.	p. 240
Translation	p. 241
Per Monaca. Sonetto di Vittorelli	p. 256
Translation	p. 257

Note (1).—In another copy, Cont., n.p.,
precedes the Dedication.

Note (2).—Childe Harold’s Pilgrimage, Canto IV., to which
are added Beppo, and other Poems, was published at Philadelphia
in 1818, 24º, pp. 270.

XIII.

Childe Harold’s/ Pilgrimage./ Canto the Fourth./ By
Lord Byron./ [Motto—Ariost., Sat. iii., four lines.] New
York:/ Published by James Eastburn and Co./ At the
Literary Rooms, Broadway./ Clayton & Kingsland,
Printers./ 1818./ [12º.

XVIII.

Childe Harold’s Pilgrimage. [Two vols.] Paris, A. and
W. Galignani. 1825. [32º.

XIX.

Childe Harold’s/ Pilgrimage,/ A Romaunt:/ By Lord
Byron./ London:/ Printed and Published by W. Dugdale/
23, Russell Court, Drury Lane./ 1826./ [12º.

Collation—

Pp. vi. + 1-162.

XX.

Childe Harold’s/ Pilgrimage;/ A Romaunt./ In Four
Cantos./ By Lord Byron./ London:/ Printed for Thomas
Colmer,/ 2, Bell-Isle, Battle Bridge./ 1827./ [24º.

Collation—

Pp. vi. + 161.

XXI.

Childe Harold’s Pilgrimage, a poem by Lord Byron. [Two
vols.] Paris. 1827. [16º.

[Le Moniteur; etc., 1845.]

XXII.

Childe Harold’s Pilgrimage./ A Romaunt./ By the/ Right
Hon. Lord Byron./ London:/ John Buncombe, 19,
Little Queen Street,/ Holborn./ [1831?] [12º.

Collation—

Pp. viii. + 9-270.

Note.—The Front. is “Lord Byron,” by T. Phillips, R.A.,
engraved by R. Page.

[187]

XXIII.

Childe Harold’s/ Pilgrimage./ A Romaunt/ By/ Lord
Byron./ Campe’s Edition./ Nuremberg and New York./
Printed and Published by/ Frederick Campe and Cº/ [1831.] [12º.

Collation—

Pp. 333.

XXIV.

Childe Harold’s/ Pilgrimage./ A Romaunt./ By Lord
Byron./ London:/ John Murray, Albemarle Street./ 1837. [8º.

Collation—

Pp. 329. The Imprint (London:/ Printed by A. Spottiswoode,/
New-Street-Square.) is in the centre of p. [330].

Note.—The Front., “Byron,” is engraved by E. Finden, from
the portrait by E. Sanders. The Vignette, or illustrated Title,
is the “Lake of Geneva,” engraved by E. Finden from a drawing
by G. Stainfield, R.A. This edition is bound in green cloth,
stamped with coat-of-arms, uniform with No. xiv. of Miscellaneous Poems.

XXV.

Childe Harold’s Pilgrimage. Mannheim, Hoffmann. 1837. [12º.

[Kayser, 1841.]

XXVI.

Childe Harold’s Pilgrimage./ A Romaunt./ By Lord Byron./
London:/ John Murray, Albemarle Street./ 1841. [8º.

Collation—

Half-title (R. Motto from Le Cosmopolite, seven lines), pp. i., ii.;
Title (R. Bradbury and Evans, Printers extraordinary to the
Queen, Whitefriars.), pp. iii., iv.; Preface, and Addition to
Preface, pp. v.-viii.; List of Embellishments, pp. ix.-xi.; Half-title,
pp. xiii., xiv.; To Ianthe, pp. xv., xvi.; Text, pp. 1-320.
The Imprint, as above, is at the foot of p. 320.

Note.—The Front. is a portrait of “Lord Byron, in his
Albamanian Dress,” by T. Phillips, R.A., engraved by W. Finden. The
Title-vignette on illustrated title is the “Monument of Lysicrates,”
drawn by H. Warren, engraved by W. Finden. There are fifty-nine other
“embellishments,” and, inserted between pp. [228],
[229], a Map of Lord Byron’s Route through Spain, Portugal,
Holland, etc., with “Picturesque Border.”

[188]

XXVII.

Childe Harold’s Pilgrimage, with Notes by Lord Byron,
Carton demi rel. Jolie éd. London. 1842. [12º.

[Le Moniteur, etc., 1845.]

Childe Harold’s Pilgrimage/ A Romaunt/ By Lord Byron/
Illustrated From Original Sketches/ London:/ John
Murray, Albemarle Street./ 1859./ [8º.

Collation—

Title (R. Motto, Le Cosmopolite, six lines; Note, two lines);
Vignette, “Newstead Abbey” (R. The Illustrations drawn on
Wood by Percival Skelton./ Engraved by J. W. Whymper and
J. Cooper./); List of Illustrations, four pages; Text, pp. 1-329.
The Imprint (Printed by R. and R. Clark, Edinburgh) is at the
foot of p. 329.

Note.—This edition was reissued in 1869.

[189]

XXXII.

Childe Harold’s Pilgrimage./ A Romaunt./ By Lord
Byron./ New Edition./ London:/ John Murray, Albemarle
Street./ 1860./ [8º.

Collation—

Pp. 192. The Imprint (London: Printed by William Clowes
and Sons, Stamford Street) is at the foot of p. 192.

Note.—Murray’s Complete Edition. Price One Shilling. The
Front. is “The Earliest Portrait of Byron. Taken at the age of
7 years, from an original by Kay, Edinburgh,” engraved by
E. Finden.

XXXIII.

Childe Harold’s Pilgrimage./ A Romaunt./ By Lord
Byron./ A New Edition./ London:/ John Murray,
Albemarle Street./ 1860./ [8º.

Collation—

Pp. 60. The Imprint (London: Printed by William Clowes
and Sons, Stamford Street,/ And Charing Cross./) is on Reverse
of Title.

Note.—”Murray’s Complete Edition.” Price Sixpence. The
Front. is a lithograph of the portrait of Lord Byron, by T.
Phillips, R.A.

XXXIV.

Childe Harold’s Pilgrimage. A Romaunt. Leipzig, B.
Tauchnitz. 1862. [16º.

[Kayser, 1865.]

XXXV.

Childe Harold’s/ Pilgrimage/ A Romaunt/ By/ Lord
Byron/ With a Memoir/ By/ William Spalding, A.M./
Professor of Logic and Rhetoric in the University of Saint
Andrews/ Illustrated/ London/ Charles Griffin and
Company/Stationer’s Hall Court/ [1866] [8º.

Collation—

Pp. 180.

Note.—The Front, is an engraving of the medallion by E. W. Wyon.

XXXVI.

Childe Harold’s Pilgrimage. A Romaunt. Mit erläut.
Anmerkungen zum Schul-u. Privatunterricht bearb. von
P. Weeg. 1867. [8º.

[190]Note.—No. V., Sammlung gediegener u. interessanter Werke
der englischen Litteratur. Münster, Brunn’s Verl. 1868-1870.
[Kayser, 1871.]

XXXVII.

Byron’s/ Childe Harold’s/ Pilgrimage/ A Romaunt/ With
Notes/ W. & R. Chambers/ London and Edinburgh/
1877/ [12º.

XLIII.

Cassell’s National Library./ Childe Harold’s/ Pilgrimage./
By/ Lord Byron./ Cassell & Company, Limited:/ London,
Paris, New York & Melbourne./ 1886./ [16º.

Collation—

Pp. 192.

XLIV.

Childe Harold’s/ Pilgrimage/ A Romaunt/ By Lord
Byron/ Illustrated/ Boston/ Ticknor and Company/ 1886/ [8º.

Collation—

Pp. 236.

XLV.

Childe Harold’s Pilgrimage: edited with Notes by W. J.
Rolfe, Philadelphia. 1886. [16º.

[Detroit Public Library.]

XLVI.

Childe Harold’s Pilgrimage. Leipzig, Gressner & Schramm.
1886. [16º.

[Kayser, 1887.]

XLVII.

Childe Harold’s Pilgrimage. By Lord Byron. Im Auszuge
m. Anmerkgn. zum Schulgebrauch hrsg. v. Mart. Krummacher.
Mit Anmerkgn. unter dem Text.

Note.—No. 13 of “English Authors.” Bielefeld, Velhagen,
and Klasing. 1885-1886. [Kayser, 1887.]

XLVIII.

Childe Harold’s/ Pilgrimage/ A Romaunt/ By/ Lord
Byron/ London/ George Routledge and Sons/ Broadway,
Ludgate Hill/ Glasgow and New York/ 1888/ [16º.

Collation—

Pp. viii. + 9-320.

Note.—Part of “Routledge’s Pocket Library.”

XLIX.

Childe Harold’s Pilgrimage. Im Auszuge hrsg. v. Mart.
Krummacher. 1891. [Reissued in 1893.] [12º.

Note.—Part of “English Authors,” vide supra, No. xlvii.

[192]

L.

Sir John Lubbock’s Hundred Best Books/ 29/ Childe
Harold’s/ Pilgrimage/ A Romaunt/ By/ Lord Byron/
London/ George Routledge and Sons, Limited/ Broadway,
Ludgate Hill/ Manchester and New York/ 1892/ [8º.

Collation—

Pp. x. + 11-249.

Childe Harold’s/ Pilgrimage/ A Romaunt by Lord Byron/
Cantos I. and II./ Edited with Notes and an Introduction
by/ Edward E. Morris/ Professor of English in the
University of Melbourne/ London/ Macmillan and Co.,
Limited/ New York: The Macmillan Company/1899/
All rights reserved/ [8º.

Collation—

Pp. xxxvi. + 115.

LVII.

Childe Harold’s/ Pilgrimage/ A Romaunt by Lord Byron/
Cantos III. and IV./ Edited with Notes and an Introduction
by/ Edward E. Morris/ Professor of English in
the University of Melbourne/ London/ Macmillan and
Co., Limited/ New York: The Macmillan Company/
1899/ All rights reserved/ [8º.

Collation—

Pp. xxxvi. + 168.

Note.—The Introduction (pp. vii.-xxxvi.) is a repetition of the
Introduction to the preceding volume.

LVIII.

Childe Harold’s Pilgrimage: a Romaunt. Cantos 1, 2, 3,
and 4; Edited with Notes and Introduction by E. Morris.
New York, The Macmillan Co. [Two vols.] 1899. [8º.

[Amer. Cat., 1900.]

Collation—

Vol. I.: pp. 36 + 115.

Vol. II.: pp. 36 + 168.

Note.—Part of “Macmillan’s English Classics.”

[194]

LIX.

Childe Harold’s Pilgrimage: a Romaunt. Edited with
Introduction and Notes by Andrew J. George. New
York., The Macmillan Co. 1899. [16º.

[Amer. Cat., 1900.]

Collation—

Pp. 34 + 282.

Note.—Part of “Macmillan’s Pocket English Classics.”

LX.

Childe Harold’s Pilgrimage. New York, Cassell. 1900.

[Amer. Cat., 1901.]

Collation—

Pp. 192.

Note.—Part of “Cassell’s National Library,” N.S.

Bohemian.

Childe Haroldova pout’ Prelozila El. Krásnohorská [in
Kabinetní Knihovna]. 1890.

[196]

IV.

Childe Harold/ Poëme de Lord Byron/ Traduit en vers
français/ Par/ Lucien Davésiès de Pontès./ Tome
premier./ Paris/ E. Dentu, libraire-éditeur,/ Galerie
D’Orléans, Palais-Royal./ 1862./ [8º.

Collation—

Vol. I.: pp. lv. + 232.

Vol. II.: pp. 334 + “Errata,” one leaf, p. [335].

V.

Le Pélerinage de Childe Harold, traduit en vers d’après
l’édition anglaise de 1812; précédé de Marie-Magdaleine,
poëme, et de diverses poésies, par Victor Robert Jones,
Saint-Quentin, imprimerie Monreau. 1862. [12º.

[Lorenz, 1867.]

VI.

Childe Harold, poëme de lord Byron, traduit en vers français
par Lucien Davésiès de Pontès, 2^e édition revue et corrigée
par le bibliophile Jacob. Paris, Amyot. 1870. [12º.

[Lorenz, 1876.]

VII.

Childe Harold. Expliqué littéralement, traduit en français
et annoté par H. Bellet. Paris, Hachette et Cie. 1881. [12º.

[Lorenz, 1886.]

VIII.

Childe Harold’s Pilgrimage. Traduction française littérale,
par l’Abbé A. Julien. Paris, Poussielque frères. 1883. [12º.

[Lorenz, 1886.]

IX.

Childe Harold, Édition classique, précédée d’une notice
littéraire, par M. A. Elwall. Paris, Delalain frères. 1892. [12º.

[Lorenz, 1900.]

X.

Childe Harold, Édition classique, avec une notice biographique et littéraire, un appendice et des notes par
Douglas Gibb. Paris, Belin frères. 1892. [12º.

[Lorenz, 1900.]

[197]

German.

I.

Harold, der Verwiesene. Aus. d. Engl. v. Karl Baldamus.
Leipzig, Hartmann. 1835. [8º.

[Kayser, 1841.]

II.

Ritter Harold’s Pilgerfahrt./ Aus dem Englischen/ des/ Lord
Byron./ Im Versmass des Originals übersetzt/von/ Zedlitz:/
Stuttgart und Tübingen,/ Verlag der J. GJ. G. Cotta’schen
Buchhandlung. 1836./ [8º.

Collation—

Pp. xvi. + 381 + Berichtungen, p. [382].

III.

Jungherrn Harold’s Pilgerfahrt. Aus d. Engl. ins Deutsche
übersetzt von Dr. Herm. v. Pommer Esche. Stralsund,
Löffler’sche Buch. 1839. [8º.

[Kayser, 1841.]

IV.

Erster Gesang des Childe Harald. Freie Uebertragung in
Reimen v. C. D. Ansbach, Dollfuss. 1845. [12º.

[Kayser, 1848.]

V.

Byron’s/ Ritter Harold/ von/ Adolf Böttger/ Diamantausgabe./
Leipzig./ Druck und Verlag von Otto Wigand./ 1846./ [16º.

Collation—

Pp. 194.

Note.—The Front. is a portrait of “Byron” (by G. Sanders),
engraved by A. H. Payne.

VI.

Childe Harold’s/ Pilgerfahrt/ von/ Lord George Gordon
Byron./ Aus dem Englischen im Versmass des Originals/
übersetzt/ von/ Alexander Büchner./ Frankfurt a/ M./
Verlag von Meidinger Sohn und Cie./ 1853./ [16º.

Collation—

Pp. xxiii. + 342.

Note.—The translation was reissued in 1855.

[198]

VII.

Harold’s/ Pilgerfahrt./ Aus dem Englischen des Lord
Byron./ Uebersetzt von/ Erich von Monbart./ Köln,
1865./ Druck, Franz Greven, Burgmauer-Ecke 113. [8º.

Collation—

Pp. 143.

VIII.

Childe Harold’s/ Pilgerfahrt/ von/ Lord Byron./ Deutsch/
von/ A. H. Janert./ Hildburghausen./ Verlag des
Bibliographischen Instituts./ 1868./ [8º.

Collation—

Pp. 191.

Note.—No. 87 of the “Bibliothek ausländischer Klassiker.”

IX.

Jung Harold’s/ Pilgerfahrt./ Von Byron./ Aus dem Englischen
metrisch übersetzt/ von/ Ferdinand Schmidt./
Berlin./ Verlag von W. O. H. Stempelmann./ 1869./ [12º.

Collation—

Pp. 132 + “Anmerkungen,” pp. [133, 134].

X.

Ritter Harold’s Pilgerfahrt. Eine Romanze v. Lord Byron.
Frei ubers. v. Adf. Seubert. [16º.

[Kayser, 1877.]

Collation—

Pp. 224.

Note.—Nos. 516, 517 of the “Universal Bibliothek,” Leipzig,
1871-76.

XI.

Childe Harold’s Pilgerfahrt. Ein Epos. Übertr. v. F.
Dobbert. 1893. [8º.

[Kayser, 1894.]

Collation—

Pp. vi. + 192.

Note.—Part of the “Bibliothek der Gesammtlitteratur d. In u.
Auslandes.”

[199]

Hungarian.

Childe Harold/ Byron/ után/ anya nyelvéböl magyarra
forditotta/ Bickersteth Johanka/ Nyomtatta Puky Miklos
Genfben/ 1857/ [8º.

Collation—

Pp. 211. [Line-borders.]

Italian.

I.

L’Italia,/ Canto IV./ del pellegrinaggio/ di Childe HARold,/
Scritto/ da Lord Byron,/ E tradotto/ da Michele Leoni./
Italia,/ 1819./ [8º.

Collation—

Pp. 77.

II.

Il pellegrinaggio del Giovine Aroldo: poema di Lord
Byron, tradotto dá Giuseppe Gazzino genovese. Genova,
tipografia arcivescovile, 1836. [8º.

[Bibl. Ital., Nov.-Dec., 1836.]

III.

L’Italia/ Canto/ di Lord Byron/ Accomodato/ All’ indole
del verso italiano/ da/ Melchior Missirini/ Publicato
per cura/ del professore/ Francesco Longhena./ Milano/
Coi tipi di Vincenzo Guglielmini/ 1848/ [8º.

Collation—

Pp. 95.

IV.

Il pellegrinaggio del giovane Aroldo: poema recato in
italiano da Fr. Armenio. Napoli, 1858. [8º.

[Pagliaini, 1901.]

V.

Il pellegrinaggio del giovane Aroldo: con la traduzione
armena. Ultimo canto. Venezia. t.s. Lazard, 1860. [8º.

[Pagliaini, 1901.]

[200]

VI.

Byron/ Pellegrinaggio D’Aroldo/ Traduzione/di/Giovanni
Giovio/ [Then something on poetry/] Schak./ Milano/
Giuseppe Bernardoni/ Tipografo-editore/ 1866/ [8º.

Collation—

Pp. xxxiii. + 122 + “Note,” pp. [125, 126].

VII.

Italia/ Canto di Giorgio Byron/ Tradotto/ da/ Andrea
Maffei./ Firenze,/ Successori le Monnier./ 1872./ [8º.

Collation—

Pp. 190.

Note.—This edition was reissued in 1874 and in 1897.

VIII.

Il pellegrinaggio/ D’Aroldo./ Poema/ di Lord Byron/ Tradotto/
da Carlo Faccioli./ [Emblem, rose and butterfly,
with motto, “Non Bramo Altr’ Esca.“] Firenze,/ G.
Barbèra, editore./ 1873./ [8º.

Collation—

Pp. xii. + 249 + Indice, p. [251].

Polish.

I.

Poezye w tłumaczeniu polskiém. Tom. I. (przez Michała
Budzyúskiego): Wedrówki Czaild Harolda. pp. 256.
M. Wolf: Petersburg, 1857. [8º.

II.

Pielgrzymka Czajlda Harolda … z=polszczone przez Wiktora
z Baworowa, etc. we Lwowie, 1857. [12º.

III.

Wędrówki Czaild-Harolda …Przełożył Frederyk Krauze. 1865-71.

IV.

Wędrówki Rycerza Harolda …Przekład Jana Kasprowicza.
Warszawa, 1895.

[201]

V.

Wędrówki Czaild-Harolda … Tłómaczony … przez A. A.
K[rajewskiego], Kraków, 1896.

Russian.

I.

Чайльдъ-Гарольдъ … пер. Д. Минаева.
[“Русское Слово,” 1864.]

II.

Чайльдъ-Гарольдъ … пер. П.А. Козлова.
[“Русская Мыслъ,” 1890. No. 1, 2, 11.]

Swedish.

Childe Harolds/ Pilgrimsfärd/ Af/ Lord Byron./ Öfversatt
Af/ A. F. Skjöldebrand./ Stockholm./ Tryckt Hos
Johan Hörberg,/ 1832./ [8º.

Collation—

Pp. 192.

The Corsair.

I.

The Corsair,/ A Tale./ By Lord Byron./ “—— I suoi
pensieri in lui dormir non ponno.”/ Tasso, Canto decimo,
Gerusalemme Liberata./ London:/ Printed by Thomas
Davison, Whitefriars, For John Murray, Albemarle-Street./
1814./ [8º.

Collation—

Half-title, one leaf, pp. i., ii.; Title, one leaf, pp. iii., iv.;
Dedication, “To Thomas Moore, Esq.,” pp. v.-xi.; Text (and
Notes), pp. 1-100.

Note.—The Text numbers 1863 lines, the half-lines 154, 159,
669 being reckoned as whole lines. Other half-lines are not so
reckoned, and the First Edition actually numbers 1860 lines.

II.

The Corsair,/ A Tale./ By Lord Byron./ “—— I suoi
pensieri in lui dormir non ponno.”/ Tasso, Canto decimo,
Gerusalemme Liberata./ Second Edition./ London:/
Printed by Thomas Davison, Whitefriars,/ For John
Murray, Albemarle-Street./ 1814./ [8º.

[202]Collation—

Half-title, etc. (vide supra); Text, with Notes and Six Poems,
pp. 1-108. The Imprint (T. Davison, Lombard Street,/ Whitefriars,
London./) is at the foot of p. 108.

Poems—

To a Lady weeping	p. [101]
From the Turkish	p. 102
Sonnet, To Genevra (“Thine eyes,” etc.)	p. 104
Sonnet, To Genevra (“Thy cheek,” etc.)	p. 105
Inscription on the Monument of a Newfoundland Dog	p. 106
Farewell (“Farewell! if ever,” etc.)	p. 108

III.

The Corsair,/ A Tale./ … Third Edition./ … 1814./ [8º.

Collation—

Vide supra, No. 1. The Imprint (Printed by T. Davison,
Lombard-Street,/ Fleet Street./) is at the foot of p. 100.

Note.—The Poems which were inserted in the Second Edition
pp. [101]-108, were omitted in the Third Edition.

IV.

The Corsair,/ A Tale./ … Fourth Edition…. 1814./ [8º.

Collation—

Vide supra, the Second Edition, No. ii.

Note.—The Poems inserted in the Second, and omitted in the
Third, are included in the Fourth Edition.

V.

The Corsair,/ A Tale./ By Lord Byron./ [Motto as above, No. i.]
Fifth Edition./ London:/ Printed for John
Murray, Albemarle-Street;/ By Thomas Davison,
Whitefriars,/ 1814./ [8º.

Collation—

Vide supra, the Second Edition, No. ii.

German.

I.

Der Korsar, eine Erzählung. [Deutsch v.] F. L. von
Tschirsky. Berlin, Maurer. 1816. [12º.

[Centralblatt, etc., 1890, vol. vii, p. 472.]

II.

Der Korsar, eine Erzählung. [Deutsch von] Elise von
Hohenhausen. Altona, Hammerich. 1820. [8º.

[Centralblatt, etc., 1890, vii. 461.]

III.

Der Korsar. Erzählung. Aus d. Engl. übers. v. Friederike
Friedmann. Leipzig, Brockhaus. 1852. [16º.

[Kayser, 1853.]

Collation—

Pp. 90.

IV.

Der Corsar. Gedicht, Aus d. Engl. von Viet. v. Arentsschild.
Mainz, Iabern. 1852. [16º.

[Kayser, 1853.]

Collation—

Pp. 139.

[205]

V.

Der Korsar. Eine Erzählg. v. Lord Byron. Frei übers. v.
Adf. Seubert. Leipzig, Ph. Reclam, jr. [1871-76.] [16º.
[Kayser, 1877.]

Collation—

Pp. 69.

Note.—No. 406 of the “Universal-Bibliothek.”

[206]

IV.

Il Corsaro, novella Inglese, tradotta da Eritreo Migdonio.
Firenze, 1842, tipografia Piatti.

[Bibl. Ital., July, 1843.]

V.

Il/ Corsaro/ di/ Lord Byron/ Versione del Cavaliere/ Luigi
Serenelli Honorati/ Già Presid. di Corte d’Appello/
Bologna/ Tip. Mareggiani All’ Insegna di Dante/ 1797,
Via Malcontenti, 1797/ 1870/ [8º.

Collation—

Pp. 95.

VI.

II Corsaro/ Novella di Lord Byron/ Versione/ di/ Carlo Rosnati/ [1879] [8º.

Collation—

Pp. 96 + Sonnet, “Santa Rosa,” p. [97].

Russian.

Морской разбойникъ Переводъ В. Олина (Въ прозѣ).
С.-Петербургъ, 1827.

Spanish.

I.

El Corsario. Por el Byron, traducido en castellano por
M…. Imp. de David à Paris. A Paris, rue du Temple,
N. 69. 1827. [18º.

[Bibl. de le France, Aug. 22, 1827.]

II.

El/ Corsario/ Por/ Lord Byron./ Valencia:/ Imprenta de
Cabrerizo./ 1832./ [32º.

Collation—

Pp. 272.

Swedish.

Corsaren./ Af/ Lord Byron./ [Motto as above.] Stockholm,/
Tryckt Hos Joh. Beckman, 1868./

Collation—

Pp. 96.

Note.—”Ofversattning af Talis Qualis.”

[207]

The Curse of Minerva.

I.

The Curse of Minerva./ London:/ Printed by T. Davison,
Lombard Street, Whitefriars./ 1812./ [4º.

Collation—

Title, one leaf, pp. 1, 2; Text, pp. 3-25. The Imprint
(Printed by T. Davison, Lombard Street,/ Whitefriars, London./)
is in the centre of p. [27].

Note.—The pages of the Text measure 280 x 220.

II.

The/ Curse of Minerva./ A Poem,/ By the Right Honourable/
Lord Byron/—— Pallas te hac [sic] vulnere,
Pallas/ Immolat, et poenam scelerato ex sanguine sumit./
Philadelphia:/ Printed for De-Silver and Co./ 1815./ [8º.

Collation—

Pp. 24.

Note.—It is probable that this edition, which closely resembles
the later separate issues of the Corsair, the Bride of Abydos, and
the Giaour, was printed in London.

III.

The/ Curse of Minerva./ A Poem./ By the Right Honourable/
Lord Byron./—— Pallas te hac [sic] vulnere,
Pallas/ Immolat, et poenam scelerato ex sanguine sumit./
Third Edition./ Paris./ Published by Galignani/ at the
French, English, Italian, German and Spanish/ Library,
No. 18, Rue Vivienne./ 1818./ [12º.

Collation—

Half-title, one leaf, pp. 1, 2; Title, one leaf, pp. 3, 4; Text,
pp. 5-[21]. The Imprint (Printed by A. Belin) is at the foot of
P. [21].

Note (1).—A Fourth Edition, identical with the Third, was
issued by Galignani in 1820. Quérard (1827) records the issue
of a Second Edition, published by A. and W. Galignani in 1818.

Note (2).—The Curse of Minerva (full text) is
included in the
fifth volume of the edition of Byron’s Works published by Louis
and Baudry in 1825 (see W. No. xviii.); in the first volume of
the Fifth Edition, in sixteen volumes, published by A. and W.
Galignani in 1822 (see W. No. xix.), but was not published, in
its entirety, in England till 1831 (see W. No. xliii.).

For a bibliographical note on The Curse of Minerva, first
published as The Malediction of Minerva, or The Athenian
Marble Market (111 lines), in the New Monthly Magazine,
April, 1818, vol. iii. p. 240, and often reprinted in a mutilated
form, see Poetical Works, 1898, i. 452.[208]

The Deformed Transformed.

I.

The/ Deformed Transformed;/ A Drama. By the/ Right
Hon. Lord Byron./ London, 1824:/ Printed for J. and
H. L. Hunt,/ Bond Street, and Tavistock Street./ [8º.

Collation—

Half-title (R. London:/ Printed by C. H. Reynell, Broad Street,
Golden Square./), pp. 1, 2; Title, pp. 3, 4; Author’s Advt.,
p. 6; Dramatis Personæ, one leaf, pp. 7, 8; Text, pp. 9-88.
The Imprint, as above, is at the foot of p. 88.

Note.—A Second and Third Editions, identical with the First,
were issued in 1824.

II.

The Deformed Transformed, a drama by the Right hon.
lord Byron. Impr. de A. Belin, à Paris, chez A. et W.
Galignani, 1824. [12º.

[Bibl. de le France, March 27, 1824.]

Note.—La Metamorphose du Bossu forms part (pp. 1-103) of
Tome Quinzième of Oeuvres Complètes de Lord Byron. Paris,
Ladvocat/ 1824./ (See Transl. of Coll. Ed. No. i.)

III.

The/ Deformed Transformed./ By/ Lord Byron./ [Illustration,
“What do I see?”] New and Complete Edition.
—Price one Penny./ London: J. Dicks, 313, Strand;
all Booksellers./ [1883, etc.] [12º.

Collation—

Pp. 583-597.

Note.—The Deformed Transformed is No. 113 of “Dicks’
Standard Plays.”

Translation.

Hungarian.

Budapesti/ Árvizkönyv./ etc. Szerkeszti/ B. Eötvös József./
Negyedik Rötet./ Pesten,/ Kiadja Heckenast Gusztáv./
1840./ [8º.

Collation—

Lord Byron’/ Elváltoztatott Idomtalanjából/ Töredek,/
Lukács Móricztól./ pp. 111-140.

[209]

Don Juan.

Cantos I., II.

I.

Don Juan./ “Difficile est proprie communia dicere.”/ Hor.
Epist. ad Pison./ London:/ Printed by Thomas Davison,
Whitefriars./ 1819./ [4º.

Collation—

Half-title, one leaf; Title, one leaf; Second Half-title, pp. 1,
2; Text, pp. 3-227. The Imprint (London:/ Printed by Thomas
Davison, Whitefriars./) is in the centre of p. [228].

Contents—

Canto I.	p. 3
Notes to Canto I.	p. [115]
Canto II.	p. [119]

Note (1).—The following lines and stanzas are omitted:
Canto I. stanzas xv,, cxxix. lines 7, 8, cxxx. lines 7, 8, cxxxi. The
omissions were first included in the Text in the edition of 1833.
(See vol. xv. p. 40.)

Note (2).—For the “Dedication” in pamphlet form,
vide post, p. 304.

II.

Don Juan./ “Difficile est proprie communia dicere.”/ Hor.
Epist. ad Pison./ A New Edition./ London:/ Printed
by Thomas Davison, Whitefriars./ 1819./ [8º.

Collation—

Half-title, one leaf; Title, one leaf; Second Half-title, pp. 1, 2;
Text, pp. 3-227. The Imprint, as above, is in the centre of
p. [228].

Note.—For omitted lines and stanzas, vide supra, No. i.
“A New Edition,” identical with that of 1819, was issued in 1820.

III.

Don Juan./ “Difficile est,” etc. Hor. Epist. ad Pison./
An exact Copy from the Quarto Edition./ London./
Published by J. Onwhyn, No. 4, Catherine-Street./
Strand./ Price Four Shillings./ 1819./ [8º.

Collation—

Title, pp. 1, 2; Half-title, pp. 3, 4; Text, pp. 5-117. The
Imprint (E. Thomas, Printer, Denmark-Court, Strand) is at the
foot of p. 117.

[210]

IV.

Don Juan./ “Difficile est,” etc./ Hor. Epist. ad Pison./
London:/ Printed by Thomas Davison, Whitefriars./
1820./ [8º.

Note.—This edition is identical with the “New Edition” of
1820, but is in smaller type, and the size is crown, not post, octavo.

Canto III.	p. 3
Notes to Canto III.	p. 65
Canto IV.	p. 71
Notes to Canto IV.	p. 131
Canto V.	p. 135
Notes to Canto V.	p. 215

Note.—Canto V. stanza lxi. is omitted. This edition of Cantos
III., IV., V. was issued in post and in crown octavo.

[211]

Note (2).—The motto is here given in full; and note “Shakspeare,”
not “Shakespeare,” as before.

Don Juan./ Cantos XII.—XIII.—XIV./ “Dost thou
think,” etc. [Motto, four lines (Shakspeare)]./ London:/
Printed for the Booksellers./ 1823./ [12º.

Collation—[215]

Title (R. Sudbury, Printer, 252, High Holburn.), pp. 1, 2;
Text, pp. 3-83. The Imprint, as above, is at the foot of p. 83.

Don Juan./ Cantos XV. and XVI./ “Dost thou think,”
etc. [Motto, four lines]./ Shakspeare./ London:/ Printed
for the Booksellers./ 1824./ [12º.

Collation[216]

Title (R. Sudbury, Printer, 252, High Holborn.), pp. 1, 2;
Text, pp. 3-62. The Imprint, as above, is at the foot of p. 62.

IV.

Don Juan./ Cantos XV. and XVI./ “Dost thou think,”
etc. [Motto, three lines]./ Shakspeare./ London, 1824:/
Printed for John Hunt, 38, Tavistock-Street, Covent/
Garden; and 22, Old Bond-Street./ [12º.

Collation—

Title (R. Printed by G. H. Reynell/ 45, Broad-Street,
Golden-Square./), pp. 1, 2; Text, pp. 3-62.

Note.—The Title-page and setting of the Notes, and the quality
of the paper of this edition differ from that of the preceding, but
the text appears to have been set up from the same type.

Don Juan./ “Difficile est proprie communia dicere.”/ Hor.
Epist. ad Pison./ In Two Volumes./ Vol. I./ London:/
Thomas Davison, Whitefriars./ 1828./ [8º.

Don Juan./ “Dost thou think, because thou art virtuous,
there shall be/ no more cakes and ale?—Yes, by St. Anne;
and ginger/ shall be hot i’ the mouth too!”—Twelfth
Night; or What/ you Will./ Shakspeare./ In Two
Volumes. Vol. II./ London:/ Thomas Davison, Whitefriars./
1828./ [8º.

Collation—

Vol. I.: Half-title, one leaf; Title, one leaf; Text, pp. 1-343.
The Imprint (London:/ Printed by Thomas Davison, Whitefriars./)
is in the centre of p. [344].

Vol. II.: Half-title, one leaf; Title, one leaf; Text, pp. 1-371.
The Imprint, as above, is in the centre of p. [372].

Note.—The Front. to Vol. I. is “Don Juan, C. ii. St. 89,”
drawn by R. Westall, R.A., and engraved by E. Finden; the
Front. to Vol. II. is “Don Juan, Canto II. St. 144,” by the
same artist and engraver.

[218]

V.

Don Juan./ By/ Lord Byron./ Cantos I. To VI./ “Difficile
est proprie communia dicere.”/ Hor./ Vol. I./
London:/ Printed for the Booksellers./ 1828./ [8º.

Don Juan./ By/ Lord Byron./ Cantos VII. To XVI./
“Dost thou think,” etc. [Motto, three lines]./ Shakespeare./
Vol. II./ London: Printed for the Booksellers./
1828./ [8º.

Collation—

Vol. I.: Half-title, one leaf; Title (R. Hamblin, Printer, 63,
Upper Thames Street.); Text, pp. 1-351. The Imprint, as above,
is at the foot of p. [352].

Vol. II.: Half-title, one leaf; Title (R. Imprint as above);
Second Half-title, one leaf, pp. 1, 2; Text, pp. 3-392. The
Imprint, as above, is at the foot of p. 392.

VI.

Don Juan in 16 Cantos. Campe’s Edition. Nuremberg
and New York, Campe and Co. 1832. [12º.

[Kayser, 1834.]

Don Juan. Mannheim, Hofmann. 1838. [16º.

[Kayser, 1841.]

XI.

Don Juan:/ In/ Sixteen Cantos./ By/ Lord Byron./
“Difficile est,” etc./ Hor. Epist. ad Pison./ London:
H. G. Bohn, York Street, Covent Garden./ 1849./ [12º.

Collation—

Title, one leaf, pp. 1, 2; Text, pp. 3-438.

Note.—The Front. is “The Siesta of Haidée and Juan.” The
Title-vignette on illustrated Title (Don Juan,/ etc. London.
MDCCCXLVI./ (sic)) is Newstead Abbey from the Lake.

XII.

Don Juan/ By Lord Byron/ Complete Edition with Notes/
“Dost thou think,” etc. [Motto, three lines]/ London and
New York/ George Routledge and Sons/ [1874] [16º.

Collation—

Half-title, one leaf, pp. 1, 2; Title (R. Charles Dickens and
Evans,/ Crystal Palace Press./), pp. 3, 4; Text, pp. 5-431. The
Imprint, as above, is in the centre of p. [432].

XIII.

Don Juan./ By/ Lord Byron./ “Difficile est,” etc./ “Dost
thou think,” etc. [Motto, three lines (Shakespeare)]./
London: Chatto & Windus, Piccadilly./ 1875./ [16º.

Collation—[220]

Half-title, one leaf; Title, one leaf; List of Cantos, pp. 1, 2;
Text, pp. 3-359.

Note.—Part of “The Golden Library.”

XIV.

Don Juan/ By/ Lord Byron/ “Difficile est,” etc./ Complete
Edition, with Notes/ London/ George Routledge
and Sons/ Broadway, Ludgate Hill/ New York: 9 Lafayette
Place/ 1886/ [8º.

Collation—

Half-title, one leaf; Title (R. Advt. of Routledge’s Large
Type Three-Volume Classics.); Text, pp. 1-476. The Imprint
(R. Clay and Sons, London and Bungay.) is at the foot of p. 476.

Note.—The Front. is “Don Juan,” from Canto IV. stanza xvii.
The same issue without the Front. forms part of Routledge’s
“Excelsior Series.”

Translations of Don Juan.

Danish.

I.

Don Juan…. Metrisk bearbeidet efter den engelske
Original af H. Schou. 1. Hefte Fredericia. 1854. [4º.

Collation—

Pp. 16.

Note.—No more published. Without Title-page; the above
Title appears on the wrapper.

II.

Byron: Don Juan./ Oversat Paa Dansk/ Af/ Holger
Drachmann./ Med Indledningsdigt Af Oversaetteren./
KjøBenHavn./ Forlagt Af J. H. Schubothes Boghandel./
Groebes Bogtrykkeri./ 1880./ [8º.

Note.—The translation was issued in parts. The first volume,
containing Cantos I.-VI. pp. 1-437, was completed in 1882. A
second volume (1890-1902) contains Cantos VII.-XVI. pp. 1-465.

French.

I.

Don Juan, poeme héroï-comique en 16 chants, traduit et
précédé de la vie de Lord Byron [par A.P.] avec notes
et commentaires. Tomes i. et ii. Deux Volumes. Impr.
de P. Renouard à Paris. A Paris, rue Poupée, n. 16.
1827. [Tome III. was issued Sept. 15.] [18º.

[221]

[Bibl. de la France, June 2, 1827.]

II.

Don Juan. Traduit en vers français. 2 vol. Paris,
Librairie centrale. 1866. [12º.

[Lorenz, 1876.]

III.

Paul Lehodey./ Don Juan/ de/ Lord Byron,/ Traduction
nouvelle, précédée d’une préface/ de M. Legouvé,/ de
l’Académie française./ Paris,/ DeGorge-Cadot, libraire-éditeur,/
37, rue Serpente./ [1869.] [8º.

Collation—

Pp. xi. + 450 + Table des Matières, p. [451].

IV.

Don Juan. Traduit en vers français par Adolphe Fauvel.
Troisiéme Édition, entièrement revue et corrigée, 1878.
Paris, Lemerre. [8º.

[Lorenz, 1886.]

Note.—La I^re édition de cette traduction est de 1866,
la 2^e de 1868.

German.

I.

Don Juan, aus d. Engl. Im Versmass des Originals übersetzt
von Ad. v. Marées. Essen, Bädeker. 1839. [12º.

[Kayser, 1841.]

II.

Byron’s/ Don Juan/ übersetzt/ von/ Otto Gildemeister./
“Difficile est proprie communia dicere.”/ Horatius./
“Vermeinst du, weil du tugendhaft,” etc. [Motto, six lines]./
Shakspeare./ Bremen./ Druck und Verlag von Carl
Schünemann./ 1845./ [8º.

Collation—

Vol. I.: pp. 314.

Vol. II.: pp. 276.

[222]

III.

Byron’s/ Don Juan/ von/ Adolf Böttger./ Diamantausgabe./
Leipzig,/ Verlag von Otto Wigand./ 1849./ [8º.

Collation—

Pp. 413.

Note.—The Front. is “Haidie.” This edition was reissued in 1858.

IV.

Byron’s/ Don Juan./ Deutsch/ von/ Wilhelm Schäffer./
Erster Theil./ Erster und Zweiter Gesang./ Hildburghausen./
Verlag des Bibliographischen Instituts./ 1867./ [8º.

Collation—

Vol. I.: pp. 124.

Vol. II. (Cantos III.-VI.): pp. 152.

Note.—Nos. 47, 48 of the “Bibliothek ausländischer Klassiker.”

Italian.

I.

Don Giovanni: poema, tradotto da Ant. Caccia. Torino,
1853. [16º.

[Pagliaini, 1901.]

II.

Don Giovanni ridotto in 8^a rima da Antonietta Sacchi,
Milano, Guglielmini, 1865. [8º.

[Pagliaini, 1901.]

III.

Giorgio Byron/ Aidea/ Episodio del don Giovanni/ Saggio
d’una traduzione completa/ di/ Vittorio Betteloni/
Verona/ Stabilimento tipografico di G. Civelli/ 1875/ [8º.

Collation—

Pp. 119.

IV.

Il/ Don Juan/ di/ Lord Byron/ Recato/ In altrettante
stanze italiane/ dal cavaliere/ Enrico Casali/ Milano/
Natale Battezzati editore/ 1876/ [8º.

Collation—

Pp. 548 + Indice, p. [549].

[223]

V.

Don Giovanni. Traduzione di Vitt. Betteloni, Milano,
Ottino, 1880. [8º.

[Pagliaini, 1901.]

Polish.

I.

Don Żuan./ Lorda Bajrona./ Pieśń/ Pierwsza/ przełożona/
przez/ Wiktora z Baworowa. Tarnopol./ Drukiem Józefa
Pawłowskiego./ 1863./ Na dochód Rannych./ [8º.

Collation—

Pp. v. + 60.

Note.—This edition was issued during the last Polish
insurrection, for the benefit of the wounded.

(Part of Canto II.)

II.

Ustęp z drugiéj pieśni Don Żuana, przełożył Wiktor z Baworowa.
pp. 28. Druk. “Czasu.” Kraków, 1877. [8º.

(Canto III.)

III.

Don Żuan, pieśń trzecia, przekład Wiktora z Baworowa.
pp. 35. redak. “Przeglądu Polskiego,” Druk. “Czasu.”
Kraków, 1877. [8º.

(Cantos II., III., IV.—Haida.)

IV.

Don Żuan, pieśń druga, trzecia i czwarta. Opowiadanie o
Haidzie; przekład Wiktora z Baworowa. pp. 118. viii.
Tow. Bratniéj Pomocy Słuchaczów Wszechn. Lwowskiéj:
Tarnopol, 1879. [8º.

V.

Don Żuan … Przekład Edwarda Porębowicza. Warszawa, 1885.

Roumanian.

Don Juan/ dela/ Lord Byron./ Poema epica./ Tradusa de
I. Eliade./ [Emblem—Cupid and Mask.]/ Eliade:
Bucurescĭ./ In tipograsia lui Eliade./ 1847./ [8º.

Collation—

Pp. 183.

[224]

Russian.

I.

Донъ-Жуанъ … Переводъ И. Жандра.
С.-Петербургъ, 1846. [8º.

Collation—

Pp. 1-91.

II.

Донъ-Жуанъ … Вольный переводъ В. Любичъ-Романовича.
С.-Петербургъ, [1847.] 2 vols. [12º.

III.

Донъ-Жуанъ … Глава первая. Переводъ Н.А. Маркевича.
Лейпзигъ, 1862. [16º.

Collation—

Pp. 164.

IV.

Донъ-Жуанъ … Перев. Д. Минаева.
С.-Петербургъ, 1866, 67.

V.

Донъ-Жуанъ … Переводъ П. Козлова.
Иэданіе 2-e с примѣчаніями П. Вейнберга.
С.-Петербургъ, 1889. 2 vols.

VI.

Донъ-Жуанъ … Переводъ А. Козлова.
2 tom.
С.-Петербургъ, 1892.

Servian.

Дон-Жуанъ … Перевод у прози Окице Глушчевиѣа
2 свес. Београд, 1888.

Spanish.

I.

Don Juan, novela. Por lord Byron. Deux Volumes. Impr.
de Decourchant, à Paris, A Paris rue du Temple, N. 69.
1829. [18º.

[Bibl. de le France, January 24, 1829.]

II.

Don Juan/ Poema/ de/ Lord Byron./ Traduccion de/ F.
Villalva/ Difficile est proprie communia dicere./ Horacio.
Epistola á los Pisones./ Tomo 1/ Madrid/ Librería de
Leocadio Lopez/13—Calle del Cármen—13/ 1876/ [8º.[225]

I.

The/ British Bards,/ A Satire./ [1808.] [4º.

Collation—

No Title-page. Pp. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13,
14, 15, 16 [pp. 17, 18, 19, 20, proof-sheets of 84 lines:—(line 1),
“Health to Immortal Jeffrey! once in name;”—(line 84), “Her
son, and vanish’d in a Scottish mist” + p. 21, proof-sheet uniform
with pp. 1-16, of 20 lines:—(line 1), “Illustrious Holland! hard
would be his lot;”—(line 20), “Reforms each error, and refines
the whole”], pp. 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29.

Signature C is at the foot of p. 5; D, p. 9; E, p. 13; G, p. 21;
H, p. 25.

Pp. 1-16 contain 284 lines: (line 1), “Time was, e’er yet in
these degenerate days;” (line 284), “Of Jefferies! monarch of
the Scourge and, chain.” (Lines 281-284 are erased.)

Pp. 19-29 contain 200 lines: (line 1), “Now to the drama
turn, oh! motley sight;” (line 200), “And urge thy bards, to
gain a name like thine.” The last line of p. 29 is numbered 520,
and the date 1808 is subscribed.[226]

Note.—The page measures 278 X 218. The water-mark on
the last page (p. 29) is 1807; the water-mark on the original
wrapper, “J. W. & B. B. 1806.” A wrapper of the original
sheets is inscribed, “This is the original Satire which L^d B. put
into my hands. It was printed in the Country, where he had
been staying. He added 110 lines before it was published.
R.C.D.” (B.M., E.G. 2028.)

II.

English Bards,/ And/ Scotch Reviewers./ A Satire./ I had
rather be a kitten, and cry, mew!/ Than one of these
same metre ballad-mongers./ Shakspeare./ Such shameless
Bards we have; and yet ’tis true,/ There are as mad,
abandon’d Critics too./ Pope./ London:/ Printed for
James Cawthorn, British Library,/ No. 24, Cockspur
Street./ [1809.] [12º.

Collation—

Half-title, one leaf, pp. i., ii.; Title (R. T. Collins, Printer,
No. 1, Harvey’s Buildings, Strand), pp. iii., iv.; Preface, pp. v.,
vi.; Text (696 lines), pp. 1-54. The Imprint (T. Collins,
Printer, Harvey’s Buildings, Strand) is at the foot of p. 54.

Note.—The words “Scotch Reviewers” on the Title are in
Gothic characters. Facsimile of the Title-page faces p. xiv. of
Poetical Works, 1898, vol. i.

III.

English Bards,/ And/ Scotch Reviewers;/ A Satire./ By/
Lord Byron./ I had rather be a kitten, and cry, mew!/
Than one of these same metre ballad-mongers./ Shakspeare./
Such shameless Bards we have; and yet ’tis
true,/ There are as mad, abandon’d Critics too./ Pope./
Second Edition,/ With/ Considerable Additions and
Alterations./ London:/ Printed for James Cawthorn,
British Library, No. 24,/ Cockspur Street./ 1809./ [8º.

Collation—

Half-title, one leaf, pp. i., ii.; Title (R. Printed by Deans &
Co. Hart-Streeet, Covent Garden./), pp. iii., iv.; Preface to the
Second Edition, pp. v.-vii.; Text (1050 lines), pp. 1-82; Postscript,
pp. 83-85. The Imprint, as above, is at the foot of p. 85.
The Advt. (In the Press,/ And speedily will be published,/
Henry Count de Kolinsky, a Polish Tale./)
is in the centre of p. [86].

Note.—The words “A Satire” on the Title, and the words
“Scotch Reviewers” on the Half-title, are in Gothic characters.

[227]

IV.

English Bards,/ And/ Scotch Reviewers;/ A Satire./ By/
Lord Byron./ I had rather be a kitten, and cry, mew!/
Than one of these same metre ballad-mongers./ Shakspeare./
Such shameless Bards we have; and yet ’tis
true,/ There are as mad, abandon’d Critics too./ Pope./
Third Edition./ London:/ Printed for James Cawthorn,
British Library, No. 24,/ Cockspur Street./ 1810./ [8º.

Collation—

Half-title, one leaf, pp. i., ii.; Title (R. Printed by T. Collins,
Harvey’s Buildings, Strand, London.), pp. iii., iv.; Preface to the
Third Edition, pp. v.-vii.; Text (1050 lines), pp. 1-82;
Postscript, pp. 83-85 + Advt. of “Books Published by James
Cawthorn,” etc., pp. [86]-[88]. The Imprint (Printed by T. Collins,
No. 1, Harvey’s Buildings, Strand, London.) is at the foot of
p.[88].

Note.—The Advt. of “The British Circulating Library, 24
Cockspur Street,” etc., is dated March 30, 1810. The words
“A Satire” and “London” on the Title, and the words
“English Bards” on Half-title, are in Gothic characters.

V.

English Bards,/ And/ Scotch Reviewers;/ A Satire./ By/
Lord Byron./ I had rather be a kitten, and cry, mew!/
Than one of these same metre ballad-mongers./ Shakspeare./
Such shameless Bards we have; and yet ’tis
true,/ There are as mad, abandon’d Critics too./ Pope./
Fourth Edition./ London:/ Printed for James Cawthorn,
British Library, No. 24,/ Cockspur Street./ 1810./ [8º.

Collation—

Half-title, one leaf, pp. i., ii.; Title (R.Printed by T. Collins,
Harvey’s Buildings, Strand, London.), pp. iii., iv.; Preface to
the Third Edition, pp. v.-vii.; Text (1050 lines), pp. 1-82;
Postscript, pp. 83-85 + “Books Published by James Cawthorn,”
etc., pp.[86]-[88]. The Imprint (Printed by T. Collins, No. 1,
Harvey’s Buildings, Strand, London) is at the foot of p.[88].

Note.—The Advt. of the “British Circulating Library, 24,
Cockspur Street,” etc., is dated March 30, 1810. The words
“Satire” and “London” on the Title, and the words “English
Bards” on the Half-title, are in Gothic characters.

VI.

English Bards,/ And/ Scotch Reviewers;/ A Satire./ By/
Lord Byron./ I had rather be a kitten, and cry, mew!/
Than one of these same metre ballad-mongers./
Shakespeare/ Such shameless Bards we have; and yet ’tis
true,/ There are as mad, abandon’d Critics too./ Pope./[228]
Fourth Edition./ London:/ Printed for James Cawthorn,
British Library, No. 24,/ Cockspur Street; and Sharpe
and Hailes, Piccadilly./ 1811./ [8º.

Collation—

Half-title, one leaf, pp. i., ii.; Title (R. Printed by Cox, Son,
and Baylis, Gt. Queen Street, London.), pp. iii., iv.; Preface,
pp. v.-vii.; Text (1052 lines), pp. 1-82; Postscript, pp. 83-85 +
“Books published by James Cawthorn,” etc., pp. [87], [88].
The Imprint (Printed by Cox, Son, and Baylis, Great Queen
Street, Lincoln’s-Inn-Fields./) is at the foot of p. 85.

Note.—On the Title-page of another copy of this edition there
is a period instead of a comma after “James Cawthorn.” The
word “Satire” on the Title, and the words “Scotch Reviewers”
on the Half-title, are in Gothic characters.

VII.

[Fifth Edition.] [8º.

[For Title-page, vide supra, Fourth Edition, 1811, No. vi.
No special Title-page for a Fifth Edition was printed.]

Collation—

Text, pp. 1-83. [Signature B, p. [1]; C, p. 17; D, p. 33;
E, p. 49; F, p. 65; G, p. 81.] There is no Imprint on pp. [1],
83, or on p. [84]. The Text numbers 1070 lines.

Note (1).—The Half-title prefixed to the Title-page of the
Fourth Edition of 1811, which precedes the Museum copy of
the Fifth Edition, bears the MS. signature, “R. C. Dallas,” and
a blank leaf the following note: “This is one of the very few
copies preserved of the suppressed edition, which would have
been the Fifth. No Title-page was printed—the one prefixed
was taken from the preceding edition.”

Note (2)—Mr. S. Leicester Warren (Lord de Tabley) records
the following MS. notes inscribed in a copy of the Fifth Edition,
which had formerly belonged to James Boswell, jun., and was
then in the possession of Mr. J. R. P. Kirby, of Bloomsbury Street:—

A. A note on the abortive duel between Jeffrey and Moore is
dated November 4, 1811.

B. A note on the fly-leaf in the handwriting of James Boswell, jun.—

“This copy purports on the title-page to be the fourth edition,
but is in truth the fifth. Having pointed out to Murray, the
bookseller, a variation between the copy of the fifth edition and
this, he borrowed it from me, that he might show it to Lord
Byron to have the circumstance explained; that his lordship told
him he had printed the fifth edition, but, before its publication,
having repented of the work altogether, he determined to destroy
the whole impression. But the printer, as he observed, must have
retained at least this one copy, and, by putting a false title-page,
had sold it as the fourth edition,” etc.—Notes and Queries,
1887, Series V. vol. vii. pp. 203, 204.[229]

Mr. Murray’s copy of the Fifth Edition contains, on the fly-leaves
at the beginning of the volume, MS. versions of (1) The
Curse of Minerva, pp. [i.]-[xi.]; (2) The Answer to Fitzgerald’s
Epigram, written at the “Alfred,” on English Bards, etc.,
p. [xv.]; and on p. xvi. the following MS. Title-page:—

English Bards/ and Scotch Reviewers; a/ Satire/ By Lord
Byron./ I had rather be a kitten, and cry, mew!/ Than one of
these same metre ballad-mongers./ Shakspere./ Such shameless
Bards we have; and yet ’tis true,/ There are as mad, abandon’d
critics too./ Pope./ Fifth Edition,/ Unpublished; with
considerable additions./ London:/ Printed for James Cawthorne,/
Cockspur Street./ 1812./

At the end of the volume a MS. version of “Lines on the
Removing Lady Jersey’s Portrait from the Gallery of Beauties,”
is on pp. [85], [86], and a MS. version of “On a Recent
Discovery, 1813,” on p. [89].

P. xiv. is headed by the following MS. note: “Lord Byron
has two copies of this work, R. C. Dallas, Esq., has likewise
two copies, and Mr. Leigh Hunt one.”

VIII.

Collation—

Pp. [1]-4.

V.

A Sketch, etc. Another copy, dated March 30, 1816, and
endorsed, “Correct with most particular care, and print
off 50 copies, and keep standing. 1816, April 2.”

VI.

Fare Thee Well!—A Sketch, etc.—Napoleon’s Farewell.—On
the Star of the Legion of Honour.—An Ode. By Lord
Byron. London: Printed for Sherwood, Neely and Jones,
Paternoster Row, 1816. [8º.

Collation—

Pp. 27.

Note.—”Original blue paper cover.”—Catalogue of Rowfant
Library, 1886, p. 146.

VII.

Fare Thee Well,/ A Poem./ A Sketch/ From Private Life,/
A Poem,/ By Lord Byron./ Bristol:/ Printed for Barry
& Son, High-Street./ 1816./ [8º.

[234]

Collation—

Half-title, pp. 1, 2; Title (R. Barry & Son, Printers.), pp.
3, 4; Text (Fare Thee Well), pp. 5-7; (A Sketch, etc.), pp. 8-12.
The Imprint, as above, is at the foot of p. 12.

The Text is identical with that of the pamphlet.

VIII.

Fare Thee Well!/ And/ Other Poems./ By Lord Byron./
Edinburgh:/ Printed for John Robertson,/ 132, High
Street./ 1816./ [8º.

Collation—

Title, one leaf, pp. 1, 2; Text, pp. 3-32. The Imprint
(Walker and Greig, Printers) is at the foot of p. 32.

Contents—

Fare Thee Well	p. 3
A Sketch	p. 7
Napoleon’s Farewell	p. 13
On the Star of “The Legion of Honour”	p. 15
Ode from the French	p. 18
Ode (“Oh, shame to thee,” etc.)	p. 25
Madame Lavalette	p. 30

Collation—

Vide supra, No. vi.

Note.—The Half-title is missing in the Museum copy.

XI.

The Giaour,/ etc./ The Twelfth Edition./ London:/
Printed for John Murray, Albemarle-Street:/ By Thomas
Davison, Whitefriars./ 1814./ [8º.

Collation—

Vide supra, No. vi.

XII.

The Giaour,/ etc./ The Fourteenth Edition./ London:/
Printed for John Murray, Albemarle-Street./ 1815./ [8º.

Collation—

Half-title, one leaf; Title (R. T. Davison, Lombard-Street,/
Whitefriars, London,/); Dedication; Advt.; Text, pp. 1-75.
The Imprint, as above, is in the centre of p. [76].

Note.—Four pages of Advts., dated “Albemarle—Street,
London, January, 1818,” are bound up with the Fourteenth Edition.

XIII.

The Giaour;/ A Fragment of/ A Turkish Tale./ [Motto,
four lines.] Moore./ London:/ Printed and Published
by W. Dugdale,/ 23, Russell Court, Drury Lane./ 1825./ [12º.

Collation—

Pp. 51. The Imprint (W. Dugdale, Printer, 23, Russell Court,
Drury Lane) is at the foot of p. [52].

XIV.

The Giaour:/ A/ Fragment of a Turkish Tale./ By/ Lord
Byron./ London: John Murray, Albemarle Street./ Sold
also by/ Tilt and Bogue, Fleet Street:/ Edinburgh,
Oliver and Boyd: Dublin, John Gumming./ 1842./ [12º.[238]

Collation—

Pp. 67. The Imprint (London:/ Printed by A. Spottiswoode,/
New-Street-Square./) is in the centre of p. [68].

XV.

The Giaour:/ A Fragment of a Turkish Tale,/ By Lord
Byron./ [Motto, four lines.] Moore./ [1844.] [8º.

Collation—

Pp. 40. The Imprint (H. G. Clarke and Co., 66, Old Bailey)
is at the foot of p. 40.

Note.—Part of “Clarke’s Home Library.”

Translations of The Giaour

French.

Le Giaour, fragments d’un cante turc, poème traduit de
l’anglais de lord Byron, par J. M. H. Bigeon, Paris,
Ponthieu, Ledoyen, 1828. [18º.

[Quérard, 1846.]

German.

I.

Der Gauer, Bruchstück einer türkischen Erzählung, nach
der 7. englischen Ausgabe im Deutschen metrisch bearbeitet.
Berlin, F. Dümmler. 1819. [12º.

[Centralblalt, etc., 1890, vol. vii. p. 456.]

II.

Der Gjaur. In deutsche Verse übersetzt v. Arthur v.
Nordstern. Mit d. engl. Text zur Seite. Leipzig, Göschen.
1820. [8º.

[Kayser, 1834.]

III.

Der Gjaur. Bruchstück e. türk. Erzählg. v. Lord Byron.
Frei übers. v. Adf. Seubert. Leipzig. 1871-76. [16º.

[Kayser, 1877.]

Collation—

Pp. 48.

Note.—No. 669 of the Universal-Bibliothek.

[239]

Italian.

I.

Il Giaurro, frammento di novella turca; recato dall’ ingl.
in versi ital. da Pellegrino Rossi. Genova e Parigi,
Paschoud, 1817. [12º.

[Quérard, 1827.]

II.

Il Giaurro. Traduzione di Andrea Maffei. Milano, Hoepli.
1884. [64º.

[Pagliaini, 1901.]

Polish.

I.

Giaur, ułomki powieści tureckiéj, poema … Przeldadania
Władysl. hr. Ostrowskiego. pp. 83.
W drukarni bibliotecznéj; Puławy, 1830. [8º.

II.

Giaur, Ułamki powieści tureckiéj, tłum. Adam Mickiewicz,
Ksiegarnia Katol.: Paryż, 1834 [Wrocław, 1835]. [8º.

Romaic.

I.

Ποιηματα Βυρωνος / ὁ Γκιαουρ / τεμαχιον / τουρκικου Διηγηματος / Μεταφρασις
Αἰκατερινης κ. Δοσιου / Ἐκδιδεται το Δευτερον / Ὑπο / Ἀρ. Κ. Δοσιου /
Ἀθηνησι / Τυποις Ἀνδρεου Κορομηλα /
/ 1873/ [4º.

Collation—

Half-title, one leaf; Title, one leaf; Translator’s Advt.;
Προλογος , pp.
ά-ί
+ Text, pp. 1-69 +
Παροραματα , p. [70].

II.

Σακελλαριου Βιβλιοθηκη του Λαου / Ποιηματα Βυρωνος / ὁ Γκιαουρ /
τεμαχιον / τουρκικου / Διηγηματος / Μεταφρασις / Αἰκατερινης κ. Δοσιου /
Ἐν Ἀθηναις / Τυποις και Ἀναλωμασι Π. Δ. Σακελλαριου /
[1898?] [8º.

Collation—

Pp. 91. The Imprint
(Τυπογραφειον Π. Δ. Σακελλαριου ἐν Ἀθηναις ) is in the centre of p. [92].

[240]

Russian.

I.

Джяуръ. Отрывки изъ одной турецкой повѣсти.
”
Выборъ из сочиненій лорда Байрона
”
М. Каченвекаго.
pp. 107-176. 1821.

II.

Джяуръ. Отрывки турецкой повѣсти. … Переводъ Н.Р.
pp. 31.
Москва, 1822. [8º.

III.

Гяуръ … Перевелъ Е. Мишель.
[In prose.]
С.-Петербургъ, 1862. [8º.

Collation—

Pp. 49.

IV.

Гяуръ … Перев. размѣромъ подлинника В. Петровъ.
С.-Петербургъ, 1873.

V.

Гяуръ Байрона и Крымскіе сонеты Минкевича.
Перевелъ В.А. Петровъ. Изданіе 2-ое.
С.-Петербургъ, 1874.

Servian.

Ђаур лорда Бајрона. Сроски од Ац. Поповиђа. pp. 67.
Д. Хипц: у Новот-Саду,, 1860. [12º.

Spanish.

El Giaur ó el infiel, por lord Byron. Traduccion Castellana.
Paris, 1828: Madrid, lib. Europea. [12º.
[Dicc. Gen. de Bibl. Esp. por D. Dion. Hidalgo, 1862.]

Swedish.

Giaurn,/ Ett. Stycke Af en Turkish Berättelse,/ Af/ Lord
Byron./ Öfversättning / Stockholm./ J. L. Brudins Förlag./ 1855./ [8º.

Collation—

Pp. 80.

Note.—No. 6 of “Byron’s Poetiska Berattelser,” translated by
Talis-Qualis.

[241]

Heaven and Earth.

I.

[Note.—For the First Edition of Heaven and Earth,
see The Liberal, No. II., pp. 165-206 (London, L. Hunt, 1822).]

Heaven and Earth,/ A Mystery;/ Founded on the Following
Passage in Genesis,/ Chap. vi./ “And it came to
pass … that the sons of God saw the/ daughters of men
that they were fair; and they took them/ wives of all
which they chose.”/ “And woman wailing for her Demon
lover.”/ Coleridge./ London:/ Benbow, Printer and
Publisher, 252, High Holborn./ 1824./ [12º.

Collation—

Pp. 35 + “Benbow’s Catalogue of Books,” p. [36]. The
Imprint (Benbow, Printer, 9, Castle Street, Leicester Square,
London) is at the foot of p. [36].

II.

Heaven and Earth, a Mystery, Paris, Galignani, 1823. [12º.

[Quérard, 1827.]

III.

Heaven and Earth, etc. [12º.

Collation—

Pp. 36.

Note.—This edition, printed by (?) W. Dugdale in (?) 1825,
bears neither Title-page nor Imprint, and is bound up with The
Bride of Abydos, printed for Thomas Wilson in 1825, and The
Corsair, printed and published by W. Dugdale in 1825.

Translations of Heaven and Earth.

French.

Essai/ Sur Le Génie et Le Caractère/ de Lord Byron,/ Par
A.P…. T.;/ etc./ Paris./ Ladvocat, Libraire, Palais-
Royal,/ Galerie de Bois, No. 195./ 1824/ [12º.

Collation—

Half-title, Le Ciel/ Et La Terre./ Mystère/ Fondé sur ce
Passage de La Genèse:/ (Chap. VI)/: “Et il arriva … que les
fils de Dieu virent que les filles des/ hommes étaient belles; et
ils prirent pour femmes/ celles d’entre elles qu’ils choisirent./
“La femme regrettant son dèmon bien-aimé.”/ (Coleridge.)/ (R.
Personnages.), pp. [195], [196] + Text, pp. 197-252.

Italian.

[242]Cielo e terra: mistero, tradotto da Andrea Maffei. Milano,
Gnocchi, 1853. [16º.

[Pagliaini, 1901.]

Russian.

Небо и Земля. Н.В. Гербель,
”
Полное собраніе стихотвореній.
” Tom. i.

Hebrew Melodies.

I.

A Selection of/ Hebrew Melodies/ Ancient and Modern/
with appropriate Symphonies and accompaniments/ By/
I: Braham & I: Nathan/ the Poetry written expressly
for the work/ By the Right Hon^ble/ Lord Byron/ ent^d
at Sta^rs Hall/ [Title-vignette, angel holding crown] 1^st
Number/ Published and Sold by I: Nathan No. 7 Poland
Street Oxford Str^t / and to be had at the principal Music
and Booksellers/ Price one Guinea/ [1815] [fol.

[The Title-page is enclosed in an ornamental border, and below
the words, “Drawn by Edward Blore” is the signature “I.
Braham;” and below the words, “Engraved by W. Lowry,” the
signature “I. Nathan.”]

Collation—

Part I.: Illuminated Dedication “To Her Royal Highness
the Princess Charlotte of Wales,” one leaf; Preface, signed
“I. Braham, I. Nathan,” and dated “London, April, 1815,” one
leaf; Index to the First Number, one leaf; Music and Words, pp. 1-64.

Part II.: Title (A Selection of,/ etc…. By the Right
Honorable Lord Byron.)/ [Motto], “The harp the Monarch
Minstrel swept,” etc., five lines./ See Page 4./ Lord Byron./
2^nd Number, Price 1 Guinea./ Ent^d at Stationers’ Hall./
Published and Sold, etc./ Prickett scrip. et sculp./
[The Title-vignette is King David playing a harp with angel
and tripod, engraved by H. Moses.] The title is signed “I. Nathan.”

Collation—

Title, one leaf; Dedication, as above, one leaf; Index to the
Second Number, one leaf; Music and Words, pp. 65-133.

Contents—Part I.—

She walks, etc.	p. 1
The Harp, etc.	p. 5
If that high World	p. 14
The wild Gazelle	p. 19
Oh, weep for those	p. 25
On Jordan’s Banks	p. 29
Jephtha’s Daughter	p. 36
Oh, snatch’d away	p. 41
My Soul is dark	p. 44
I saw thee weep	p. 49
Thy days are done	p. 52
It is the Hour	p. 63

Part II.—[243]

Warriors and Chiefs	p. 65
We sate down and wept	p. 71
Vision of Belshazzar	p. 75
Herod’s Lament	p. 83
Were my Bosom	p. 86
The Destruction of Sennacherib	p. 91
Thou whose spell	p. 97
When Coldness wraps	P. 107
Fame, Wisdom, Love	p. 111
From the last Hill	p. 115
Francisca	p. 120
Sun of the Sleepless	p. 129

Note.—For a reissue, with additions, of this collection, see
Fugitive Pieces and Reminiscences of Lord Byron, etc., by I.
Nathan, 1829, No. xii., p. 254.

II.

Hebrew Melodies./ By Lord Byron./ London:/ Printed
for John Murray, Albemarle-Street./ 1815./ [8º.

Collation—

Half-title (Hebrew Melodies. T. Davison, Lombard-Street,/
Whitefriars, London./), one leaf; Title, one leaf; Advt.; Cont.;
Text (Hebrew Melodies), pp. 1-53.

Note.—The Cont. are identical with the preceding, save that
the lines, “Francisca,” a variant of Parisina (lines 15-28), are
omitted; the lines From Job are inserted pp. 49, 50; and the
stanzas “On the Death of Sir Peter Parker” (pp. 51-53) are
printed at the end of the volume.

III.

Collation—

Pp. 41 + Indhold, pp. [43], [44].

German.

I.

Hebräische Gesänge./ Aus dem Englischen/ des Lord
Byron/ von/ Franz Theremin./ Mit beigedrucktem englischen
Text./ Berlin./ Verlag von Dunker und
Humblot./ 1820./ [12º.

Collation—

Pp. viii. + 3-87.

II.

Hebräische Gesänge. Aus d. Engl. übersetzt von Jos. Emn.
Hitscher. Mit gegenüberstehendem Originale. Laibach,
1833. [8º.

[Kayser, 1841.]

III.

Germanische/ Melodien./ Theilweise/ frei nach Lord
Byron’s hebräischen Melodien/ von/ Hugo Oelbermann./
Bonn./ Rheinische Verlags-Anstalt./ 1862./ [8º.

Collation—

Pp. 49.

IV.

[245]Lord Byron’s/ Hebräische Gesänge./ Aus dem Englischen/
übertragen/ und mit sachlichen Einleitungen und Bemerkungen/
versehen/ von/ Eduard Nickles./ Karlsruhe./
Druck und Verlag von Friedrich Gutsch./ 1863./

Collation—

Pp. 105 + Anmerkung, p. 106 + Anhang, pp. 107-112.

Note.—The English text is printed over against the German.
The “Anhang” contains translations of “In the valley,” etc.,
and “They say that hope,” etc.

V.

Hebräischer Gesänge./ Aus d. Engl. übers. von Heinr.
Stadelmann. Memmingen. 1866. Hartwig in Comm. [16º.

[Kayser, 1871.]

Hebrew.

Hebrew Melodies/ of/ Lord Byron/ Translated by/ Dr. S.
Mandelkern./ Leipzig./ 1890./ [8º.

Collation—

Pp. 45 + Cont. (Hebrew character) (R. Advt. of Hebrew
Poems (with vowel points) of Dr. S. Mandelkern), pp. [47], [48].

Note.—The Hebrew translation is over against the English
text. The Title-page, which is in Hebrew and English, is
enclosed in an arabesque border.

Italian.

I.

Melodie ebraiche/ di/ Lord G. Byron/ Versione/ di P. P.
Parzanese/ Napoli/ dalla tipografia all’ insegna di Tasso/
via Concezione a Toledo No. 3./ 1837/

Collation—

Pp. 47.

Note.—Printed on green paper.

II.

Le Melodie ebree, coll’ aggiunta di alcuni altri poemetti.
Ivrea, 1855. [16º.

[Pagliaini, 1901.]

Russian.

Еврейскія мереводъ П. Козлова.
С.-Петербургъ, 1860.

Swedish.

[246]Hebreiska Melodier/ af/ Lord Byron./ Öfversatta/ af/
Theodor Lind./ Helsingfors,/ Theodor Sederholms
Forlag./ [1862.] [8º.

Collation—

Pp. 41 + Innehåll, p. [43].

Fugitive Pieces and Minor Poems.

Fugitive Pieces By/ George Gordon Lord Byron/ A Facsimile
Reprint of/ The Suppressed/ Edition of/ 1806/
[Title-vignette, Venus Anadyomene in shell with attendant
Cupids.] London/ Printed for Private Circulation/ 1886/ [4º.

Collation—

Advt. of issue (No. 22 of 100 numbered copies)
of—Printers,/
Chiswick Press, Tooks Court,/ Chancery Lane, London./ signed
(MS.) “Charles Whittingham & Co.,” pp. i., ii.; Half-title
(Byron’s Fugitive Pieces), pp. iii., iv.; Title, one leaf, pp.
v., vi.; Preface (editorial of facsimile), pp. vii.-x. + blank leaf +
Half-title (Fugitive Pieces), one leaf + Dedication—”To/
Those Friends,/ At/ Whose Request They were printed,/ For
whose/ Amusement or Approbation/ They are/ Solely Intended;/
These Trifles are respectfully Dedicated,/ by the/ Author.”/
(R. As these Poems were never intended to meet the public eye, no
apology is necessary for the form in which they now appear.
They are printed merely for the perusal of a few friends to whom
they are dedicated; who will look upon them with indulgence;
and as most of them were composed between the age of 15 and
17, their defects will be pardoned or forgotten, in the youth and
inexperience of the Writer.) + Text, pp. [1]-66; (the Imprint
(Printed by S. and J. Ridge, Newark.) is at the foot of p. 66) +
p. [67] (emblem-heraldic lion with shield and monogram, subscribed
with the Imprint, Chiswick Press:—C. Whittingham and
Co., Tooks Court,/ Chancery Lane./).

Contents-

On Leaving N…st…d	p. [i]
To E.	p. 3
On the Death of Young Lady, Cousin to the Author and very Dear to him	p. 4
To D.	p. 5
To…	p. 6
To Caroline	p. 7
To Maria ——	p. 10
Fragment of School Exercises, From the Prometheus Vinctus of Oeschylus(sic)	p. 11
Lines in “Letters of an Italian Nun,” etc.	p. 12
Answer to the above, addresse’d to Miss ——	p. 13
On a change of Masters, At a Great Public School	p. 14
Epitaph on a Beloved Friend … p. 15
Adrian’s Address to his Soul, when dying	p. 16
Translation	p. 16
To Mary	p. 17
“When to their airy hall, my father’s voice”	p. 19
To ——	p. 20
“When I hear you express an, affection so warm”	p. 21
On a distant view of the Village and School of Harrow on The Hill. 1806.	p. 23
Thoughts Suggested by a College Examination	p. 25
To Mary, on Receiving her Picture	p. 28
On the Death of Mr. Fox, the following illiterate Impromptu appeared in the Morning Post	p. 30
To which the Author of these Pieces sent the subjoined Reply, for insertion in the Morning Chronicle	p. 30
To a Lady, who presented the Author a Lock of Hair, etc.	p. 31
To a Beautiful Quaker	p. 33
To Julia	p. 36
To Woman	p. 38
An Occasional Prologue, etc.	p. 39
To Miss E. P.	p. 41
To Tear	p. 43
Reply to some verses of J. M. B. Pigot, Esq., on the Cruelty of His Mistress	p. 46
Granta, A Medley	p. 49
To the Sighing Strephon	p. 54
The Cornelian	p. 57
To A ——	p. 59
As the Author was discharging his Pistols in a Garden, Two Ladies, etc.	p. 61
Translation form Catullus: Ad Lesbiam	p. 63
Translation of the Epitaph on Virgil and Tibullus by Domitius Marsus	p. 64
Imitation of Tibullus “Sulpitia ad Cerintum” Lib. Quart.	p. 64
Translation from Cattulus: Luctus de Morte Passeris	p. 65
Imitated from Catullus. To Anna	p. 66

[247]

Note.—The original volume measures 8¾ ins. x 7½ ins. The
wrapper is of plain greenish-grey paper. The full Titles are
given in the Table of Cont. or in the heading of the Poems in
Poetical Works, 1898, vol. i. pp. xviii., etc. In the original issue
the pages are numbered on the head of each page, and subscribed
with a double rule. “Ornaments” are to be found on pp. [1],
3, 13, 14, 16, 40, 58, 60, 64, 66.

The signatures B (p. [1]) to S (p. 65) are in due sequence. The
numbers at the head of the pages are subscribed with a double rule.

II.

Poems/ On/ Various Occasions./ Virginibus Puerisque Canto./
Hor. Lib. 3. Od. 1./ Newark: Printed by S. & J. Ridge./ MDCCCVII./ [8º.

Collation—

Pp. 12 + 144—Half-title, one leaf, pp. [1], [2]; Title, one
leaf, pp. [3], [4]; Dedication (as above), pp. [5], [6]; Author’s
Advt., dated December 23, 1806, pp. [7], [8]; Cont., pp. [9]-11;
Text, 1-144. The Imprint (Printed by S, and J. Ridge,
Newark.) is at the foot of p. 144.

Contents—

[248]

On leaving Newstead	p. 1
On a distant view, etc.	p. 4
To D.	p. 7
Epitaph on a beloved Friend	p. 8
A Fragment	p. 10
Fragments of School Exercises	p. 11
To E.	p. 13
Reply to some verses of J. M. B. Pigot, Esq., etc.	p. 14
To the sighing Strephon	p. 17
The Tear	p. 21
To Miss ——	p. 26
Lines written in “Letters,” etc.	p. 28
Answer to the foregoing	p. 29
The Cornelian	p. 30
On the Death of a Young Lady	p. 33
To Emma	p. 35
To M. S. G.	p. 38
To Caroline	p. 41
To Caroline	p. 43
To Caroline	p. 46
Stanzas to a Lady with the Poems of Camoens	p. 48
To Mary, on receiving her Picture	p. 50
To Lesbia	p. 52
To Woman	p. 55
To M.	p. 57
Lines addressed to a Young Lady	p. 59
To M. S. G.	p. 62
To a beautiful Quaker	p. 64
To a Lady who presented the Author with a Lock of her hair	p. 67
Translations And Imitations.
Adrian’s Address to his Soul	p. 73
Translation	p. 74
Translation from Catullus	p. 75
Translation of the Epitaph on Virgil, etc.	p. 77
Imitation from Tibullus	p. 78
Translation from Catullus	p. 79
Imitation from Catullus	p. 81
Fragment from Horace	p. 82
Translation	p. 83
Fragment of a Translation from Virgil	p. 85
Fugitive Pieces.
On a change of Masters, etc.	p. 89
Thoughts suggested, etc.	p. 91
An occasional Prologue	p. 95
On the Death of Mr. Fox .	p. 97
Granta, a Medley	p. 100
The first kiss of Love	p. 107
Childish Recollections	p. 109
Answer to some verses from Montgomery	p. 121
Love’s last Adieu	p. 125
Lines addressed to the Rev. J. T. Becher	p. 128
Reply to a Friend	p. 131
Elegy on Newstead Abbey	p. 134

Note.—The Title measures 193 X 113. The first signature, C,
is on p. 9; M, on p. 81; O (not N), on p. 89; Q, on p. 105;
U, on p. 137. Signature P is omitted on p. 97.

The “ornaments” of the Quarto reappear on pp. [1], 9, 25,
32. The numbers at the head of the pages are subscribed with a
double rule. A facsimile of the Title-page faces p. x. of vol. i.
of the Poetical Works, 1898.

[249]

III.

Hours of Idleness,/ A/ Series of Poems,/ Original/ And/
Translated,/ By George Gordon, Lord Byron,/ A Minor./
Μητ’ αρ με μαλ’ αινεε μητε τι νεικει .
/ Homer. Iliad, 10./
Virginibus puerisque Canto;/ Horace./ He whistled as
he went for want of thought./ Dryden./ Newark: Printed
and sold by S. and J. Ridge;/ Sold also by B. Crosby
and Co. Stationer’s Court;/ Longman, Hurst, Rees, and
Orme, Paternoster-/Row; F. and C. Rivington, St. Paul’s
Church-/Yard; and J. Mawman, In the Poultry,/ London./
1807./ [8º.

Collation—

Half-title (Hours/ of/ Idleness.), one leaf, pp. i., ii.; Title, one
leaf, pp. iii., iv.; Preface, pp. [v.]-xiii. (R. Errata); Text, pp.
[1]-187. The Imprint (Printed by S. and F. Ridge, Newark.) is
at the foot of p. 187.

Contents—

On leaving Newstead	p. 1
On a distant view, etc.	p. 4
Epitaph on a Friend	p. 7
A Fragment	p. 9
The Tear	p. 10
An occasional Prologue	p. 15
On the Death of Mr. Fox	p. 17
Stanzas … with the Poems of Camoens	p. 20
The first Kiss of Love	p. 22
To M——	p. 25
To Woman	p. 27
To M. S. G.	p. 29
To a beautiful Quaker	p. 31
To ——	p. 34
To Mary, on receiving her Picture	p. 37
Love’s last Adieu	p. 39
Damætas	p. 43
To Marion	p. 44
Oscar of Alva	p. 47
Translations And Imitations.
Adrian’s Address, etc.	p. 71
Translation	p. 72
Translation from Catullus	p. 73
Translation from the Epitaph of Virgil, etc.	p. 75
Translation from Catullus	p. 76
Imitation from Catullus	p. 78
Translation from Anacreon. To the Lyre	p. 79
Translation from Anacreon. Ode 3	p. 81
Fragments of School Exercises	p. 84
Episode of Nisus and Euryalus	p. 86
Translation from the Medea of Euripides	p. 106
Fugitive Pieces.
Thoughts suggested by a College Examination	p. 113
Answer to some elegant Verses, etc.	p. 118
Granta, a Medley	p. 121
Lachin Y Gair	p. 129
To Romance	p. 133
Elegy on Newstead Abbey	p. 137
Childish Recollections	p. 148
The Death of Calmar and Orla	p. 169
To E. N. L., Esq.	p. 173
To ——	p. 184

[250]
Note (1).—A facsimile of the Title-page (2) faces p. xii. of vol. i.
of the Poetical Works, 1898. It has been alleged that large-paper
copies of this edition were issued from the Newark press. It is
certain that large copies (a copy in the British Museum, cut for
binding, measures 220 X 122), printed on paper bearing a water-mark
dated 1806, were thrown upon the market at an early
period, but it has not been ascertained at what date or in what
place they were printed. They are undoubtedly deliberate
forgeries. They purport, even in respect of errata, to be identical
with the genuine issue of 1807; but they were not set up
from the same type, and it is inconceivable that a second issue,
set up from different type and with slightly different ornaments,
was printed by Ridge for piratical purposes. To cite a few
obvious differences—in the title of the large-paper copies the
first A of the word “TRANSLATED” is printed
Λ, and the
Greek
ν in
αινεε
and
νεικει
appears as
υ
(not
ν
reversed); in the
Errata on the reverse of p. xiii., [Page] “153 Note” is incorrectly
given as “163 Note,” and this slip on the part of the
falsarius is more remarkable, as two other errata in the Errata
are carefully reproduced; in the Greek motto on p. 22 the letter
ρ
twice appears as
ς ; and, finally, the ornaments on pp. 1 and 187,
though intended to be, are not identical. In the Museum copy a
portrait of “Lord Byron, from a sketch taken on his leaving
England,” engraved by I. West, and “Published by V. Hone,
Ludgate Hill, 1819,” precedes the title-page, and, together with
the binding, affords good, if not conclusive, proof that this copy
was printed before 1820.

See, for a correspondence on these L.P. copies of 1807, the
Athenæum, June, 1898, pp. 694, 695.

See, too, for further interesting and conclusive evidence that
the ornament on p. 187 of the L.P. copies was not printed from
the Newark block, Newark as a Publishing Town, by T. M.
Blagg, 1898, pp. 28-30.

Note (2).—An autograph note, dated May 20th, 1812, signed
“Byron,” is inserted on the fly-leaf of a large-paper copy in the
Rowfant Library (Catalogue, 1886, p. 144).

IV.

Poems/ Original and Translated,/ By/ George Gordon, Lord Byron./
Μητ’ αρ’ με μαλ’ αινεε μητε τι νεικει . / Homer.
Iliad, 10./ He whistled as he went for want of thought./
Dryden./ Second Edition./ Newark:/ Printed and sold
by S. and J. Ridge;/ Sold also by B. Crosby and Co.
Stationer’s Court;/ Longman, Hurst, Rees, and Orme,
Paternoster-/Row; F. & C. Rivington, S^t Paul’s Church-/
Yard, and J. Mawman, in the/ Poultry, London./ 1808./ [8º.

Collation—

[? a Half-title]; Title, one leaf, pp. ii., iii.; Dedication (To
The Right Honourable/ Frederick,/ Earl of Carlisle,/ Knight of
the Garter,/ etc., etc./ The Second Edition/ Of/ These Poems is
inscribed,/, By/ His Obliged Ward,/ And/ Affectionate Kinsman,/
The Author.), pp. iv., v.; Cont, pp. [vi.]-viii. (R. Errata);
[251]
Text, pp. [1]-174. The Imprint (Printed by S. and J. Ridge,
Newark-upon-Trent) is at the foot of p. 174.

Contents—

On leaving Newstead Abbey	p. 1
Epitaph on a Friend	p. 5
A fragment	p. 7
The Tear	p. 8
An occasional Prologue	p. 13
On the death of Mr. Fox	p. 15
Stanzas … with the Poems of Camoens	p. 18
To M.	p. 20
To Woman	p. 22
To M. S. G.	p. 24
Song	p. 26
To ——	p. 30
To Mary, on receiving her picture	p. 33
Damætas	p. 36
To Marion	p. 38
Oscar of Alva	p. 41
To the Duke of D.	p. 62
Translations And Imitations.
Adrian’s address, etc.	p. 71
Translation	p. 72
Translation from Catullus	p. 73
Translation of the Epitaph, etc.	p. 75
Translation from Catullus	p. 76
Imitated from Catullus	p. 78
Translation from Anacreon. To his Lyre	p. 79
Translation from Anacreon. Ode 3	p. 81
Fragments of School Exercises	p. 84
Episode of Nisus and Euryalus	p. 86
Translation from the Medea of Euripides	p. 105
Fugitive Pieces.
Thoughts suggested by a College Examination	p. 111
To the Earl of ——	p. 116
Granta, a Medley	p. 123
Lachin y Gair	p. 131
To Romance	p. 135
Elegy on Newstead Abbey	p. 140
The death of Calmar and Orla	p. 151
To E. N. L., Esq.	p. 160
To ——	p. 165
Stanzas	p. 168
Lines written beneath an Elm, in the Churchyard of Harrow on the Hill	p. 172

Note.—The Front. is a lithograph of Harrow-on-the-Hill, with
quotation—

“Ida! blest spot, where Science holds her reign!

How joyous once I join’d thy youthful train!”

A facsimile of the Title-page faces p. xii. of vol. i. of the
Poetical Works, 1898.

V.

Imitations and Translations/ From the / Ancient and Modern
Classics,/ Together with/ Original Poems/ Never Before
Published./ Collected by/ J. C. Hobhouse, B.A./ of
Trinity College, Cambridge./ “Nos hæc novimus esse
nihil.”/ London:/ Printed for Longman, Hurst, Rees,
and Orme,/ Paternoster-Row./ 1809./ [8º.[252]

Collation—

Half-title with Imprint (T. Davison, Whitefriars,/ London.),
pp. i., ii.; Title, one leaf, pp. iii., iv.; Preface, pp. v.-xi.;
Cont., pp. xiii.-xv. (R. “Errata.”); Text, pp. 1-255. The
Imprint, as above, is in the centre of p. [256].

Note.—Lord Byron contributed nine poems (signed L.B.; see
Preface, p. xi., to this volume) to this volume, viz.: (i.) To a
Youthful Friend (“Few years have past,” etc.), p. 185; (ii.)
Inscription on the Monument of a Favourite Dog, p. 190; (iii.)
To—— (“Well! thou art happy,” etc.), p. 192; (iv.)
The Farewell
To a Lady (“When man expell’d,” etc.), p. 195; (v.) A Love
Song to —— (“Remind me not,” etc.), p. 197; (vi.) Stanzas To
the Same (“There was a time,” etc.), p. 200; (vii.) To the Same
(“And wilt thou weep,” etc.), p. 202; (viii.) Song (“Fill the
goblet again,” etc.), p. 204; (ix.) Stanzas to —— on leaving
England (“‘Tis done,” etc.), p. 227.

VI.

Hours of Idleness;/ A/ Series of Poems,/ Original and
Translated,/ By George Gordon, Lord Byron,/ A Minor./
Μητ’ αρ’ με μαλ’ αινεε μητε τι νεικει .
/ Homer. Iliad, 10./
He whistled as he went for want of thought./ Dryden./
Second Edition./ Paris:/ Published by Galignani,/ At
the French, English, Italian, German, and Spanish/
Library, No. 18, Rue Vivienne./ 1819./ [12º.

Collation—

Half-title, one leaf; Title, one leaf; Advt.; Dedication;
Cont.; Text, pp. 1-149 + “Critique … Ed. Rev., No. 22,”
etc., pp. [150]-158.

Note.—A reproduction of Poems Original and Translated,
Newark, 1808.

VII.

Hours of Idleness:/ A Series of Poems,/ Original and Translated./ By/
Lord Byron./
Μητ’ αρ’ με μαλ’ αινεε μητε τι νεικει .
/ Homer. Iliad, 10./ He whistled as he went
for want of thought./ Dryden./ London:/ Printed for
Sherwin and Co. 24, Paternoster Row./ 1820./ [8º.

Collation—

Half-title, pp. i., ii.; Title, pp. iii., iv.; Dedication, pp. v.,
vi.; Cont., pp. vii., viii.; Text, pp. 1-160. The Imprint
(Sherwin and Co., Printers,/ Paternoster Row./) is at the foot of
p. 160.

Note.—A reproduction of Poems Original and Translated,
Newark, 1808. The Front. (a sketch of Harrow-on-the-Hill) is[253]
engraved by Eastgate from a painting by H. Halsted, Esq. It
is a reproduction (re-touched) of the Front. to the Newark Edition
of 1808.

There were two issues of this edition (A and B). In A (Printed
for Sherwin and Co. 24 Paternoster Row) the Front. is without
letters; the past tenses and participles are printed “bloom’d,”
“mail-cover’d,” etc.; and on p. 160 the Imprint, as above, is at
the foot of p. 160. In B (Printed for W. T. Sherwin, etc.) the
Front. is subscribed with the name of painter and engraver; the
past tenses are printed “bloomed,” etc., in full; and the Imprint
(Sherwin, Printer,/ Paternoster Row./) is at the foot of p. 160.

Poems./ By Lord Byron./ Second Edition/ London:/
Printed for John Murray, Albemarle-Street;/ By W.
Bulmer and Co. Cleveland-Row, St. James’s,/ 1816./ [8º.

Collation—

Half-title, one leaf, pp. i., ii.; Title, one leaf, iii., iv.; Advt.,
pp. v., vi.; Cont., pp. vii., viii.; Text, pp. 9-39 + Notes,
p. [40]. The Imprint (London: Printed by W. Bulmer and Co./
Cleveland-row, St. James’s./) is at the foot of p. [40].

Contents—[255]

To —— (“When all around,” etc.)	p. 9
Bright be the place	p. 13
When we two parted	p. 14
Stanzas for Music (“There’s not a joy,” etc.)	p. 16
Stanzas for Music (“There be none,” etc.)	p. 19
Fare Thee Well	p. 21
Ode (We do not curse,” etc.)	p. 25
From the French	p. 31
On the Star, etc.	p. 34
Napoleon’s Farewell	p. 37
To Samuel Rogers, Esq.	p. 39
Notes	p. 40

Note.—The motto from Coleridge’s Christabel
(“Alas! they had
been friends in youth”) (14 lines) is on p. 20.

Poems on His Domestic Circumstances.

I.

Poems/ on His/ Domestic/ Circumstances./ I. Fare Thee
Well!/ II. A Sketch From Private Life./ By Lord
Byron./ With the/ Star of the Legion of Honour,/ And
other Poems./ London:/ Printed for W. Hone, 55, Fleet
Street./ 1816./ Price One Shilling./ [8º.

Collation—

Title, one leaf, pp. 3, 4; Text, pp. 5-31 + Note (“The first
two Poems were last produced.—The other/ five follow in the
order wherein they were written.”/ April, 1816.), p. [32]. The
Imprint (Hay and Turner, Printers, Newcastle Street, Strand.) is
at the foot of p. [40].

Contents—

Fare Thee Well	p. 5
A Sketch, etc.	p. 9
Ode (“Oh, shame to thee,” etc.)	p. 15
Fare Well to France	p. 20
Madame Lavalette	p. 22
Waterloo	p. 24
On the Star, etc.	p. 29

Note.—The Half-title is missing in the Museum copy. The
Note prefixed to “Waterloo” in the Morning Chronicle (March
15, 1816) is reprinted, together with the heading, “Said to be
done into English Verse by R. S****, P.L. P.R.
Master of the Royal Spanish Inqn.—etc., etc., etc.”

II.

Poems/ on His/ Domestic Circumstances,/ etc./ With The/
Star of the Legion of Honour,/ And Four Other Poems./
Second Edition./ London:/ Printed for W. Hone, 55,
Fleet Street,/ And Sold by J. M. Richardson, No. 23,
Cornhill;/ J. Blacklock, Royal Exchange; G. Hebert,
36,/ Poultry; Simpkin and Marshall,/ Stationers’/ Court;
W. Reynolds, 137, Oxford Street; and by/ All other
Booksellers./ 1816./ [8º.

[256]

Collation—

Gen. Half-title (New/ Poems,/ By/ Lord Byron./) (R. Hay &
Turner, Printers, Newcastle-Street, Strand.), pp. 1, 2; Title, one
leaf, pp. 3, 4; Text, pp. 5-31. The Note and Imprint, as above,
are on p. [32].

III.

Poems,/ etc./ By Lord Byron./ With the/ Star of the
Legion of Honour,/ etc., etc./ Sixth Edition./ Containing
Eight Poems./ London:/ Printed for W. Hone, 55, Fleet
Street,/ etc., etc. 1816./ [8º.

Collation—

Title (Imprint as above), pp. 1, 2; Text, pp. 3-31. The Note
(altered to “The other Six follow,” etc.) and the Imprint, as
above, are on p. [32].

Note.—The additional poem is the Adieu to Malta on pp. 12-
14. The lines Fare Thee Well, which are printed in the First
and Second Editions in stanzas, are in the Sixth Edition printed
continuously.

IV.

Poems,/ etc./ By Lord Byron./ With His/ Memoirs and
Portrait./ Eighth Edition./ Containing/ Nine Poems./
Fare Thee Well!/ A Sketch From Private Life./ On
the Star of “The Legion of Honour.”/ Adieu to Malta./
The/ Curse of Minerva./ Waterloo./ And Three Others./
London:/ Printed for W. Hone, 55, Fleet Street,/ etc./
1816./ [8º.

Collation—

Title (R. Imprint as above), pp. 1, 2; Memoirs, etc., pp. 3-6;
Text, pp. 7-32.

Note.—The additional poem is the mutilated version of The
Curse of Minerva (111 lines). The Front. is a lithograph of
“Lord Byron,” after F. Sieurac.

V.

Poems/ etc./ By Lord Byron,/ etc./ Fifteenth Edition./
Containing/ Nine Poems,/ etc./ London:/ Printed for
W. Hone, 55, Fleet Street,/ etc./ 1816./ [8º.

Collation—

Title (R. Imprint as above), pp. 1, 2; Memoirs, etc., pp. 3-8
+ Text, pp. 8-40.

[257]
Note.—The Text of the Fifteenth Edition is identical with the
Text of the Sixth Edition (pp. 3-[32]), including Note and
Imprint on p. [32]. The Curse of Minerva is on pp. 33-40. The
Imprint, as above, is repeated on the foot of p. 40.

VI.

Lord Byron’s/ Poems,/ on His Own/ Domestic
Circumstances./ Fare Thee Well./ Dublin:/ Printed by W.
Espy, 59, Dame-Street./ 1816./ [8º.

Collation—
Half-title (Poems, etc./ Entered at Stationers’-Hall./), one
leaf, pp. 1, 2; Title, one leaf, pp. 3, 4; Preface, pp. 5, 6;
Text, pp. 7-15.

Note.—The edition contains Fare Thee Well, and
A Sketch, etc.,
without the other poems published by Hone.

VII.

Poems/ on His/ Domestic Circumstances,/ etc. etc./ By/
Lord Byron./ Second Edition./

Fare Thee Well
A Sketch from Private Life
On the Star of “The Legion of Honour”
Ode
Waterloo
Madame Lavalette
Farewell to France
Adieu to Malta
The Curse of Minerva
Farewell to England
To my Daughter, etc
To the Lily of France.
Ode to the Island of St. Helena.
To ——.
Bright be the Place to thy Soul!
Stanzas for Music.
To ——.
Stanzas for Music.
To ——.
On Reading Lord Byron’s Farewell to England.

To which is Prefixed,/ Memoirs of His Life./ Bristol:/
Printed for W. Sheppard, Exchange,/ And may be had
of all the Booksellers./ 1816./ [12º.

Collation—

Title, one leaf, pp. i., ii.; Memoirs, etc., pp. iii.-vi.; On
Reading Lord Byron’s Farewell to England, pp. i.-iii. (R. Cont.);
Text, pp. 1-50. The Imprint (Mary Bryan, Printer,(51)Corn-Street,
Bristol.) is at the foot of p. 50.

Note.—This edition contains the nine poems published by Hone
(1816), four forgeries, six of the Poems published by Murray in
1816, and, with a separate pagination, the lines On Reading Lord
Byron’s Farewell to England (“——Still my bosom’s indignation”).

[258]

VIII.

Poems on His Domestic Circumstances, etc. Boston. 1816. [24º.

[Catalogue of the Boston Athenæum Library.]

Note.—Two sets of proofs of a portion of Hints from Horace,
formerly the property of R. C. Dallas, are preserved in the British
Museum (Eg. 2029). Proof A consists of 100 lines of the English
translation (lines 173-272); Proof B, pp. [87]-128, consists of
272 lines of the English translation (lines 1-272) and (on opposite
pages) 188 lines of the original Latin. These proof-sheets, which
must have followed proofs of the Fifth Edition of English Bards,
etc., are preceded by a Half-title, Hints from Horace (Gothic
characters), and by the following subsidiary title:—

Hints from Horace:/ Being a/ Partial Imitation, in English
Verse, of the Epistle,/ “Ad Pisones de Arte Poetica;”/ And
intended as a Sequel to/ English Bards and Scotch Reviewers./
[Gothic characters.] “Ergo fungar vice Cotis, acutum/ Reddere
quæ ferrum valet, exsors ipsa secandi.”/ Hor. De Arte Poet.
304-5./ “Rhymes are difficult things; they are stubborn things,
sir.”/ Fielding’s Amelia, Vol. III./ Book and Chap. V./
Athens, Franciscan Convent,/ March 12, 1811./

The publication of Hints from Horace had been entrusted by
Dallas to Cawthorn in July-August, 1811. It may be gathered
from various sources (Letters, 1898, ii. 24, 54, 56) that Byron was
at work on the proofs as late as September 4; that by October 11
he had resolved to defer the publication of the Hints; and that,
accordingly on October 13, 1811, “they stood still.” It was not,
however, till after the appearance of Childe Harold’s, etc.
(May-June, 1812) that Byron determined to suppress the already printed
Fifth Edition of English Bards, and at the same time to abandon
the publication of his two other Satires. At this time, says
Dallas (Recollections of the Life of Lord Byron, 1898, p. 241),
“the Hints from Horace was far advanced.” In his Recollections,
etc. (pp. 104-113), he gives, by way of a “fair specimen,” 156
[260]
“lines of the still-unpublished poem; and, as these extracts are
taken from the first 211 lines, and his text corresponds with
proof B (see Poetical Works, 1898, i. 390, variants ii., iii.), it may
be inferred that Dallas transcribed them from his fragmentary
proof-sheets, and that the press was stopped at line 272. In 1830,
in his Notices of the Life of Lord Byron (vol. i. pp. 263-269),
Moore printed 165 lines of the “Paraphrase;” but his selections
are drawn from lines 1-458, and it is evident that he had access
to an original MS. (MS. M.), which is now in Mr. Murray’s
possession. The full text, which follows the same MS., was first
published in vol. v. pp. 273-327 of the six-volume edition of 1831
(vide ante, No. xliii. of “Collected Editions”).

The Irish Avatar

Byron wrote the Irish Avatar at Ravenna, September 16, 1821.
On the 17th he sent a copy of the verses to Moore, then resident
at Paris; and on September 20 he desired Moore to get “twenty
copies of the whole carefully and privately printed off.” A copy
is in the possession of Mr. H. Buxton Forman, C.B., and I am
indebted to his kindness for the following description: “The
pamphlet consists of four 8vo leaves, viz. half-title (‘The Irish
Avatar,’ in bold capitals, with blank verse), pp. [1], [2] + Text,
pp. 3-8. The poem begins on the third page with a dropped head,
‘The Irish Avatar’ again, and the first four verses. Pp. 4-7 contain
six verses each, and p. 8 the remaining four, making up thirty-two
in all. The date at the end of p. 8 is ‘September 16, 1821.’
There is no title-page proper; a headline, ‘The Irish Avatar,’
occurs on pp. 4-8, which pages are numbered in Arabic figures in
the outside corners, and the thirty-two stanzas are also numbered
in Arabic figures. The poem is printed on a half-sheet of a
peculiar fine-ribbed paper.” Twenty stanzas of The Irish Avatar
were printed by Medwin in Conversations of Lord Byron, 1824,
pp. 216-220, and in a second edition, 1824, pp. 332-338. In a
“new edition” of the Conversations, etc., 1824, pp. 264-270, the
entire poem, numbering thirty-two stanzas, was published for the
first time in England (see Athenæum, July 27, 1901). The Irish
Avatar was first published by Murray in 1831 (Works, vi. 419-425).

The Island

I.

The Island,/ or/ Christian and His Comrades./ By the/
Right Hon. Lord Byron./ London, 1823:/ Printed for
John Hunt,/ 22, Old Bond Street./ [8º.

Collation—

Half-title (R. London: Printed by C. H. Riynell, Broad-Street,
Golden-Square), pp. 1, 2, Title, one leaf, pp. 3, 4; Author’s
Advt., p. 6; Text, pp. 7-79 + Appendix, pp. 81-94. The[261]
Imprint, as above, is at the foot of p. 94.

Note.—A Second and a Third Edition, identical with the First,
were published by John Hunt in 1823. The Island forms part
(pp. 193-244) of a collection of Miscellaneous Poems, Hebrew
Melodies, The Deformed Transformed, etc., printed and published
by W. Dugdale, 23, Russell Court, Drury Lane, in 1825.

II.

The Island;/ or/ Christian and His Comrades./ By The
Right Hon. Lord Byron./ Paris:/ Published by A. and
W. Galignani,/ At the French, English, Italian, German,
and Spanish Library,/ No. 18, Rue Vivienne./ 1823/ [12º.

Collation—

Half-title (R. Paris: Printed by A. Belin), one leaf; Title,
one leaf; Second Half-title, pp. 1, 2; Author’s Advt., pp. 3, 4;
Text + App., pp. 5-95.

III.

The Island, or Christian and His Comrades. New York.
1823. [12º.

[Cat. of Books in Bates Hall of Pub. Library of Boston.]

Translations of The Island.

German.

Die Insel, ober Christian u. seine Kameraden. Aus d. Engl.
(v. F. L. Breuer). Mit gegenübersteh. Originaltext.
Leipzig, Brockhaus. 1827. [8º.

[Kayser, 1834.]

Italian.

L’Isola, poema di lord Byron, traduzione di Morrone.
Napoli, tipographia di De Muro, 1840. [8º.

[Bibliographia Italiana, Oct., 1840.]

Polish.

Wyspa czyli Chrystyan i jego towarzysze …Przekład Adama
Pajgerta. pp. 62, druk. “Czasu”: Kraków, 1859. [8º.

Swedish.

[262]Ön/ Eller/.. Christian och Hans Stallbröder./ Af/ Lord
Byron./ Öfversättning. [Af/ Talis Qualis.] Stockholm,/
J. L. Brudins Förlag./ [1856.] [8º.

Collation—

Vide supra, No. i.

IV.

The/ Lament of Tasso,/ etc./ Fourth Edition,/ etc./ 1817./ [8º.

Collation—

Half-title (The Lament,/ etc./ Fourth Edition./ 1 s. 6 d.)
(R. T. Davison, Lombard-Street, Whitefriars, London.), pp. 1, 2,
etc. Vide supra, No. i.

Note.—The Imprint (T. Davison, Lombard-Street,/ Whitefriars,
London./) is at the foot of p. [20]. Twelve pp. of “Books
Printed for John Murray,” dated “August, 1817,” are bound up
with the Fourth Edition.

[263]

V.

The Lament,/ etc./ Sixth Edition./ 1818./ [8º.

Collation—
Vide supra, No. iv.
Note.—Four pp. of Advts., dated “Albemarle-Street, London,
January, 1818,” are bound up with the Sixth Edition.

Translations of The Lament of Tasso.

Italian.

I.

Lamento/ del/ Tasso/ di Lord Byron/ Recato in italiano/
Da Michele Leoni/ Pisa/ Presso Niccolò Capurro/ co’
caratteri di F. Didot/ 1818/ [4º.

Collation—

Pp. ix. + 1-27 + Nota dell’ Autore, p. [28].

Note.—The Front, is “Tasso in the Hospital of Sant’ Anna,”
drawn by C. Meritoni, and engraved by Lasinio Figlio. The
Italian translation is printed on opposite pages to the English Text.

II.

La/ Magion del Terrore/ … La Fantasia e il Disinganno/
ed altri metrici componimenti/ di Gaetano Polidori/ colle
sue traduzioni/ Del Lamento del Tasso/ di Lord Byron/
… Londra 1843./ Impresso da J. Wilson e W. Ward
nella pri-/vata stamperia dell’ autore al numero 15 di/
Park Village East, Regent’s Park./ [16º.

Collation—

Pp. 112-133.

Lara. Boston. 1814. [12º.

Collation—

Pp. iv. + 8-98.

IV.

Lara. New York. 1814. [24º.

Collation—

Pp. 136.

V.

Lara,/ A Tale./ By Lord Byron./ Fifth Edition./ London:/
John Murray, Albemarle-Street./ 1817./ [8º.

Collation—

Half-title (R. T. Davison, Lombard-street, Whitefriars,
London.); Title, one leaf; Text, pp. 1-74 + Advt. of “Poems
By the Right Hon. Lord Byron” (R. T. Davison, Lombard-street,/
Whitefriars, London./), pp. [75], [76].

Note.—The additional pages (pp. 71-74) contain a note on
“The event in section 24, Canto 2d, suggested by the death, or
rather burial, of the Duke of Gandia.”

Note.—”Lara./ A Tale./ By Lord Byron.”/forms part (pp.
135-174) of a volume “Printed for Thomas Wilson, Oxford
Street. 1825. 12º.” The Imprint (Printed by W. Dugdale, etc.)
is at the foot of p. 174.[265]

VI.

Lara,/ a Tale by/ Lord Byron:/ Illustrated by C. B. Birch,/
Art-Union of London./ MDCCCLXXIX./ [fol.

Collation—

Text, pp. 1-12. The Imprint (Harrison and Sons, Printers in
Ordinary to Her Majesty, S. Martin’s Lane.) is at the foot of
p. 12. The Text is followed by twenty plates.

Translations of Lara.

Bohemian.

Lara … Přeložil Č. Ibla. [In “Poesie Světová.”] v Praze,
1885. [8º.

German.

Lara. Übers. v. W. Schäffer u. A Strodtmann. 1886.
Leipzig, Bibl. Institut. [16º.

Collation—

Pp. 91.

Note.—No. 88 of “Meyer’s Volksbücher.”

Italian.

I.

Il Lara/ di Lord Byron/ Tradotto dal signor/ Girolamo
C^o Bazoldo,/ Maggiore di S.M. Britannica re d’Annover./
con giunta/ di tre altre traduzioni dall’ inglese, una dal
tedesco,/ e tre canzoni dell’ autore./ [Title-vignette,
Cupid with harp.] Parigi./ Dai Torchi di Pillet Maggiore,/
In via des Grands-Augustins, N’o. 7./ 1828./ [24º.

Collation—

Pp. 1-83 + Il Pensieroso, etc., pp. 85-138 + Indice, p. [139].

Note.—This edition was issued in green-paper covers.

II.

Lara. Traduzione di Andrea Maffei, Milano, Hoepli, 1882. [64º.

[Pagliaini, 1901.]

Polish.

[266]Lara, poemat w 2 pieśniach, przekład Jul. Korsaka. pp. 70
druk. J. Zawadzkiego: Wilno, 1833. [8º.

Servian.

Лара лорда Бајрона. Србски од Ац. Поповиђа. pp. 72.
Д. Хипц: у Новот-Саду,
1860. 12º.

Spanish.

Lara, novela española. Por lord Byron, traducida al
castellano, Paris. 1828. [18º.

[B. de la France, May 17, 1828.]

Swedish.

Lara/ Af/ Lord Byron./ Stockholm,/ Tryckt Hos Joh.
Beckman./ 1869./ [8º.

Collation—

Pp. 5-64.

Note.—”Öfversättning Af Tails Qualis”—a pseudonym of
Carl Wilhelm August Strandberg.

Manfred.

I.

Manfred,/ A/ Dramatic Poem./ By Lord Byron./ London:/
John Murray, Albemarle-Street./ 1817./ [8º.

Collation—

Half-title (Manfred) (R. T. Davison, Lombard-Street,
Whitefriars, London), pp. 1, 2; Title, one leaf, pp. 3, 4; Dramatis
Personæ, pp. 5, 6; Text, pp. 7-75; Notes, pp. [79]-80. The
Imprint (T. Davison, Lombard-Street,/ Whitefriars, London./) is
at the foot of p. 80.

Note.—The First Edition was issued with another title-page
(B): Manfred,/ A/ Dramatic Poem./ “There are more things
in heaven and earth, Horatio,/”Than are dreamt of in your
philosophy.”/ By Lord Byron./ London:/ John Murray,
Albemarle-Street./ 1817./ 8º.

There is no half-title in the Museum copy of this alternative
First Edition.

II.

Manfred,/ etc./ Second Edition,/ etc./ 1817./ [8º.

[267]Note.—The Second Edition is identical with the alternative
form (B) of the First Edition. There is no Imprint on p. 80.
An Advt. of “Poems by the Right Hon. Lord Byron” is on p. [82].

III.

Manfred,/ A/ Dramatic Poem./ “There are more things in
heaven and earth, Horatio,/ Than are dreamt of in your
philosophy.”/ By Lord Byron./ Philadelphia:/ Published by
M. Thomas./ J. Maxwell, Printer./ 1817./ [12º.

Collation—

Pp. 72.

Note.—Manfred was also published at New York in
1817, 24º, pp. 70.

IV.

Manfred./ A Dramatic Poem./ By Lord Byron./ “There
are more things,” etc. [Motto, two lines]./ London:/
Printed and Published by W. Dugdale,/ 23, Russell Court,
Drury Lane./ 1824./ [12º.

Collation—

pp. 55 + “Notes to Manfred,” p. [56]. The Imprint (Printed
by W. Dugdale, Russell Court, Drury Lane, London) is at the
foot of p. [56].

Note.—Manfred./ A Dramatic Poem./ By Lord Byron./forms
part (pp. 175-[216]) of a volume Printed for Thomas Wilson,
Oxford Street./ 1825. 12º. The Imprint (Printed by W.
Dugdale, etc.), as above, is at the foot of p. [216].

V.

Manfred,/ A/ Dramatic Poem./ “There are more things in
heaven and earth,/ Horatio,/ “Than are dreamt of in your
philosophy.”/ By Lord Byron./ Brussels:/ Printed at
the British Press./ [8º.

Collation—

Title, one leaf, pp. 3, 4; Dramatis Personæ, pp. 5, 6; Text,
pp. 7-72; Notes, pp. [73], 74; Observations, pp. [75]-81.

VI.

Manfred./ A Choral Tragedy,/ In Three Acts,/ By/ Lord
Byron./ Thomas Hailes Lacy,/ 89, Strand, London./
[1863.] [12º.

Collation—

Pp. 1-41 + “Costumes,” p. [42]. The Imprint (Printed by
Thomas Scott, Warwick Court, Holborn.) is at the foot of p. 41.

[268]
Note.—Vol. 60 of Lacy’s “Acting Edition Plays.” Pp. 2-6
contain the playbill of Manfred “As Performed at the Theatre
Royal, Drury Lane (under the Management of Messrs. Edmund
Falconer and F. B. Chatterton), on Saturday, October 10th, 1863.”

VII.

Manfred./ Lord Byron./ [Title-vignette, “Hear me, hear
me—Astarte.”] New and Complete Edition.—Price one
Penny./ London. J. Dicks, 313 Strand; all Booksellers./
[1883, etc.] [8º.

Collation—

Pp. 161-173.

Note.—No. 59 of “Dicks’ Standard Plays.”

Translations of Manfred.

Bohemian.

Manfred … Přelozil Jos. V. Frič. Praze, 1882.

Danish.

I.

Manfred,/ af/ Lord Byron./ Oversat/ af/ P. F. Wulff./
There are more things, etc. [Motto, two lines.]/ Hamlet./
Kjøbenhavn, 1820./ Forlagt af Universitets-Boghandler
Brummer./ Trykt i der Poppske Bogtrykkerie./ [12º.

Collation—

Pp. 107 + Rettelse, p. [108].

II.

Manfred./ Et Dramatisk Digt/ af/ Byron./ Oversat/ af/
Edvard Lembcke./ Kjøbenhavn 1843./ I Commission
hos C. A. Reikel./ Trykt hos Bianco Luno./ [8º.

Collation—

Pp. 109.

Dutch.

I.

Manfred./ Een Dramatisch Gedicht/ Naar/ Lord Byron,/
Door/ Johan Rudolph Steinmetz./ Amsterdam,/ H. J.
Van Kesteren./ 1857./ [8º.

Collation—

Pp. xv. + 59 + “Aanteekenigen,” pp. [60]-[63] +
“Verbeteringen,” p. [64].

II.

[269]Byron’s/ Manfred./ Een Dramatisch Gedicht./ Metrische
Vertaling./ (Toegewijd Aan Mr. C. Vosmaer)/ Van/
W. Gosler./ Heusden.-H. Wuijster./ 1882./ [8º.

Collation—
Pp. vii. + 78.

Note.—The Front, is a photograph of “Ernst Possart in de rol
van Manfred” (Verg: lllustrirte Zeitung van 12 Nov. 1881).

French.

I.

Manfred/ Poëme dramatique/ Par/ Lord Byron,/ Traduit/
Par madame la comtesse de Lalaing/ Née comtesse de
Maldeghem./ Horatio, il est dans le ciel et sur la terre/
plus de choses que n’en peut concevoir/ votre philosophie./
Hamlet./ Seconde édition./ Bruxelles./ Imprimerie de
J. Stienon,/ Faubourg de Louvain, 19./ 1852/ [8º.

Collation—
Pp. 61 + “Notes,” p. [63].

II.

Manfred/ Poème dramatique de Byron/ Adaptation
nouvelle, en vers/ de/ Émile Moreau/ Paris/ Paul
Ollendorff, éditeur/ 28 bis, rue de Richelieu, 28 bis/
1887/ Tous droits réservés/ [8º.

Collation—
Pp. vii. + 28. The Imprint (Paris,—Typ. G. Chamervi, 19,
Rue des Saints Pêres—20832) is at the foot of p. 28.

III.

Lord Byron/ Manfred/ Poème dramatique en 3 actes/
Traduction en vers/ Par/ C. Trèbla/ Toulouse/ Edouard
Privat, éditeur, rue des Tourneurs/ 1888/ [8º.

Collation—

Pp. xiii. + 15-89 + Errata, p. [91]. The Imprint (Montauban,
Imp. et Lith. Ed. Forestiè, rue du Vieux-Palais, 23) is in the
centre of p. [90].

German.

I.

Manfred./ A Tragedy/ By/ Lord Byron./ Leipzig:/ F. A.
Brockhaus./ 1819./

Manfred./ Trauerspiel von Lord Byron./ Teutsch/ von/
Adolf Wagner./ Leipzig:/ F. A. Brockhaus./ 1819./

[270]
Collation—

VII.

Manfred, dramat. Gedicht v. Lord Byron. Frei übers. v.
Adf. Seubert. [16º.

[Kayser, 1877.]

Collation—

Pp. 47.

Note.—No. 586 of the Universal-Bibliothek, Leipzig, 1871-76.

VIII.

Manfred./ Dramatische Dichtung in drei Abtheilungen/
von/ Lord Byron./ Musik von Robert Schumann./ Jeder
Nachdruck dieses Textbuches, auch von Seiten der Theater-directionen
für/ ihre Aufführungen, ist verboten./ Leipzig,/
Druck und Verlag von Breitkopf und Härtel./ [8º.

Collation—

Pp. 36.

Note.—No. 66 of Serie III., Breitkopf und Härtel’s
Textbibliothek, 1879-90.

IX.

[272]Manfred. Ein dramatisches Gedicht. Freie Uebersetzung
von Thierry Preyer. Frankfurt, Neumann, 1883. [4º.

[Kayser, 1883.]

I.

Manfredo. Traduzione di Marcello Mazzoni. Milano, P. M.
Visaj. 1832. [8º.

[Library of Congress, Washington, 1880.]

Collation—

Pp. 91.

II.

[273]Tragedie/ di/ Silvio Pellico/ Francesca da Rimini/ [etc., five
lines] Manfredo,/ Poema drammatico di Lord Byron,/
(versione in prosa)./ Firenze./ Felice le Monnier./
1859./ [8º.

Collation—
Manfredo, etc., pp. 437-473.

III.

Manfredo: poema drammatico. Traduzione di Andrea
Maffei. Firenze, Le Monnier, 1870. [16º.

[Pagliaini, 1901.]

Collation—

Pp. xi. + 100

Polish.

I.

Manfred, poemat dramatyczny, przekład Edm. Stan.
Bojanowskiego. W. G. Korn: Wrocław, 1835. [12º.

II.

Manfred, poemat … Przekład wolny na wiersz polski przez
Michała Chodźke … Z4 obrazkami, wyrysował Kossak, etc.
pp. 89. w drukarni L, Martinet: Paryż, [1859]. [8º.
[Published also by Schmidt at Halle.]

Romaic.

O Μαμφρεδ / Δραματικον Ποιημα / του / Λορδου Βυρωνος. /
Μεταφρασις / Εππικου Γκρην. / ὁ οὐρανὸς, Ὁράτἰ, ἔχειπλείονακ’ ἡ γν / παῤ ὅσα οἱ φιλόσοφοι φαντάζεσθε
/ Shakspere. /
Εν Πατραις / τυπογραφειον και Βιβλιοπωλειον
Ευσταθιου Π. Χριστοδουλου. / Παρὰ τὴν ὁδὸν Ἑρμοῠ.
/ 1864./ [8º.

Collation—

Pp. 79 +
Παροραματα , p. [80].

Roumanian.

Stoenescu (Th.M.) Teatru … Manfred, dupe Lord Byron.
Editura “Revisteĭ Literare:” Bucurescĭ, 1896. [8º.

Collation—

Manfred, pp. 173-228.

[274]

Russian.

I.

Манфредъ. Драматическая поема въ трехъ дѢйствіяхъ
Переводъ М. Вронченко.

II.

Манфредъ … Переводъ А. Бородина
[” Пантеонъ,” 1841. No. 2.]

III.

Манфредъ … Перев. Е. Зарина.
[”
Библіотека для Чтенія.
[С.-Петербургъ, 1858, No. 8.]

IV.

Манфредъ … Переводъ Д. Минаева
[“Русское Слово,” 1863. No. 4.]

Spanish.

I.

Manfredo, drama en tres actos. Por lord Byron. Imp.
de Decourchant à Paris. A Paris, rue du Temple, n. 69.
1829. [18º

[Bibl. de la France, October 17, 1829.]

II.

Manfredo,/ Poema dramático/ de/ Lord Byron./ Traducido
en verso directamente del inglés al castellano/ Por/
D. José Alcalá Galiano/ y Fernandez de las Peñas./
Madrid:/ Imprenta de A. Vicente, Preciados, 74./ 1861./ [8º.

Collation—

Pp. xiii. + 85.

III.

Lord Byron./ Manfredo/ y/ Oscar de Alva/ Version castellana/
de Ángel R. Chaves./ Madrid,/ Imprenta de
Eduardo Martinez,/ Calle del príncipe, número, 25./
1876./ [8º.

Collation—

Pp. xix. + Manfredo, 1-54 + Oscar de Alva, pp. 55-78 + Indice, p. [79].

Marino Faliero.

[275]

I.

Marino Faliero,/ Doge of Venice./ An Historical Tragedy,/
In Five Acts./ With Notes./ The Prophecy of Dante,/
A Poem./ By Lord Byron./ London: John Murray,
Albemarle-Street./ 1821./ [8º.

Collation—

Half-title (R. London:/ Printed by Thomas Davison, Whitefriars)
pp. i., ii.; Title, one leaf, pp. iii., iv.; Cont., pp. v., vi.;
Half-title, with Motto (“Dux inquieti turbidus Adriæ.”/
Horace./), pp. vii., viii.; Preface, pp. ix.-xxi.; Text, pp. 1-261.
The Imprint, as above, is in the centre of p. [262].

Contents—

Marino Faliero	p. 1
Notes	p. 169
Appendix	p. 173
Prophecy of Dante	p. 209
Notes	p. 257

II.

Marino Faliero, etc./ Second Edition, etc./ 1821./ [8º.

Collation—

Vide supra, No. i. Note that in some copies of the First
Edition lines 500-507, act v. sc. 1, do not appear. In the Second
Edition and in other copies of the First Edition they have been
inserted. (See Poetical Works, 1901, iv. 447.)

Note.—Another edition (pp. xxi. + 261), in small octavo, was
issued by John Murray in 1823.

III.

Marino Faliero, Doge of Venice. 179 pp. Philadelphia, M.
Carey and Sons. 1821. [8º.
[Library of Congress, Washington, 1880.]

IV.

Marino Faliero, doge of Venice, an historical tragedy in
five acts, with notes. By the right hon. lord Byron.
Impr. de Belin à Paris—A Paris chez Galignani. [12º.
[Bibl. de la France, June 29, 1821.]

V.

Marino Faliero,/ Doge of Venice:/ An Historical Tragedy,/
In Five Acts./ By/ Lord Byron./ “Dux inquieti turbidus
Adriæ.”—Horace./ London:/ John Murray, Albemarle
Street./ Sold also by/ Tilt and Bogue, Fleet Stree
nburgh, Oliver and Boyd: Dublin, John Cumming./
1842./ [12º.

[276]Collation—

Title (R. London:/ Printed by H. Spottiswoode,/
New-Street-Square./);
Text, pp. 3-162. The Imprint, as above, is at the foot of p. 162.

VI.

Marino Faliero./ By/ Lord Byron./ [Title-Vignette, “The
Gory Head rolls down the Giant’s steps!”]/ New and
Complete Edition.—Price one Penny./ London J. Dicks
313 Strand; All Booksellers./ [1883, etc.] [8º.

Collation—

Pp. 461-492.

Note.—No. 153 of “Dicks’ Standard Plays.”

Translations of Marino Faliero.

German.

I.

Marino Faliero/ Doge von Venedig./ Geschichtliche
Tragödie/ von/ Lord Byron./ Freie Übersetzung/ von/
Thierry Preyer./ Frankfurt am Main./ Alfred
Neumann’sche Buchhandlung./ 1883./ [4º.

Collation—
Title, one leaf; Personen; Vorrede, 8 pp. + Text, pp. 1-147.
The Imprint (C. Naumann’s Druckerei, Frankfurt a. M.) is in the
centre of p. [148].

II.

Lord Byron’s/ Marino Faliero./ Für das herzoglich
Sachsen-Meiningen’sche Hoftheater/ übersetzt und bearbeitet/
von A. Fitger./ Oldenburg./ Schulzesche
Hof-Buchhandlung und Hof-Buchdruckerei./ (A. Schwartz.)/ [8º.

Collation—

Title (R. Alle Rechte Vorbehalten); Vorwort (R. “Personen”);
Text, pp. 1-84.

Mazeppa

I.

Mazeppa,/ A Poem./ By Lord Byron./ London:/ John
Murray, Albemarle-Street./ 1819./ [8º.

[277]Collation—

Half-title (R. London:/ Printed by Thomas Davison, Whitefriars.);
Title, one leaf; Half-title (Mazeppa), pp. 1, 2; Advt.
(quotation from Voltaire, Hist, de Charles XII., pp. 196, 216),
pp. 3, 4; Text, pp. 5-69. The Imprint, as above, is in the
centre of p. [70] + “Lord Byron’s Poems,” etc., p. 71.

Contents—

Mazeppa	p. 5
Ode (“Oh Venice! Venice!”)	p. 47
A Fragment (Augustus Darvell)	p. 57

II.

Mazeppa, A Poem./ By Lord Byron./ Second Edition./
Paris:/ Published by Galignani,/ At the French, English,
Italian, German, and Spanish/ Library, Nº 18, Rue
Vivienne./ 1819 [12º.

Collation—

Half-title (R. Printed by A. Belin), pp. 1, 2; Title, one leaf,
pp. 3, 4; Second Half-title, pp. 5, 6; Advt., pp. 7, 8; Text, pp. 9-69.

Contents—

Mazeppa	p. 9
Ode (“Oh Venice!” etc.)	p. 47
A Fragment	p. 57

III.

Mazeppa, a poem [with fragments]. Boston. 1819. [24º.

[Cat. of Books in Bates Hall of Pub. Lib. of Boston, 1866.]

Collation—

Pp. 56.

IV.

Mazeppa, a Poem. Paris, Galignani, 1822. [12º.

[Quérard, 1827.]

V.

Mazeppa,/ A Poem./ By Lord Byron./ London:/ Printed
and Published by W. Dugdale,/ 52 Russell Court, Drury
Lane, 1824./ [12º.

Collation—

Pp. ii. + 5-35. The Imprint (Printed by W. Dugdale, Russell
Court, Drury Lane, London.) is at the foot of p. 35.

VI.

[278]Mazeppa. a Poem. Mit Worterklärung u. einer Lebenskizze
des Dichters, von H. M. Melford. Braunschweig, Vieweg. 1834. [12º.

[Kayser, 1841.]

VII.

Mazeppa,/ or the/ Wild Horse/ of the/ Ukraine,/ A Poem,
by/ Lord Byron./ London:/ T. Goode, 30, Aylesbury-st.,/
Clerkenwell./ [1854?] [32º.

Collation—

Pp. 48.

Note.—The Front, (lithograph of Lord Byron) is on p. 1. The
Title is printed on the wrapper (black glazed paper) in gold
letters. The volume measures 60 X 40.

Translations of Mazeppa.

Danish.

Mazeppa./ AF / Lord Byron./ Öfversättning. [Af Talis
Qualis.] Stockholm,/Alb. Bonniers Förlag./ [1853.] [8º.

Part of “Byron’s Poetiska Berättelser.”

German.

I.

Mazeppa. Ein Gedicht. Aus d. Engl. treu übertragen v.
Th. Hell. Nebst beigedr. Urschrift. Leipzig, Hinrichs. 1820. [8º.

[Kayser, 1834.]

II.

II.

(Together with Lamartine’s Death of Jonathan.)

Mazepa, poemat, przekład wolny na wiersze polskie przez
Michała Chodźkę, wydanie ozdobione rycinami, etc.
pp. 66. Księg. polska: Paryź [1860]. [8º.

[280]

Russian.

I.

Выборъ изъ сочиненій лорда Байрона. М. Каченовскаго.
1821.

Collation—

Mazepa, pp. 69-107.

Note.—In Prose.

II.

Мазепа. Изъ сочиненій лорда Байрона. А. Воейкова
“Новости литературы,” 1824.
кн.
x. pp. 9-33.

Note.—In Prose.

III.

Мазепа … пер. Д. Михайловскаго
[“Современнихъ,” 1858. No. 5.]

IV.

Мазепа … Перев. И. Гогніева.
[“Драматическій Сборникъ.”
С.-Петербургъ, 1860,
кн. 4.]

Spanish.

Mazeppa, novela, por L.B. traducida al castellano. Paris,
1830. [18º.

[Moniteur, etc., 1845.]

Monody, etc.

I.

Monody/ On the Death of/ The Right Honourable/ R. B.
Sheridan,/ Written at the Request of a Friend,/ To be
spoke at/ Drury Lane Theatre./ London: Printed for
John Murray, Albemarle Street./ 1816./ [8º.

Collation—

Half-title (Monody./ [Price One Shilling.]/ Entered at
Stationers’ Hall) (R. London: Printed by C. Roworth, Bell-yard,
Temple-bar.), pp. 1, 2; Title, one leaf, pp. 3, 4; Text, pp. 5-11
+ pp. [13]-[15], Advts. of Books published by John Murray. The
Imprint, as above, is at the foot of p. [15].

II.

Monody/ on the Death of/ The Right Honourable/ R. B.
Sheridan./ Spoken at/ Drury Lane Theatre./ By Lord
[281]
Byron./ New Edition./ London:/ Printed for John
Murray, Albemarle-Street./ 1817./ [8º.

Collation—

Half-title as above (R. T. Davison, Lombard-street, Whitefriars,
London.), pp. 1, 2; Title, one leaf, pp. 3, 4; Text, pp. 5-11 +
List of the Poems, etc., p. [12]. The Imprint (T. Davison,
Lombard-Street,/ Whitefriars, London./) is at the foot
of p. [12].

III.

Monody,/ etc./ New Edition,/ etc./ 1818./ [8º.

Collation—

Half-title (R. London:/ Printed by T. Davison, Whitefriars.),
pp. 1, 2; Title, one leaf, pp. 3, 4; Text, pp. 5-11 + “Lord
Byron’s Poems,” etc., p. [12]. The Imprint, as above, is at the
foot of p. [12].

Note.—Four pp. of Advts., dated “Albemarle-Street, London,
May, 1818,” are bound up with this edition.

An Ode to the Framers of the Frame Bill.

A Political/ Ode/ By/ Lord Byron/ Hitherto Unknown
as His Production./ London/ John Pearson 46 Pall
Mall./ 1880./ [8º.

Collation—

Half-title (R. [One hundred copies privately printed.]), pp. 1,
2; Title, one leaf, pp. 3, 4; Note, pp. 5, 6; [Copy of Lord
Byron’s Letter … March 1, 1812], pp. 7, 8; Text, pp. [9], [10], 11.

Ode From the French.

Translation.

French.

Traduction de l’Ode/ de/ Lord Byron,/ Sur/ La bataille de
Waterloo./ Par Aristide Guilbert./ Londres:/ Hunt et
Clark,/ 38, Tavistock Street./ MDCCCXXVI./ [8º.

Collation—

Pp. vii. + 9-28. The Imprint (De l’Imprimerie de Thomas
Davison,/ 10, Duke Street, Smithfield, London./) is at the foot of
p. 28.

Contents—

Preface	p. v.
Ode	p. 9.
Notes	p. 17

IV.

Ode to Napoleon Buonaparte. Ninth Edition. London,
M. 1814. [8º.

[Library of the University, St. Andrews, N.B.]

Collation—

Pp. 17.

V.

Ode/ To/ Napoleon Buonaparte./ By Lord Byron./ etc./
Twelfth Edition./ London:/ Printed for John Murray,
Albemarle-Street./ 1816./ [8º.

[283]
Collation—

Half-title (Ode, etc.) (R. T. Davison, Lombard-street,/ Whitefriars,
London./), pp. 1, 2; Title, one leaf, pp. 3, 4; Note, pp.
5, 6; Second Half-title, pp. 7, 8; Text (xvi. stanzas), pp. 9-17
+ Advt. of books “By the Right Hon. Lord Byron,” p. [19].
The Imprint, as above, is at the foot of p. [19].

VI.

Ode,/ etc./ Thirteenth Edition./ London:/ John Murray,
Albemarle-Street./ 1818./ [8º.

Collation—

Vide supra, No. i.

Translation of the Ode to Napoleon Buonaparte.

Spanish.

Odas a Napoleon. Por Lord Byron. Imp. de Decourchant,
à Paris. 1829. A Paris, rue du Temple, n. 69. [18º.

[Bibl. de la France, October 17, 1829.]

Parisina

[For First Edition of Parisina, vide infra,
The Siege of Corinth, No. i.]

Translations.

Danish.

Parisina./ Af/ Lord Byron./ Öfversättning. [Af Talis Qualis.]
Stockholm, J. W. Brudins Förlag. [1854.] [8º.

Collation—

Pp. 36. No. 4 of “Byron’s Poetiska Berättelser.”

French.

Adolphe Krafft/ Parisina/ Poème/ de Lord Byron/ et fragment de/
Nicolas de Ferrare/ Drame/ Tiré des documents historiques/
Avec commentates et notices./ Paris/
Ernest Leroux, éditeur/ 28, rue Bonaparte, 28/ 1900
Tous droits réservés./ [8º.

Collation—

Pp. xiv. + 55 + Errata, p. [57] + Table des Matières, p. [59].

Note.—The Text of Parisina is on pp. 8-26.

German.

Gedichte/ von/ Jacob Vinc. Cirkel./ Mit übersetzungen/
von W. Scott’s Feld von Waterloo und Byrons/ Parisina
etc./ Münster,/ in Commission der Coppenrathschen
Buch-und Kunsthandlung./ 1825./ [8º.

Collation—[284]
Pp. 159. The Imprint (Münster, gedruckt mit Coppenrathschen
Schriften) is on p. [160].

Note.—The Text of Parisina, etc., is on pp. 127-156.

Italian.

I.

Parisina/ Poema/ di/ Lord Byron/ Traduzione italiana
in versi./ Milano/ Da Placido Maria Visaj/ Stampatore-Librajo
nei Tre Re/ 1821./ [8º.

Collation—

Pp. 27.

II.

Parisina: poema tradotto da Andrea Maffei. Milano, Gnocchi.
1853. [16º.

[Pagliaini, 1901.]

Collation—

Pp. 40.

III.

Parisina. Traduzione di Carlo Dall’Oro. Mantova, Negretti. 1854. [8º.

I.

The/ Prisoner of Chillon,/ And/ Other Poems./ By Lord Byron./
London:/ Printed for John Murray, Albemarle-Street./ 1816./ [8º.

Collation—

Half-title (The/ Prisoner of Chillon,/ etc./) (R. Advt. of Third
Canto of Childe Harold, and Imprint,
T. Davison, Lombard-street,/ Whitefriars, London./), one leaf;
Title, one leaf; Cont.; ext, pp. 1-60.

Contents—

Sonnet on Chillon	p. 1
The Prisoner of Chillon	p. 3
Poems—
Sonnet	p. 23
Stanzas to ——	p. 24
Darkness	p. 27
Churchill’s Grave	p. 32
The Dream	p. 35
The Incantation	p. 46
Prometheus	p. 50
Notes	p. 55

Note.—On p. 3 the Text is headed “The Prisoner of Chillon. A Fable.”

II.

The/ Prisoner of Chillon/ By/ Lord Byron/ And Part of/
The 3rd Canto of Child [sic] Harold/ With a Short Description
of the Castle/ And a Notice of the Chief Historical
Events/ and Legends connected with its History/ Selected
from authentic sources by an English resident./ Fourth
Edition/ Vevey/ Loertscher & Son, Editors/ 1880/ [8º.

Collation—

Pp. 59. The Text of The Prisoner of Chillon is on pp. 43-53.

XIII.

The Prisoner of Chillon. A Fable. Erklärt v. F. Fischer.
Berlin, Weidmann. 1884. [8º.

[Kayser, 1887.]

[288]

XIV.

The Prisoner of Chillon, with introduction and explanatory
notes by Th. C. Cann, Firenze, Bencini, 1885. [16º.

[Pagliaini, 1901.]

XV.

Byron’s Prisoner of Chillon and Part of Mazeppa. With
Life and Notes. London and Edinburgh. 1894.

[Kölbing, p. 257.]

Note.—Part of “Chambers’ Reprints of English Classics.”

XVI.

The Prisoner of Chillon, by Lord Byron. Special Subject.
London. Stewart & Co., The Holborn Viaduct Steps,
E.C. Edinburgh and Glasgow: Menzies & Co.

[Kölbing, p. 257.]

XVII.

The/ Prisoner of Chillon/ By/ Lord Byron/ With Notes/
Explanatory, Analytical, and Grammatical/ Embracing/
Figures of Speech, and Metre/ By the/ Rev. Henry
Evans, D.D./ Commissioner of National Education/
Dublin/ Blackie & Son, Limited, 89 Talbot Street/ London
and Glasgow/ 1896/ [16º.

Collation—

Pp. 36.

Note—Part of “English Classics for Intermediate Schools and
Colleges.”

XVIII.

Byron./ The Prisoner of Chillon./ A Fable./ With Life,
Introduction, Notes, etc./ Dublin:/ Fallon & Co., 16
Lower Sackville Street./ [Copyright. All Rights
Reserved.] [1896.] [16º.

Collation—

Pp. 36.

Note.—Part of “School and College Series. Edited by Rev.
T. A. Finlay, M.A., F.R.U.I. Price Sixpence, Net.”

XIX.

The/ Prisoner of Chillon/ And/ Other Poems/ By/ Lord
Byron/ In kritischen Texten/ Mit/ Einleitung und
Anmerkungen/ Herausgegeben/ von Eugen Kölbing/
Weimar/ Verlag von Emil Felber/ 1896/ [8º.

[289]Collation—

Pp. ix. + 450.

Translations of The Prisoner of Chillon.

Dutch.

De Gevangene van Chillon; in: Gedichten van K. L.
Ledeganck’ met eene Levensschets des Dichters door J. F. J.
Heremans. Gent, 1856.

[Kölbing, p. 265.]

French.

I.

Le Prisonnier de Chillon, Poème de Lord Byron librement
traduit en vers blancs, précédé d’une notice historique et
descriptive du château de Chillon. Vevey. G. Blanchoud,
libraire-éditeur.

[Kölbing, p. 264.]

II.

Bonnivard/ A/ Chillon/ Souviens-toi du temps d’autrefois./
(Deut. xxxii. 7.)/ Drame historique/ En un acte et trois
tableaux/ Suivi d’une notice historique et du poème de
lord Byron, intitulé: Le Prisonnier de Chillon/ Par un
Huguenot/ Genève/ Imprimerie Wyss et Duchêne, rue
Verdaine/ 1892/ [8º.

Collation—

Pp. 96. There is a prose translation of The Prisoner of Chillon,
pp. 74-85.

Note.—The Front, is a lithograph of “Chillon.”

German.

I.

Lord Byron’s Gefangener von Chillon (am Genfer See). Aus
dem Englischen metrisch übertragen von G. Kreyenberg.
Lausanne, 1861.

[Kölbing, p. 261.]

II.

Der/ Gefangene von Chillon./ Dichtung/ von/ Lord Byron./
In deutscher Uebersetzung mit historischer Einleitung / von /
[290]
/ M. von der Marwitz./ Vevey & Lausanne,/ Richard
Lesser./ [1865.] [8º.

Collation—

Pp. xi. + 16.

Note.—The Front, is a “Photog. de R. Lesser & Cie.,
Vevey,” of four female figures supporting a mirror reflecting the
dungeon of Chillon.

III.

Der Gefangene von Chillon. Eine Fabel von Georg Gordon
Lord Byron. Wortgreteu nach H. R. Mecklenburgs
Gründsatzen in deutsche Prosa übersetzt und eingehend
erläutert von D’. phil. R.T. Berlin, 1886.

[Kölbing, p. 262.]

IV.

Der/ Gefangene von Chillon./ Von/ Lord Byron./ Uebersetzt
von J. G. Hagmann./ S’. Gallen & Leipzig/ Verlag
von Busch & Co./ [1892.] [16º.

Collation—

Pp. 29.

Note.—The Front, is a lithograph of “Chillon.”

Italian.

I.

Il prigionero di Chillon, poema romantico trad. in prosa
italiana. In Indicatore Livornese, N. 44, del II Gennaio
del 1830.

[Saggio di Bibliografie, Milano, Levino Robecchi, 1887.]

II.

The/ Prophecy of Dante./ (Cantos I., 11.)/ By/ Lord
Byron./ With Critical and Explanatory Notes,/ By L.
W. Potts,/ Lecturer on History at the Birkbeck Institute,
London./ London:/ Blackie & Son, 49 & 50 Old Bailey,
E.C./ Glasgow, Edinburgh, and Dublin./ 1879./ [16º.

[292]
Collation—

Pp. 32. The Imprint (Glasgow: W. G. Blackie and Co.,
Printers, Villafield.) is at the foot of p. 32.

Note.—Part of “Blackie’s School Manuals.”

Translations of The Prophecy of Dante.

French.

Oeuvres de Dante Alighieri. La Divine Comédie, Traduction
A. Brizeux. La Vie Nouvelle, Traduction E. J.
Delécluze. Paris, Charpentier, libraire-éditeur. 29,
rue de Seine. 1842. [8º.

Italian.

I.

Profezia di Dante Alighieri, scritta da lord Byron, e tradotta
dell’inglesc. Impr. de Clò, à Paris. Paris, chez Barrois
aîné, 1821. [8º.

[Bibl. de la France, October 26, 1821.]

II.

La Profezia di Dante. Di Lord Byron. Tradotta in
terza rima da L. Da Ponte. Nuova-Jorca: Publicata
da R. E. W. A. Bartow, 250 Pearl-St. Gray & Bunce,
Stampatori. 1821. [12º.

Collation—

Pp. 72.

Note.—The Italian is printed over against the English. There
is a double Dedication (pp. 3-7), “A Madamgella Giulia
Livingston,” and “A Lord Byron.”

III.

La Profezia di Dante: poema, reso in versi italiani da Giov.
Giovio, Milano, Bernardoni, 1856. [8º.

[Pagliaini, 1901.]

IV.

La Profezia di Dante: poema accommodate all’indole del
verso italiano da Melchiorre Missirini, publicato da Fr.
Longhena, Milano Guglielmini, 1858. [8º.

[Pagliaini, 1901.]

Spanish.

[293]
La Profecia del Dante./ Poema escrito y dedicado/ à la/
Condesa Guiccioli/ En 1819,/ Por lord Byron,/ al visitar
en Ravena la tumba de aquel./ Traducido del Frances/
Por/ Antonio Maria Vizcayno,/ y dedicado a su bien
amigo/ El Sr. Lic. D. Jose Agustin de Escudero./
Magistrado del supremo tribunal de guerra y marina./
Mexico: 1850./ Imprenta de J. M. Lara, calle de la
Palma núm. 4./ [8º.

Collation—

Title, etc., 6 pp. + Text, pp. 28.

Sardanapalus.

I.

Sardanapalus,/ A Tragedy./ The Two Foscari,/ A Tragedy./
Cain,/ A Mystery./ By Lord Byron./ London:/ John
Murray, Albemarle-Street./ 1821./ [8º.

Collation—

Pp. viii. + 439. Half-title (R. London: Printed by Thomas
Davison, Whitefriars.), pp. i., ii.; Title, one leaf, pp. iii., iv.;
Cont., pp. v., vi.; Preface, pp. vii., viii.; Text, pp. 1-439. The
Imprint, as above, is on p. [440].

Contents—

Sardanapalus, A Tragedy	p. 1
Notes	p. 171
The Two Foscari, A Tragedy	p. 175
Appendix	p. 305
Cain, A Mystery	p. 331

II.

Sardanapalus, a Tragedy; The Two Foscari, a Tragedy;
Cain, a Mystery. Boston. 1822. [16º.

Collation—

Pp. 309.

III.

Sardanapalus:/ A Tragedy./ By/ Lord Byron./ London:/
John Murray, Albemarle Street,/ 1829./ [8º.

Collation—

Title, one leaf, pp. 1, 2; Half-title, one leaf, pp. 3, 4;
Dedication, pp. 5, 6; Author’s Note, pp. 7, 8; Dramatis Personæ,
n.p.; Text, pp. 9-134.

Note.—The Dedication to “The illustrious Goëthe,” which
was omitted from the edition of 1821 (No. i.), is inserted.

IV.

[294]
Sardanapalus: A Tragedy by Lord George Gordon Byron.
Arnsberg, Ritter. 1849. [16º.

[Kayser, 1854.]

Note.—Part of “Sammlung Englischer Schauspiele der neuesten
Zeit.”

V.

Sardanapalus,/ King of Assyria./ A Tragedy./ In Five
Acts./ By/ Lord Byron./ Adapted for Representation
by/ Charles Kean./ Thomas Hailes Lacy,/ Wellington
Street, Strand,/ London./ [1853.] [12º.

Collation—

Pp. 56.

Note.—No. 155 of “Lacy’s Acting Edition of Plays.”

VI.

Lord Byron’s/ Historical Tragedy/ of/ Sardanapalus./
Arranged for Representation,/ In Three [sic] Acts,/ By
Charles Calvert./ Manchester: John Heywood, 141 and
143, Deansgate./ [1877?] [8º.

Collation—

Pp. vii. + 56.

Note.—A list of “Opinions of the Press”
(see Poetical Works, 1901, v. 9)
is printed on p. 56 and on the inner leaf of the paper cover.

VII.

Sardanapalus./ By/ Lord Byron./ [Title-vignette, “Myrrha,
Embrace me: yet once more—yet once more.”] New
and Complete Edition.—Price One Penny./ London:
J. Dicks, 313, Strand: All Booksellers./ [1883, etc.] [12º.

Collation—

Pp. 495-524.

Note.—No. 50 of “Dicks’ Standard Plays.”

Translations of Sardanapalus.

Bohemian.

Sardanapal … Přeložil František Krsek. (“Sborník světové
poesie.” svaz. 3.) pp. 204. Otto: v Praze, 1891. [8º.
[295]

Lord Byron’s/ Sardanapal/ Eine Tragödie/ frei übertragen
und für die Bühne bearbeitet/ von/ Josef Kainz/ Berlin
W/ F. Fontane & Co./ 1897/

Collation—

I.

The/ Siege of Corinth./ A Poem./ Parisina./ A Poem./
London:/ Printed for John Murray. Albemarle-Street./
1816/ [8º.

[297]Collation—

Half-title (R. T. Davison, Lombard street,/ Whitefriars,
London.); Title, one leaf; Second Half-title, with Motto
(“Guns,” etc.), pp. 1, 2; Dedication, pp. 3, 4; Advt., pp. 5, 6;
Text, pp. 7-89 + Notes, p. [91] (R. Imprint as above).

Note.—The Siege of Corinth is on pp. 7-57;
Parisina, pp. 59-[91].

Note.—A Second and a Third Edition were issued in 1816.
The Museum copy of the First Edition is without the Half-title.

II.

The/ Siege of Corinth:/ A Poem./ Parisina:/ A Poem./
By Lord Byron./ New-York:/ Printed and Published by
Van Winkle & Wiley,/ No. 3 Wall-Street./ 1816./ [12º.

Collation—

Pp. 94.

III.

The/ Siege of Corinth./ A Poem./ By Lord Byron./
“Guns, Trumpets, Blunderbusses, Drums, and Thunder.”/
London:/ Printed and Published by W. Dugdale,/ 23,
Russell Court, Drury Lane./ 1824./ [12º.

Collation—

Pp. 44. The Imprint (Printed by W. Dugdale; Russell-Court,
Drury Lane.) is at the foot of p. 44.

IV.

The Siege of Corinth. Für den Schul. u. Privatgebrauch
abgedr. nach der Pariser Ausg. (1835, Galignani.) Lüneburg,
Engel. 1854. [8º.

[Kayser, 1860.]

Collation—

Pp. 51.

V.

Lines from the Poets/ With Notes/ For use in Elementary
and Secondary Schools/ Adapted to the requirements of
the New Code and the/ Oxford and Cambridge Local
Examinations/ No. 4/ Byron’s ‘Siege of Corinth’/
London/ National Society’s Depository/ Broad Sanctuary,
Westminster/ 1879/ [16º.

Collation—

Pp. 62.

VI.

[298]
Byron’s/ Siege of Corinth./ Mit/ Einleitung und Anmerkungen/
Herausgegeben/ von/ Eugen Kölbing./ Berlin./
Verlag von Emil Felber./ 1893./ [8º.

Collation—

Pp. lx. + 155. The Imprint (Druck von G. Uschmann in
Weimar.) is at the foot of p. 155.

VII.

The Siege of Corinth. Mit Anmerkgn. zum Schulgebrauch
hrsg. v. K. Bandow. [12º.

[Kayser, 1891.]

Note.—Part of “English Authors.” Bielefeld, Velhagen &
Klasing. 1885-1890.

Translations of The Siege of Corinth.

Dutch.

Het/ Beleg van Corinthe,/ Uit Het Engelsch van/ Lord
Byron./ Door/ Mr. I. Van Lennep./ [Title-vignette,
phantom appearing to Alp.] Te Amsterdam bij/ P.
Meijer Warnars./ 1831./ [8º.

Collation—

Pp. 59. The Imprint (Gedrukt Bij C.A. Spin.) is at the foot
of p. 59.

French.

Le Siége de Corinthe, par lord Byron; traduit de l’anglais
par Ch. Mancel. Impr. de Guîraudet, à Paris. A Paris,
chez Delaunay; chez Pillet aîné. 1820. [12º.

[Bibl. de la France, September 16, 1820.]

German.

I.

Die Belagerung von Korinth. [Deutsch. v.] A. Wollheim.
Hamburg. Lübbers & Schubert. (?) 1817. [12º.

[Centralblatt, 1890, vii. 472.]

II.

Die Belagerung von Korinth. Mit gegeniibergedrucktem
Originaltext. Leipzig, Brockhaus. 1820. [8º.

[Centralblatt, 1900, vii. 458.]

Note.—Britische Dichterproben, ii. I.

[299]

III.

Die Belagerung von Korinth. [Deutsch. v.] G. E. Schumann.
Hamburg, Nestler & Melle. 1827. [8º.

[Centralblatt, 1890, vii. 471.]

Italian.

L’Assedio di Corinto, di Giorgio lord Byron, Versione di
Vincenzo Padovan. Venezia, coi tipi del Gondoliere, 1838. [8º.

[Bibliografia Italiana, March, 1838.]

II.

The Two Foscari, an historical tragedy. By the right hon.
lord Byron. Impr. de Belin, à Paris. A Paris chez
Galignani, 1822. [12º.

[Bibl. de la France, March 9. 1822.]

III.

[300]
The Two Foscari./ By/ Lord Byron./ [Title-vignette,
Death of Jacopo Foscari—”Touch it not, Dungeon Miscreants!——”]
New and Complete Edition.—Price One
Penny./ London: J. Dicks, 313, Strand. All Booksellers./
[1883, etc.] [8º.

Collation—

Pp. 525-546.

Note.—No. 73 of “Dicks’ Standard Plays.”

Translations of The Two Foscari.

Russian.

Двое Фоскари … пер. Е. Зарина.
[“Библіотека для Чтенія,” 1861. No. 11.]

Spanish.

Los dos Fóscaris. Drama histórico en cinco actos y en
verso por D. Manuel Çañete, representado en el teatro de
la Cruz, a beneficio de D. Juan Lombia, en el mes de
noviembre de 1846.

Collation—

Pp. 24.

Note.—Part of “Biblioteca Dramatica,”/ etc./ Madrid, 1846./
Imprenta de Don Vicente de Lalama, Editor,/ Calle del Duque
de Alba, n. 13./ 4º.

The Vision of Judgment.

Note.—For the First Edition of The Vision of Judgment, see
The Liberal, 1822, No. I., pp. 3-39.

I.

Vision of Judgment. Paris, Galignani, 1822. [12º.

[Quérard, 1827.]

II.

The/ Two Visions;/ or,/ Byron v. Southey./ Containing/
The Vision of Judgment,/ By Dr. Southey, L.L.D./ Poet-Laureate
and Esquire; Republican and Royalist:/ Also
Another/ Vision of Judgment,/ By Lord Byron./ London:
Printed and Published by W. Dugdale, 19, Tower/ Street,
Seven Dials./ 1822./

Collation—

Pp. 72.

Note.—The Text of Lord Byron’s Vision of Judgment is on pp.
35-72.

The Waltz.

[301]

I.

Waltz:/ An Apostrophic Hymn./ By/ Horace Hornem, Esq./
“Qualis in Eurotæ ripis, aut per juga Cynthi/
Exercet Diana choros.”—Ovid./ London: Printed by
S. Gosnell, Little Queen Street, Holborn,/ For Sherwood,
Neely, and Jones, Paternoster Row./ 1813./ (Price
Three Shillings.)/ [4º.

Collation—

Title, one leaf, pp. [1], [2]; To the Publisher, pp. 3-6; Text,
pp. 7-27. The Imprint (S. Gosnell, Printer, Little Queen Street,
London.) is at the foot of p. 27.

Note.—The pages of the Text measure 280 X 220.

II.

Waltz:/ An/ Apostrophic Hymn./ By/ Horace Hornem,
Esq./ (The Author of Don Juan.)/ Qualis in Eurotæ
ripis, aut per juga Cynthi/ Exercet Diana choros./ Virgil./
Such on Eurotas‘ banks, or Cynthia’s height,/ Diana
seems; and so she charms the sight,/ When in the dance
the graceful goddess leads/ The Quire of Nymphs, and
overtops their heads./ Dryden’s Virgil./ London:/
Benbow, Printer and Publisher, Castle Street,/ Leicester
Square./ 1821./ [12º.

Collation—

Pp. v. + (Text) 7-36.

Contents—

To the Publisher	p. iii.
The Waltz	p. 7
Notes	p. 19
To Jessy [attrib. to Lord Byron]	p. 27
“My Boat is on the shore” [attrib. to Lord Byron]	p. 29
Lines … to Mr. Hobhouse [attrib. to Lord Byron]	p. 30
On the Star of “The Legion of Honour”	p. 31
Adieu to Malta	p. 34

Note.—The two last poems are not attributed to Lord Byron.

Werner

I.

Werner,/ A Tragedy./ By Lord Byron./ London:/ John
Murray, Albemarle-Street./ 1823-/ [8º.

[302]
Collation—

Half-title (R. London:/ Printed by Thomas Davison, Whitefriars.),
pp. i., ii.; Title, one leaf, pp. iii., iv.; Dedication, one
leaf (“To/ The Illustrious Goëthe,/ By One of His Humblest
Admirers,/ This Tragedy is dedicated./”), pp. v., vi.; Preface,
pp. vii., viii.; Text, pp. 1-188. The Imprint, as above, is at
the foot of p. 188.

II.

Werner, a Tragedy. Paris, Galignani. 1823. [12º.

[Quérard, 1827.]

III.

Werner./ A Tragedy/ In Five Acts./ By Lord Byron./
With the Stage Business, Casts of Characters,/ Costumes,
Relative Positions, etc./ New York:/ M. Douglas, 11
Spruce Street./ And for Sale by all Booksellers./ 1848./ [8º.

Collation—

Pp. v. + 6-75.

Note.—No. lxviii. of “Modern Standard Drama.” Edited by
John W. S. Hows.

IV.

The/ British Drama./ Illustrated./ Vol. III./ London:/
Published by John Dicks, 313, Strand./ 1865./ [8º.

Note.—The Text of “Werner./ A Tragedy, In Five Acts.—By
Lord Byron./” is on pp. 767-789.

V.

Werner./ By Lord Byron./ [Title-vignette [Sieg.]—”Liar
and Fiend! But you shall not be slain.”—[Act v. Scene 1.]/]
New and Complete Edition.—Price One Penny./ London:
J. Dicks, 313, Strand; All Booksellers./ [1883, etc.] [8º.

Collation—

Pp. 767-789.

Note.—No. 3 of “Dicks’ Standard Plays.”

VI.

Werner/ or/ The Inheritance/ A Tragedy/ By/ Lord
Byron/ London/ George Routledge And Sons/ Broadway,
Ludgate Hill/ Glasgow and New York/ 1887/ [16º.

Collation—

Pp. ix. + 10-256. The Imprint (Ballantyne Press: Edinburgh
and London.) is at the foot of p. 256.

Translations of Werner.

[303]

Russian.

I.

Вернеръ … пер. Неизвѣстнаго.
С.-Петербургъ, 1829.

II.

Донъ-Жуанъ иа островѣ пирата. Перев. Д. Мина
Москва, 1881.

The Liberal.

The/ Liberal./ Verse and Prose From The/ South./ Volume
the First./ London, 1822:/ Printed by and for John
Hunt,/ 22, Old Bond Street./ [8º.

Collation—

Vol. I.: pp. xii. + 3-399 + Cont., p. [401] (R. “Errata,”
p. [402]). The Imprint (London:/ C. H. Reynell, Printer,/ 45,
Broad-Street, Golden-Square.) is at the foot of p. [402].

Vol. II.: [The/ Liberal,/ etc./ Volume The Second./ London,
1823:/ Printed for John Hunt,/ 22, Old Bond Street./], pp. viii.
+ 1-377 + Cont. of No. iv., p. [379]. The Imprint (London:/
Printed by C. H. Reynell, Broad Street, Golden-Square.) is at the
foot of p. [380].

Contents [Lord Byron’s contributions]—

Vol. I.: The Liberal, No. 1. The Vision of Judgment. By
Quevedo Redivivus. Suggested by the Composition so entitled
by the Author of “Wat Tyler.” “A Daniel come to judgment!
yea, a Daniel! I thank thee, Jew, for teaching me that word.”
Pp. 8-39; Letter to the Editor of “My Grandmother’s Review,”
pp. 41-50; Epigrams on Lord Castlereagh, p. 164.

The Liberal, No. II. Heaven and Earth, A Mystery, Founded
on the Following Passage in Genesis, Chap. vi.: “And it came
to pass … that the sons of God saw the daughters of men that
they were fair; and they took them wives of all which they chose.”
“And woman wailing for her demon lover.”—Coleridge. Part I.,
etc., pp. 165-206. From the French (“Ægle, beauty and poet,”
etc.), p. 396; Martial.—Lib. I. Epig. I (Translation), p. 398;
New Duet (“Why how now, saucy Tom?”), ibid.

Vol. II.: The Liberal, No. III. The Blues, A Literary
Eclogue, “Nimium ne crede colori.”—Virgil. O trust not, ye
beautiful creatures, to hue, Though your hair were as red
as your
stockings are blue. Eclogue the First, etc., pp. 1-21.

The Liberal, No. IV. Morgante Maggiore di Messer Luigi
Pulci, pp. 193-249.

Note.—The text of the original Italian is printed after the
English translation.

[304]

Dedication of Don Juan.

The following note was attached to the “Dedication” which
was prefixed to the First Canto in 1833 (Works, 1833, xv. 101):—

“Note(1). [This ‘Dedication’ was suppressed in 1819, with
Lord Byron’s reluctant consent; but, shortly after his death, its
existence became notorious, in consequence of an article in the
Westminster Review, generally ascribed to Sir John Hobhouse,
and for several years the verses have been selling in the streets as
a broadside. It could therefore serve no purpose to exclude them
on the present occasion.]” See, too, Poetical Works, 1903, vi. 3.

I am indebted to the kindness of Mr. H. Buxton Forman,
C.B., for the following description of one of these “broadsides,”
now in his possession:—

“Single sheet foolscap 8vo, consisting of Half-title, ‘Dedication/
to/Don Juan,/’ with Imprint on verso (‘London:/ printed
by C. and W. Reynell, Broad Street,/ Golden Square’); Title-page,
‘Dedication/ to/ Don Juan./ by/ Lord Byron./ London:/
Published by Effingham Wilson,/Royal Exchange./ 1833./’ On
the verso of this is a note—

“‘[Why the following Dedication did not appear with the two
first published Cantos of the Poem cannot be explained—unless the
connection between Mr. Murray and
Mr. Southey sufficiently explains it.]’

“The first page of the Text (p. 5, but not numbered) contains
the dropped head ‘Don Juan./ Dedication.’ and one stanza.
Pp. 6-10 contain two stanzas each, and p. 11 one. The headline
‘Don Juan’ runs from p. 6 to p. 11, and the stanzas are numbered
in Roman capital figures. P. 12 is blank, and is followed by a
Half-title, ‘Notes,’ with a blank verso. The Notes occupy
pp. 15 and 16, of which 15 is not numbered, but has a dropped
head, ‘Notes.’ Page 16 is numbered, and has the headline
‘Notes.'”

Diadem Hill (Annesley Park), Where Lord Byron Parted From Mary Chaworth.

[305]

NOTES.

Note (1).—On Genuine and Spurious Issues
of “English Bards, and Scotch Reviewers.”

Among the first who called attention to the “inextricable tangle”
of the several editions of English Bards, and Scotch Reviewers was
Mr. Leicester Warren, better known as Lord de Tabley, who communicated
some notes in 1877 to Notes and Queries (Series V.
vol. vii. pp. 145, etc.); but it was reserved to the late Mr. Dykes
Campbell, Mr. Bertram Dobell, and other correspondents to the
Athenæum (May 5 to July 7, 1894), to point out that the problem
was still farther complicated by the existence of spurious issues of at
least three out of the five or six distinct editions of the Satire.

All editions, genuine or spurious, claim as their publisher “James
Cawthorn, British Library, No. 24 Cockspur Street,” but different
printers were employed. The First Edition bears the imprint of
“T. Collins, Printer, No. 1, Harvey’s Buildings, Strand;” the
Second Edition, that of “Deans and Co. Hart Street, Covent
Garden;” the Third Edition, that of “T. Collins,” etc.; the Fourth
Edition of 1810, that of “T. Collins,” etc.; the Fourth
Edition of 1811 (“James Cawthorn and Sharpe and Hailes”), that
of “Cox, Son, and Baylis, Great Queen Street, London.” No
printer’s name was attached to the suppressed Fifth Edition of 1812.

Genuine First Editions have the water-mark, “E. and P. 1804,”
or “E. and P. 1805,” or, possibly, no water-mark at all. A copy
of the spurious First Edition, in Mr. Murray’s possession, has the
water-mark, “S. and C. Wise, 1812.” In addition to at least eleven
variants in punctuation, the spurious copy prints (p. 5, line 47)
“Wizzard” (p. 20 n.), “Medeira,” and, in the same note,
“Anna d’Afert;” whereas the genuine copies print correctly “Wizard,”
“Madeira,” and “Anna d’Arfet.”

A genuine copy of the Second Edition, which belonged to the
late Mr. Dykes Campbell, bears the water-mark “Budgen and
Willmot, 1808.” On p. 80, line 1007, “Abedeen” is misprinted for
“Aberdeen;” and the same misprint occurs in a copy of the Second
Edition in the British Museum. In all probability there was no
spurious issue of the Second Edition.

Of the Third Edition (1810), copies bearing the water-mark,
“E.&P. 1804,” or “G.&R.T.,” may be regarded as genuine—rare
exceptions among a host of forgeries
[306]
which either lack a water-mark
altogether or bear water-marks of a later period. Mr. Gilbert R.
Redgrave, in an article (The Library, December 1, 1899, Series II.
vol. i. pp. 18-25), notes two distinct and divergent forgeries bearing
the water-mark “Pine, and Thomas, 1812.” Forgery A prints
“myse” for “muse” (line 4), “rove” for “rave” (line 384), etc.;
while forgery B, in a footnote to p. 30, prints “Bowle’ss” for
“Bowles’s,” and, at the end of p. 85, “we” for “me,” and
“farther” for “further.” Other copies bear the water-marks,
“Allnutt, 1816,” “Smith & Allnutt, 1816,” “Ivy Mills, 1817,” and
“I.&R. Ansell, 1818.” A copy of a spurious issue of the Third
Edition in the British Museum prints “crawl” for “scrawl” (line
47), and “p. 73” for “p. 85.”

It has been surmised, but conclusive proof is not forthcoming,
that a so-called Fourth Edition of 1810 (1050 lines), which purports
to have been published by James Cawthorn, and bears the imprint,
“Printed by J. Collins, Harvey’s Buildings, Strand, London,” is a
spurious issue. It is practically a reprint of the Third Edition; but
in some copies there are misprints not to be found in other
piracies—e.g. “crouds” for “crowds” (line 269),
and “alter” for “altar”(line 285).

Copies of the Fourth Edition of 1810, which may possibly be
genuine, bear a water-mark, “G.&R.T.,” or are on plain paper.
Copies which are manifestly forgeries bear the water-marks, “J.X.
1810” and “W. Pickering, 1816.”

A second Fourth Edition (1052 lines), published by “James Cawthorn
and Sharp & Hailes, 1811,” and printed by “Cox, Son, &
Baylis,” was certainly recognized by Byron as a genuine Fourth
Edition, and must have passed through his hands, or been subject
to his emendation, before it was sent to press. Copies of this edition
bear his MS. emendations of 1811-1812, and marginal notes of
1816. Genuine copies (e.g. Leigh Hunt’s copy, now in the Forster
Collection at the South Kensington Museum) are printed on paper
bearing a water-mark, “J. Whatman, 1805.” There was, however,
another issue of the Fourth Edition of 1811, printed on plain paper.
Mr. Redgrave notes certain minute differences between these two
issues. In the edition on plain paper there is a hyphen to “Cockspur-Street”
on the title-page, and the word “Street” is followed by a
comma instead of a semicolon. Again, in the plain-paper copies
“Lambe” is spelt with an e, and in the water-mark copies the word
is correctly spelt “Lamb.” In the plain-paper copies the misprint
“Postcript” for “Postscript” is repeated, and in the copies bearing
a water-mark the word is correctly spelt “Postscript.” There are
other differences in the advertisements at the end of the volume.

A spurious Fourth Edition in Mr. Murray’s possession, which has
been enriched with a series of prints of persons and places, bears the
water-marks, “1811,” “1814.” Each page has been inserted into
a folio sheet bearing the water-mark, “J. Whatman, 1816.” A
full-sized octavo, in small print (B.M. 11645 P. 15), which purports
[307]
to be the Fourth Edition of 1811, is probably spurious. It is the
survival of a distinct issue from other genuine or spurious copies of
the Fourth Edition.

The spurious issues of the Third and Fourth Editions, whether
they were printed in Ireland or were secretly thrown upon the
market by James Cawthorn after Byron had definitely selected
Murray as his publisher, were designed for the general reader and
not for the collector. The issue of a spurious First Edition after
the improved and enlarged editions of 1809-11 were published,
must have been designed for the Byron enthusiast, if not the collector
of First Editions.

The Grangerized Fourth Editions prepared by Mr. W. M. Tartt
and Mr. Evans in 1819, 1820, and a Third, by John Murray at
about the same period, and, more remarkable still, a copy of the
Fourth Edition of 1811, prefaced by a specially printed “List of
Names mentioned in the English Bards, and Scotch Reviewers”
interleaved with the additions made in the Fifth Edition (B.M.),
point to the existence of a circle of worshippers who were prepared
to treat Byron’s Juvenilia as seriously as the minute critics of the
present generation. They seem to have been sufficiently numerous
to make piracy, if not forgery, profitable.

Note (2).—Correspondence Between the First Edition as
Numbered and the Present Issue as Numbered.

First Edition (696 lines).		Fifth (Present) Edition (1070 lines).
1-26	=	103-128
27-246	=	143-362
247-262	=	Hobhouse’s lines, omitted in Edition 2.
263-372	=	418-528
373-470	=	540-637
471-522	=	707-758
523-526	=	761-764
527-586	=	799-858
587-654	=	881-948
655-667	=	961-972
668-696	=	981-1010
Second, Third, Fourth (a) Editions (1050 lines).		Fifth (Present) Edition (1070 lines).
1-96	=	1-96
97-521	=	103-527
522-740	=	540-758
741-1050	=	761-1070
Fourth (b) Edition (1052 lines).		Fifth (Present) Edition (1070 lines).
1-96	=	1-96
97-521	=	103-528
522-1052	=	540-1070

[308]

Additions in the Second, Third, and Fourth (a) Editions.

[The lines are numbered as in the Second, Third, and Fourth Editions.]

1-96	Still must I hear … as you read.	96
123-136	Thus saith the Preacher … to grovelling Stott.	14
357-411	But if some new-born whim … lumbering back again.	55
620-688	Or, hail at once … virtue must apply.	69
745-778	When some brisk youth … thy pay for coats.	34
839-860	And here let Shee … and God-like men.	22
929-940	Yet what avails … blazes, and expires.	12
953-960	There Clarke, still … libel on mankind.	8
991-1050	Then, hapless Britain, … unjustly, none declare	60
		——
		370

696 – 16 (Hobhouse’s lines) = 680 + 370 = 1050.

Addition in Fourth Edition (1811).

741-742

Through Crusca’s bards … columns still.

1050 + 2 = 1052.

Additions in the Fifth (Present) Edition.

97-102	‘But hold!’ exclaims … shine with Pye.	6
528-539	Then, prosper, Jeffrey … inspires thy pen.	12
		——
		18

1052 + 18 = 1070.

Emendations of the Text of the Fourth Edition (b) included in the
text of the Fifth and Present Edition.

Fourth Edition.Fifth Edition.

Line.		Line.
28	And men through life her willing slaves obey.
	Obeyed by all who nought beside obey.	28
30	Unfolds her motley store to suit the time.
	Bedecks her cap with bells of every clime.	30
32	When Justice halts, and Right begins to fail.
	And weigh their Justice in a golden scale.	32
71	Fear not to lie, ’twill seem a lucky hit.
	Fear not to lie,’twill seem a sharper hit.	71
173	Low may they sink to merited contempt,
174	And scorn remunerate the mean attempt.
	Still for stern Mammon may they toil in vain!	179
	And sadly gaze on Gold they cannot gain.	180
257	How well the subject suits his noble mind!
258	“A fellow feeling makes us wondrous kind.”
	So well the subject suits his noble mind,	263[309]
	He brays, the Laureate of the long-eared kind.	264
303	In many marble-covered volumes view
304	Hayley, in vain attempting something new:
305	Whether he spin his comedies in rhyme,
306	Or scrawl, as Wood and Barclay walk, ‘gainst time.
	Behold—Ye Tarts!—one moment spare the text!	309
	Hayley’s last work, and worst—until his next;	310
	Whether he spin poor couplets into plays,	311
	Or damn the dead with purgatorial praise.	312
323	And shows, dissolved in thine own melting tears.
	And shows, still whimpering thro’ threescore of years. 329
327	Whether in sighing winds thou seek’st relief
328	Or consolation in a yellow leaf.
	Whether thou sing’st with equal ease and grief,	333
	The fall of empires or a yellow leaf.	334
385	Fresh fish from Helicon! Who’ll buy! Who’ll buy?
	Fresh fish from Hippocrene! who’ll buy? who’ll buy?	391
387	Too much in turtle Bristol’s sons delight,
388	Too much o’er bowls of Rack prolong the night.
	Your turtle-feeder’s verse must needs be flat,	393
	Though Bristol bloat him with the verdant fat.	394
502	First in the ranks illustrious shall be seen.
	First in the oat-fed phalanx shall be seen.	508
511	As he himself was damned, shall try to damn.
	Damned like the Devil—Devil-like will damn.	517
532	And grateful to the founder of the feast,
533	Declare his landlord can translate, at least,
	And, grateful for the dainties on his plate,	550
	Declare his landlord can at least translate.	551
552	While Kenny’s World just suffered to proceed,
553	Proclaims the audience very kind indeed.
	While Kenney’s “World”—ah! where is Kenney’s wit?—	570
	Tires the sad gallery, lulls the listless Pit.	571
563	Let Comedy resume her throne again.
	Let Comedy assume her throne again.	581
569	Where Garrick trod, and Kemble lives to tread.
	Where Garrick trod, and Siddons lives to tread.	587
614	Raise not your scythe, Suppressors of our Vice.
	Whet not your scythe, Suppressors of our Vice.	632
625	The Arbiter of pleasure and of play.
	Our arbiter of pleasure and of play.	643
661	And, kinder still, a Paget for your wife.
	And, kinder still, two Pagets for your wife.	679
728	Want your defence, let Pity be your screen.
	Want is your plea, let Pity be your screen.	746
742	Some stragglers skirmish round their columns still.
	Some stragglers skirmish round the columns still.	760
815	The spoiler came; and all thy promise fair
816	Has sought the grave, to sleep for ever there.
	The Spoiler swept that soaring Lyre away,	834[310]
	Which else had sounded an immortal lay.	835
891	The native genius with their feeling given.
	The native genius with their being given.	909
903	Let Moore be lewd; let Strangford steal from Moore.
	Let Moore still sigh; let Strangford steal from Moore.	921
922	For outlawed Sherwood’s tales of Robin Hood.
	For Sherwood’s outlaw tales of Robin Hood.	940
946	And even spurns the great Seatonian prize.
	Even from the tempting ore of Seaton’s prize.	964
965	So sunk in dullness and so lost in shame,
966	That Smythe and Hodgson scarce redeem thy fame.
	So lost to Phoebus, that nor Hodgson’s verse	983
	Can make thee better, nor poor Hewson’s worse.	984
969	On her green banks a greener wreath is wove.
	On her green banks a greener wreath she wove.	987
972	And modern Britons justly praise their Sires.
	And modern Britons glory in their Sires.	990
984	Earth’s chief Dictatress, Ocean’s mighty Queen.
	Earth’s chief Dictatress, Ocean’s lovely Queen.	1002
1005	But should I back return, no lettered rage
1006	Shall drag my common-place book on the stage:
1007	Let vain Valentia rival luckless Carr,
1008	And equal him whose work he sought to mar.
	But should I back return, no tempting press	1023
	Shall drag my Journal from the desk’s recess;	1024
	Let coxcombs, printing as they come from far,	1025
	Snatch his own wreath of Ridicule from Carr.	1026
1016	I leave topography to classic Gell.
	I leave topography to rapid Gell.	1034
1018	To stun mankind with Poesy or Prose.
	To stun the public ear—at least with Prose.	1036
1049	Thus much I’ve dared to do; how far my lay.
	Thus much I’ve dared: if my incondite lay.	1067

Note (3).—The Annotated Copies of the Fourth Edition of 1811.

Two annotated copies of the genuine Fourth Edition of English
Bards, etc. [1811], with MS. corrections in Byron’s handwriting,
are extant—one in Mr. Murray’s possession, and a second in the
Forster Library at the South Kensington Museum. The former,
which contains the marginal comments marked “B. 1816,” has
been assumed to have been prepared as a press copy for the Fifth
Edition; but, as the following collation reveals, the latter, which
belonged to Leigh Hunt, represents a fuller and later, though not
[311]
a final revision. The half-title bears the inscription, “Byron,
Dec. 31^st, 1811.
N—d. A^y [i.e. Newstead Abbey] B.

“Dum relego—scripsisse pudet—quia plurima cerno—
Me quoque—qui feci—judice digna lini—B. J^y 20, 1812.”

and the verso the words, “Given me by the author on my birthday, Oct. 19, 1815. Leigh Hunt.”

P. 5. ingen i ous. [The misprint is a note of a genuine copy.]

Lines 173, 174.

Low may they sink to merited contempt
And scorn remunerate the mean attempt.
Still for stern Mammon may they toil in vain,
And sadly gaze on Gold they cannot gain.

[This emendation is not given in the Murray copy.]

Lines 257, 258.

So
How well the subject suits his noble mind!
“A fellow feeling makes us wond’rous kind,”
He brays the Laureat of the long-eared kind!

[The Murray copy, which amends line 258 as above, leaves the
“How” unerased, but the Fifth Edition prints “So.”]

Lines 323-328.

And shows, dissolved in thine own tears.
still whimpering through threescore years.
Whether in sighing-winds thou seek’st relief,
Or consolation in a yellow leaf.
Whether in equal strains thou vent’st thy grief
O’er falling Empires or a yellow leaf.

[The Murray copy gives no emendation. The Fifth Edition
adopts the first correction, but, for the variant in lines 327, 328,
reads—
Whether thou sing’st with equal ease and grief
The fall of Empires or a yellow leaf.]

Line 336. All love thy strain
rhyme

Line 385. Fresh fish from Helicon
Hippocrene

[The Murray copy adds a note: “The Fifth Edition reads Hippocrene.”]

Lines 387, 388.
Too much in turtle Bristol’s sons delight,
Too much o’er bowls of Rack prolong the night.
Your turtle-feeder’s verse must needs be flat,
Though Bristol bloat him with the verdant fat.

[The Murray copy does not contain this emendation, which was
adopted in the Fifth Edition.

[312]

P. 36 n. The Hunt copy gives in MS. the note concerning
Moore—”I am informed,” etc.—which is printed in the Fifth
Edition. There is no similar annotation in the Murray copy.

Line 502. For “ranks illustrious” both annotated copies read
“oat-fed phalanx.”]

Lines 532, 533.
And grateful to the founder of the feast,
Declare his landlord can translate, at least.
And grateful for the dainties on his plate,
Declare his landlord can at least translate.

[The amended lines, which appeared in the Fifth Edition, are not
in the Murray copy.]

Lines 552, 553.
While Kenny’s World just suffered to proceed,
Proclaims the audience very kind indeed.
While Kenny’s World—ah where is Kenny’s wit?
listless
Tires the sad Gallery—lulls the listening pit.

[The emendation is given in both annotated copies; but the
substitution of “listless” for “listening,” which is adopted in the
Fifth Edition, does not appear in the Murray copy,]

Line 563. Let Comedy re sume
ass

[The correction is not given in the Murray copy.]

Line 569. and Kemble lives to tread.
Siddons

[The substitution of “Siddons” for “Kemble,” which dates
from the Fifth Edition, is not given in the Murray copy.]

Line 728.
Want your defence, let Pity be your screen
plea
Want is your plea, let Pity be your screen.

Lines 815, 816.
The spoiler came; and all thy promise fair
Has sought the grave, to sleep for ever there.
The Spoiler swept that soaring Lyre away,
Which she had sounded an immortal lay.

[The emendation appears in both the annotated copies.]

L. 903. Let Moore be lewd
still sigh

[313]
[This emendation does not appear in the Murray copy, but the
words [“be lewd”] have been underscored with a pencil, and a X
placed against them.]

Line 946.
And even spurns the great Scatonian prize.
Even from the tempting ore of Seaton’s prize.

[This emendation is given in both the annotated copies.]

Lines 965, 966.
So sunk in dullness and so lost in shame
That Smythe and Hodgson scarce redeem thy fame.
So sunk in dullness that nor Hodgson’s verse
Can make thee better—nor poor Hewson’s worse.

[This emendation is not in the Murray copy. The Fifth Edition
adopts the further correction, “So lost to Phoebus” for “So sunk
in dullness.”]

Line 969. “is wove,
she wove.

[This correction is not in the Murray copy.]

Line 972. ——justly praise their sires.
——glory in their sires.

[This emendation is not given in the Murray copy.

The Leigh Hunt copy gives twenty MS. emendations (besides
“Death” for “death,” in line 820, and the alteration of “rapid”
to “rabid” in the note on Hewson Clarke, line 962) including
the note on Moore. The Murray copy gives nine MS. emendations,
of which six are identical with those in the Hunt copy. Three
emendations are peculiar to the Murray copy—]

(1) Lines 303-306.
Behold!—ye tarts! etc. (vide ante, p. 309).

(2) Line 614. Raise not your scythe.
Whet not your scythe.

(3) Line 661. ——”a Paget for your wife.
——two Pagets for your wife.

[314]

APPENDIX TO BIBLIOGRAPHY.

ILLUSTRATIONS OF LORD BYRON’S POETICAL WORKS.

Note.—The following catalogue of “illustrations of Lord
Byron” has been extracted from pp. 88, 89, 94-96 of “The
Prisoner of Chillon, etc. Herausgegeben von Eugen Kölbing,
Weimar. 1896.”

I.

Compositions in outline from Lord Byron’s “Manfred” and
“Prisoner of Chillon,” by Frederick Thrupp, sculptor. London,
Pub^d by Ackermann and Co., Strand.

II.

The Pocket Magazine of classic and polite literature. With engravings,
illustrative of Lord Byron’s Works. Vols. I., II.
London: Printed and published by John Arliss. 1818.

III.

Forty illustrations of Lord Byron; by George Cruikshank. Published
by J. Robins and Co., Ivy Lane, Paternoster Row. [June 12, 1824.]

IV.

Six vignettes pour les Oeuvres de lord Byron, d’après les tableaux
de MM. Alfred et Tony Johannot, graveés par MM. Koenig,
Markl, Maulet, Pourvoyeur, Mauduit. Paris. Furne, libraire-éditeur. 1832.

V.

The Byron Gallery; a series of historical embellishments to illustrate
the poetical works of Lord Byron. London: published by
Smith, Elder and Co. 65 Cornhill. 1833.
[315]

VI.

Finden’s Illustrations of the Life and Works of Lord Byron. With
original and selected information on the subjects of the engravings,
by W. Brockedon. Vols. I.-III. London: John Murray, Albemarle
Street: sold also by Charles Tilt, Fleet Street. 1833-1834.

VII.

Oeuvres de Lord Byron, gravures à l’eau-forte, par Réveil, d’après
les dessins de A. Colin. Paris. Audot, éditeur du Musée de
peinture. 1833.

VIII.

Historical Illustrations of Lord Byron’s Works in a series of etchings
by Réveil, from original paintings by A. Colin. London, Charles
Tilt, 86, Fleet Street. 1834.

IX.

Galerie des dames de Byron. Trente-neuf planches. Paris: Charpentier-éditeur.
1836.

X.

Illustrations of the Works of Lord Byron, consisting of a portrait
after Saunders, a vignette title-page after Stothard, engraved by
Blanchard, two facsimiles of handwriting of Byron, and twenty
etchings on steel by Réveil, from original drawings by A. Colin;
to which are added the select passages in English and French,
which form the subject of the engravings. Adapted to all editions.
Paris, Baudry, European Library, etc. 1837.

XI.

Les dames de Byron; or portraits of the principal female characters
in Lord Byron’s poems. Engraved from original paintings by
eminent artists. Under the superintendence of W. and L.
Finden. London: Charles Tilt, 86, Fleet Street. 1837.

XII.

Finden’s Beauties of Byron; or, portraits of the principal female
characters in Lord Byron’s poems. Engraved from original
paintings by eminent artists. With extracts illustrating each
subject. London: Charles Tilt, Fleet-street, and Thomas
Wardle, Philadelphia.

XIII.

Cabinet of Poetry and Romance. Female portraits from the writings
of Byron and Scott. With poetical illustrations by Charles
Swain. London: David Bogue, 86, Fleet Street. 1845.
[316]

XIV.

Illustrations to the Works of Lord Byron. The drawings by
Chalon, Leslie, Harding, Herbert, Meadows, Stephanoff, E.
Corbould, Fanny Corbaux, Jenkins, and Westall. Engraved
under the superintendence of Mr. Charles Heath. A. Fullarton
& Co., 106, Newgate Street, London, etc.

XV.

The Byron Gallery of highly finished engravings, illustrating Lord
Byron’s Works, with selected beauties from his poems. Elucidated
by historical and critical notices, together with a sketch of
his life, containing important and unpublished matter. By Robert
B. McGregor, Esq. New York: published by R. Martin, 46,
Anne-street.

[317]

CONTENTS OF BIBLIOGRAPHY

Collections Of Poems.

Collected Editions, pp. 89–136.

Collections of Dramas, pp. 168, 169.

Fugitive Pieces and Minor Poems, pp. 246–254.

The Liberal, p. 303.

Miscellaneous Poems, pp. 152–159.

Poems, pp. 254, 255.

Poems on His Domestic Circumstances, pp. 255–259.

Selections, pp. 144–149.

Separate Poems And Dramas.

Age of Bronze, p. 170.

Beppo, pp. 170, 171.

Bride of Abydos, pp. 172, 173.

Cain, pp. 176–178.

Childe Harold’s Pilgrimage, pp. 180–194.

Corsair, pp. 201–204.

Curse of Minerva, pp. 207, 208.

Deformed Transformed, p. 208.

Don Juan, pp. 209–220.

English Bards, etc., pp. 225–232.

Fare Thee Well! and A Sketch, etc., pp. 232–234.

Giaour, pp. 234–238.

Heaven and Earth, p. 241.

Hebrew Melodies, pp. 242–244.

Hints from Horace, pp. 259, 260.

Irish Avatar, p. 260.

Island, pp. 260, 261.

Lament of Tasso, pp. 262, 263.

Lara, pp. 263–265.

Manfred, pp. 266–268.

Marino Faliero, pp. 275, 276.

Mazeppa, pp. 276–278.

Monody on the Death of Sheridan, pp. 280, 281.

An Ode to the Trainers of the Frame Bill, pp. 281.

Ode to Napoleon Buonaparte, pp. 282, 283.

Prisoner of Chillon, pp. 285–289.

Prophecy of Dante, pp. 291, 292.

Sardanapalus, pp. 293, 294.

Siege of Corinth, pp. 296–298.

Two Foscari, pp. 299, 300.

Vision of Judgment, p. 300.

Waltz, p. 301.

Werner, pp. 301, 302.

[318]

Translations.

Collections of Poems.

Collected Editions, pp. 136–144.

Collections of Dramas, p. 169.

Miscellaneous Poems, pp. 159–168.

Selections, pp. 149–152.

Separate Poems and Dramas.

Beppo, pp. 171, 172.

Bride of Abydos, pp. 174–176.

Cain, pp. 178–180.

Childe Harold’s Pilgrimage, pp. 194–201.

Corsair, pp. 204–206.

Deformed Transformed, p, 208.

Don Juan, pp. 220–225.

Giaour, pp. 238–240.

Heaven and Earth, pp. 241, 242.

Hebrew Melodies, pp. 244–246.

Island, pp. 261, 262.

Lament of Tasso, p. 263.

Lara, pp. 265, 266.

Manfred, pp. 268–274.

Marino Faliero, p. 276.

Mazeppa, pp. 278–280.

Ode from the French, p. 281.

Ode to Napoleon Buonaparte, p. 283.

Parisina, pp. 283–285.

Prisoner of Chillon, pp. 289–291.

Prophecy of Dante, pp. 292, 293.

Sardanapalus, pp. 294–296.

Siege of Corinth, pp. 298, 299.

Two Foscari, p. 300.

Werner, p. 303.

[319]

SUMMARY OF BIBLIOGRAPHY.

I.	Poetical Works.	2 vols.	Philadelphia. 1813.
II.	P. Works.	2 v.	Boston. 1814.
III.	Works.	4 v.	London. Murray. 1815.
IV.	Works.	2 v.	London. M. 1815.
V.	P. Works.	3 v.	New York. 1815.
VI.	Works.	3 v.	Philadelphia. 1816.
VII.	Works.	5 v.	London. M. 1817.
VIII.	Poems.	1 v.	New York. 1817.
IV.	Works.	8 v.	London. M. 1818-1820.
X.	Works.	6 v.	Paris. 1818.
XI.	Works.	13 v.	Leipzig. 1818-1822.
XII.	Works.	3 v.	London. M. 1819.
XIII.	Works.	6 v.	Paris. 1819.
XIV.	Works.	6 v.	Zuickau. 1819.
XV.	Works.	7 v.	Brussels. 1819.
XVI.	Works.	4 v.	New York. 1820.
XVII.	Works.	5 v.	London. M. 1821.
XVIII.	Works.	5 v.	Paris. 1821.
XIX.	Works.	16 v.	Paris. 1822-1824.
XX.	Works.	4 v.	London. M. 1823.
XXI.	Works.	12 v.	Paris. 1822-1824.
XXII.	Works.	12 v.	Paris. 1823.
XXIII.	Works.	3 v.	[vols. v., vi., vii.] London. Knight and Lacy. 1824-1825.
XXIV.	Works.	8 v.	London. M. 1825.
XXV.	Works.	6 v.	[vols. v., vi.] London. M. 1825.
XXVI.	Complete Works.	7 v.	Paris. 1825.
XXVII.	Works.	8 v.	Philadelphia. 1825.
XXVIII.	Works.	8 v.	New York. 1825.
XXIX.	Works.	32 v.	Zuickau. 1825-1827.
XXX.	Works.	13 v.	Paris. 1826.
XXXI.	Works.	1 v.	Paris. 1826.
XXXII.	Works.	1 v.	Frankfort. 1826.
XXXIII.	Works.	6 v.	London. M. 1827.
XXXIV.	Works.	4 v.	London. M. 1828.
XXXV.	Works.	1 v.	Paris. 1828.
XXXVI.	Works.	1 v.	Frankfort. 1828.[320]
XXXVII.	Works.	6 v.	London. M. 1829.
XXXVIII.	Works.	4 v.	London. M. 1829.
XXXIX.	Poetic Works.	2 v.	Philadelphia. 1829.
XL.	Works.	1 v.	Frankfort. 1829.
XLI.	Works.	4 v.	London. M. 1830.
XLII.	Complete Works,	1 v.	Paris. 1830.
XLIII.	Works.	6 v.	London. M. 1831.
XLIV.	Complete Works,	1 v.	Paris. 1831.
XLV.	Works.	1 v.	Philadelphia. 1831.
XLVI.	Works.	14 v.	(17 volume edition.) London. M. 1832-1833.
XLVII.	Complete Works.	4 v.	Paris. 1832.
XLVIII.	Works. (Verse and Prose.)	1 v.	New York. 1833.
XLIX.	Complete Works.	1 v.	Paris. 1835.
L.	Complete Works.	4 v.	Paris. 1835.
LI.	Works.	1 v.	London. M. 1837.
LII.	Complete Works.	1 v.	Paris. 1837.
LIII.	Works.	1 v.	London and Leipzig. 1837.
LIV.	Complete Works.	7 v.	Mannheim. 1837.
LV.	Complete Works.	1 v.	Paris. 1839.
LVI.	P. Works.	8 v.	London. M. 1839.
LVII.	Works.	5 v.	Leipzig. 1842.
LVIII.	Works.	4 v.	Philadelphia. 1843.
LIX.	Complete Works.	1 v.	Frankfort. 1846.
LX.	Works. (Verse and Prose.)	1 v.	Hartford. 1847.
LXI.	Works.	2 v.	Edinburgh. 1850.
LXII.	P. Works.	1 v.	Philadelphia. 1850.
LXIII.	P. Works,	1 v.	London. H. G. Bohn. 1851.
LXIV.	P. Works.	1 v.	Philadelphia. 1851.
LXV.	Complete Works.	1 v.	Frankfort. 1852.
LXVI.	The Illustrated Byron.	1 v.	London. H. Vizetelly, 1854-1855.
LXVII.	P. Works.	2 v.	Philadelphia. 1853.
LXVIII.	P. Works.	1 v.	London. C. Daly. 1854.
LXIX.	Works.	1 v.	Boston. 1854.
LXX.	P. Works.	6 v.	London. M. 1855.
LXXI.	P. Works.	1 v.	Edinburgh. 1857.
LXXII.	P. Works.	1 v.	New York. 1857.
LXXIII.	P. Works.	1 v.	London. M. 1857.
LXXIV.	P. Works.	1 v.	London. M. 1859.
LXXV.	P. Works.	1 v.	Philadelphia. 1859.
LXXVI.	P. Works.	1 v.	Leipzig. B. Tauchnitz. 1860.
LXXVII.	P. Works.	3 v.	Leipzig. 1860.
LXXVIII.	P. Works.	1 v.	Edinburgh. 1861.
LXXIX.	P. Works.	10 v.	Boston. 1861.
LXXX.	P. Works.	1 v.	Halifax. 1863.
LXXXI.	P. Works.	1 v.	Edinburgh. 1868.
LXXXII.	P. Works.	1 v.	London. F. Warne and Co. 1868.
LXXXIII.	P. Works.	1 v.	London. J. Dicks. 1869.
LXXXIV.	P. Works.	8 v.	London. M. 1870.
LXXXV.	P. Works.	1 v.	London. E. Moxon. 1870.[321]
LXXXVI.	Complete P. Works.	1 v.	London. G. Routledge. 1874.
LXXXVII.	P. Works.	1 v.	London. Virtue and Co. 1874.
LXXXVIII.	P. Works.	1 v.	Boston. 1874.
LXXXIX.	P. Works.	1 v.	London. Ward, Lock, and Co. 1878.
XC.	P. Works.	1 v.	Boston. 1878.
XCI.	P. Works.	1 v.	London. Ward, etc. 1880.
XCII.	P. Works.	1 v.	London. F. Warne. 1881.
XCIII.	Complete P. Works.	1 v.	London. G. Routledge. 1883.
XCIV.	P. Works.	1 v.	Edinburgh. 1881.
XCV.	P. Works.	12 v.	London. Sultaby and Co. 1885.
XCVI.	P. Works.	1 v.	New York. 1886.
XCVII.	P. Works.	1 v.	London. W. Scott. 1886.
XCVIII.	P. Works.	1 v.	London. 1886.
XCIX.	Life and Works.	2 v.	London, Edinburgh, and Glasgow. 1888.
C.	Complete P. Works.	1 v.	London. G. Routledge. 1890.
CI.	P. Works.	1 v.	New York. 1890.
CII.	P. Works.	12 v.	London. Griffith, Farran, etc. 1891.
CIII.	P. Works.	3 v.	London. W. Gibbings. 1892.
CIV.	Works,	12 v.	Philadelphia. 1892.
CV.	Dramatic and P. Works.	1 v.	Philadelphia. 1898.
CVI.	P. Works.	4 v.	London. H. Frowde. 1896.
CVII.	P. Works.	1 v.	London. Bliss, Sands, and Co. 1897.
CVIII.	P Works.	1 v.	London. W. P. Nimme. 1897.
CIX.	P. Works.	4 v.	Philadelphia. 1897.
CX.	P. Works.	1 v.	London. G. Henny and Co. n.d.
CXI.	P. Works.	1 v.	New York. n.d.
CXII.	P. Works.	1 v.	New York. n.d.
CXIII.	P. Works.	1 v.	New York. n.d.

Translations of Collected Editions.

French

I.	OEuvres Complètes.	15 tomes.	Paris. Ladvocat. 1821.
II.	OEuvres	C. 13 t.	P. Dondey-Dupré. 1830.
III.	OEuvres	C. 4 t.	P. Charpentier. 1836.
IV.	OEuvres.	2 t.	P. Chapelle. 1842.
V.	OEuvres.	3 t.	P. Daussin. 1845.
VI.	OEuvres C.	1 t.	P. Bry aîné. 1856.
VII.	OEuvres.	2 t.	Alphonse Lemerre. 1891.

German.

[322]

I.	Lord Bryon’s Poesien.	31 B.	Zwickau. 1821-1828.
II.	L.B.’s sämmttiche Werke.	12 B.	Frankfurt a. M. 1830.
III.	Dichtungen v. L.B.	4 Sammnl.	Stuttgart. 1836-1839.
IV.	L.B.’s s. W.	1 B.	Leipzig. 1839.
V.	L.B.’s s. W.	10 B.	Pforzheim. 1842.
VI.	L.B.’s s. W.	8 B.	Berlin. 1865.
VII.	Dichtungen v. L.B.	8 B.	Hildburghausen. 1865.
VIII.	L.B.’s ausgewählte W.	4 B.	Leipzig. [1865-1812.]
IX.	L.B.’s s. W.	3 B.	Leipzig. 1874.
X.	L.B.’s W.	6 B.	Stuttgart. [1885-1890.]
XI.	L.B.’s p. W.	8 B.	Stuttgart. 1886.
XII.	L.B.’s W.	6 B.	Berlin. 1888.
XIII.	Byron’s s. W.	8 B.	1901.

Modern Greek.

Τα Απαντα του Βυρωνος . 3 V.
Εν Αθηναις . 1895.

Italian.

I.	Opere complete di Lord Byron.	1 t.	Padova. 1842.
II.	Opere.	1 t.	Napoli. 1853.
III.	Opere.	1 t.	Napoli. 1857.
IV.	Opere.	1 t.	Napoli. 1886.

Polish.

I.	Poezye Lorda Byrona.	Pt. 1.	Petersburg. 1857.
II.	Poezye L.B.	1 v.	Warszawa. 1885.

Russian.

I. Сочиненіа Лорда Байропа. 5 т. С-Петербургъ.
1864-66.

II. Байронъ. С-Петербургъ. 1876.

Spanish.

Biblioteca Universal. Coleccion de Los Mejores Autores.
T. lxiii. Madrid. 1880.

Swedish.

Byron’s Poetiska Berättelser. Stockholm. 1854-1856.

SELECTIONS.

I.	The Beauties of Byron.	London. J. Sudbury. 1823.
II.	The Beauties of B.	Lⁿ. J. Limbird. 1827.
III.	Life and Select Poems.	Lⁿ. 1828.
IV.	The Beauties of L.B.	Philadelphia. 1828.
V.	The Beauties of B.	Paris. 1829.
VI.	Lord B.’s Select Works. 3 v.	Frankfort a. M. 1831-1832.
VI.	Childe Harold’s, etc.; The Giaour, etc.	Paris. 1832.
VIII.	L.B.’s Select P.W.	Paris and Lyons, 1835.
IX.	L.B.’s Select W.	London and Berlin. 1837.
X.	The Beauties of B.	Lⁿ. T. Tegg and Son. 1837.
XI.	The Beauties of B.	Lⁿ. n.d.[323]
XII.	B.’s Select W.	Paris, 1843.
XIII.	A Selection from L.B.’s P.W.	Marienwerder. 1846.
XIV.	Select P.W.	Lⁿ. Adam Scott. 1848.
XV.	L.B.’s Select W.	Oldenburg. 1848.
XVI.	Selections.	London. M. 1854.
XVII.	A Selection. IV. [A.C. Swinburne.]	Lⁿ. Moxon and Co. 1866.
XVIII.	Songs by L.B.	Lⁿ. Virtue and Co. 1872,
XIX.	Selections.	London. M. 1874.
XX.	Beautés de B.	Paris. 1876.
XXI.	Favourite Poems.	Boston. 1877.
XXII.	Beauties of B.	Stuttgart. n.d.
XXIII.	Poetry of B. (Matthew Arnold.)	Lⁿ. Macmillan and Co, 1881.
XXIV.	Gems from B. IV.	New York. 1886.
XXV.	Selections from the Poetry of L.B.	New York. 1900.
XXVI.	Poems of Lord Byron.	Lⁿ. A. and C. Black. 1901.

Translations of Selections.

Armenian.

Lord B.’s Armenian Exercises and Poetry. Venice. 1886.

French.

I.	Choix de Poésies. 2t.	Genève et Paris. 1820.
II.	Les Beautés de L.B.	P. 1838.
III.	Écrin poétique de lit. angl.	P. 1841.
IV.	Chefs-d’oeuvre de L.B.	P. 1847.
V.	Rough Hewing of L.B. In French.	Lⁿ. J. W. Kolckmann. 1869.
VI.	Chefs-d’oeuvre de L.B. 2 t.	P. 1874.

German.

I.	Byron’s ausgewählte Dichtungen.	Leipzig. 1838.
II.	Byron-Anthologie.	Schwerin. 1866.
III.	Auswahl aus Byron.	1892.

Italian.

I.	Poemi di Lord G.B.	Torino. 1827.
II.	Opere scelte.	Milano. 1852.
III.	A’ Mici Arnici.	1873.

MISCELLANEOUS POEMS.

I.	An Ode. On the Star, etc.	New York. 1816.
II.	Three Poems.	London. E. Wilson. 1818.
III.	English Bards, etc., etc.	Paris. 1818.
IV.	The Works of the R.H.L.B., cont. Eng. Bards, etc., etc.	Philadelphia. 1820.
V.	Poems by the R. H. L. B.	Lⁿ. Jones and Co. 1825.[324]
VI.	The Miscell. Poems.	Lⁿ. Benbow. 1825.
VII.	Don Juan, Complete; Eng. Bards, etc., etc.	Lⁿ. J. F. Dove. 1827.
VII.	Don Juan; Hours of Idleness, etc. 2 v.	Lⁿ. J. F. Dove. 1828.
IX.	The Miscell. Works.	Lⁿ. Hunt and Clarke. 1830.
X.	The Corsair—Lara.	Paris. 1830.
XI.	The Bride, etc. The Corsair, etc., etc.	Paris. 1832.
XII.	Manfred—Marino Faliero, etc.	Paris. 1832.
XIII.	Don Juan—The Age of Bronze, etc.	Paris. 1832.
XIV.	Miscellanies. 3 v.	London. M. 1837.
XV.	Tales. 2 v.	London. M. 1837.
XVI.	Lord Byron’s Tales.	Halifax. 1845.
XVII.	The Giaour—The Bride, etc.—etc.	Lⁿ. H. G. Clarke and Co. 1848.
XVIII.	Miscellanies. 2 v.	London. M. 1853.
XIX.	Tales and Poems.	London. M. 1853.
XX.	Beppo and Don Juan. 2 v.	London. M. 1853.
XXI.	Poems by the R’t. Hon. L.B.	Lⁿ. T. Nelson and Sons, 1855.
XXII.	Tales and Poems.	Leipzig. B. 1857.
XXIII.	Poems.	Lⁿ. G. Routledge. 1859.
XXIV.	Eastern Tales.	Lⁿ. D. Bogue. 1859.
XXV.	Byron’s Siege, etc., etc.	Madras. 1876.
XXVI.	Poems.	Lⁿ. G. Routledge. 1880.
XXVII.	Poems of L.B. 2 v.	Lⁿ. Cassell and Co. 1886.
XXVIII.	Byron’s Prisoner of Chillon and Siege of Corinth.	Halle. 1886.
XXIX.	The Corsair—Lara.	Boston. 1893.

Translations Of Miscellaneous Poems.

Bohemian.

Korsár. Lara. V Praze 1885.

Danish.

I.	Udvalgte Dramatiske Digte.	København. 1873.
II.	Byron—Manfred, etc.	København. 1889.
III.	Beppo. Dommedagssynet. Af L.B.	København. 1891.

Dutch.

I.	Navolgingen van L.B.	Haarlem. 1848.
II.	Gedichten van L.B.	Leiden. 1870.

French.

I.	Le Corsaire—Mazeppa.	Paris. 1848.
II.	Le Prisonnier, etc.—etc., etc.	P. 1862.
III.	Le Corsaire—etc., etc.	P. 1868.
IV.	Chefs-D’oeuvre de L.B. 2 v.	P. 1874.
V.	L.B. Les Deux Foscari, etc.	P. 1881.
VI.	Le Corsaire. Lara.	P. 1892.

[325]

German.

I.	Gefangener von Chillon u. Parisina.	Breslau. 1821.
II.	Manfred. Die Finsterniss.	Berlin. 1835.
III.	Der Giaur. Hebraische Gesänge.	1854.
IV.	Kain. Ein Mysterium. Mazeppa.	Leipzig. 1855.
V.	Manfred. Der Gef. v. Chillon. Heb. Ges.	Münster. 1857.
VI.	L.B. Mazeppa, Korsar, u. Beppo.	Leipzig. 1864.
VII.	Die Braut v. Ab. Der Traum.	Hamburg. 1872.
VIII.	Der Gefangene v. Chillon. Mazeppa.	Leipzig. 1871-1876.
IX.	Der Gef. v. Chillon. Parisina.	Halle. 1887.

Hungarian.

Byron Lord’ Élete’s Munkái. Pesten. 1842.

Icelandic.

Bandinginn i Chillon og Dramurinn. Kaupmannahöfn, 1866.

Italian.

I.	Poemi di Lord G. Byron. 2 v.	Lugano. 1832.
II.	P. di Giorgio L.B.	Milano. 1834.
III.	P. di Giorgio L.B. 2 v.	Milano. 1842.
IV.	Poemi e novelle.	Milano. 1882.
V.	Opere … di G. Casella. 2 v.	Firenze. 1884.
VI.	Misteri e canti.	Milano. 1886.
VII.	Misteri, novelle e liriche.	Firenze. 1890.

Polish.

I.	Poemata i powieści.	Warszawa. 1820.
II.	Powieści.	Warszawa. 1831.
III.	Paryzyna, Kalmar i Orla.	Wilno. 1834.
IV.	Poezye Lorda B. W.	Paryzu. 1835.
V.	Tłomaczenia A.E.	Odyńca. W. Lipsku. 1838.
VI.	Tłomaczenia A.E.	Odyńca. W. Lipsku. 1841.
VII.	Poemata.	Warszawa. 1846.
VIII.	Pięć Poematów Lorda Birona.	Leszno. 1853.
IX.	Kruzer (Karol) Przekłady, etc. 5 t.	Warszawa. 1876.

Portuguese.

Traducçōes Poeticas de F. J. Pinheiro Guimarāes. Rio de Janeiro. 1863.

Roumanian.

Din Scrierile Loui L.B. Boukouresti. 1834.

[326]

Spanish.

I.	Odas A Napoleon.	Paris. 1830.
II.	Poemas de L.B.	Barcelona. 1876.
III.	Cuatro Poemas de L.B.	New York. 1877.
IV.	D. Juan El Hijo de Doña Inés.	Barcelona. 1883.

COLLECTIONS OF DRAMAS.

I.	Dramas by Lord Byron. 2 v.	London. M. 1837.
II.	Dramas by Lord Byron. 2 v.	London. M. 1853.

Translations Of Collections Of Dramas.

German.

Lord Byron’s Dramatische Werke. Hildburghausen. 1870.

Italian.

I.	Marino Faliero e I Due Foscari.	Sayona. 1845.
II.	Tragedie di Giorgio Lord Byron.	Firenze. 1862.

Spanish.

Poemas dramáticos de Lord Byron. Madrid. 1886.

POEMS, DRAMAS, AND COLLECTIONS OF POEMS.

The Age Of Bronze.

The Age of Bronze. Lⁿ. John Hunt. 1823.

Beppo.

I.	Beppo, A Venetian Story. Second Ed.	London. M. 1818.
II.	Beppo, etc. Fifth Ed.	London. M. 1818.
III.	Beppo.	Boston. 1818.
IV.	Beppo, etc.	P. A. and W. Galignani. 1821.

Translations Of Beppo

Dutch.

Vertalingen en Navolgingen, etc. [Beppo Eine Venetiansche
Vertelling, pp. 119-159.] Amsterdam. 1824.

French.

Beppo, Poëme de Byron. Trad. p. S. Clogenson. P.
Michel Lévy f. 1865.

Russian.

Беппо.

[327]

Spanish.

Beppo, novela veneciana. P. 1830.

Swedish.

Beppo, En Venetiansk Historia. Stockholm. 1853, etc.

Bride Of Abydos.

I.	The Bride of Abydos. A Turkish Tale.	London. M. 1813.
II.	The Bride, etc. Second Ed.	London. M. 181?.
III.	The Bride, etc. Fourth Ed.	London. M. 1813.
IV.	The Bride, etc. Sixth Ed.	London. M. 1814.
V.	The Bride, etc.	Philadelphia. 1814.
VI.	The Bride, etc.	London. 1844.

Translations Of Bride Of Abydos.

Bohemian.

Nevĕta z Abydu. V Praze. 1854.

Bulgarian.

Абидонска НевѢста. Москва. 1850.

Dutch.

De Abydeensche Verloofde. Amsterdam. 1826.

French.

I.	Zuleika et Selim.	P. Plancher. 1816.
II.	La Fiancée d’Abydos.	Gand, Houdin. 1823.

German.

I.	Die Braut von Abydos.	Frankfort-a-M. 1819.
II.	Die Braut, etc.	London. 1843.
III.	Die Braut, etc.	Halle. 1884.

Hungarian.

Az abydoszi ara. B’pest. 1884.

Italian.

La fidanzata d’Abido. Milano. 1854.

Polish.

Dziewica z Abydos. Warszawa. 1818.

[328]

Russian.

I. Абидосская Невѣста. 1821.

II. Невѣста Абидосская. С-Петербургъ. 1826.
Second edition. С-Петербургъ. 1831.

III. Абидосская Невѣста. Москва. 1859.

Swedish.

Bruden Från Abydos. Stockholm, 1853, etc.

Cain.

I.	Cain; A Mystery.	London. Benbow. 1822.
II.	Cain, etc.	Lⁿ. R. Carlile. 1822.
III.	Cain, etc.	Lⁿ. H. Gray. 1822.
IV.	Cain, A Mystery.	New York. 1822.
V.	Cain, etc.	P. A. and W. Galignani. 1822.
VI.	Cain, etc.	Lⁿ. Benbow. 1824.
VII.	Lord Byron’s Cain, etc.	Lⁿ. William Crofts. 1830.
VIII.	Cain, etc.	Lⁿ. J. Watson. 1832.
IX.	Cain, etc.	Breslau. 1840.
X.	Cain.	J. Dicks. 1883, etc.

Translations Of Cain.

Bohemian.

Kain. V Praze. 1871.

French.

Caïn, Mystère dramatique. P. Servier. 1823.

German.

I.	Cain, ein Mysterium.	Berlin. 1831.
II.	Cain. Ein Mysterium.	Leipzig. 1871-1876.

Hebrew.

קין, שיר-חזיון על-פי כתבי הקדש מאת לורד בירון תרגם מאנגלית
לעברית דוד פרישמן ווארשא תר”ס

Hungarian.

I.	Kain.	Franklin-Társulat. 1895.
II.	Kain.	B’pest. 1898.

International Language

Kain. Mistero de Lord Byron. Nurnbergo. 1896.

Italian.

Caino: mistero. Milano. 1852-6.

[329]

Polish.

Kain. Lwów. 1868.

Russian.

I. Каинъ. С-Петербургъ. 1881.

II. Каинъ. Москва. 1883.

Childe Harold’s Pilgrimage

I.	Childe Harold’s Pilgrimage. A Romaunt.	London. M. 1812.
II.	Childe Harold’s, etc. Second Ed.	London. M. 1812.
III.	Childe Harold’s, etc. Third Ed.	London. M. 1812.
IV.	Childe Harold’s, etc. Fourth Ed.	London. M. 1812.
V.	Childe Harold’s, etc. Fifth Ed.	London.M. 1812.
VI.	Childe Harold’s, etc. First Amer. Ed.	Philadelphia. 1812.
VII.	Childe Harold’s, etc. Sixth Ed.	London. M. 1813.
VIII.	Childe Harold’s, etc. Seventh Ed.	London. M. 1814.
IX.	Childe Harold’s, etc. Eighth Ed.	London. M. 1814.
X.	Childe Harold’s, etc. Tenth Ed.	London. M. 1815.
XI.	Childe Harold’s, etc.	Canto the Third. London. M. 1816.
XII.	Childe Harold’s, etc.	Canto the Fourth. London. M. 1818.
XIII.	Childe Harold’s, etc.	Canto the Fourth. New York. 1818.
XIV.	Childe Harold’s, etc.	Eleventh Ed. London. M. 1819.
XV.	Childe Harold’s, etc.	2 v. London. M. 1819.
XVI.	Childe Harold’s, etc.	2 v. Leipzig. 1820.
XVII.	Childe Harold’s, etc.	Lⁿ. W. Dugdale. 1825
XVIII.	Childe Harold’s, etc.	P. A. and W. Galignani. 1825.
XIX.	Childe Harold’s, etc.	London. W. Dugdale. 1826.
XX.	Childe Harold’s, etc.	London. T. Colmer. 1827.
XXI.	Childe Harold’s, etc.	2 v. Paris. 1827.
XXII.	Childe Harold’s, etc.	London. John Duncombe. 1831.
XXIII.	Childe Harold’s, etc.	Nuremberg and New York. 1831.
XXIV.	Childe Harold’s, etc.	London. M. 1837.
XXV.	Childe Harold’s, etc.	Mannheim. 1837.
XXVI.	Childe Harold’s, etc.	London. M. 1841.
XXVII.	Childe Harold’s, etc.	London. 1842.[330]
XXVIII.	Childe Harold’s, etc.	London. M. 1853.
XXIX.	Childe Harold.	Damburg. 1853.
XXX.	Childe Harold’s, etc. 2 v.	Berlin. 1854.
XXXI.	Childe Harold’s, etc.	London. M. 1859.
XXXII.	Childe Harold’s, etc. New Ed.	London. M. 1860.
XXXIII.	Childe Harold’s, etc. New Ed.	London. M. 1860.
XXXIV.	Childe Harold’s, etc.	Leipzig. 1862.
XXXV.	Childe Harold’s, etc.	London. C. Griffin and Co. 1866.
XXXVI.	Childe Harold’s, etc.	Münster. 1867.
XXXVIII.	Lord Byron’s Childe Harold’s, etc.	P. Lib. Ch. Delagrave. 1882.
XXXIX.	Childe Harold’s, etc.	P. Poussielque f. 1883.
XL.	Clarendon Press Series. Childe Harold.	Oxford. 1885.
XLI.	Childe Harold’s, etc.	London. Chatto. 1885.
XLII.	Lord Byron. Childe Harold’s, etc.	Berlin. 1885.
XLIII.	Cassell’s Nat. Lib. Childe Harold’s, etc.	Lⁿ., P., N.Y., and Melbourne. 1886.
XLIV.	Childe Harold’s, etc.	Boston. 1886.
XLV.	Childe Harold’s, etc.	Philadelphia. 1886.
XLVI.	Childe Harold’s, etc.	Leipzig. 1886.
XLVII.	Childe Harold’s, etc.	Bielefeld. 1885-6.
XLVIII.	Childe Harold’s, etc.	Lⁿ. G. Routledge and Sons. 1888.
XLIX.	Childe Harold’s, etc.	Bielefeld. 1891.
L.	Sir J. Lubbock’s Hundred Best Books. Childe Harold’s, etc.	Lⁿ. G. Routledge and Sons. 1892.
LI.	Byron’s Childe Harold.	Lⁿ. G. Bell and Sons. 1893.
LII.	Byron. Childe Harold.	P. Lib. Hachette et Cie. 1893.
LIII.	Childe Harold’s, etc.	New York. 1894.
LIV.	Arnold’s Brit. Classics. Childe Harold’s, etc.	Lⁿ. Edw. Arnold. 1897.
LV.	Childe Harold.	Lⁿ. J. M. Dent. 1898.
LVI.	Childe Harold’s, etc. Cantos I., II.	Lⁿ. Macmillan and Co. 1899.
LVII.	Childe Harold’s, etc. Cantos III., IV.	Lⁿ. Macmillan and Co. 1899.
LVIII.	Childe Harold’s, etc.	2 v. New York. 1899.
LIX.	Childe Harold’s, etc.	New York. 1899.
LX.	Childe Harold’s, etc.	New York. 1900.
LXI.	Lord Byron. Childe Harold’s, etc.	Glasgow and Dublin. 1901.
LXII.	Lord Byron. Childe Harold’s, etc.	Glasgow and Dublin. 1901.

Translations Of Childe Harold’s Pilgrimage.

Armenian.

Childe Harold’s, etc. Venice. 1872.

Bohemian.

Childe Haroldova pout’. 1890.

Danish.

Junker Harolds Pilgrimsfart. Kjøbenhavn. 1880.

French.

I.	Le Pélerinage de C.H.	P. Dupont. 1828.
II.	Le Pélerinage de C.H.	P. Ponthieu. 1828.
III.	Le Pélerinage de C. II.	P. Lib. de Ch. Blériot. 1861.
IV.	C.H. Poëme de L. B.	P. E. Dentu. 1862.[331]
V.	Le Pélerinage de C.H.	Saint-Quentin. 1862.
VI.	Childe Harold.	P. Amyot. 1870.
VII.	Childe Harold.	P. Hachette et Cie. 1881.
VIII.	Childe Harold’s, etc.	P. Poussielque f. 1883.
IX.	Childe Harold.	P. Delalain f. 1892.
X.	Childe Harold.	P. Belin f. 1892.

German.

I.	Harold, der Verwiesene.	Leipzig. 1835.
II.	Ritter Harold’s Pilgerfahrt.	Stuttgart. 1836.
III.	Jungherrn Harold’s P.	Stralsund. 1839.
IV.	Erster Gesang des C.H.	Ansbach. 1845.
V.	Byron’s Ritter Harold.	Leipzig. 1846.
VI.	Childe Harold’s P.	Frankfurt a. M. 1853.
VII.	Harold’s P.	Köln. 1865.
VIII.	Childe Harold’s P.	Hildburghausen. 1868.
IX.	Jung Harold’s P.	Berlin. 1869.
X.	Ritter Harold’s P.	Leipzig. 1871-1876.
XI.	Childe Harold’s P.	1893.

Hungarian.

Childe Harold. Genfben. 1857.

Italian.

I.	L’Italia, Canto IV. del pellegrinaggio di C.H.	1819.
II.	Il pellegrinaggio del Giovine Aroldo.	Geneva. 1836.
III.	L’Italia, Canto di L. B.	Milano. 1848.
IV.	Il pell. del giov. A.	Napoli. 1858.
V.	Il pell. del giov. A.	Venezia. 1860.
VI.	Byron. Pell. D’Aroldo.	Milano. 1866.
VII.	Italia C. di Gior. Byron.	Firenze. 1872.
VIII.	Il pell. D’Aroldo.	Firenze. 1873.

Polish

I.	Poezye … Wędrówki Czaild Harolda.	Petersburg. 1857.
II.	Pielgrzymka C.H.	we Lwowie. 1857.
III.	Wędrówki C.H.	Prz. F. Krauze. 1865-1871.
IV.	Wędrówki Rycerza H.	Warszawa. 1895.
V.	Wędrówki C.H.	Krakow. 1896.

Russian.

I. Чайльдъ-Гарольдъ

II. Чайльдъ-Гарольдъ

Swedish.

Childe Harolds Pilgrimsfärd. Stockholm. 1832.

[332]

The Corsair.

I.	The Corsair, A Tale.	London. M. 1814.
II.	The Corsair, etc. Second Ed.	London. M. 1814.
III.	The Corsair, etc. Third Ed.	London. M. 1814.
IV.	The Corsair, etc. Fourth Ed.	Lⁿ. M. 1814.
V.	The Corsair, etc. Fifth Ed.	London. M. 1814.
VI.	The Corsair, etc. Sixth Ed.	London. M. 1814.
VII.	The Corsair, etc. Seventh Ed.	London. M. 1814.
VIII.	The Corsair, etc.	New York. 1814.
IX.	The Corsair, etc. Ninth Ed.	London. M. 1815.
X.	The Corsair, etc. Tenth Ed.	London. M. 1818.
XI.	The Corsair, etc.	Lⁿ. W. Dugdale. 1825.
XII.	The Corsair, etc.	Lⁿ. 1844.
XIII.	The Corsair, etc.	Glasgow. 1867.

Translations of the Corsair.

German.

I.	Der Korsar.	Berlin. 1816.
II.	Der Korsar.	Altona. 1820.
III.	Der Korsar.	Leipzig. 1852.
IV.	Der Corsar.	Mainz. 1852.
V.	Der Korsar.	Leipzig. 1871-1876.

Hungarian.

A Kalóz. B’pest. 1892.

Italian.

I.	Il Corsaro.	Torino. 1819.
II.	Il Corsaro.	Milano. 1820.
III.	Il Corsaro.	Milano. 1842.
IV.	Il Corsaro.	Firenze, 1842.
V.	Il Corsaro. Bologna. 1870.
VI.	Il Corsaro.	V. di C. Rosnati. 1879.

Russian.

Морской разбойникъ. С-Петербургъ.
1827.

Spanish.

I.	El Corsario.	Paris. 1827.
II.	El Corsario.	Valencia. 1832.

Swedish.

Corsaren. Stockholm. 1868.

The Curse Of Minerva.

I.	The Curse of Minerva.	London. [4to.] 1812.
II.	The Curse, etc.	Philadelphia. [?] 1815.
III.	The Curse, etc.	P. Galignani. 1818.

[333]

The Deformed Transformed.

I.	The Deformed Transformed.	London. J. and H. L. Hunt. 1824.
II.	The Def. Transf.	P.A. and W. Galignani. 1824.
III.	The Def. Transf.	Ln. J. Dicks. 1883, etc.

Translation of the Deformed Transformed.

Hungarian.

Budapesti Árvizkönyv., etc. Pesten. 1840.

Don Juan.

Cantos I., II.

I.	Don Juan.	London. Printed by T. Davison. [4º] 1819.
II.	D. Juan.	Lⁿ. Pt. by T. Davison. 1819.
III.	D. Juan.	Lⁿ. J. Onwhyn. 1819
IV.	D Juan.	Lⁿ. Pt. by T. Davison. 1820
V.	D. Juan.	Lⁿ. Sherwin and Co. 1820
VI.	D. Juan.	Lⁿ. Pt. by T. Davison. 1822.

Cantos III., IV., V.

I.	D. Juan.	Lⁿ. Pt. by T. Davison. 1821.
II.	D. Juan.	Lⁿ. Sherwin and Co. 1821.
III.	D. Juan. Fifth Ed,	Lⁿ. Pt. by T. Davison, 1822.

Cantos I-V

I.	D. Juan.	Lⁿ. W. Benbow. 1822.
II.	D. Juan.	Lⁿ. Hodgson and Co. 1822.
III.	D. Juan.	Lⁿ. Peter Griffin. 1823.
IV.	D. Juan.	Lⁿ. G. Smeeton. 1826.

Cantos VI., VII., VIII.

I.	D. Juan.	Lⁿ. John Hunt. [8º] 1823.
II.	D. Juan.	Lⁿ. W. Dugdale. 1823.
III.	D. Juan.	Lⁿ. John Hunt.[12º] 1823.

Cantos IX., X., XI.

I.	D. Juan.	Lⁿ. John Hunt. [8º] 1823.
II.	D. Juan.	Lⁿ. John Hunt. [12º] 1823.

Cantos XII., XIII., XIV.

I.	D. Juan.	Lⁿ. John Hunt. [8º] 1823.
II.	D. Juan.	Lⁿ. John Hunt. [12º] 1823.
III.	D. Juan.	Lⁿ. Pt. for the Booksellers. 1823.
IV.	D. Juan.	P. A. and W. Galignani. 1824.

[334]

Cantos XV., XVI.

I.	D. Juan.	Lⁿ. John and H. L. Hunt.	[8º]	1824.
II.	D. Juan.	Lⁿ. John and H. L. Hunt.	[12º]	1824.
III.	D. Juan.	Lⁿ. Pt. for the Booksellers.	1824.
IV.	D. Juan.	Lⁿ. Pt. for John Hunt.	1824.
V.	D. Juan.	P. A. and V. Galignani.	1824.

Full Text.

I.	D. Juan. 2 v.	Lⁿ. Pt. for the Booksellers. 1826.
II.	D. Juan.	Lⁿ. W. Cla?? 1826.
III.	D. Juan.	Lⁿ. T. and J. Allman. 1827.
IV.	D. Juan. 2 v.	Lⁿ. T. Davison. 1828.
V.	D. Juan. 2 v.	Lⁿ. Pt. for the Booksellers. 1828.
VI.	D. Juan.	Nuremberg and New York. 1832.
VII.	D. Juan.	Lⁿ. Scott and Webster. 1833.
VIII.	D. Juan.	Lⁿ. Pt. for the Booksellers. 1835.
IX.	D. Juan.	2 v. London. M. 1837.
X.	D, Juan.	Mannheim. 1838.
XI.	D. Juan.	Lⁿ. H. G. Bohn. 1849.
XII.	D. Juan.	Lⁿ. and N.Y. 1874.
XIII.	D. Juan.	Lⁿ. Chatto and Windus. 1875.
XIV.	D. Juan.	Lⁿ. G. Routledge and Sons. 1886.

Translations of Don Juan

Danish.

I.	D. Juan.	Fredericia. 1854.
II.	Byron. D. Juan.	Kjøbenhavn. 1880.

French.

I.	Don Juan. 2 v.	P. P. Renouard. 1827.
II.	D. Juan. 2 v.	P. Lib. centrale. 1866.
III.	D. Juan.	P. DeGorge-Cadot. 1869.
IV.	D. Juan.	P. Lemerre. 1878.

German.

I.	Don Juan.	Essen. 1839.
II.	Byron’s D. Juan.	Bremen. 1845.
III.	Byron’s D. Juan.	Leipzig. 1849.
IV.	Byron’s D. Juan.	Hildburghausen. 1867.

Italian.

I.	Don Giovanni.	Torino. 1853.
II.	D. Giovanni.	Milano. 1865.
III.	Gior. Byron. Aidea Epis. del don Giov.	Verona. 1875.
IV.	Il D. Juan.	Milano. 1876.
V.	D. Giovanni.	Milano. 1880.

[335]

Polish.

I.	Don Żuan.	Tarnopol. 1863.
II.	Ustęp z drugiéj pieśni Don Żuana.	Kraków. 1877.
III.	Don Żuan, pieśń trzecia.	Kraków. 1877.
IV.	Don Żuan, pieśń druga, trzecia i czwarta.	Tarnopol. 1879.
V.	Don Żuan.	Warszawa. 1885.

Roumanian.

Don Juan dela Lord Byron. Bucurescĭ. 1847.

Russian.

I. Донъ-Жуанъ. С.-Петербургъ. 1846.

II. Донъ-Жуанъ. 2 v. С.-Петербургъ. [1847.]

III. Донъ-Жуанъ. Глава первая. Лейпзигъ. 1862.

IV. Донъ-Жуанъ. С.-Петербургъ. 1866, 67.

V. Донъ-Жуанъ. 2 v. С.-Петербургъ. 1889.

VI. Донъ-Жуанъ. 2 т. С.-Петербургъ. 1892.

Servian

Дон-Жуанъ. 2 свес. Београд. 1888.

Spanish.

I.	Don Juan, novela.	Paris. 1829.
II.	Don Juan.	Madrid. 1876.

Swedish.

I.	Don Juan.	Stockholm. 1838.
II.	Don Juan. 2 v.	Stockholm. 1857.

English Bards, and Scotch Reviewers.

I.	The British Bards, A Satire.	1808.
II.	English Bards, and Scotch Reviewers. First Ed.	Lⁿ. James Cawthorn. 1809.
III.	English B., etc. Second Ed.	Lⁿ. J. Cawthorn. 1809.
IV.	English B., etc. Third Ed.	Lⁿ. J. Cawthorn. 1810.
V.	English B., etc. Fourth Ed.	Lⁿ. J. Cawthorn. 1810.
VI.	English B., etc. Fourth Ed.	Lⁿ. J. Cawthorn. 1811.
VII.	English B., etc. Fifth Ed.	[Lⁿ. J. Cawthorn.] 1811.
VIII.	English B., etc. First Amer. Ed.	Philadelphia. 1811.
IX.	English B., etc.	Charleston. 1811.
X.	English B., etc.	Boston. 1814.
XI.	English B., etc.	New York. 1817.
XII.	English B., etc.	P. Galignani. 1818.
XIII.	English B., etc.	Brussels. 1819.
XIV.	English B., etc.	Geneva. 1820.
XV.	English B., etc.	Lⁿ. Benbow. 1823.
XVI.	English B., etc.	Glasgow. J. Starke. 1824.
XVII.	English B., etc.	Glasgow. M’Intosh and Co. 1825.[336]
XVIII.	English B., etc.	Lⁿ. W. Dugdale. 1825.
XIX.	English B., etc.	Lⁿ. T. Kay. 1827.

Fare Thee Well! And a Sketch from Private Life.

I.	Fare Thee Well!	March 18, 1816.
II.	Fare Thee Well!	April 4, 1816.
III.	Fare Thee Well! Second Version.	April 7, 1816.
IV.	A Sketch from Private Life.	March 30, 1816.
V.	A Sketch, etc. Another Copy.	April 2, 1816.
VI.	Fare Thee Well!—A Sketch, etc.	Lⁿ. Sherwood, Neely, and Jones. 1816.
VII.	Fare Thee Well.	Bristol. 1816.
VIII.	Fare Thee Well.	Edinburgh. 1816.

The Giaour.

I.	The Giaour, A Fragment of a Turkish Tale.	London. M. 1813.
II.	The Giaour, etc. A new Ed.	London. M. 1813.
III.	The Giaour, etc. Third Ed.	London. M. 1813.
IV.	The Giaour, etc.	Boston. 1813
V.	The Giaour, etc. Fifth Ed.	London. M. 1813.
VI.	The Giaour, etc. Sixth Ed.	Lⁿ. M. 1813.
VII.	The Giaour, etc. Seventh Ed.	London. M. 1813.
VIII.	The Giaour, etc. Ninth Ed.	London. M. 1814.
IX.	The Giaour, etc. Tenth Ed.	London. M. 1814.
X.	The Giaour, etc. Eleventh Ed.	London. M. 1814.
XI.	The Giaour, etc. Twelfth Ed.	London. M. 1814.
XII.	The Giaour, etc. Fourteenth Ed.	London. M. 1815.
XIII.	The Giaour, etc.	Lⁿ. W. Dugdale. 1825.
XIV.	The Giaour, etc.	London. M. (Tilt and Bogue, Edinb.) 1842.
XV.	The Giaour, etc.	London. 1844.

Translations of The Giaour.

French.

Le Giaour. P. J. M. H. Bigeon. 1828.

German.

I.	Der Gauer.	Berlin. 1819.
II.	Der Gjaur.	Leipzig. 1820.
III.	Der Gjaur.	Leipzig. 1871-1876.

Italian.

I.	Il Giaurro.	Genova e Parigi. 1817.
II.	Il Giaurro.	Milano. 1884.

[337]

Polish.

I.	Giaur.	Puławy. 1830.
II.	Giaur.	Paryż. 1834.

Romaic.

I. Παιηματα Βυρωνος ὁ Γκιαουρ. Ἀθηνησι . 1873.

II. Σακελλαριου Βιβλιοθηκη τ. Λαου … ὁ Γκιαουρ. Ἐν Ἀθηναις. .
1898.

Russian.

I. Дҗяуръ. 1821.

II. Дҗяуръ. Москва. 1822.

III. Гяуръ. С.-Петербургъ. 1862.

IV. Гяуръ. С.-Петербургъ. 1873.

V. Гяуръ Ъайрона. С.-Петербургъ. 1874.

Servian.

Ђаур лорда Ъајрона. у Новом-Саду.
1860.

Spanish.

El Giaur ó el infiel. Madrid. 1828.

Swedish.

Giaurn. Stockholm. 1855.

Heaven and Earth.

I.	Heaven and Earth, A Mystery.	Lⁿ. Benbow. 1824.
II.	Heaven and Earth, etc.	P. Galignani. 1823.
III.	Heaven and Earth, etc.	? W. Dugdale. 1825.

Translations of Heaven and Earth.

French.

Essai sur Le Génie, etc. P. Ladvocat. 1824.

Italian.

Cielo e terra. Milano. 1853.

Russian.

Небо и Эемля. т. 1.

Hebrew Melodies.

I.	A Selection of Hebrew Melodies.	Lⁿ. I. Nathan. 1815.
II.	Hebrew Melodies.	London. M. 1815.
III.	Hebrew Melodies.	Boston. 1815. 24º.[338]
IV.	Hebrew Melodies.	Philadelphia. 1815. 16º.
V.	Hebrew Melodies.	Lⁿ. W. Dugdale. 1823.
VI.	Hebrew Melodies.	Lⁿ. W. Dugdale. 1825.

Translations of Hebrew Melodies.

Bohemian.

Hebrejské melodie. V Praze. 1890.

Danish.

Lord Byron: Jødiske Sange. Christiania. 1889.

German.

I.	Hebräische Gesänge.	Berlin. 1820.
II.	Hebr. Gesän.	Laibach. 1833.
III.	Germanische Melodien.	Bonn. 1862.
IV.	Lord Byron’s Heb. Gesän.	Karlsruhe. 1863.
V.	Heb. Gesän.	Memmingen. 1866.

Hebrew.

Hebrew Melodies of Lord Byron. Leipzig. 1890.

Italian.

I.	Melodie Ebraiche.	Napoli. 1837.
II.	Le Mel. ebree.	Ivrea. 1855.

Russian.

Еврйскія мелодін. С.-Петерурбъ.
1860.

Swedish.

Hebreiska Melodier. Helsingfors. 1862.

Fugitive Pieces And Minor Poems

I.	Fugitive Pieces. A Facsimile Reprint of the Supp. Ed. of 1806.	1886.
II.	Poems on Various Occasions.	Newark. 1807.
III.	Hours of Idleness.	Newark. 1807.
IV.	Poems Original and Translated.	Newark. 1808.
V.	Imitations and Translations.	Lⁿ. Longman, etc. 1809.
VI.	Hours, etc.	P. Galignani. 1819.
VII.	Hours, etc.	Lⁿ. Sherwin and Co. 1820.
VIII.	Hours, etc. Third Ed.	P. Galignani. 1820.
IX.	Hours, etc.	Lⁿ. Benbow. 1822.
X.	Hours, etc.	P. A. and W. Galignani. 1822.
XI.	Hours, etc.	Glasgow. 1825.
XII.	Fugitive Pieces and Reminiscences of Lord Byron.	Lⁿ. Whittaker, Treacher, and Co, 1829.

[339]

Poems.

Poems. Second Ed. London. M. 1816.

Poems on His Domestic Circumstances.

I.	Poems on His Domestic Circumstances.	London. W. Hone. 1816.
II.	Poems, etc. Second Ed.	Lⁿ. W. Hone. 1816.
III.	Poems, etc. Sixth Ed.	Lⁿ. W. Hone. 1816.
IV.	Poems, etc. Eighth Ed.	Lⁿ. W. Hone. 1816.
V.	Poems, etc. Fifteenth Ed.	Lⁿ. W. Hone. 1816.
VI.	L.B.’s Poems on His Own, etc.	Dublin. 1816.
VII.	Poems on His Domestic, etc. Second Ed.	Bristol. 1816.
VIII.	Poems on His Domestic, etc.	Boston. 1816.
IX.	Poems, etc. Twenty-third Ed.	Lⁿ. W. Hone. 1817.
X.	Poems, etc.	Lⁿ. J. Limbird. 1823.
XI.	Miscell. Poems, including those on His Domestic, etc.	Lⁿ. John Bumpus. 1824.
XII.	Miscell. Poems on His Domestic, etc.	Lⁿ. William Cole. 1825.

Hints from Horace.

The Irish Avatar.

The Island.

I.	The Island, or Christian and His Comrades.	Lⁿ. John Hunt. 1823.
II.	The Island, etc.	P. A. and W. Galignani. 1823.
III.	The Island, etc.	New York. 1823.

Translations of The Island.

German.

Die Insel, etc. Leipzig. 1827.

Italian.

L’ Isola. Napoli. 1840.

Polish.

Wyspa czyli Chrystyan i jego towarzysze. Kraków. 1859.

Swedish.

Ön Eller Christian, etc. Stockholm. 1856.

The Lament of Tasso.

I.	The Lament of Tasso.	London. M. 1817.
II.	The Lament, etc. Second Ed.	London. M. 1817.
III.	The Lament, etc. Third Ed.	London. M. 1817.[340]
IV.	The Lament, etc. Fourth Ed.	London. M. 1817.
V.	The Lament, etc. Sixth Ed.	London. M. 1818.

Translations of The Lament of Tasso.

Italian.

I.	Lamento del Tasso.	Pisa. 1818.
II.	La Magion del Terrore.	Londra. J. Wilson. 1843.
III.	Gugl. Godio. Il Lamento, etc.	Torino. 1873.

Lara.

I.	Lara, A Tale. Jacqueline, A Tale.	London. M. 1814.
II.	Lara, etc. Fourth Ed.	London. M. 1814.
III.	Lara.	Boston. 1814.
IV.	Lara.	New York. 1814.
V.	Lara, etc. Fifth Ed.	London. M. 1817.
VI.	Lara, etc.	Art Union of London. 1879.

translations of Lara.

Bohemian.

Lara. V Praze. 1885.

German.

Lara. Leipzig. 1886.

Italian.

I.	Il Lara di L.B.	Parigi. 1828.
II.	Lara.	Milano. 1882.

Polish.

Lara. Wilno. 1833.

Servian.

Лара лорда Бајрона. у Новом-Саду. 1860.

Spanish.

Lara. Paris. 1828.

Swedish.

Lara. Stockholm. 1869.

Manfred.

I.	Manfred.	London. M. 1817.
II.	Manfred. Second Ed.	London. M. 1817.
III.	Manfred.	Philadelphia. J. Maxwell. 1817.
IV.	Manfred.	Lⁿ. W. Dugdale. 1824.[341]
V.	Manfred.	Brussels. Printed at the British Press, n.d.
VI.	Manfred. A Choral Tragedy.	Lⁿ. T. H. Lacy. 1863.
VII.	Manfred.	Lⁿ. J. Dicks. 1883, etc.

Translations of Manfred.

Bohemian.

Manfred. Praze. 1882.

Danish.

I.	Manfred.	Kjøbenhavn. 1820.
II.	Manfred.	Kjøbenhavn. 1843.

Dutch.

I.	Manfred.	Amsterdam. 1857.
II.	Byron’s Manfred.	Heusden. 1882.

French.

I.	Manfred.	Bruxelles. 1852.
II.	Manfred.	P. Paul Ollendorff. 1887.
III.	Lord Byron.	Manfred. Toulouse. 1888.

German.

I.	Manfred. A Tragedy. Manfred. Trauerspiel. Teutsch v. A. Wagner.	Leipzig. 1819. Leipzig. 1819.
II.	Manfred.	Göttingen. 1836.
III.	Byron’s Manfred.	Breslau. 1839.
IV.	Manfred.	Berlin. 1843.
V.	Lord Byron’s Manfred.	Leipzig. 1858.
VI.	Byron’s Manfred.	Berlin. 1872.
VII.	Manfred.	Leipzig. 1871-1876.
VIII.	Manfred.	Leipzig. 1879-1890.
IX.	Manfred.	Frankfurt. 1883.

Hungarian.

I. II. III.

Byron Lord’ Élete ‘s Munkái. Manfred. Manfred.

Pesten. 1842. Szolnok. 1884. Budapest. 1891.

Italian.

I.	Manfredo.	Milano. 1832.
II.	Tragedie di Silvio Pellico. Manfredo.	Firenze. 1859.
III.	Manfredo.	Firenze. 1870.

Polish.

I.	Manfred.	Wrocław. 1835.
II.	Manfred.	Paryż. 1859.

[342]

Romaic.

Ο Μαμφρεδ. Εν Πατραις. 1864

Roumanian.

Stoenescu (Th. M.) Teatru … Manfred. Bucurescï. 1896.

Russian.

I. Манфредъ.

II. Манфредъ.

III. Манфредъ. С.-Петербургъ 1858.

IV. Манфредъ.

Spanish.

I.	Manfredo.	P. De Decourchant. 1829.
II.	Manfredo.	Madrid. 1861.
III.	Lord Byron. Manfredo.	Madrid. 1876.

Marino Faliero.

I.	Marino Faliero.	Lⁿ. M. 1821.
II.	Marino Faliero. Second Ed.	Lⁿ. M. 1821.
III.	Marino Faliero.	Philadelphia. 1821.
IV.	Marino Faliero.	P. Galignani. 1821.
V.	Marino Faliero.	Lⁿ. M. [Tilt and Bogue, Edinb.] 1842.
VI.	Marino Faliero.	Lⁿ. J. Dicks. 1883, etc.

Translations Of Marino Faliero.

German.

I.	Marino Faliero.	Frankfurt am Main. 1883.
II.	Lord Byron’s Marino Faliero.	Oldenburg, n.d.

Mazeppa.

I.	Mazeppa, A Poem.	London. M. 1819.
II.	Mazeppa, etc. Second Ed.	P. Galignani. 1819.
III.	Mazeppa.	Boston. 1819.
IV.	Mazeppa.	P. Galignani. 1822.
V.	Mazeppa.	Lⁿ. W. Dugdale. 1824.
VI.	Mazeppa.	Braunschweig. 1834.
VII.	Mazeppa.	Lⁿ. T. Goode. 1854.

Translations of Mazeppa.

Danish.

Mazeppa. Stockholm. 1853.

[343]

German.

I.	Mazeppa.	Leipzig. 1820.
II.	Mazeppa.	Göttingen. 1836.
III.	Mazeppa.	Stuttgart. 1883.

Hungarian.

Byron Lord’ Élete ‘s munkái. Pesten. 1842.

Italian.

I.	Il Mazeppa.	Palermo. 1847.
II.	Mazeppa.	Palermo. 1876.
III.	Mazeppa.	Milano. 1886.

Polish.

I.	Mazepa.	W. Hali. 1860.
II.	Mazepa.	Paryż. 1860.

Russian.

I. Выборъ изъ сочненій лорда Байрона. 1821.

II. Маэепа.

III. Маэепа.

IV. Маэепа. С.-Петербургъ. 1860.

Spanish.

Mazeppa, novela. Paris. 1830.

Monody On The Death Of … Sheridan.

I.	Monody, etc.	Lⁿ. M. 1816.
II.	Monody, etc. New Ed.	Lⁿ. M. 1817.
III.	Monody, etc. New Ed.	Lⁿ. M. 1818.

An Ode to the Framers of the Frame Bill.

A Political Ode. Lⁿ. J. Pearson. 1880.

Ode from the French.

Translation

French.

Traduction de l’Ode. Londres. 1826.

Ode to Napoleon Buonaparte.

I.	Ode to Napoleon Buonaparte.	London. M. 1814.
II.	An Ode to N.B.	Philadelphia. E. Earle. 1814.
III.	Ode to N.B. Sixth Ed.	London. M. 1814.[344]
IV.	Ode to N.B. Ninth Ed.	London. M. 1814.
V.	Ode to N.B. Twelfth Ed.	London. M. 1816.
VI.	Ode to N.B. Thirteenth Ed.	London. M. 1818.

Translation Of The Ode To Napoleon Buonaparte.

Spanish.

Odas a Napoleon. P. De Decourchant. 1829.

Parisina.

Translations.

Danish.

Parisina. Stockholm. 1854.

French.

Parisina. Adolphe Krafft. P. Ernest Leroux. 1900.

German.

Parisina. Gedichte von J. V. Cirkel. Münster. 1825.

Italian.

I.	Parisina.	Milano. 1821.
II.	Parisina.	Milano. 1853.
III.	Parisina.	Mantova. 1854.
IV.	Parisina.	Palermo. 1855.
V.	Parisina.	Genova. 1864.

Russian.

Паризина. С.-Петербургъ. 1827.

Spanish.

Parisina. P. Imp. de Decoutchant. 1830.

The Prisoner Of Chillon.

I.	The Prisoner of Chillon.	London. M. 1816.
II.	The P. of Chillon.	Lausanne. 1818.
III.	The P. of Chillon.	Lⁿ. W. Chubb. 1824.
IV.	The P. of Chillon.	Lⁿ. ? 1825.
V.	The P. of Chillon.	Geneva. 1830.
VI.	The P. of Chillon.	Lausanne. 1857.
VII.	The P. of Chillon. Illuminated.	Lⁿ. W. & G. Audsley. 1865.
VIII.	Byron’s P. of Chillon.	Lⁿ. T. J. Allman. 1874.
IX.	Byron’s P. of Chillon.	Lⁿ. Simpkin, Marshall, and Co. 1877.
X.	The P. of Chillon.	Lⁿ. Blackie and Son. 1879.[345]
XI.	Byron’s P. of Chillon.	Lⁿ. Simpkin, Marshall, and Co. 1879.
XII.	The P. of Chillon.	Vevey. 1880.
XIII.	The P. of Chillon.	Berlin. 1884.
XIV.	The P. of Chillon.	Firenze. 1885.
XV.	Byron’s P. of Chillon.	Lⁿ. and Edinb. 1894.
XVI.	The P. of Chillon.	Lⁿ. Stewart and Co. n.d.
XVII.	The P. of Chillon.	Lⁿ. and Glasg. Blackie and Son. 1896.
XVIII.	Byron. The Prisoner of Chillon.	Dublin. 1896.
XIX.	The P. of Chillon.	Weimar. 1896.

Translations Of The Prisoner Of Chillon

Dutch.

De Gevangene van Chillon. Gent. 1856.

French.

I.	Le Prisonnier de Chillon.	Vevey. n.d.
II.	Bonnivard A Chillon.	Le P. de Ch. Genève. 1892.

German.

I.	Lord Byron’s Gefangener von Chillon.	Lausanne. 1861.
II.	Der Gefangene von Chillon.	Vevey and Lausanne. 1865.
III.	Der Gefangene von Chillon.	Berlin. 1886.
IV.	Der Gefangene von Chillon.	St. Gallen and Leipzig. 1892.

Italian.

I.	Il prigionero di Chillon.	Milano. 1830.
II.	Il prigionero di Chillon.	Milano. 1853.

Russian.

Шильонскій Узникъ. С.-Петербургъ. 1822.

Spanish.

El preso de Chillon. Paris. 1829.

Swedish.

Fången På Chillon. Stockholm. 1853.

The Prophecy Of Dante.

I.	The Prophecy of Dante.	Philadelphia. 1821.
II.	The Pr. of Dante.	P. Galignani. 1821.
III.	The Pr. of Dante.	Lⁿ. W. Dugdale. 1825.
IV.	The Pr. of Dante.	Lⁿ. Blackie and Son. 1879.

[346]

Translations Of The Prophecy Of Dante

French.

OEuvres de Dante Alighieri. La Pr. du Dante. P. Charpentier. 1842.

Italian.

I.	Profezia di Dante.	P. Barrois. 1821.
II.	La Profezia di Dante.	Nuova-Jorca. 1821.
III.	La Pr. di Dante.	Milano. 1856.
IV.	La Pr. di Dante.	Milano. 1858.

Spanish.

La Profecia del Dante. Mexico. 1850.

Sardanapalus.

I.	Sardanapalus, … The Two Foscari, … Cain.	London. M. 1821.
II.	Sardanapalus, The Two Foscari, Cain.	Boston. 1822.
III.	Sardanapalus.	London. M. 1829.
IV.	Sardanapalus.	Arnsberg. 1849.
V.	Sardanapalus.	Lⁿ. T. H. Lacy. 1853.
VI.	L.B.’s Hist. Tragedy of Sardanapalus.	Manchester. 1877.
VII.	Sardanapalus.	Lⁿ. J. Dicks. 1883, etc.

Translations Of Sardanapalus

Bohemian.

Sardanapal. V Praze. 1891.

French.

Sardanapale. Bruxelles. 1834.

German.

I.	Sardanapal.	Posen. 1854.
II.	Sardanapal.	Jena. 1888.
III.	Lord Byron’s Sardanapal.	Berlin. 1897.

Italian.

Sardanapalo. Milano. 1884.

Polish.

Sardanapal. Warszawa. 1872.

Romaic.

Σαρδαναπαλος. Εν Αθεναις . 1865.

[347]

Russian.

I. Сарданапалъ. С.-Петербургъ. 1860.

II. Сарданапалъ.

Swedish.

Sardanapalus, Stockholm. 1864.

The Siege Of Corinth.

I.	The Siege of Corinth.	London. M. 1816.
II.	The Siege, etc.	New York. 1816.
III.	The Siege, etc.	Lⁿ. W. Dugdale. 1824.
IV.	The Siege, etc.	Lüneburg. 1854.
V.	The Siege, etc.	Lⁿ. Nat. Soc. Depository. 1879.
VI.	Byron’s Siege of Corinth.	Berlin. 1893.
VII.	The Siege, etc.	Bielefeld. 1885-1890.

Translations Of The Siege Of Corinth

Dutch.

Het Beleg van Corinthe. Amsterdam. 1831.

French.

Le Siége de Corinthe. P. Pillet aîné. 1820.

German.

I.	Die Belagerung von Korinth.	Hamburg. 1817.
II.	Die Belagerung v. K.	Leipzig. 1820.
III.	Die Belagerung v. K.	Hamburg. 1827.

Italian.

L’Assedio di Corinto. Venezia. 1838.

Spanish.

El Sitio de Corinto. P. Lib. Americana. 1828.

Swedish.

Belägringen Af Korinth. Stockholm. 1854.

The Two Foscari.

I.	The Two Foscari.	New York. 1822.
II.	The Two Foscari.	P. Galignani. 1822.
III.	The Two Foscari.	Lⁿ. J. Dicks, etc. 1883.

Translations Of The Two Foscari

Russian.

Двое Фоскари.

[348]

Spanish.

Los dos Fóscaris. Biblioteca Dramatica. Madrid. 1846.

The Vision Of Judgment.

I.	Vision of Judgment.	P. Galignani. 1822.
II.	The Two Visions.	Lⁿ. W. Dugdale. 1822.

The Waltz.

I.	Waltz: An Apostrophic Hymn.	Lⁿ. Printed by S. Gosnell. 1813.
II.	Waltz, etc.	Lⁿ. Benbow. 1821.

Werner.

I.	Werner, A Tragedy.	London. M. 1823.
II.	Werner.	P. Galignani. 1823.
III.	Werner.	New York. 1848.
IV.	The British Drama (Werner, Vol. iii. pp. 767-789).	Lⁿ. John Dicks. 1865.
V.	Werner.	Lⁿ. J. Dicks. 1883, etc.
VI.	Werner.	Lⁿ. George Routledge. 1887.

Translations Of Werner

Russian.

I. Вернеръ. С.-Петербургъ. 1829.

II. Донъ-Жуанъ. Москва. 1881.

The Liberal.

The Liberal [Vols. I., II.]. Lⁿ. John Hunt. 1822, 1823.

Dedication of Don Juan. Lⁿ. Effingham Wilson. 1833.

The Prison Called Tasso’s Cell, in the Hospital of
Santa Anna, at Ferrara.

[349]

INDEX

The figures in italics refer to the notes only.

Abbot, The, vi. 440

Abdalmalek, iii. 120

Abdera, vi. 171

Abderrahman, Hadgi, vi. 160

Abelard, v. 634

Abencerrages, the, a Moorish tribe, v. 558

Abenhamim, iv. 530

Aberdeen, “auld toun” of, v. 609; vi. 405

Aberdeen, George Hamilton Gordon, 4th Earl of, i. 305, 378, 454;
ii. 170, 204; An Inquiry into the Principles of Beauty in
Grecian Architecture, i. 336

Abernethy, John, vi. 412

Aboukir, battle of, ii. 459; vi. 14

Abruzzi, the, iv. 288

Abydos to Sestos, Byron’s swim from, iii. 13

Académie des Inscriptions (Paris), v. 603

Acarnania, ii. 143

Achelous (Aspropotamo) river, ii. 143, 182

Acheron (Kalamas) river, ii. 131, 180-182

Acherusia, Palus, ii. 129, 179

Achilles, i. 175, 398; ii. 167, 462; iii. 180;
v. 488, 526, 535; vi. 117;
his tomb, vi. 204, 211

Achmet II., Sultan, iii. 454

Achmet III., Sultan, vi. 261

Acre, siege of, iii. 4; vi. 14

Acroceraunian mountains, ii. 303

Acropolis, Athens, ii. 100, 165; vi. 429

Actium, battle of, ii. 126, 128, 179; iii. II; vi. 269

Adagia Variorum, v. 396

Adams, John, a carrier of Southwell, vii. 1

Adams, John, of Pitcairn Island
(Alexander Smith of the Bounty), v. 583, 588, 605, 625

Adams, Mr., iii. 45

Addison, Joseph, his relative Budgell, i. 449;
Essay on Wit, i. 398;
Reflections on Westminster Abbey, ii. 133;
Cato, ii. 325; vi. 485;
Remarks on Several Parts of Italy, ii. 384;
on Tasso and the Venetians, ii. 467;
quotes an Arabian tale in Spectator, iii. 98;
his “faint praise,” vi. 602;
his publisher Tonson, vii. 57

Address intended to be recited at the Caledonian Meeting, iii. 415

Address spoken at the Opening of Drury Lane Theatre, iii. 51

Address to the Sun in Carthon, iii. 26

Adieu, The, written under the impression that the Author would soon die,
i. 192, 232, 237; ii. 458; iii. 48

Adonis, iv. 115

Adramyttium, gulf of, ii. 200

Adrastus, ii. 519

[350]
Adrian (Hadrian), Emperor, i. 20, 462, 493;
ii. 167, 411, 431, 436, 440

Adrian’s Address to his Soul when dying, i. 20

Adriatic, wedding the, ii. 335

Ægean Sea, i. 460; iii. 272

Ægina, i. 457; ii. 362

Ælian, Var. Hist., v. 50

Ælius, ii. 437

Æmilius Paulus, ii. 518

Æneas, i. 153, 156, 157

Æschylus, Prometheus Vinctus, i. 14, 430;
ii. 132; iv. 48-50, 82, 94;
v. 281, 554;
Eumenides, v. 281, 296;
Septum contra Thebas, v. 403;
Persæ, vi. 169

Æsopus, ii. 405

Æsyetes, iii. 180

Ætna, ii. 286

Ætolia, ii. 143

Africa, vi. 198

Afshar tribe, vi. 384

Agamemnon, vi. 15

Age of Bronze, The, ii. 92, 151, 239, 397;
v. 332, 333, 364, 405, 495, 535-578, 606;
Introduction to, v. 537

Age of Gold, vi. 284

Age of Waterloo, The, ii. 227

Agesilaus, king of Sparta, v. 619

Agg, John, ii. 213

Agilulf, Duke of Turin, ii. 489

Agincourt, battle of, ii. 459

Agis, king of Sparta, iv. 455

Aglietti, Dr. Francesco, ii. 324; iv. 456, 457

Agnadello, battle of, v. 498

Agostini, Leonard, ii. 490

Agrarian Laws, vi. 407

Agrippa, ii. 436; vi. 139

Aholibamah, v. 285

Ahriman (Angra Mainyu), the Spirit of Evil, iv. 112

Aisha, Lilla, vi. 160

Aitken, G. A., his edition of Swift’s Journal of Stella, vi. 187

Aix-la-Chapelle, Congress at, v. 563

Ajax, ii. 99, 167; vi. 117, 204, 339

Akenside, iii. 452

Alamanni, Sat., iv. 459

Alaric, king of the Visigoths, i. 462; ii. 109, 172, 390, 512

Alban hill, the, ii. 455, 522

Albanese (or Arnaouts), the, ii. 169, 174

Albania, ii. 123, 173, 174

Albanian (or Arnaout) dialect, specimen of, ii. 183

Albanian war-dance, vi. 151

Albano, ii. 454

Albano, Francesco, vi. 502

Albany, Countess of, publishes Alfieri’s Opere Inediti, v. 211

Albany, Duke of (Prince Leopold), iii. 157

Albion, its “chalky belt,” vi. 419

Albricus Phil., De Imag. Deor., ii. 328

Albrizzi, Isabella Teotochi, Countess,
Ritratti di Uomini lllustri,
ii. 324; iv. 456, 457, 536, 570

Albrizzi Giuseppino, iv. 456, 457

Albuera, battle of, ii. xi, 51, 81

Alcantara, Martin de, ii. 81

Alcibiades, his beauty, and charm of his name, v. 485; vi. 547

Alcina, v. 573

Aid. Manut., De Reatina Urbe Agroque, ii. 384

Aldini, Professor, i. 308; vi. 50

Alemanni, the, ii. 298

Alesia (Alise in Côte d’Or), siege of, iv. 331

Alexander the Great (Iskander), i. 467; ii. 123, 174, 509;
iii. 180; v. 21, 24, 542, 565;
vi. 226, 378, 562; and Mount Athos, vi. 479

Alexander I. of Russia, i. 468, 476, 489;
v. 539, 551, 553, 563, 564;
vii. 27, 39, 40

Alexander III., Pope, ii. 473

Alexander IV., Pope, iii. 369

Alexander, Grand-Duke, v. 564

Alexander, George, as “Ulric” in Werner, v. 324

Alexandra, Queen, MS. of The Two Foscari, v. 113

Alexandria (Ramassieh), battle of, ii. 108

Alexey, the Tzarovitch, vi. 417

Alexis I., ii. 202[351]

Alfieri, Vittorio, ii. 324; iii. 503; iv. 325, 327;
his pilgrimage to Petrarch’s tomb, ii. 353;
his grave in Santa Croce Church, ii. 369, 491;
Autobiography, ii. 369; iv. 264;
Mirra, iii. 150; iv. 367, 368; v. 5;
sonnet on the tomb of Dante, iv. 244;
Abele, v. 211

Algiers, vi. 56

Alhama, iv. 529-534

Ali Coumourgi, Cumourgi, or Cumurgi, iii. 442, 455

Ali Pasha, the original of Lambro in Don Juan,
ii. 127, 129, 138-140, 146, 148, 174, 180;
ii. 199, 205; iii. 145 189; vi. 195, 234;
vii. 53

Alighieri, Alighiero (Dante’s father), iv. 248

Alighieri, Beatrice (Dante’s daughter), iv. 254

Alighieri, Pietro (Dante’s son), iv. 254

Alison, History of Europe, v. 570, 575; vi. 374

All is Vanity, saith the Preacher, iii. 394

“Alia Hu!” concluding words of the Muezzinn’s call,
ii. 136; iii. 120, 481;
Mussulman war-cry, vi. 332

Allacci, L., Drammaturgia, vi. xvi.

Allegra, Byron’s natural daughter, i. 208; v. 469; vi. 186, 297

Allen, Edward Heron, Rubáiyat of Omar Khayyām, iii. 109

Allen, Dr. John, i. 337

Allen, Richard, A Souvenir of Newstead Abbey, vi. 497

Allied Army occupy Paris, iii. 431

Allied Sovereigns, Congress at Verona of, v. 537-539;
at Vienna, v. 562

Allingham, The Weathercock, i. 45

All’s Well that Ends Well, vi. 506

Almachius, or Telemachus, an Eastern monk, ii. 520

Almack’s, i. 476; vi. 431

Almanack de Gotha, vi. 417

Almas, Turkish dancing-girls, iii. 251

Almonacid, ii. 89

Alp, “the Adrian renegade,” iii. 454

Alpheus river, ii. 182

Alphonso I. of Tuscany, ii. 354

Alphonso II. of Tuscany, ii. 355, 356

Alphonso III., ii. 356; iii. 299; iv. 139, 145

Alphonso X., king of Castile, Tabulæ Alphonsinæ, iv. 523

Alpinula, Julia, ii. 256, 299

Alpinus, Julius, ii. 299

Alps, “the Palaces of Nature,” ii. 254, 385; iv. 258

Alpuxarras, the, vi. 30

Al-Sirat’s arch, iii. 109

Altada, a character in Sardanapalus, v. 12

Alterkirchen, battle of, ii. 296

Alvirt, L., Sardanapale Tragédie Imitée de Lord Byron, v. 2

Alypius, prætor, ii. 520

Amasis, king of Egypt, ii. 519

Amaun, quarter or pardon, iii. 115

Amazons, v. 526

Amber, its perfume, iii. 181

Ambition, ii. 241, 398; v. 488; vi. 78, 392, 456

Ambracia, Gulf of, ii. 128; iii. 11

Ambrosius, Mediolanensis Episcopus, vi. 168

Ameer Khan, i. 468

Amenhotep III., v. 497

America, Byron’s eulogy of, iv. 197, 198

American War of Independence, i. 500; ii. 82;
iv. 511, 516; vi. 12, 508

Amiens Academy, ii. 6

Ammonians, the, iv. 259

Amnani, Lilla, vi. 160

Ampère, M.J.J., La Grèce, Rome, et Dante, iv. 317

Amphion, i. 438

Amstel, A. van (Johannes Christiaan Neuman), iv. 5

Amulets, iii. 181

[352]
Amurath II., Sultan, ii. 173; iii. 308

Amycus, king of the Bebryces, vi. 220

Anacreon, Odes, i. 82, 109, 147, 149, 228;
ii. 139, 270; vi. 26, 171

Anacyndaraxes, Sardanapalus’ father, v. 23, 24

Anah, v. 285

Analectic Magazine, iii. 377; iv. 198

Anatolia, plains of, vi. 211

Anaxarchus, the philosopher, v. 543

Anchialus, v. 23

Andernach, ii. 296

Anderson, British Poets, i. 198; ii. 236;
iii. 129, 262, 405

Anderson, the actor, as “Jacopo Foscari,” v. 114

Andreini, Giovanni Battista, Adam, a Sacred Drama, v. 218

Andrews, Miles Peter, Better Late than Never, i. 353

Andromache, v. 577

Andromachus, the senator, ii. 513

And wilt thou weep when I am low? i. 266

Anent, use of the word, vi. 440

Angas, G. F., Polynesia, v. 599-601

Angelo, Reminiscences, i. 322, 343

Angiolina, Dogaressa, iv. 367

Angiolini, Mdlle., i. 347, 348

Angling, “that solitary vice,” vi. 513

Angora, battle of, iii. 312

Anhalt Zerbst, Prince of, vi. 388

Anholt, i. 488

Anio river, Falls of the, ii. 384, 523

Anlace, a dagger, ii. 57

Anne Boleyn, her remark on the scaffold, iii. 265

Anne, Empress of Russia, vi. 417

Annesley, hills of, i. 210

Annesley Park and Hall, iii. 311, 477; iv. 31, 32, 36, 37

Annual, The, i. 303

Annual Anthology, iv. 521

Annual Biography, v. 568; vi. 413

Annual Biography and Obituary, vi. 265

Annual Register, i. 495, 496; iii. 25; vii. 72

Annuitants, alleged longevity of, vi. 100

Another Simple Ballat, vii. 61

Anselm, Pope, i. 493

Anson, Lady, vi. 410

Anson, Sir W., Voyages, iv. 58;
Memoirs of Augustus Henry, Third Duke of Grafton, iv. 510

Anster, Faust, iv. 85, 123; v. 493

Anstey, Christopher, New Bath Guide, i. 114; vi. 587

Answer to a Beautiful Poem, written by Montgomery, etc., i. 107

Answer to some Elegant Verses sent by a Friend to the Author, etc., i. 114

Answer to—— ‘s Professions of Affection, vii. 40

Anteros, iv. 105

Anthemocritus, the herald, ii. 431

Anthologia Græca, i. 490

Anthony (Antony), ii. 179, 492; v. 486; vi. 139

Anthony and Cleopatra, ii. 179

Anthony Pasquin (Williams), i. 304

Antigallican Monitor, iii. 535

Antigonus, v. 487

Anti-Jacobin, or Weekly Examiner, i. 304; iii. 304;
vii. 49

Anti-Jacobin, Poetry of the, i. 315, 329, 368;
ii. 7, 30; iv. 482, 483

Antilochus, ii. 99; iii. 180

Antimachus, i. 404

Antinomianism, i. 417

Antinous, ii. 167

Antipater, Coelius, Annales, ii. 378

Anti-Paros, island of, iii. 295

Antiquary, The, i. 413; iv. 524; v. 377

Antonina, Belisarius’ wife, vi. 139

Antoninus Pius, ii. 440, 514

Aöus (Viosa, or Voioussa) river, ii. 182

Apelles, iv. 270

Apennines, the, ii. 385; iv. 253

Apicius, vi. 562

[353]
Apollo Alexicacos, ii. 446

Apollo Belvidere, statue of, 446

Apollo Boëdromios, ii. 446

Apollodorus, ii. 273

Appian, ii. 179, 509

Appleton’s Encyclopedia, vi. 349

Aquileia, iv. 386

Aquinas, St. Thomas, De Omnibus Rebus; De Quibusdam Aliis, ii. 163

Arabs, their hatred of the Turks, iii. 163

Araktchèef, “the corporal of Gatchina,” v. 564

Aranjuez, insurrection at, ii. 90

Ararat, Mount, v. 294

Arbaces, the Mede, v. 11, 13; Governor of Media, v. 12

Arcadia, ii. 189

Arcadius, vi. 8

Archangels, the, v. 286

Archenholtz, M. de, Picture of Italy, iv. 470

Archidamus, king of Sparta, v. 619

Archilochus, ii. 483

Archimedes, vi. 538

Archivio Veneto, iv. 457

Ardennes, forest of, ii. 232, 293

Ares, fountain of, ii. 189

Aretini, B. Accolti, Dialogus de Præstantiâ Virorum sui Ævi, iv. 309

Aretino, Lionardo (Leonardo Bruni), Le Vite di Dante, ii. 500;
iv. 253, 275, 309; Istoria Fiorentina, iv. 287

Argentière, Mount, ii. 300

Argonauts, the, vii. 10

Argos, iii. 447

Argus, Ulysses’ dog, ii. 30, vi. 149

Argyle Rooms, i. 348

Argyrocastro, ii. 174, 202

Arici, Cesare, La coltivazione degli Ulivi; Il Corallo;
La Pastorizia, iv. 245

Arimanes, Arimanius, etc., king of the Spirits, iv. 86, 112

Ariosto, Lodovico, ii. 5, 65, 354;
iv. 141, 239, 265, 480;
v. 615;
vi. xviii, 176, 210;
Satira, ii. 309; iv. 149;
“The Southern Scott,” ii. 311;
the gondoliers and, ii. 330, 468;
Orlando Furioso, ii. 359; iii. 243; iv. 75, 266, 283;
v. 573;
his bust, ii. 360, 486;
Titian’s portrait of, iv. 162

Aristaenetus, ii. 199

Aristippus, vi. 139

Aristobulus, v. 24

Aristogeiton, ii. 228, 291

Aristomenes, iv. 566

Aristophanes, Clouds, v. 289

Aristotle, i. 398; ii. 196; iv. 253;
v. 13, vi. 47, 73, 182

Armada, Spanish, ii. 459

Armida and Rinaldo, vi. 34

Arminius, ii. 293

Armstrong, John, laird of Gilnockie, ii. 25, 295

Armstrong, poet, iii. 330

Arnaout, or Albanian dialect, specimen of, ii. 183

Arnaouts (or Albanese), ii. 169, 174

Arnaud, ii. 502

Arno Miscellany, i. 358

Arno river, ii. 364; vi. 402

Arnold, Matthew, ii. 370;
A Wish, iii. 39,
Poetry of Byron chosen and arranged by, v. 205, 254;
Motto to Poems, vi. 173;
A Picture of Newstead, vi. 496

Arnold, Dr. Thomas, on Cain, v. 224

Arnulph, a Lombard, ii. 390

Arpenaz, Falls of, ii. 383

Arquà, ii. 312, 350; Petrarch’s tomb at, ii. 482

Arragonians, the, v. 560

Arrian, v. 24; Alexand. Anabasis, v. 543

Arrowsmith, John, Tractica Sacra, vi. 380

Arsenalotti, the, iv. 356, 358

Arséniew, vi. 306, 332, 353

Arsenius, Archbishop of Monembasia, iii. 121, 122

Art of Happiness, Horace’s, vi. 490

Arta, gulf of, ii. 142, 145

Artaxerxes Mnemon, v. 3, 4

Artemidorus, Oneirocritica, ii. 488

Artemis, temples of, i. 467; ii. 441

Arthur’s Seat, Edinburgh, i. 331, 334[354]

Arundel, Lord, vi. 496

Arvad, island-city of, v. 4

As You Like It, ii. 293, 399, iv. 153; v. 153, vi. 466

Ascanius, i. 157

Ascham, Roger, Schoolmaster, iv. 153

Asdrubal, v. 606

Ashburton, Lord, iv. 513

Ashpitel, F.S.A., Arthur, vi. 497

Askalon, i. 2

Asma Sultana, vi. 261

Asmodeus, i. 56, iv. 516

Aspasia, v. 5

Asphaltites, lake, ii. 237, 294

Aspropotamo (Aehelous), river, iv. 143, 182

Assyrians, the, v. 4

Astarte, iv. 115

Astley, Mrs., vii. 59

Astley’s Theatre, iv. 203; vii. 59

Astoreth, the Phoenician, iv. 115

Astrea, the goddess of justice, i. 111

Asturias, the, ii. 89; v. 558

Asurbanipal, king of Assyria, v. 4

Asuretiliani, king of Assyria, v. 4

Ataghan, long dagger, iii. 103

Atalantis, vi. 453, 454

Athanasian Creed, vi. 275

Atheista Fulminalo, the old Spanish play, vi. 4

Athenæum, i. xiii; ii. 36, 216; iv. 32, 36, 513, v. 324

Athenæus, Deipnosophistæ, v. 11, 24, 103, 107

Athenian Society, the, i. 336

Athens, i. 376;
its works of Art plundered, i. 454-474; ii. 187-204;
besieged by the Venetians, ii. 165, et seq.,
treachery of the Greeks after capitulation of, v. 556

Athos, Mount, ii. 116; iii. 18; vi. 479

Atkinson, Miss, as “Josephine” in Werner, v. 324

Atlantic Monthly Magazine, v. 584; vii. 3

Atlas, Mount, ii. 386

Atreus, i. 144

“Attic Bee,” vi. 585

Attica, ii. 129; vi. 429

Attila, the Hun, ii. 107, 298; iii. 306, iv. 386, 456;
v. 158; vi. 321

Atuahalpa, king of Quito, ii. 81

Aubin, Commander Philip, sloop Betsy, vi. 98, 102

Aubrey, John,
Miscellanies upon Various Subjects, iv. 524,
Letters and Lives of Eminent Persons, vi. 571

Auchinleck, Lord, vii. 35

Auerstadt, battle of, v. 550

Augustini Cod., v. 118

Augustini Cronaca, v. 190

Augustinian monks, iv. 120

Augustinus de Cremâ, ii. 340, Confess., ii. 520

Augustus, ii. 128, 336, 408, 488, 509, 518; v. 542

Augustus, port of, vi. 179

Aulus Cæcina, ii. 299

Aulus Gellius, ii. 92; Noct. Attic., vi. 379

Aurelian, ii. 520

Aurelius, column of, ii. 410

Aurora Borealis, vi. 479

Austen, Sarah, translation of Ranke’s Popes of Rome, v. 520; vi. 208

Austerlitz, battle of, i. 489, 495; ii. 342; v. 548; vi. 14, 351

Austria, and Italy, ii. 363; iv. 456, 458; loan to, v. 573

Austrians,
restore St. Mark’s Lions to Venice, ii. 336,
defeated by Dumouriez at Jemappes, vi. 13,
at battle of Leipsic, vii. 23

Ava, cava, or kava, a Tongan intoxicating drink, v. 600

Avalanches in Switzerland, ii. 385

Avarice, “a good old-gentlemanly vice,” vi. 78

Aventicum (Avenches), ii. 256, 298

Avicenna, iv. 523

Avogadori di Commun (State advocates), iv. 346, 361, 399, 463, 465

Ayesha, Mahomet’s favourite wife, vi. 139

Ayliffe, Parergon, v. 135

Ayscough, Samuel, iv. 153

Azâzêl, v. 291[355]

Azrael, iii. 171

Azzo V. (d’Este), of Tuscany, ii. 354

Baal, king of Tyre, v. 4, 18, 19, 36, 70, 95

Babbage, Charles, ii. 215

Babel, Tower of, vi. 235

Babylon, iii. 402-404; vi. 235, 236, 348

Bacchus, vi. 129

Bacci, O., Manuale della Letteratura Italiana, iv. 536

Bacon, Captain Anthony, ii. 11

Bacon, Friar (The Famous Historie of), his brazen head, vi. 78;
discovers gunpowder, vi. 340

Bacon, Lady Charlotte Mary (née Harley), “Ianthe,” ii. xii, 11

Bacon, Lord, ii. 514; vi. 174, 548;
Advancement of Learning, v. 228;
Essays, v. 489; vi. 259;
Nat. Hist., vi. 518

Bactria, v. 20

Badajoz, capture of, i. 496

Baden, Franz, v. 564

Baffin’s Bay, vi. 51

Bagehot, Literary Studies, i. 303

“Bagpipe,” “pibroch” used for, i. 133

Bailen, ii. 54

Bailli, Jean Sylvani, first Mayor of Paris, iv. 454

Baillie, Agnes, vi. 412

Baillie, Joanna, iv. 339; vi. 412; De Montfort, iv. 338

Baillie, Dr. Matthew, vi. 21, 412

Bairâm, the Moslem Easter, iii. 96

Baird, Sir David, ii. 80

Bajuzet, cage of, iii. 312

Baker, H. Barton, The London Stage, v. 324

Bakewell, T., The Moorland Bard, etc.;
A Domestic Guide to Insanity, i. 361

Baldwin and Cradock, vii. 50

Balgownie, Brig o’, vi. 405

Ballad. To the Tune of “Sally in our Alley,” vii. 58

Ballantyne, i. 435, 436

Baltazhi-Mahomet, Grand-Vizier, v. 564

Bandelli, iii. 505

Banderillos, dart-throwers, ii. 67

Bandusia, fountain of, ii. 524

Bank tokens, i. 495

Bankes, William, i. xii, 84, 497; iv. 162, 279, 472

Banks, Sir Joseph, ii. 7; v. 582

Bannier, or Baner, Johan, Swedish general, v. 371

Barataria, pirates of, iii. 296

Barbarelli, Giorgio (Giorgione), iv. 162

Barbarigo, Doge Agostino, v. 195

Barbarigo, Doge Marco, v. 195

Barbarossa, Frederic, ii. 336, 390, 473

Barbette, vi. 305

Barbiera, R., Poesie Veneziane, iv. 457

Barbo, Pantaleone, iv. 352

Barclay, Captain Robert, i. 321

Bardela, ii. 523

Barings, the, vi. 456

Barker, Miss, Lines addressed to a Noble Lord, iii. 488

Barlow, Sir George, i. 468

Barnave, Antoine Pierre Joseph, vi. 13

Barnet, Lewis, Sub-Dean of Exeter, iii. 299

Baronius, Ann. Eccles., ii. 512, 513, 521

Barossa, battle of, i. 469; ii. 81

Barotti, ii. 487

Barrett, Eaton Stannard (“Polypus”), All the Talents, i. 294, 337

Barrey, Lodowick, Ram Alley, i. 493

Barrol, M. de Fallette, iv. 367

Barrow, Dr. Isaac, vi. 128

Barrow, Sir John, Memoir of the Life of Peter the Great, iv. 209, 505,
The Eventful History of the Mutiny of the Bounty, etc., v. 584, 588, 592, 594, 596;
a Q.R. contributor, vii. 76

Barry, the actor, as “Werner,” v. 324

[356]
Barry Cornwall. See Procter, B. W.

Barthélémi; i. 414; Anacharsis, ii. 199

Bartolini, Lorenzo, vi. 360

Barton, Catherine (Mrs. Conduit), vi. 400

Baruffaldi Giuniore, Abbé G., La Vita di M. L. Ariosto, ii. 486

Baschet, Armand, Les Archives de Vénise, iv. 327, 364, 399

Basejo, Pietro, iv. 382

Bashkirs, a Turco-Mongolian tribe, v. 565

Basili, Byron’s Albanian servant, ii. 175, 176

Baskerville, vi. 146

Basle, Treaty of, ii. 90

Basquiña or saya, the outer petticoat, vi. 116

Bastille, the, vi. 214

Bathurst, Captain, Salsette frigate, iii. 13

Bathurst, Henry, Earl of, v. 545, 546

Batteux, M., i. 402

Bauer, Juliette, tr. of Klencke’s Alexander von Humboldt, vi. 216

Baussière, Madame, i. 493

Bautzen, battle of, iii. 431

Baxter, Richard, i. 417

Bayard, i. 107; ii. 7; v. 498

Bayart, Chronique de, v. 515

Bayle, Pierre, Historical and Critical Dictionary,
ii. 502, 519; iii. 122; iv. 523;
v. 202, 208, 226, 235, 250, 306, 634; vi. 571

Beachey, Captain, Narrative of a Voyage to the Pacific, v. 588, 605

Beatrice (Portinari), Dante’s, iv. 247, 248, 251; vi. 146

Beattie, James H., Minstrel, ii. 5, 65, 82, 115, 123, 350, 479;
v. 615; vi. 78

Beaufort, Duke of, Driving, vii. 26

Beauharnais, Eugène, Viceroy of Italy, iv. 458; vi. 12

Beaumont and Fletcher; i. 397, 398, 489;
The Humorous Lieutenant, iv. 172

Beaumont, i. 343, 398

Beaumont, Lady (Margaret Willis), “Lady Bluemount” of The Blues,
iv. 569, 570, 585; vi. 587

Beaumont, Sir George, founder of the National Gallery,
iv. 341, 570, 582, 585; vii. 63, 64

Beauties of England and Wales, vi. 496, 497

Bebryces, the, vi. 220

Becher, Lady (Elizabeth O’Neill), iv. 338

Becher, Rev. J. T., i. xi, 112, 247, 263

Becket, Thomas à, i. 116; vi. 422, 495

Beckford, William, Childe Harold on; ii. xi;
Italy with Sketches of Spain and Portugal, ii. 35, 36, 43, 45;
Vathek, ii. 37;
iii. 59, 76, 87, 105, 109, 110, 121, 145, 478;
iv. 45, 89, 113, 244;
“Dives,” vii. 7

Becque, Henry, Sardanapale, Opéra en Trois Actes, v. 2

“Bed of Ware,” vi. 272

Beddoes, Dr., i. 307

Bede, Excerptis seu Collectaneis, ii. 435

Bedford, Southey’s letter to Mr., vi. 3

Bedford, Lucy, Countess of, iv. 239

Bedlam, vi. 435

Beechy, Lieutenant, vi. 478

Beethoven, iii. 376

Begum of Oude, iv. 72

Behmen or Boehm, Jacob, vi. 268

Behn, Mrs., v. 550

Béjot, M., ii. 481

Belcher, Lady, Mutineers of the Bounty, v. 588, 589, 622

Beleses, Governor of Babylon, v. 13

Beleses, a Chaldæan and soothsayer (character in Sardanapalus), v. 12

Belgrade, ii. 153; iv. 331

Belisarius, vi. 139

Bell, John, i. 357, 358

Bellerophon, vi. 255

Bellingham, murderer of Mr. Perceval, v. 477

Belshazzar, iii. 396, 421; vi. 162

[357]
Beltramo Bergamasco, iv. 384, 430, 465

Beltane Tree, a Highland festival, i. 142

Belus, v. 25, 31

Belvidere Apollo, the, ii. 446

Bembo, Antonio, iii. 448

Bembo, Bernardo, ii. 495

Ben Nevis, i. 192

Benbow, W., iv. 482; v. 203; vii. 46

Bende, Niccolo dalle, iv. 464

Bender river, v. 551, vi. 362

Benedict XIV., Pope, ii. 282

Benengeli, Cid Hamet, i. 299

Bentham, Jeremy, vi. 267; vii. 32

Bentinck, Lord William, v. 158

Bentley, Richard, i. 30; iii. 209

Bentotes, or Bendotes (Vendoti),
Λεξικὸν Τρίγλοσσον, ii. 197; iii. 121

Benvenuto Cellini, v. 471, 516, 518, 521

Benzon, Marina Querini,
the heroine of La Biondina in Gondoleta, iv. 456, 457

Benzon, Vittore, Nella, iv. 456, 457

Benzon, Countess, iv. 471

Beppo, i. 362, ii. 313, 371, 374,
iv. 153-189, 238, 241, 279, 413, 471, 517, 579,
vi. xvi, xvii, 214, 287, 390;
vii. 51

Béranger, J. P, de, Chansons Inédites, vi. 235, 373

Berenice, i. 69; vi. 139

Beresford, James, Miseries of Human Life;
or, The Last Groans of Timothy Testy and Samuel Sensitive, i. 338

Beresford, Lord, ii. 51

Beresina, battle of, iv. 207

Bergami, Bartolommeo, vi. 236, 290

Bergamo, v. 119, 138

Bergk, i. 19, ii. 138

Berkeley, D. D., Bishop George, Principles of Human Knowledge, vi. 427

Berlan, Francesco, I due Foscari, Memorie Storicho Critiche, v. 117, 119, 121, 122, 133, 134

Berlin, v. 550

Berlinghieri, Andrea Vacca, ii. 324

Bernadotte, king of Sweden, v. 553

Bernard, Edward, Pedigree of George Gordon, Sixth Lord Byron, vi. 411

Bernard, W. Bayle, adapts Marino Faliero for the stage, iv. 324

Berners, Sir John Bourchier, Lord,
The Bake of Duke Huon of Burdeux, v. 496

Berni, Francesco, iv. 157, 283, 325; vi. xvi

Bernis, Abbé de, iv. 334

Bernstorff, Count, v. 539

Berrí, Duc de, iii. 435; v. 567

Berry, Miss, Journal, iv. 569, 570, 587

Bertrand, General, iii. 312;
Campagnes d’ Egypte et de Syrie, v. 550

Bertuccio, Israel, iv. 340, 464

Bestuchef, Count, vi. 417

Betham, William, v. 588

Bethlen Gabor, king of Hungary, v. 349, 352

Betsy, wreck of the sloop, vi. 98, 102

Bettinelli, ii. 496

Betty, William Henry West, “the young Roscius,” i. 342

Beuchot, editor of Voltaire’s Works, iv. 212

Bevius, Canon of Padua, ii. 503

Bewley, John H., of Buffalo, N.Y., vii. 63

Bey Oglou, the, iii. 166

Bezborodky, vi. 389

Biagoli, iv. 318

Bianchi, ii. 494

Bianconi, ii. 487

Bibiena, Antonío Divizio da, iv. 174

Bibiena, Cardinal, iv. 174

Bibiena, Maria da, iv. 174

Bible, the, ii. xiii; prophecies of, iv. 244

Bibliographie Universelle, iv. 334

Bibliotheca Teubneriana, iv. 213

Bibliothèque de l’ École des Hautes Études, Paris, ii. 412

[358]
Bibliothèque Historique de la Revolution, vi. 13

Bindi, V., Monumenti Storici ed. Artistici degli Abruzzi, iv. 288

Bindlose, Sir Francis, i. 101

Biographia Literaria (Coleridge’s), i. 489; iii. 435

Biographical Dictionary of Living Authors of Great Britain
and Ireland, iv. 341; vi. 443

Biographie Universelles, vi. 246, 531

Biondo, Niccolo, iv. 464

Birch, Alderman, i. 435

Biren, Ernest John, vi. 417

Biscay, Bay of, ii. 31

Bishop, Sir Henry, iv. 78

Bisognoso, bezonian, a rogue, vi. 347

Black Friar of Newstead Abbey, the, vi. 576, 578, et seq.

Black, John, “Maid of Athens'” husband, iii. 16

Black, John, Life of Tasso, ii. 470, 485; iv. 145

Black, Theresa (née Macri), “Maid of Athens,” iii. 15; vi. 280

Black Sea, iii. 4; vii. 10

Blackbourne, Dr., Archbishop of York, iii. 298

Blacket, Joseph, i. 323, 359, 442, 443; vii. 11

Blacklock, Dr., ii. 5

Blackmore, Sir Richard, i. 314, 404

Blackstone, Commentaries, i. 29

Blackwood, William, iii. 444; vii. 51

Blackwoods Edinburgh Magazine,
iii. 182; iv. 80, 119, 139, 152, 157, 203, 240, 329, 368, 521, 570;
v. 5, 204, 280, 282, 329;
vi. xix, 16, 213, 278, 445; vii. 51

Blair, Dr., vi. 128

Blake, Benjamin, barber, i. 422

Blake, K. Jex-, The Elder Pliny’s Chapters on the History of Art, ii. 432

Blanc, Mont, ii. 257, 299, 385

Blanchard, E. L., Life and Remains, iv. 324

Bland, Rev. Robert, The Greek Anthology, etc., i. 366;
ii. 291; iii. 32; v. 633

Bland-Burges Papers, i. 416, 438

Blank verse, “allied to tragedy,” i. 398;
“prose poets like,” vi. 73

“Blatant beast,” a figure for the mob, ii. 40

Blenheim, battle of, ii. 459; iii. 57

Blessington, Lady, Conversations with Lord Byron, i. 337, 390;
ii. 236, 423; iv. 63, 64, 70, 538, 545, 549, 562, 570;
vi. 509; vii. 38, 82;
Lawrence’s portrait of, iv. 64

Blessington, Lord, iv. 64; vi. 512; vii. 82

Bligh, Lieutenant William, short account of, v. 587;
A Narrative of the Mutiny and Seizure of the Bounty, etc.,
v. 581-583, 585, 588, 589, 591-595;
vi. 98-100, 105, 111

Blondus, Flavius, De Româ Instauratâ, ii. 509

Bloomfield, George, i. 360

Bloomfield, Nathaniel, i. 300, 441, 442

Bloomfield, Robert, The Farmer’s Boy, i. 359, 360, 442, 443

Blore, Edward, architect, iii. 376

Blount, Henry, “Good night to Marmion,” i. 312

Blücher, Marshal, ii. 459; v. 553; vi. 312, 345; vii. 39

Blue-stockings, the, iv. 176; vi. 75

Blues, The, i. 321, 362; iv. 567-588;
vi. 357, 587; vii. 17

Blunt, Lady Anna Isabella Scawen (née Noel), ii. 215

Blunt, Wilfrid Scawen, ii. 215

Boabdil, vi. 30

Boatswain, Byron’s dog, i. 280; ii. 30

Boccaccio, Giovanni, ii. 353, 373, 498, 500;
iv. 248, 253, 254; vi. 179;
“the Bard of Prose,” ii. 371;
Decameron, ii. 495, 501, 502;
his burial-place, ii. 499;
his cenotaph at Arquà, ii. 503;
Il Comento sopra la Com media, iv. 316

Bodleian Library, Oxford, v. 302, 473

Bodoni, ii. 472[359]

Boehm, Mrs., her masquerade, iv. 177

Boeotia, ii. 66, 93

Boethius, De Consolat. Philos., iv. 318

Bogle, Scottish for goblin, vi. 449

Bohemia, evacuated by the Swedish garrisons, v. 371

Bohours, ii. 485

Boïardo, Matteo Maria, Orlando Innamorato, ii. 293, 354, 485;
iv. 281, 283

Boileau, i. 402; ii. 358, 484, 485

Boissevain, P., editor of Dio Cassius’ Hist. Rom., iv. 370

Bolero, i. 492; iii. 3, 26; vi. 526

Boleyn, Anne, her remark on the scaffold, iii. 265

Bolingbroke, Lord, hires Mallet to traduce Pope, i. 326

Bolivar, Simon (El Libertador), v. 555

Bonar, James, Malthus and his Work, vi. 461

Bonesani, Beccaria, Dei Delitti e delle Pene, ii. 196

Boniface VII., Pope, ii. 494

Bonivard, Amblard de, iv. 14

Bonivard, François de, Prior of St. Victor (Prisoner of Chillon), iv. 3-28, 327;
Les Chroniques de Genève, iv. 5;
Mémoires, etc., iv. 18

Bonivard, Jean Aimé de, iv. 9, 20

Bonivard, Louis de, iv. 9

Bonn, vi. 419

Boone, Colonel Daniel, The Adventures of;
Containing a Narrative of the Wars of Kentucky, vi. 348, 349

Boone, George, of Exeter, vi. 349

Booth, G., The Historical Library of Diodorus
the Sicilian, v. 11

Booth’s Theatre, New York, Sardanapalus at, v. 2

Border Minstrelsy, ii. 4, 25, 295

Borgia, Lucrezia, ii. 354

Borgo, Count Pozzo di, v. 539

Bornou, vi. 474

Borysthenes (Dniéper) river, iv. 211

Boscan, Juan, of Barcelona, Leandro; The Allegory, vi. 40

Bosphorus, vi. 219, 220; vii. 10

Bosquet de Julie, ii. 305, 306

Boswell, James, Life of Johnson, i. 401, 409, 449;
ii. 460, 489;
iv. 500, 573;
v. 592; vi. 247, 455, 482

Botzaris, Marco, Suliote chief, ii. 180

Boudot, M., ii. 481

Boufflers, Marshal, ii. 297

Boulanger, J. C., De Terræ Motu et Fulminibus, ii. 488

Bounty, Mutiny of the, See also The Island, v. 581-584.
See also The Island

Bourbon, Connétable Charles de
(Comte de Montpensier, Dauphin d’Auvergne), ii. 390;
iv. 258; v. 495, 498, 515-518, 520

Bourbon, Susanne, Duchesse de, v. 499

Bourbons, the, iv. 334

Bourdeille, Pierre de, v. 520

Bourne, H. R. Fox-, Life of John Locke, ii. 353

Bourrienne, M., i. 489

Bouveret, ii. 304; iv. 18

Bouwah! the Suliote war-cry, vii. 83

Bowles, Rev. William Lisle, Strictures on Pope, etc.,
i. 292, 305, 323-327, 352, 370, 421, 435;
ii. 139;
iii. 535; iv. 555, 562;
Spirit of Discovery, i. 324, 325, 404;
The Missionary of the Andes, vii. 45;
The Invariable Principles of Poetry, vii. 74, 75

Bowles and Campbell, vii. 74

Bowring, E. A., The Tragedies of Vittorio Alfieri, v. 211

Boyd, Hugh, iv. 313, 513

Boyer, J. B., Lettres Juives, iii. 123

Boyne, W., i. 495

“Boz,” Memoirs of Joseph Grimaldi, vi. 11

Bracciolini, Poggio, ii. 354

[360]Braemar, i. 173

Braganza, vii. 6

Braham, John, i., 347;
music for Hebrew Melodies, iii. 375

Bramante, first architect of St. Peter’s, Rome, iv. 270

Brandenburgh, George William, Elector of, v. 373

Brandl, Professor A., Goethes Verhältuiss zu Byron, iv. 82;
Goethe-Jahrbuch, iv. 136

Brandywine, battle of, i. 500

Brantôme, Memoires de Messire Pierre de Bourdeille, v. 504, 520

Brasidas, ii. 167, 335

Brass, Corinthian, vi. 284

Braziers, the, vii. 72

Bread-fruit (Autocarpus incisa), v. 596

“Break squares,” to, vi. 487

Breitenfeld, battle of, v. 371

Brennus, iv. 258

Brenta, the, ii. 349

Brentano, M. Frantz Funck-,
L’Homme au Masque de Velours Noir, iv. 514

Brentford, ii. 66

Brenton, E. P., The Naval History of Great Britain, vi. 589

Brescia, v. 119, 138

Bret Harte, The Society upon the Stanislaus, iv. 296

Breuner, General, iii. 455

Brewster, Sir David, Letters on Natural Magic, v. 483;
Memoirs, etc., of Sir Isaac Newton, vi. 400

Briareus, vi. 276

Bride of Abydos, i. 340;
iii. 13, 17, 80, 157-210, 217, 219, 275, 319, 480;
iv. 56; vi. 204; vii. 55

Bridge of Sighs, Venice, ii. 327, 465; iv. 364; v. 139

Bristol, Countess of, vi. 219

“Britannicus,” Revolutionary Causes, etc., and A Postscript
containing Strictures on Cain, etc., v. 202

British Album, i. 358, 383

British Archæological Society, iii. 120

British Bards, A Satire, original title of
English Bards, and Scotch Reviewers,
i. xiv, 293, 303, 306, 307, 311-314, 316, 317, 321-325, 327, 332, 339-342, 344-346, 353-355, 357, 361, 366, 367, 371-373, 375, 376

British Critic, vi. xx

British Museum, i. xiv, 108;
ii. 441;
v. 542, 548, 600; vii. 78;
Egerton MSS., i. 235, 293, 387;
MS., Proof b, i. 394-396, 398-401;
Childe Harold MS., ii. 3-5; iii. 38;
MS., vii. 87

British Review (“The Old Girl’s Review;”
“My Grandmother’s Review”), iii. 128;
iv. 578, 579; v. 204; vi. xx, 76

British Theatre, iii. 158

Brocken, German superstition about the, v. 483

Brodribb, Rev. W. J., Pliny’s Letters, ii. 380

Brossano, Petrarch’s son-in-law, ii. 484

Brougham, Lord, i. 293, 302, 306, 338;
iv. 195;
The Identity of Junius with a Distinguished Living
Character established, iv. 513;
his Fabian tactics, vi. 67-70;
“Parolles,” vi. 506;
his critique of Hours of Idleness, vi. 551

Brown, Horatio F., Venice, an Historical Sketch, etc.,
ii. 338, 340;
iv. 356, 361, 399; v. 119, 125;
Venetian Studies, iv. 427

Brown, John, The Kentucky Pioneers, vi. 349

Brown, Rawdon, Preface to Venetian Calendar of State Papers, iv. 447

Browne, Felicia Dorothea (Mrs. Hemans), vii. 70

Browne, Isaac Hawkins, The Fireside, a Pastoral Soliloquy, vi. 348

Browne, Sir Thomas, ii. 345;
Religio Medici, iii. 165

Browning, Mrs. Elizabeth Barrett, Casa Guidi Windows, iv. 239, 250

Browning, Oscar, Peter the Great, iv. 203;
Charles XII., iv. 208; vi. 363;
Dante, iv. 254

Browning, Robert, Poetical Works, ii. 346;
[361]
Christmas Eve, ii. 376, 441;
Never the Time, etc., iii. 180;
Evelyn Hope, iii. 292;
Pippa Passes, iii. 348;
Confessions, iv. 217;
and Macready, v. 114;
Bishop Blougram’s Apology, vi. 586

Brownlow, Bishop of Winchester, vii. 22

Bruce, James (“Abyssinian Bruce”),
Life and Travels, iii. 99; v. 302; vi. 122

Bruchard, Henri de, Notes sur le Don Juanisme, vi. xx, 387

Brue, Benjamin, Journal de la Campagne en 1715, iii. 442, 481

Brummell, “Beau,” iv. 179; vi. 451

Brunck, Richard Franz Philippe, i. 30;
Anthologia Græca, i. 490;
Gnomici Poetæ Græci, ii. 404

Brunelleschi, ii. 376

Brunswick, Duchess of, vii. 35

Brunswick, Charles William Ferdinand, Duke of, ii. 239;
vi. 12, 312

Brunswick, Frederick William, Duke of, ii. 230

Brussels, the Waterloo ball at, ii. 228, 292

Brutus, ii. 374, 392; iv. 370, 386; v. 560; vii. 37

Bryant, Jacob, iii. 179;
Dissertation concerning the War of Troy, etc., vi. 204, 211

Bryant’s Dictionary of Painters, ii. 171

Brydges, Sir E., iv. 541

Bucentaur, the Venetian State barge, ii. 335

Buchan, fifth Earl of, i. 429

Buckhurst, Thomas Sackville, Lord, Gorboduc, i. 197

Buckingham, George Villiers, second Duke of, i. 197;
The Rehearsal, i. 309, 401, 423, 447; vi. 52, 303

Buckingham, John Sheffield, Duke of, Essay upon Poetry, i. 354

Buda retaken from the Turks, iii. 458

Budd, the publisher, i. 356

Budge, E. A. Wallis, Life and Exploits of Alexander the Great, v. 543

Budgell, Miss, i. 449

Budgell, Eustace, i. 448, 449

Buffo, vi. 206

Bulgarin, Iwan Wizigin, iv. 203

Bull-fights, ii. 67-72

Bulmer, W., printer, i. 317; iii. 301

Bülow, Friedrich Wilhelm, Baron von, vi. 345

Bulukof, Count, vi. 260

Bumpus, John, i. 234

Bunbury H., The Little Grey Man, i. 317

Bungay, Friar, vi. 78

Bunyan, John, vi. 208

Bunyan, William, An Effectual Shove, etc., i. 417, 418

Buonaparte, Jacopo, Sacco di Roma, etc., iv. 258;
v. 471, 514, 516, 520, 521

Buonaparte, Joseph, iv. 458; v. 533

Buonaparte, Prince Lucien, ii. 522

Buonaparte, Napoleon. See Napoleon Buonaparte

Buratti (Bucati), Pietro, iv. 456, 457

Burchard, Diar., iii. 367-369

Burdett, Sir Francis, i. 435, 436; vii. 30, 40, 67, 68

Burgage, or tenure in burgage, vi. 590

Bürger, Lenore, i. 305

Burges, Elizabeth, Lady (née Noel), i. 437

Burges, Sir James Bland, i. 314;
Richard the First; Exodiad, i. 436, 437

Burgoyne, General John, vi. 12

Burgundians, the, ii. 254, 297

Burke, Edmund, i. 416; iv. 75, 513; v. 592;
Reflections on the Revolution in France, ii. 7;
iii. 513

Burkitt, Thomas, able seaman on the Bounty, v. 583

Burns, Robert, Farewell to Ayrshire, i. 210;
Lewis’s Tales of Terror, i. 317;
referred to in E. B. and S. R., i. 360, 362;
Farewell to Nancy, iii. 147;
The Life and Age of Man, iii. 449;
Dr. Currie’s Life of, vi. 174;

[362]
Burrard, Sir Harry, ii. 39

Burton, Sir Richard F., Arabian Nights, iii. 87, 104, 109, 113

Burton, Anatomy of Melancholy, ii. 236; v. 543

Burun, Ralph de, iv. 543; vi. 411

Busaco, battle of, i. 470

Busby, Dr. Thomas, A New and Complete Musical Dictionary;
The Age of Genius;
Drury Lane Address, i. 481, 485; iii. 55-58;
translation of Lucretius, iii. 57

Busingen, iv. 97

Bute, John Stuart, Earl of, iv. 501, 510

Butler, A. J., The Hell of Dante; iv. 245;
translation of Francesca da Rimini, iv. 320

Butler, Dr., Headmaster of Harrow (“Pomposus”),
i. 17, 88, 89, 90, 91, 93, 94

Butler, Rev. Alban, Lives of the Saints, vi. 32, 33

Butler, Samuel, Hudibras, vi. 153, 404, 551

Buxton, Fowell, vi. 549

Byng, George, M. P. (“the County Byng”), vii. 67, 68

Byng, Admiral John, ii. 40, 41

Byrne, editor of Morning Post, i. 358

Byrne. Mrs. (Charlotte Dacre), “Rosa Matilda,” i. 306, 357, 370;
Hours of Solitude, i. 358

Byron, Augusta Ada. See Lovelace, Lady

Byron, Cecilie, Lady (widow of Sir Francis Bindlose), i. 101

Byron, Charlotte Augusta (Mrs. Christopher Parker), iii. 417

Byron, Elizabeth, Lady (née Chaworth), iv. 542

Byron, Hon. Mrs. Frances (née Levett), vi. 410

Byron, Hon. George, vi. 410

Byron, George Anson, iii. xxi; vii. 41

Byron, Hon. Juliana, iii. 381

Byron, Lucy, Lady, i. 101

Byron, the Little Sir John, i. 1, 3, 119

Byron, Admiral the Hon. John, iii. 381, 417;
iv. 57; vi. 410;
Narrative of his shipwreck in the Wager;
Voyage round the World, iv. 58; vi. 102, 121

Byron of Rochdale, 1st Lord (Sir John Byron of Clayton),
i. 3, 101, 119, 121; vi. 294, 495

Byron, Sir Nicholas, i. 3

Byron, Richard (2nd Lord), i. 3, 101; iv. 14; vi. 294

Byron, Sir Robert, i. 101

Byron, Sophia Maria, vi. 410

Byron, William (3rd Lord), iv. 542

Byron, William (5th Lord, “the wicked Lord Byron”), ii. 17;
iv. 58, 542; vi. 121, 410, 497

Byron, Hon. William, iii. 381

Byron, Sir William, i. 121

Byron, Lady (Miss Milbanke), i. 260, 301, 359;
ii. x, 74, 288, 427; iii. 411, 449, 499;
iv. 39, 63, 184, 254, 492; vi. 22, 274;
her transcription of Parisina, iii. 499;
“my moral Clytemnestra”, iv. 64;
“a poetess—a mathematician—a metaphysician,” iv. 576;
“Miss Lilac” of The Blues, iv. 570;
on Byron’s lameness, v. 470;
Remarks on Mr. Moore’s Life, etc., vi. 21;
and M. Baillie, vi. 412;
patroness of the Charity Ball, vii. 71

Byron, Lord, Diary or Journals referred to,
i. 5, 25, 30, 45, 103, 184, 303, 310, 362;
ii. 61, 187, 304;
iii. 46, 50, 70, 105, 149, 150, 157, 165, 210, 218, 303, 305, 307, 308, 311, 314, 411, 495;
v. 28, 61, 78, 159, 199, 254, 477, 555, 615;
vi. 18, 128, 146, 173, 197, 204, 240, 263, 421, 461, 504, 511;
vii. 51, 74;
My Dictionary, vi. 381

Byron, Mrs. (mother), i. 269, 336;
iii. 449; iv. 543;
Byron’s letters to, i. 125, 282, 351;
ii. ix, 24, 27, 34, 42, 49, 59, 63, 100, 124, 128, 138, 301;
iii. 4, 13, 441, 450;
vi. 128, 195, 565;
furiosa, vi. 30

[363]
“Byron’s Pool,” on the Cam, vi. 49

“Byron’s Tomb,” at Harrow, i. 26

Byzantium, ii. 337

Caballerías, the, ii. 47

Caballero, Victoires et Conquètes des Français, ii. 94

Cabot, Sebastian, iv. 262

Cabotto, or Gavotto, Giovanni, iv. 262

Cadiz, ii. 63, 67, 77, 93; iii. 1

Cadmus, i. 148

Cæcina, Aulus, ii. 299

Cæsar, i. 351, 422; ii. 397; iv. 352;
v. 560; vi. 139, 339, 404;
De Bello Gallico, iv. 331

Caia river, ii. 45

Cain, iii. 32, 182; iv. 34, 48, 50;
v. 5, 9, 197-275, 279, 306, 469;
vi. 385, 444, 491; vii. 78;
Introduction to, v. 199;
Dedication, v. 205;
Preface, v. 207

Calderon, El Mágico Prodigioso, iv. 81; v. 470;
Los Cabellos de Absalon, iv. 100

Caledonian Meeting, the, iii. 415

Caledonian Mercury, iii. 45

Calendario, Filippo, a stone-cutter, iv. 382

Calendario, Philip, a seaman, iv. 464

Calenture, the, v. 159; vi. 586

Calenus, A., ii. 520

Caligula, ii. 408; iii. 455; iv. 334; v. 542; vi. 276

Caliriotes (Albanese women), ii. 183

Callcott, Lady (Mrs. Maria Graham), iii. 532; vi. 206, 207

Callimachus, ii. 173; vi. 445

Callistratus, ii. 291

Calma, Abbé, v. 211

Calmana, Caimana, etc., Cain’s twin sister, v. 226

Calmar, i. 177

Calmet, Augustine, Dissertations sur les Aparitions, iii. 123

Caloyer, Greek monk, ii. 130, 181; iii. 123

Calpac, centre part of Turkish headdress, iii. 119

Calpe’s rock (Gibraltar), i. 378; ii. 89, 113, 455

Calprenède, M., i. 398

Calvert, Charles, actor, iv. 78; as “Sardanapalus,” v. 2

Calvin, i. 417

Calvinism, Byron’s, ii. 74

Calypso, ii. 118

Calypso’s isle (Goza), ii. 118, 173; iii. 10

Camarases, John, translation of Ocellus Lucanus’
De Universi Natura, ii. 198

Cambridge, Duke of, iii. 145

Cambridge, Rev. O. P., iii. 107

Cambridge University, i. 373, 392; Whig Club at, vii. 66, 68

Cambyses, 2nd king of Persia, iv. 259

Camel, “ship of the desert,” v. 606

Cameron of Fassieferne, John, ii. 292

Cameron of Lochiel, Donald, ii. 232, 292

Cameron, Sir Evan, ii. 232, 292

Camerotti di sotto, and di soprà,
(Venetian prisons), iv. 364

Camese, Albanian kilt, ii. 146

Camillus, ii. 518

Camoëns, Luis de, i. 78, 313, 320, 370

Campbell, J. Dykes, iii. 538

Campbell, Thomas, i. 331, 435; vii. 49;
Specimens of the British Poets, i. 198; vii. 74, 75;
a true poet, i. 306;
Pleasures of Hope, i. 361; ii. 169; iii. 459;
Gertrude of Wyoming, i. 429; ii. xiii, 23, 113; vi. 39;
Hohenlinden, ii. 49;
Lochiel’s Warning, ii. 292; iv. 235;
Elegy on Princess Charlotte’s Death, ii. 450;
Battle of the Baltic, ii. 459;
Last Man, iv. 42;
referred to in Don Juan, vi. 6, 75, 444

Campo Formio, Peace of, ii. 363

Can Grande della Scala, v. 562

Canaries, Isles of the Blest, vi. 169

Candia, ii. 340; v. 127

Cangas, battle of, ii. 46[364]

Cannæ, battle of, ii. 255

Canning, George, New Morality, i. 294, 363;
Gifford’s support of, i. 304;
his “colleagues hate him for his wit”, i. 377;
M.P. for Liverpool, i. 497;
attempts to form coalition Ministry, i. 497;
his duel with Perceval, ii. 79;
Needy Knife-Grinder in Anti-Jacobin, ii. 80;
praises Bride of Abydos, iii. 151, 197;
parodies Southey’s Elegy on H. Martin, iv. 482;
Pitt’s “The Pilot that weathered the Storm,” v. 568, vi. 482;
and Roman Catholic Emancipation, v. 569;
Byron on, vi. 482;
Brougham and, vi. 506;
quotes Christianity to sanction slavery, vi. 549;
“the tall wit,” vii. 54;
“for War,” vii. 30

Canova, Antonio, ii. 324, 369, 370; iv. 174, 536

Cantabria, Favila, Duke of, v. 558

Cantemir, Demetrius, History of the Growth and Decay of
the Othman Empire, vi. 259, 277

Canterbury, vi. 421, 422

Canzani, Lambro, iii. 194, 219

Cape de Verd Islands, vi. 169

Cape Gallo, iii. 248

Capena, ii. 416, 516

Capo di Ferro, Cardinal, ii. 508

Capo d’Istria, Count, President of Greece, v. 575

Capote, Albanese cloak, ii. 132, 181; iii. 450

Cappelletti, Giuseppe,
Storia della Republica di Venisia, iv. 327, 345, 427

Capperonier, M., ii. 481

Caracalla, ii. 517, 521; iii. 180

Caracci, Hannibal, ii. 437

Caractacus, vi. 497

Carapanos, Constantin, Dodone et ses Ruines, ii. 132, 182

Carasman (or Kara Osman), Oglou, iii. 166

Caravaggio, vi. 502

Carbonari, the, vi. 259, 489; v. 567

Cardan, De Consolatione, ii. 236

Carew, Thomas, Poems, iii. 17;
The Spark, ii. 236

Carey, Henry, Chrononhotonthologos; Sally in our Alley, i. 413;
Namby Pamby, or a Panegyric on the New Versification, i. 418

“Caritas Romana,” ii. 437

Carlisle, taken by the Highlanders, vii. 25

Carlisle, Frederick Howard, 5th Earl of, i. 354, 370, 383;
ii. 23, 234; vii. 78

Carlisle, Lady, v. 329

Carlo Dolce, vi. 502

Carlowitz plain, iii. 455

Carlyle, Thomas, i. 489;
French Revolution, iv. 13, 454;
History of Frederick the Great, iv. 334; vi. 337

Carmagnola, v. 179, 180

Carnarvon, 1st Earl of, i. 336

Caroline (of Anspach), Queen, ii. 282

Caroline (of Brunswick), Queen, i. 311;
ii. 230; iv. 555; v. 15, 206, 569;
vi. 67, 236, 275, 290, 450, 451;
vii. 72, 78

Carpenter, Dr. F. J., Selections from the Poetry of Lord Byron, iv. 119

Carr, Sir John (Stranger in France; Travels), i. 38, 378, 379;
ii. 65, 78

Carrara, Francesco Novello da (Signer of Padua), ii. 476, 482

Carreno, José Maria, Commandant-General of Panama, v. 602

Carrer, Luigi, iv. 456, 457, 536

Carrer Museum, Venice, iv. 457

Cartaginense, Il, vi. 91

Cartaret, Lord, i. 418

Carthage, iv. 251; vi. 348; burning of, v. 512

Carthaginians and Irish, vi. 337

Carttar, Joseph, coroner for Kent, vi. 265

Carus, Rev. W., Memoirs of the Life of the Rev. Mr. Simeon, i. 417

[365]
Carver, William, vii. 22

Gary, New Pocket Plan of London, Westminster, and Southwark, vi. 434

Gary, Rev. Henry Francis, Dante, iv. 23, 313;
Memoir of, iv. 314

Carysfort, John Joshua Proby, 1st Earl of, i. 445

Casaubon, ii. 518

Casemate, a, vi. 305

Cash, power of, vi. 458

Casimir V., king John, of Poland, iv. 201, 205, 211, 212

Cassander, v. 487

Cassandra, i. 377; iv. 243

Cassiodorus, Tripartita, ii. 521; iii. 306; iv. 386

Cassius, ii. 374; iv. 120, 386

Castelar, Emilio, Life of Lord Byron, ii. 374

Castellan, Antoine Louis,
Lettres sur la Morée, etc. iii. 249, 270;
Moeurs des Ottomans, iii. 480

Castelnau, Marquis Gabriel de,
Essai sur L’Histoire ancienne et moderne de la Nouvelle Russie,
vi. 264, 304, 305-307, 309-313, 315-317, 319, 320, 331-335, 340, 343, 344, 352, 356, 358, 359, 362, 365, 366-368

Castéra, J. H., Vie de Catherine II., vi. 370, 392

Casti, Animali Parlanti, iv. 156

Castiglione, Marchesa, iv. 157

Castlereagh, Lord, ii. 342; iv. 476;
vi. 4, 7, 264, 389, 418, 450;
vii. 20, 30, 65, 81

Castri, village of, ii. 61, 85, 92, 189

Castriota, George (Scanderberg or Scander Bey), ii. 124, 173

Catalani, Angelica, i. 346; v. 562

Cataneo, Maurizio, iv. 150

Cathay, vi. 457

Cathcart, Lord, i. 468, 488

Catherine II. of Russia, ii. 193, 198, 200, 282;
v. 550, 564;
vi. 313, 333, 351, 370, 381, 383, 387-399, 406, 411, 413, 414, 439

Catholic Claims, iv. 561

Catholic Emancipation, iv. 503; v. 569; vi. 506

Catilina, iii. 117

Catinat, Maréchal Nicholas, Mémoires, vi. 170, 514

Cato, i. 449; ii. 514; iv. 253; v. 506; vi. 270, 303

Catullus, v. 613; vi. 26, 139; vii. 17;
Ad Lesbiam, i. 72;
“Lugete Veneres, Cupidinesque,” i. 74;
“Mellitos oculos tuos, Juventi,” i. 75

Caucasus, Mount, i. 378; v. 17, 30, 57, 294

Causeus, Museum Romanum, ii. 509

Cava, the Helen of Spain, ii. 46, 89; iv. 334

Cava, battle of, vi. 14

Cava, kava, or ava, a Tongan intoxicating drink, v. 600

Cavalier, a military earthwork, vi. 352

Cavalier Servente, iv. 165, 172

Cavalli, Marquis Antonio, iv. 547

Cawthorn, James, i. 294, 387, 453; ii. ix, x; vii. 9

Cayster river, ii. 182

Ceccho, Captain, ii. 477

Cecilia Metella, tomb of, ii. 402-405

Cecrops, i. 462

Cellini, Benvenuto, v. 471, 516, 518, 521

Ceneda, Lorenzo, Count-bishop of, iv. 332

Centaur, H.M.S., wreck of, vi. 90, 92, 94-96, 99, 110

Century Dictionary, ii. 135; v. 135

Century Magazine, iii. 435

Cephalonia, ii. 125; vii. 83

Cephalus, ii. 178

Cephisus river, i. 459; iii. 272

Ceraunian mountains (“Chimera’s Alps”), ii. 131, 181

Cerement (searment), ii. 154

Ceres, vi. 129; “fell with Buonaparte,” vi. 383

Cerigo, island of, ii. 167

Certaldo, Boccaccio’s tomb at, ii. 373, 499

Certosa Cemetery, i. 21

Cervantes, Don Quixote, i. 299; ii. 89, 178; vi. 303, 483

[366]Cesarotti, ii. 496; iv. 457

Cesi, Pietro, President of Romagna, vi. 212

Cevallos, Don Pedro de, i. 338

Chad, G. W. vi. 374

Chæronea, ii. 294.

Chalmers, George, iv. 513;
The Life of Mary Queen of Scots, vii. 53

Chambrier, M., iv. 514

Champion, The, iii. 532-535; vii. 37, 38

Champollion, Jean Franjois, v. 603

Chandler, Dr., Travels in Greece, ii. 172, 189

Chantrey, Sir Francis, vii. 49

Chaponnière, J. J., editor of
Advis et Devis de l’ancienne et nouvelle Police de Genève, etc., iv. 5

Chappell, William, Old English Popular Music, vi. 145

Charity Ball, The, vii. 71

Charlemagne, iv. 287-290; vi. 507

Charlemont, Lady, iii. 105; iv. 569; vi. 215

Charles I., i. 2, 3, 101, 130,; v. 560; vii. 35, 36

Charles II., i. 2, 123, 198; v. 487

Charles III., Duke of Savoy, iv. 4, 10

Charles IV. of Spain (Connétable de Bourbon, Comte de Montpensier),
ii. 390; iv. 258; v. 495, 498, 515-516, 520

Charles V. of Spain, ii. 453; iii. 308, 309; v. 499, 549

Charles VII. (Duke of Lorraine), iii. 458

Charles VIII. of France, ii. 504

Charles IX. of Sweden, v. 371

Charles XII. of Sweden, i. 107;
iv. 202, 207, 233; v. 551; vi. 362, 363

Charles of Anjou, ii. 494

Charles of Saxony, Prince, vi. 605

Charles the Bold, ii. 297

Charles, Prince (the Pretender), i. 173

Charles Edward, Prince, ii. 369

Charles, R. H.,
translation of Dillman’s Ethiopic Text (Book of Enoch), v. 302

Charlotte, Princess, wife of Tzarovitch Alexey, vi. 417

Charlotte of Wales, Princess, ii. 313, 450; iii. 45, 376; vii. 35, 78

Charlotte, Queen, iii. 4

Charrière, E., La Vie vaillant Bertran du Guesclin, v. 549

Chateaubriand, François Réné, Vicomte de; ii. 190;
iii. 195, 431; v. 538, 539;
Les Aventures du dernier Abencerrage, v. 558;
Congress, etc. v. 562, 567, 575;
Les Martyrs ou le Triomphe de la religion chrétienne, v. 575

Châteauneuf-de-Randon (Lozère), v. 549

Chatham, Earl of, i. 113; iv. 510; vi. 478; vii. 28

Chaucer, mentioned in Hints from Horace, i. 395;
his use of the word lemman, ii. 22;
Canterbury Tales ii. 155;
the nightingale’s “merry note,” iii. 170;
terza rima, iv. 313;
Compleint to his Lady, iv. 239;
Wife of Bath, iv. 484

Chaumont, Treaty of, v. 550

Chaworth, George, Viscount, iv. 542

Chaworth, Mary Ann (Mrs. Chaworth-Musters),
i. 52, 189, 192, 210, 329, 277, 282, 283, 285, 475;
ii. 18, 29. 421;
iv. 31, 32, 35, 36, 39, 542;
Byron’s “bright morning star of Annesley,” iv. 38

Chaworth, William, i. 189; ii. 17; iv. 542

Cheltenham, v. 609

Chemnitz, battle of, v. 371

Cheops, king, vi. 79

Cherbuliez, J. L. A., vi. 461

Chermside, Sir Herbert Charles, Governor of Queensland, vi. 497

Chermside, Lady (née Webb), vi. 497

Cherry, Andrew, The Travellers; Peter the Great, i. 306, 345

Cherubim, the, v. 228

[367]
Cherubini, his opera Les Abencerages, v. 558

Chester Mysteries, vi. 551

Chester Plays, v. 200, 207

Chesterfield, 4th Earl of, Letters, i. 415; vi. 525

Chesterfield, Philip Henry, 5th Earl of, President of the Four-Horse Club, vii. 26

Chetsum, Rev. David, ii. 283

Chevalier, Le, iii. 13

Chezy, A. L., Jāmā’s Medjnoun and Leila, iii. 160

Chiaus, a Turkish messenger, iii. 113

Chichester, Lady, ii. 23

Chichester, Mrs., i. 350

Childe Harold,
Introduction to Cantos I. and II., ii. ix-xv;
Notes on the MSS. of, ii. xvi-xx;
Itinerary, ii. xxi-xxiv;
Preface to Cantos I. and II. ii. 3-8;
Canto I., ii. 15-84;
Notes on Canto I., ii. 85-95;
Canto II., ii. 99-163;
Notes on Canto II., ii. 165-208;
Introduction to Canto III., ii. 211-214;
Canto III., ii. 215-289;
Notes on Canto III., ii. 291-307;
Introduction to Canto IV., ii. 311-315;
Original Draft Canto IV., ii. 316-319;
Dedication of Canto IV., ii. 321-326;
Canto IV., ii. 327-463;
Notes on Canto IV., ii. 465-525;
referred to,
i. 5, 232, 277, 282, 324, 355, 366, 368, 379, 387, 453-455;
iii. xix, 1, 2, 4, 5, 7, 8, 11, 12, 13, 14, 19, 21, 23, 24, 90, 91, 96, 107, 120, 121, 123, 129, 134, 145, 165, 168, 210, 225, 336, 395, 417, 450, 459, 460, 470, 480, 485, 495, 499, 521;
iv. 6, 34, 40, 41, 53-59, 62, 63, 65, 79, 87, 100, 104, 105, 127, 131, 132, 139, 155, 162, 166, 173, 193, 194, 196, 238, 244, 257, 266, 271, 275, 304, 364, 397, 404, 413, 422, 425, 426, 446, 456, 471, 529, 536, 578, 580;
v. 27, 73, 126, 139, 149, 153, 157, 163, 333, 365, 408, 500, 556, 607, 610, 612, 615;
vi. xv, xvii, 12, 13, 48, 74, 84, 116, 149, 186, 200, 212, 234, 303, 382, 384, 419, 424, 434, 476, 539, 558;
vii. 7, 37, 49, 51, 55, 58

Childe Harold’s Good Night, ii. 26; vii. 6

Childish Recollections, i. 17, 84-106;
ii. 8, 12, 95; iii. 324

Children of Apollo, i. 294, 342, 445

Childs, George W., vii. 63

Chili, Independence of, v. 556

Chillon, Castle of, ii. 303, 304; iv. 3, 4, 18

Chimariot mountains, ii. 131, 181

Chinazzo, David, The War of Chioza, ii. 338, 477

Chioggia (Chioza), war of, ii. 338, 476, 497

Chisholm, G. G., ii. xxiv

Chiswick Press, i. xi

Choiseul-Gouffier, Count, Voyage Pittoresque de la Grèce,
ii. 168; iii. 295; vi. 151

Chouet, i. 414

Chrematoff, vi. 307

Christian, Charles, v. 622

Christian, Edward, Chief justice of Ely, v. 588;
editor of Blackstone’s Commentaries, v. 622

Christian, Fletcher, mate of the Bounty, v. 581-584, 588;
short account of, v. 622

Christian Observer, iii. 377

Christians of Ewanrigg, the, v. 622

Christodoulos, an Acarnanian,
Περὶ Φιλοσόφου, κ.τ.λ., ii. 198

Christopher Caustic’s Terrible Tractoratian, etc., i. 307

Chronique de Bayart, v. 515

Chryseus, ii. 462

Chrysostom, vi. 28

Chulos, footmen, ii. 67, 71

Church, Rev. A., Pliny’s Letters, ii. 380

Churchill, Charles, iv. 45, 51;
v 337;
Prophecy of Famine, iv. 14;
The Times, iv. 21;
The Candidate, iv. 46;
The Farewell, iv. 174

Churchill, Charles, master-at-arms on the Bounty, v. 583

[368]
Churchill’s Grave, iv. 45, 51, 71, 230, 266;
v. 337; vi. 401

Cibber, Colley, The Provoked Husband, i. 399; Lives, iii. 280

Cicero, “Tully’s fire,” i. 29;
Addison on his puns, i. 398;
Sulp. Severus’ letter to, ii. 133;
In Verrem, ii. 168;
speeches in the Forum, ii. 301, 413;
De Finibus, ii. 345;
Epist. ad Familiares, ii. 362;
Epist. ad Atticum, ii. 384, 509;
“Alas, for Tully’s voice,” ii. 392;
In Catilinam, ii. 396, 510;
Academ., ii. 399;
Middleton’s Life quoted, ii. 408;
site of his villa, ii. 455, 522;
Romans and the theatre, ii. 492;
De Divinat., ii. 510; vi. 585;
De Suo Consulatu, ii. 510;
De Legibus, ii. 519;
De Naturâ Deorum, iv. 115;
Epist., iv. 120;
Pro Sexto Roscio, Amerino, iv. 438;
Diodorus Siculus contemporary with, v. 3;
“the topical memory of the ancients,” vi. 16

Cicisbeo, origin of the word, iv. 171

Cicogna, E. A., Personaggi illustri della Venezia patrizia gente, iv. 457;
Inscrizioni Veneziane, v. 123

Cicognara, Leopoldo, Conte de, ii. 324, 472; iv. 456, 457

Cicognini, Giacinto Andrea, Convitato di Pietra, vi. xvi

Cid Hamet Benengeli, i. 299

Cilicia, v. 4, 24

Cimon, iv. 108

Cincinnatus, iii. 314; v. 571

Cinna, ii. 393

Cintio Giraldi, Nouvelles, v. 471

Cintra, Convention of, ii. xi, 38, 39, 65, 86;
mountain, ii. 31, 34;
Royal Palace at, ii. 37

Circassia (Franguestan), iii. 111; vi. 279

Circe, v. 573

Cisternes, Raoul de, Le Duc de Richelieu, vi. 333

Ciudad Real, ii. 89

Ciudad Rodrigo, fall of, i. 496; vi. 69

Civil Wars, the, i. 3

Civitella, village of, ii. 523

Civran, iv. 331

Claiborne, W. C. C., Governor of Louisiana, iii. 297, 298

Clairmont, Jane (her transcription of Childe Harold, Canto III.),
ii. 145, 211, 214, 216, 217, 230, 232, 288, 304;
iv. 3, 70

Clancarty, Lord, vi. 374

Clare, John Fitzgibbon, 1st Earl of, i. 100

Clare, John Fitzgibbon, 2nd Earl of (“Lycus”),
i. xi, 96, 98-100, 128, 200, 222

Clarence, Duke of, vi. 60, 451

Clarendon, History of the Rebellion, i. 3

Clarens, ii. 277, 304; iv. 18

Clark, J. W., Cambridge, vi. 433

Clarke, Edward Daniel, Travels in Various Countries, i. 455;
ii. 168, 172, 204;
iii. 75, 94, 151, 272, 295;
vi. 171, 204, 211;
The Tomb of Alexander, etc., v. 542

Clarke, Hewson, i. 373-375, 383; ii. 213

Clarke, John, i. 406

Clarke, J. S., Memoir of William Falconer, ii. 169

Clarke, Mary Anne, i. 391

Claude Lorraine, ii. 168; vi. 502

Claudian, ii. 412;
In Ruffin., v. 289;
Epigrammata, v. 562

Claudius, ii. 520

Clayton, Sir Richard,
Critical Enquiry into the Life of Alexander the Great, vi. 226

Clement XII., Pope, ii. 389, 432; v. 521

Cleon, ii. 190

Cleonice, iv. 108

Cleopatra, i. 490; ii. 397; iii. 11; v. 484; vi. 269;
her mummy in the British Museum, v. 542

Clermont, Mrs., vi. 22

Cleveland, Duchess of, iv. 541

Clinton, George, Memoirs of the Life and Writings of Lord Byron,
iii. 443, 447; v. 581

Clitumnus river, ii. 379-381

Clodius, i. 351; iv. 352; vi. 139

Clootz, Jean Baptiste, Baron de (Anacharsis Clootz), vi. xviii, 13

Club, Byron’s definition of a, i. 407[369]

Clusium, iv. 334

Clytemnestra, ii. 426

Clytus, ii. 124

Coalition Ministry, the, i. 500

Cobbett, William, i. 297; ii. 40;
v. 572; vi. 380; vii. 65, 67, 68

Cobbett’s Weekly Register, v. 540, 572; vi. 266

Cochineal, kermes, vi. 575

Cochrane, Thomas, Lord, iv. 111; vi. 67

Cockburn, Admiral Sir George, ii. 239

Cockburn, Mrs. Robert (Mary Duff), i. 192

Cocker, Arithmetic, vi. 601

Cockney School, the, iv. 339

Coehoorn, Baron Menno van, a Dutch military engineer, vi. 344

Coelius Antipater, Annales, ii. 378

Cohen, Francis (afterwards Sir F. Palgrave),
translation of Old Chronicle (Marino Faliero);
Rise and Progress of the English Constitution; History
of the Anglo-Saxons, iv. 46

Coke on Littleton, vi. 568

Colbleen mountain, i. 194

Cole, W., boatswain on the Bounty, v. 583

Coleorton, Memorials of, iv. 585

Coleridge, Miss Edith, iii. 454

Coleridge, Hartley, Essays, ii. 331;
First Visit to the Theatre in London, v. 474

Coleridge, H. N., Study of the Classics, vi. 117

Coleridge, Sara, i. 489

Coleridge, Mrs. S. T., iv. 521

Coleridge, Samuel Taylor, The Devils Walk, i. 31; vii. 21;
Byron and, i. 305, 365; iii. 444; vi. 74;
nitrous oxide, i. 307;
Poems, i. 315, 316; ii. 22;
referred to in English Bards, and Scotch Reviewers, i. 316, 369;
on Monk Lewis, i. 138;
Letters of, i. 318; ii. 401;
iv. 225, 585; v. 175, 544;
vi. 350, 421;
Table Talk of, i. 318; iv. 318, 339, 485;
v. 175; vi. 152;
Cottle’s Early Recollections of, i. 329;
Anima Poetæ, i. 367; ii. 113, 236;
iv. 587; vi. 91;
and Charles Lloyd, i. 368;
Frost at Midnight, i. 369;
Sir J. Bland Burges, i. 437;
on dancing in Germany, i. 475;
on Kotzebue, i. 489;
Biographia Literaria, i. 489; iii. 435;
vi. 4, 39, 167, 168, 175;
Ancient Mariner, ii. 22;
iv. 22, 27, 104, 225, 230, 506;
vi. 106, 114;
Lamb’s apology for, ii. 22;
Christabel, ii. 134, 274, 360;
iii. 443, 471, 476, 511, 519, 537;
iv. 20, 82, 224; v. 281; vi. 243, 279; vii. 45;
Hymn before Sunrise in the Valley of Chamouni, ii. 254;
iv. 110;
Dejection: An Ode, ii. 264; vi. 39;
The Friend, ii. 281, 301; vi. 174;
Lines to Nature, ii. 302; vi. 179;
“Oh for one hour of The Recluse,” ii. 337;
Boccaccio, ii. 374;
Essays on His Own Times, ii. 397, 401;
a Parliamentary reporter, ii. 401;
Kubla Khan, ii. 416, 418, 447;
iv. 267; v. 73, 277;
Israel’s Lament, ii. 450;
his influence on Rogers, iii. 320;
Lines to a Gentleman, iii. 336;
Byron’s letters to, iii. 441; iv. 338;
Byron’s beneficiary, iii. 444;
“Apostacy and Renegadoism,” iii. 488;
Songs of the Pixies, iii. 524;
Zapolya, iv. 24;
Sibylline Leaves, iv. 42;
Religions Musings, ibid.;
depreciates Voltaire, iv. 184;
“No more my visionary soul shall dwell,” iv. 225;
on Walpole’s Mysterious Mother, iv. 339;
author of the libel on Shelley? iv. 475;
The Plot Discovered, etc., iv. 512;
Miscellanies, etc., iv. 515;
Hazlitt on, iv. 518;
the result of pantisocracy, iv. 521;
on Southey’s Life of Wesley, iv. 522;
translates Schiller’s Piccolomini, iv. 566;
Lectures of 1811-1812, iv. 575;
[370]
his visit to the Beaumonts, iv. 585;
Pains of Sleep, v. 78;
on Keats and Adam Steinmetz, “There is death in that hand,” v. 175;
and Pitt’s description of Napoleon, v. 544;
Critique on Maturin’s Bertram, vi. xvii, 4;
Morning Post, vi. 175;
his marriage, ibid.;
“hath the sway,” vi. 445;
Literary Remains, vi. 576;
his note-books, vii. 18;
Mackintosh on, vii. 32

Coligny, vi. 246

Coliseum (or Colosseum), Rome, ii. 423-435; iv. 131

Collegio dei Signore di notte al Criminal, iv. 427

Colleoni, Battolommeo, iv. 336, 392

Collier, Jeremy, Short View of the Immorality and Profaneness of
the English Stage, i. 416;
Shakespeare, vi. 502

Collignon, Maximo,
Histoire de la Sculpture Grecque, ii. 365, 432, 445

Collini, Mdlle., i. 348

Collins, Ode to Pity, ii. 34;
How Sleep the Brave, ii. 50;
Ode on the Death of Mr. Thomson, iii. 50;
Irish Eclogues, iii. 224

Collins, Peerage, vi. 410

Colman the younger, George, i. 306, 343; iv. 75;
The Iron Chest; Heir-at-Law, i. 343;
John Bull, or An Englishman’s Fireside, i. 343, 400;
The Review, or the Wags of Windsor, iii. 435;
Love Laughs at Locksmiths, vi. 308

Cologne, vi. 419

Colonna, Cape, ii. 156, 169; iii. 86, 134

Colonna de’ Francesi, La (Ravenna), vi. 212

Colonna, Vittoria, iv. 262

Columbia, Republic of, v. 555; vi. 456

Columbus, Christopher, iii. 76; iv. 262; vi. 552

Columella, De Re Rustica, ii. 488

Comboloio, a Turkish rosary, iii. 181, 275

Commodus, iv. 334

Comnena, Anna, Alexiad, ii. 202

Complaint, The, iv. 220

Compostelli, Pietro de, iv. 448, 467

Conan the Jester, v. 209

“Concision” used for “conciseness,” vi. 550

Condé, Prince de, iv. 262

Condolatory Address to Sarah, Countess of Jersey,
on the Prince Regents returning her Picture to Mrs. Mee, vii. 37

Condorcet, Marie Jean Antoine, Marquis de,
President of Legislative Assembly in 1792, vi. 13

Conduit, Mrs. (Catherine Barton), vi. 400

Congreve, i. 198, 306, 349, 416; vi. 510

Congreve, Sir William, inventor of “Congreve rockets,” vi. 50

Conquest, The, vii. 82

Consiglio Minore (Venice), iv. 345

Consiglio dei Dieci. See Council of Ten

Constable, Archibald, i. 310, 436

Constans, ii. 520

Constant, Henri Benjamin de Rebecque, v. 566, 567

Constantine, Emperor, ii. 336, 520

Constantine, Grand-Duke, v. 564

Constantinople (Istambol,
Ἑπτάλοφος), i. 378;
ii. 152, 194; iii. 17, 21; vi. 219

Constitutionel, Le, v. 566, 577

Contarini, Doge Andrea, ii. 477, 497

Contarini (afterwards Foscari), Lucrezia, v. 115, 130

Conti, v. 371

Contrario, Ugoccion, iii. 506

Cook, Captain, i. 325; v. 582; vi. 19;
voyage in the Resolution, v. 588, 605

Cook, Dutton, A Book of the Play, i. 414

Cooke, George Frederick, i. 46, 344; iv. 338

Cookery, science of, vi. 561

Cooper, actor, iv. 324

Copenhagen, bombardment of, i. 468; v. 588

[371]
Copernicus, i. 402

Copet, iv. 53; vii. 50

Coray, Diamant or Adamantius, Bibliothèque Hellénique, ii. 196-199, 203

Corday, Charlotte, vi. 14

Cordoba, ii. 54

Corfu, ii. 193

Corfu, Giovanni da, iv. 464

Corinth, ii. 363; iii. 440-496; Gulf of, ii. 60

Corinthian brass, vi. 284

Corinthians, v. 262

Coriolanus, ii. 388, 452; iv. 338; v. 27

Cork Convent, ii. 35, 86

Cork and Orrery, 8th Earl of, vi. 504

Cork and Orrery, Mary, Countess of (“Countess Crabby”), vi. 504

Cornaro, Flaminio, Ecclesiæ Venetæ, v. 123

Cornaro, Marco, iv. 402, 465

Cornelia, daughter of Metellus Scipio, and widow of P. Crassus, iv. 264

Cornelian, The, i. 66, 240; iii. 48

Cornwall, Barry. See Procter, B. W.

Cornwall wreckers, ii. 141, 182

Coron, or Corone (the ancient Colonides), iii. 249

Corresponding Society, The, iv. 516

Corsair, i. 388, 457;
ii. 252; iii. xix, 46, 49, 217-229, 303, 319-321, 409;
v. 584; vi. 132

Corsi, Cardinal, ii. 495

Cortejo, Spanish, vi. 55

Cortes, v. 555

Cosmo II., ii. 499

Costerden, Elizabeth, vi. 294

Costerden, William, vi. 294

Cotta, v. 81, 108

Cottle, Amos, Translation of the Edda of Sæmund,
i. 314, 328, 329, 403

Cottle, Joseph, Alfred; The Fall of Cambria, i. 328, 436;
Early Recollections of Coleridge, i. 329

Cotton, Mrs., of Worcester, iii. 209

Couch of Hercules, vi. 220

Coulman, M. J. J., iv. 543

Council of Ten (Il Consiglio dei Dicci),
iv. 363, 366, 385, 399, 441, 448, 465, 470; v. 115-118, 169

Courier, The, i. 423, 436; ii. xii;
iii. 45, 377, 488, 534;
iv. 477-479, 482; v. 203; vi. 4, 12

Courland, Anne, Duchess of (Empress of Russia), vi. 417

Courland, Frederick William, Duke of, vi. 417

Courland, James, 3rd Duke of, vi. 417

Courlande, Pierre, last Duc de, vi. 417

Courrier, v. 566, 577

Courtney Melmoth. See Pratt, Samuel Jackson

Courtney, W. P., English Whist, vi. 507

Coutts, Mrs., iv. 541;
Byron’s “Mrs. Rabbi;” Vivian Grey’s “Mrs. Million,” vi. 504

Covent Garden Theatre, O.P. riots at, i. 347; vi. 11;
Manfred at, iv. 78;
Lee’s The Three Strangers at, v. 337

Cowley, Abraham, i. 403; vi. 166;
Davideis, i. 436

Cowley, Henry Wellesley, 1st Baron, ii. 79

Cowley, Mrs. Hannah (née Parkhouse), i. 314;
The Belle’s Stratagem, i. 358, 403;
Siege of Acre, i. 436

Cowley, W. D., translation of Parrot’s Journey to Ararat, v. 294

Cowper, Joseph Meadows, Memorial Inscriptions, etc., vi. 422

Cowper, Lady (afterwards Palmerston), i. 301

Cowper, William, mentioned in English Bards, and Scotch Reviewers, i. 362;
The Task, iv. 174; vi. 348;
Hayley’s biography of, i. 321;
Milton, v. 218

Coxe, William, Archdeacon of Wilts, Trav. Switz., ii. 385;
Memoirs of John, Duke of Marlborough, vi. 174

[372]
Crabbe, George, i. 306, 365; vi. 6, 75; vii. 49;
Resentment, iii. 128

“Crane,” to, vi. 524

Crashaw, Richard, vi. 166

Crassus, ii. 405; iv. 264

Creech, Thomas, Translation of Horace, vi. 247

Cremâ, v. 138

Cremâ, Augustinus de, ii. 340

Creon, king of Corinth, i. 170

Crespan, Gio., Della Vita e delle lettere di Luigi Carrer, iv. 457

Crespi, the tenor, vi. 206

Cressy, battle of, i. 2

Crete, v. 127

Creusa, i. 159

Crib, i. 466

Critical Review, iii. 473, 499, 518;
iv. 6, 13, 27, 81, 99

Croesus, iii. 519

Croker, John Wilson, ii. 4, 187; iii. 157, 217;
iv. 74, 157, 339; v. 546;
vi. 482; vii. 49;
article on Keats in Q.R., vi. 445; vii. 76

Croly, D. D., Rev. George, Paris in 1815; Catiline;
Salathiel; The Angel of the World, vi. 444, 445

Cromwell, Oliver, i. 122, 123; ii. 292, 394, 453;
iv. 334; v. 560; vi. 174; vii. 35

Cronaca Augustini, v. 190

Cronaca Dolfin, v. 117, 118, 121, 172

Crosby and Co., B., i. xii, 234

Crosby’s Magazine, i. 368

Crossing the Line, v. 616

Croupade, ii. 70

Crousaz-Crétet, Léon de, vi. 264

Cruikshank, drawing of Jackson’s rooms, i. 434;
frontispiece to Rowfant Library Catalogue, iv. 508

Crusaders, the, i. 117

Cruscanti, the, iv. 152

Crusius, Martinus, Turco-Græcia, iii. 122

Ctesias of Cnidos, Persica, v. 3, 4, 11; vi. 122

Ctesilaus, ii. 431

Cuba, iii. 296

Cuesta, ii. 89

Culloden, battle of, i. 173; ii. 292; vi. 12

Cumberland, Ernest Augustus, Duke of, and King of Hanover,
gazetted Field-Marshal 1813, vii. 31

Cumberland, William Augustus, Duke of, vi. 12

Cumberland, Princess Olive of, iv. 541

Cumberland, Richard, Wheel of Fortune, i. 45, 344;
referred to in English Bards, and Scotch Reviewers,
i. 306, 314, 343;
The West Indian; The Jew, i. 344;
and Townsend, i. 403;
Observer, i. 414; iii. 85;
Exodiad; Calvary, i. 436

Cumourgi (Courmourgi or Cumurgi), Ali, iii. 442, 455

Cunningham, Allan, vi. 3

Curll, a bookseller, i. 220, 326

Curran, John Philpot, ii. 236; iv. 561; vi. 450;
Life of, iv. 555;
“Longbow from Ireland,” vi. 509

Currie, M.D., James,
Works of Robert Burns, with an Account of his Life, etc., vi. 174

Curse of Minerva, i. 378, 451-474;
ii. ix, 33, 106, 107, 168, 192, 252, 366; iii. 270

Curtis, Sir William, v. 578; vii. 68

Curtius, Q., Hist. Alexand., vi. 226

Curwens of Workington Hall, the, v. 622

Curzon, Visits to Monasteries of the Levant, ii. 294

Cuvier, le Bon G., Recherches sur les Ossemens Fossiles, etc.,
v. 210; vi. 385, 415

Cyanean Symplegades, vii. 10

Cyanometer, vi. 216

Cyaxares, v. 107

Cybele, ii. 328

Cyclades, vi. 118, 203

Cymar, or simar, a shroud, iii. 143

Cymbeline, vi. 487

Cypress tree, “the only constant mourner o’er the dead,” iii. 99

Cyprus, iv. 400

[373]
Cyrus, king of Persia, v. 5; vi. 572

Czaplinski, Governor of Poland, iv. 211

d’Abrantés, Duke (Junot), ii. 39, 40

d’Acerenza, François Pignatelli de Belmonte, Duc, vi. 417

d’Acerenza, Jeanne Catherine, Duchesse, vi. 417

Dacians, the, ii. 412

Dacier, M., i. 402; Aristotle, vi. 182

Dacre, Charlotte. See Byrne, Mrs.

Dacre, Lady (Mrs. Wilmot), vii. 48

D’Alembert, Jean-le-Rond, ii. 209; v. 554; vi. 63

Dalkeith, Countess of, i. 310

Dallas, Rev. Alexander, i. 387; ii. xvi

Dallas, Judge, i. 495

Dallas, R. C.,
his copy of British Bards, i. xiv, 293, 298, 322;
Byron’s letters to, i. 294, 347, 359, 404;
ii. xi, xii, xiv, xviii, 15, 24, 30, 32, 37, 65, 73, 83, 95, 104, 105, 161-163, 208;
iii. 129; iv. 125; vii. 9;
Fitzgerald’s and Byron’s jeux d’esprit, i. 298;
Recollections of the Life of Lord Byron, i. 305, 387;
ii. ix-xii, xiv, xv, 89, 104, 120, 176; iii. 107; iv. 446;
MS. of Childe Harold, ii. xvi, 15, 16, 17, 19, 22-24, 27, 29, 30, 32, 33, 37, 38, 41-43, 45, 46, 48-52, 54, 56, 57, 60, 62, 64, 66, 82, 83, 100-102, 105-107, 110, 112-116, 126, 131, 135, 138-140, 146, 147, 149, 150, 155, 157, 159-162, 328, 329, 336, 341, 342, 352, 370, 373, 382, 385, 413, 419, 421, 443, 451, 458, 460;
a suppressed Note on Spain and Portugal, ii. 87;
on Cain, v. 199;
certain “ludicrous stanzas” of The Island, v. 615;
MS. of The Island, v. 587, 589, 590, 592, 595-597, 600-604, 611, 612, 615, 621, 625, 632, 636, 637, 639;
Don Juan MS., vi. 143, 144, 150, 159, 167, 168, 170;
“Yes! wisdom shines in all his mien,” vii. 12;
MS. of On a Royal Visit, etc., vii. 36

Dallas, Robert, iii. 18

Dallaway, Rev. James, Constantinople Ancient and Modern, iii. 90, 166

Dalrymple, Sir Hew, ii. 39, 40

dal Sale, Alberto, iii. 506

Dalzell, Sir George, Shipwrecks and Disasters at Sea, vi. 87, 89-92, 94-96, 99, 102-110, 112

Damætus, i. 128

Damas d’Antigny, Joseph Elizabeth Roger, Comte de, vi. 312

Damascus, ii. 151

Damon, i. 175

Dampier, discoverer of the bread-fruit, v. 596

d’Ancona, A., Manuale della Letteratura Italiana, iv. 536

Dandies, the, iv. 176

Dandolo, Doge Andrea, iv. 352, 366, 438, 459

Dandolo, Giovanni, iv. 356

Dandolo, Doge Henry, ii. 329, 336, 337, 475

Dandolo, Conte Girolamo Antonio, Sui Quattro Cavalli, etc.;
La Caduia della Repubblica di Venezia, iv. 456, 457

Danes at battle of Copenhagen, i. 468

Daniel, To the Lady Lucy, Countess of Bedford, iv. 239

Daniel, prophecies of, ii. 78;
the writing on the wall, iii. 398;
in the lions’ den, vi. 235;
Book of, vi. 504

Dante, ii. 355, 375, 494, 503; iv. 237-276; v. 562; vi. 146, 212, 213, 303;
his tomb, ii. 371, 494; iv. 237, 244;
Ricci’s monument to, ii. 375;
Inferno, iii. 227, 249, 270;
iv. 23, 238, 245, 254, 272, 314, 316;
vi. 36, 37, 105, 289, 408, 606;
Div. Commedia, iv. 237, 570;
Paradiso, iv. 347;
La Vita Nuova, iv. 248, 253;
Sonnet, iv. 249, 253;
Il Convito, iv. 253, 256, 274, 318;
[374]
Purgatorio, iv. 256, 263, 272; vi. 181;
Epistola IX. Amico Florentino, iv. 276

Danton, Georges Jacques, vi. 13

Danube, vi. 304, 306, 331, 368

Dardanelles, the, iii. 13; vi. 208

d’Argens, Marquis, Lettres Juives, iii. 123

Darkness, iv. 42; v. 315

Darmesteter, James (Notes to Childe Harold),
ii. 67, 106, 115, 134, 149, 236, 325, 345, 358, 419;
translation of Zend-Avesta, iv. 112

Darnley, Lord, vii. 29

Daru, P., Histoire de la République de Vénise,
iv. 332, 471; v. 115, 124, 179, 188, 190, 195; vi. 199;
Histoire de la République Française, v. 196

Darwin, Charles Robert, i. 367

Darwin, Erasmus, The Botanic Garden; The Temple of Nature,
i. 306, 367

Davenport, actor, as “Ulric” in Werner, v. 324

David, i. 490

Davies, Scrope B., ii. 211, 212; iv. 179;
Parisina dedicated to, iii. 501

Davies, Thomas, Massinger, i. 304;
Life of Garrick, i. 409, 428

Davis, Henry Edward, ii. 283

Davison, Mrs., iv. 70

Davison, T., printer, i. 452, 453; iii. 259, 315, 323; vii. 58

Davoust, General, v. 550

Davy, Lady (Mrs. Apreece), iv. 541

Davy, Sir H., i. 307; iv. 472, 570, 586;
his safety-lamp, vi. 51

Davy, Martin, Master of Caius College, Cambridge, iii. 170

Dead Sea, ii. 237, 294

Death of Calmar and Orla, i. 177

Debora, or Azzrum, Cain’s sister, v. 226

Decies, Lord, Archbishop of Tuam, i. 390

Dee river, Aberdeenshire, i. 193, 238

Deformed Transformed, The, ii. 423, 483; iv. 15;
v. 72, 371, 469-534, 606; vi. 500

d’Egville, Don Quichotte, ou les Noces de Gamache, i. 347

de la Bastie, M. le Bimard, Baron, Mémoires de l’Académie, etc.,
ii. 480, 481, 482

De la Berge, Essai sur le règne de Trajan, ii. 412

de la Croix, Sieur, i. 493

Delacroix, Ferdinand Victor Eugène, painter, iv. 461

de la Guilletière, Le Sieur, Lacedémone Ancienne et Nouvelle, iii. 122

de la Houssaie, Sieur Amelott, History of the Government of Venice, iv. 358

de la Motraye, Aubrey, Voyages, vi. 295, 296

Delano, Amasa, Narrative of Voyages, etc., v. 622

De la Pryme, Charles, iv. 46

De La Rose, Pierre, vii. 3

Delavigne, Casimir Jean François,
Marino Faliero, tragédie en cinq actes, iv. 329, 367

Delawarr, George John, 5th Earl of (“Euryalus”), i. 7, 100; ii. 22

Delawarr, Thomas, 3rd Earl of, i. 101

Delbora, or Awina, Abel’s sister, v. 226

Delhis, or delis, Turkish bravos, “Forlorn Hope,”
ii. 136, 149; iii. 168, 459; vi. 312

Della Cruscan School, i. 304, 323, 357, 358, 441, 444;
Academy (Florence), i. 358; ii. 357, 485

della Scala, Francesco can Grande, v. 562

Delort, M., iv. 514

Delphi, i. 425; ii. 15, 60, 61, 85, 92

Delphin, Martial, vi. 27

Delpini, Charles Anthony, Don Juan; or, The Libertine destroyed,
vi. xvi, 11

Del Pinto, vi. 227, 228

Delvinachi (Illyria), ii. 134, 174, 177, 202

Demeter, v. 570

[375]
Demetrius, Byron’s servant, ii. 75

Demetrius Poliorcetes, v. 486

Democracy, “an Aristocracy of Blackguards,” vi. 381

Democritus, i. 422

Demosthenes, i. 29; ii. 301

Denham, Clapperton, and Oudney, Narrative of Travels … in Northern
and Central Africa, vi. 474

Denman, Lord, i. 366; ii. 291

Dennis, John, i. 220, 326; iii. 279;
Essay on the Operas after the Italian manner, etc., i. 410

Dent, M.P., John (“Dog Dent”), vii. 49

Denvil (“Manfred Denvil”), the actor, iv. 78

d’Epinay, Madame, ii. 266

De Principatibus Italiæ Tractatus Varii, ii. 478

Derby, Lord, Homer’s Iliad, vi. 339

d’Erceville, Rolland, Recherches sur les Prérogatives des Dames
chez les Gaulois, etc., ii. 6

Deropoli, plain of, ii. 134

Dervish Tahiri, ii. 175, 176; iii. 134, 450

Dervishes, the, i. 492; iii. 254

Derwentwater, iv. 525

Desaix de Voygoux, Louis Charles Antoine, vi. 14

Descamisados, or Sansculottes of the Spanish Revolution, vi. 456

Deshayes, ballet-master at the King’s Theatre, i. 347

De Silver and Co., i. 452, 453

des Issarts, Marquis de Forbin, v. 566

Desmoulins, Camille, vi. 14

d’Este, Marquis, of Tuscany, ii. 354; iii. 503

d’Este, Alfonso, ii. 486

d’Este II., Alfonso, Duke of Ferrara, iv. 266

d’Este, Borso, ii. 354

d’Este, Ercolo, ii. 354

d’Este, Hugo, iii. 503

d’Este, Leonora, ii. 355; iv. 145, 147, 148, 151, 152

d’Este, Lionel, ii. 354

d’Este, Luigi, Cardinal, ii. 486; iv. 146

d’Este, Niccolo, Marquis, iii. 505-507

d’Este, Ugo, iii. 505-507

Destruction of Sennacherib, The, iii. 404

Detached Thoughts, i. 99, 205; ii. 301;
iv. 75, 179, 562, 580, 584; v. 485; vi. 270, 360, 509

Dettingen, battle of, vi. 12

Deuteronomy, ii. 294; iv. 499

Devil’s Drive, The, i. 30; vii. 19–34

Devonshire, Elizabeth, Duchess of, ii. 410; iii. 31; vi. 70, 488

Devonshire, Georgiana, Duchess of, v. 329, 378

Devonshire, William Spencer, 6th Duke of (Byron’s “Duke of Dash”), vi. 50

Dewick and Clarke, printers, vii. 3

D’Herbelot, Bibliothèque Orientale, ii. 149;
iii. 76, 109, 120, 145, 173; iv. 113; v. 280; vi. 292

d’Houdetot, Comtesse, ii. 265, 300

Diana, vi. 151

Dibdin, Thomas John, i. 341; iv. 338;
The Jew and the Doctor; Mother Goose, i. 345, 346;
The Grinders, or more Grist to the Mill, vii. 61

Dickens, Charles, v. 114; vi. 208;
Tale of Two Cities, vi. 435

Dictionary of Antiquities, vi. 151

Dictionary of National Biography, ii. 25, 280;
iv. 501, 503, 513; v. 589; vi. 67

Diderot, ii. 266

Dido, i. 157

Diez, iv. 171

Digentia river, ii. 523

Dilettanti Society, i. 378, 379, 454; ii. xi, 109

Dillman, Professor, Ethiopic Text of Book of Enoch, v. 302

Dillon, Charles, actor, iv. 78

Dinner-bell, “the Tocsin of the Soul,” vi. 232

Diocletian, iii. 308

Diocletian’s (Pompey’s) Pillar, v. 548

[376]
Diodati, Villa, ii. 257, 300

Diodorus Siculus, Bibliothecæ Historicæ, v. 3-5, 11, 14, 21, 81, 106, 405, 543

Diogenes, ii. 241; v 565; vi. 303, 436

Diogenes Laertius, i. 18, 414;
De Vitâ et Sententiis, vi. 585

Dion Cassius, ii. 179;
Hist. Rom., ii. 411, 510, 511, 512; iv. 370

Dionisus, G. J., Canonico di Verona, ii. 496

Dionysius, ii. 413; Antiq. Rom., ii. 510, 512, 513, 518

Dionysius the Areopagite, Celestial Hierarchy, v. 286

Dionysius of Halicarnassus, ii. 497

Dionysius the Younger, iii. 311

Dionysus, India occupied by, v. 21

Dirce river, ii. 189

Disdar, ii. 187

Disraeli, Benjamin, Vivian Grey, vi. 504, 506

Disraeli, Isaac (Curiosities of Literature), ii. 468, 470;
iii. 217, 499; vi. 555

d’Istria, Count Capo, v. 575

Djerrid, or jerreed, Turkish javelin, iii. 97

Dniéper river, vi. 201, 202, 208, 211, 233

Dniester river, vi. 362

Dodona, site of, ii. 132

Dodsley, A., The Ordinary, ii. 17;
Description of the Leasowes, iii. 41;
Plays, v. 200

Dodwell, E., Classical Tour, i. 455; iii. 272;
Tour through Greece, vi. 151

Dog-tax Bill, 1796, vii. 49

D’Ohsson, Mouradja, Tableau générale de l’Empire Othoman,
ii. 136, 206; iii. 176, 206

Dolabella, ii. 405

Dolce, Carlo, vi. 502

Dolfin Cronaca, v. 117, 118, 121, 172

Dolfino, Doge Giovanni, ii. 475

d’Olivet, M. l’Abbé (Thoulier), Histoire de l’Académie Française, ii. 485

Dolman, Miss Maria, iii. 41

Domestic Pieces (Poems), ii. 247, 426

Domitian, ii. 408; iv. 334

Domitius Marsus, i. 73

Don, brig of, vi. 405

Don Juan, i. 260, 203, 362, 403, 434;
ii. 30, 59, 139, 149, 227, 281, 332, 342, 366, 372, 374, 441;
iii. 13, 397, 463, 481, 488, 490, 494, 495;
iv. 16, 17, 47, 60, 125, 132, 165, 184, 195, 226, 232, 238, 243, 279, 280, 475-477, 566, 570, 578;
v. 159, 202-204, 351, 396, 497, 568, 584;
vi. entire; vii. 9, 25, 76, 77

Don Quixote, i. 490

Donati, Corso, iv. 253

Donati, Gemma, iv. 253

Donate, Andrea, v. 123

Donate, Ermolao (or Almoro), v. 116, 134

Donatus, Tib. Cl., ii. 514; Life of Virgil, ii. 407

Donne, Dr., vii. 19

Donoughmore, Earl of,
Byron’s speech on motion for Committee on Roman Catholic claims, iv. 561

Doomsday Book, vi. 411

Dorchester, Lady, ii. 319; iv. 548, 566; vi. 608

Doria, Paganino, iv. 356

Doria, Pietro (Genoese admiral), ii. 338, 476, 497

Doria, transcript of Sanudo’s Diaries, iv. 326

Doroshénko, Peter, President of the Western Ukraine, iv. 201

Dorotheus of Mitylene, Archbishop of Monembasia, Univ. Hist., ii. 198

D’Orsay, Count Alfred, “Cupidon déchaîné,” vi. 507, 526, 547

Dorset, Charles Sackville, Earl of, To all you Ladies, etc.,
i. 198, 418

Dorset, George John Frederick, 4th Duke of, i. 194; iii. 423, 425

Douce, Francis, edition of Holbein’s Dance of Death, vi. 555

Dover, vi. 420

[377]
Dover, Lord, preface to Walpole’s Letters to Sir H. Mann, iv. 339

Dowden, Edward, Life of Shelley, ii. 145, 258, 300; iv. 475

Downie, Commodore, iv. 198; vi. 508

Drachenfels, Castle of, ii. 249, 295; vi. 419

Dramali, Turkish general, v. 556

“Drapery misses,” vi. 442

Drayton, Michael, The Barons’ Wars, iii. 405

Dream, The, i. 210; ii. 219, 220, 260, 332;
iv. 31-41, 63, 404, 544

Dresden, re-entered by Napoleon, v. 553; battle of, vi. 14

Drexel Institute, vii. 63

Dromedary, “ship of the desert,” v. 606

Drouineau, Gustave, Rienzo, ii. 415

Druid oak, Newstead Abbey, vi. 497

“Druids,” the, i. 443; ii. 213

Drummond, Sir William, iv. 337;
A Review of the Government of Athens and Sparta;
Herculanensia, ii. 204
Academical Questions, ii. 422; vi. 528

Drury Lane Theatre, burnt, i. 417;
Byron’s Address, iii. 51; iv. 69;
Manfred at, iv. 78;
Marino Faliero at, iv. 324, 328;
the sub-Committee, iv. 338, 584;
Sardanapalus at, v. 2;
The Two Foscari at, v. 114;
Werner at, v. 324;
Lee’s The New Peerage at, v. 337;
Don Juan: or, The Libertine at, vi. 11;
Nourjahad at, vii. 33
Manuel; Ina at, vii. 48

Drury, Henry, i. 25, 84, 88;
ii. xvii, 100; iii. 13, 27; vi. 280; vii. 8, 10

Drury, Dr. Joseph, Headmaster of Harrow (“Probus”),
i. 15, 16, 17, 25, 86, 89, 90, 94, 103; ii. 387

Drury, Mark, i. 17, 89

Dryden, John, on the Earl of Dorset, i. 198;
his Virgil, i. 220, 477;
referred to in English Bards, and Scotch Reviewers, i. 305, 306, 312;
Byron’s support of, i. 368;
a translator, i. 375;
in Hints from Horace, i. 395, 397;
Almanzor, i. 398;
a caricature of, i. 401;
Alexander’s Feast, ii. 123; iv. 446;
Absalom and Achitophel, ii. 420; vi. 482;
Cymon and Iphigenia, iii. 59;
“the ponderous ball expires,” iii. 493;
Palamon and Arcite, iv. 26;
Georgics, iv. 208;
a borrower from Boccaccio, iv. 316;
to “partake,” iv. 362;
“Thou shall believe in,” vi. 74;
Indian Emperor, vi. 178;
Theodore and Honoria, vi. 180;
“Dedication” of the Æneis, vi. 182;
his publisher Tonson, vii. 57

Dublin Examiner, iii. 473

Dublin University Magazine, iv. 82; vi. xx

Dubois, Edward, My Pocket-Book, etc., i. 378, 379

Dubost, i. 390

Dubourdieu, Admiral, iii. 25

Ducange, Glossarium ad Scriptores Med., etc., ii. 435

Ducato, Cape (Leucadia’s Cape), ii. 125

Duel, The, iv. 542

Duff, Mary (Mrs. Robert Cockburn), i. 192

Duff, Sir M. E. Grant, Notes from a Diary, i. 293

Dufferin, Lady, i. 343

Dugdale, Monasticon, v. 200, 207

Dugdale, Sir William, A Short View of the Late Troubles in England, vi. 174

Duke William, wreck of the transport, vi. 95

Dulauloy, General, vii. 24

Dumarsais, i. 402

Dumouriez (Dumourier), General Charles François Duperier, Memoirs, vi. 12, 13

Dunbar, battle of, ii. 394

Duncan, vi. 14

Dunning, John, iv. 513

Dupaty, President, ii. 508

[378]
Dupont, Marshal, ii. 54

Duppa, R., Life of Michael Angelo, iv. 272, 273

Dupré, F., v. 554

Dura, in Assyria, vi. 504

Duran, H., Romancero General, iv. 529

Duris, the historian, v. 11

Dwarfs, vi. 242

Dyce, Rev. Alexander, iii. 348;
Friar Bacon and Friar Bungay, vi. 78

Dyer, George, Country Walk, iii. 330;
Sketch of Southey, vi. 175

Dying gladiator, statue of the, ii. 432

E Nihilo Nihil; or, An Epigram Bewitched, vii. 55

Earl of Abergavenny, wreck of the ship, vi. 91

Early English Text Society, v. 207, 496

Early Poems from Various Sources, i. 210-285

Earthquakes, ii. 377, 505

East India Co., i. 377; vi. 236

Eastlake, Sir C. L., his picture “Byron’s Dream,” iv. 37

Eccentric Review, i. 322

Ecclesiastes, i. 307; vi. 303

Ecclesiasticus, ii. 155

Eckermann, Conversations with Goethe, iv. 157, 327, 328;
v. 119, 122, 199, 204

Eckersall, Harriet (Mrs. T. R. Malthus), vi. 461

Eckersall, John, vi. 461

Eclectic Review, i. 379, 430, 431, 432;
iii. 444, 493, 500; iv. 6, 158, 203, 240; v. 204, 329; vi. 162

Edgcumbe, or Edgcombe, Richard, ii. 430; iii. 72; iv. 15

Edgeworth, Maria, vi. 18

Edinburgh Annual Register, i. 435, 436

Edinburgh Evening Post, i. 430

Edinburgh Monthly Magazine,
afterwards Blackwood’s Edinburgh Magazine, q.v.

Edinburgh Review,
i. xiv, 202, 292, 294, 301-303, 305, 310, 330, 331, 336-341, 382, 392, 395, 429, 432;
ii. xv, 109, 196, 201, 204, 213, 315, 360;
iii. 77, 151, 219, 377;
iv. 6, 48, 80, 158, 239, 313, 329, 342, 513, 574;
v. 5, 119, 204, 280, 282, 338, 551;
vi. xx, 9, 51, 67, 76, 172, 175, 403, 445, 459, 551;
vii. 32

Edinburgh Weekly Journal, vi. xix

Edleston (Byron’s “Cornelian”), i. 66; ii. 104

Edom, Sea of, vi. 122

Edu, Rajah of Ellichpur, v. 631

Edward the Black Prince, i. 107; vi. 422

Edward III., vi. 496

Edward VI., iv. 542

Edwards, Captain, of the Pandora frigate, v. 584

Edwards, Dr., Master of Sidney Sussex Coll., Cambridge, i. 417

Egan, Pierce, Life in London, i. 321, 434; vi. 431-433;
Anecdotes of the Turf, vi. 433

Egeria, ii. 454, 515; Grotto of, ii. 416

Egerton MSS., in British Museum, i. 235, 293, 387; ii. xvi

Eginhard, iv. 288

Egotism. A Letter to J. T. Becher, i. 247

Egripo, the Negropont, iii. 173

Egypt, evacuated by the French, ii. 108; the Pyramids of, v. 550

Ehrenbreitstein, ii. 251, 297

Eiger, the Grosse, iv. 129

Ekenhead, Lieutenant, iii. 13

Elam, v. 4

Elchingen, Michel Ney, Duke of, vi. 373

Eldon, John Scott, Earl of, ii. 213;
iv. 328, 482; v. 203; vi. 460, 569; vii. 13, 29

Elector Palatine, the, i. 2

Electric telegraph, invention of the, iv. 505

[379]
Elegiac Stanzas, i. 5

Elegiac Stanzas on the Death of Sir Peter Parker, Bart., iii. xix, 417

Elegy, vii. 75

Elegy on Newstead Abbey, i. 116

Elena, Duchess, iv. 367

Elgin, Lady, i. 452

Elgin, Lord, and the Elgin Marbles, i. 378, 452-474;
ii. x, xi, 100, 106, 108-110, 167, 168, 172, 188

Elizabeth, Princess, i. 437

Elizabeth, Queen, i. 197; ii. 453

Ellenborough, Lord, vi. 265; vii. 29

Ellice, v. 555

Ellis, A. G. (British Museum), iii. 95

Ellis, F. S., ed. Golden Legend, iv. 494; vi. 33, 230, 273

Ellis, George Agar, i. 396; ii. xiii;
iii. 77, 94, 151, 219, 321; iv. 514

Elliston, Robert W., iii. 51; iv. 338; Memoirs of, iv. 328

Elmsley, Professor, vii. 52

Eloïsa, v. 634

Elze, Karl, Life of Lord Byron, i. xi, 4, 18;
ii. 248, 352; iv. 14, 543

Encina, Juan del, Teatro Completo, v. 207

Encyclopædia Biblica, v. 4, 219, 491

Encyclopædia Britannica, iii. 107, 130; v. 558

Encyclopædia Metropolitana, ii. 415

Encyclopédie, La Grande, v. 566

Endor, witch of, iii. 392; iv. 108

Endorsement to the Deed of Separation, in the April of 1816, vii. 41

Engen, battle of, vi. 14

Englaender, Dr. D., Lord Byron’s Mazeppa, iv. 214, 220

Englische Studien, iv. 214, 324, 329

English Bards, and Scotch Reviewers,
i. xiv, 128, 203, 289-384, 387, 406, 409, 431, 443, 448, 453, 454;
ii. ix, x, 108, 109, 202, 304, 205, 366;
iii. 32, 196, 210, 324, 435;
iv. 21, 182, 244, 519, 555;
v. 537, 540; vi. 50, 67, 292, 587; vii. 6, 15

Enigma on the Letter I (spurious), iii. xxi

Ennui, “the best of friends,” vi. 176;
“a growth of English root,” vi. 512

Enoch, Book of, v. 281, 286, 291, 302, 311

Ensor, Miss Fanny, as “Myrrha” in Sardanapalus, v. 2

Eos (Dawn), v. 497

Epaminondas, ii. 155; vi. 376

Ephesians, v. 233

Epicurus, vi. 139

Epigram, vii. 65

Epigram. From the French of Rulhières, vii. 62

Epigram on an Old Lady who had some curious notions respecting the Soul, vii. 1

Epigram on the Braziers’ Address to be presented in armour by the Company
to Queen Caroline, vii. 72

Epigrams, vii. 81

Epilogue, vii. 63

Epirus, ii. 127

Episode of Nisus and Euryalus, i. xii, 151, 177

Epistle from Mr. Murray to Dr. Polidori, vii. 47

Epistle to a Friend in answer to some lines, etc., ii. 163; iii. 28

Epistle to Augusta, ii. 247, 456, 457;
iv. 56, 57, 152; vi. 498

Epistle to Mr. Murray, vii. 51

Epitaph, vii. 65

Epitaph for Joseph Blacket, late Poet and Shoemaker, i. 359; vii. 11

Epitaph for William Pitt, vii. 64

Epitaph on a Beloved Friend, i. 18; ii. 137

Epitaph on John Adams of Southwell, vii. 1

Erasmus, ii. 281; Naufragium, vi. 93

Eratosthenes of Cyrene, Catasterismi, ii. 439

Eratostratus, i. 467

Erechtheum, the, i. 463; ii. 106

Erechtheus, ii. 102

Erizzo, Nicolas, ii. 472; v. 117, 134

Erneis, or Ernysius, vi. 410, 411

Ernst, W., Memoirs of the Life of Lord Chesterfield, vi. 525

Eros, iv. 105

[380]
Erskine, Thomas, Lord (“Strongbow from Tweed”), i. 429;
iii. 45; vi. 509, 596; vii. 66

Esarhaddon, v. 4

Esau, v. 285

Eschinard, Descrizione di Roma, etc., ii. 516, 517

Esdaile, Mrs. (Shelley’s eldest daughter), ii. 13

Espadas, or matadors, ii. 68

Éspinasse, F., Life of Voltaire, ii. 282

Essling, battle of, vi. 14

Este. See d’Este

Esterhazy, Prince, v. 539

Eteocles, v. 403

Ethiopians, Book of Enoch preserved by the, v. 302

Etna, v. 55

Eton, William, A Survey of the Turkish Empire, ii. 191, 194

Etruria, king of, ii. 90

Eucrates, ii. 393

Euganean hills, ii. 483

Eugene, Prince, Mémoires, iii. 256, 455; iv. 331

Eunapius Sardianus,
Vitæ Philosophorum et Sophistarum, Philostratorum, etc., iv. 105

Euphrates, river, v. 15, 108

Euripides, Medea, i. 168; vii. 10; Hippolytus, v. 496

European Magazine, i. 343; iii. 444, 500;
iv. 99, 490; v. 329

Eurotas’ banks (Laconia), ii. 150

Euryalus, i. 151, 175; ii. 387

Eurystheus, ii. 431

Eusebius, ii. 513; v. 281; Chron., v. 107

Eustace, Classical Tour in Italy, i. 452; ii. 440, 500, 516, 524

Euthanasia, iii. 39

Eutropius, Hist. Rom. Brev., ii. 411; the Eunuch, vi. 8

Euxine Sea, ii. 455; vi. 219, 220

Evans, Mr., Master at Harrow, i. 25, 89

Eve’s curse, v. 271

Evening Statesman, i. 319

Examiner, ii. 215;
iii. xx, 304, 389, 427, 428, 436, 438, 532-534, 538;
iv. 478; v. 204, 540; vi. xx; vii. 17, 40

Eyre, trunk-maker, i. 437

Ezekiel, iv. 43

Fabius, i. 220

Fabricius, Script. Gr. Var., iii. 122

Facciolati, ii. 92

Fagiono, Stefano, iv. 464

Fagiuolo, Niccolo, iv. 464

Fagniani, Maria (Lady Yarmouth), i. 501

Fairburn, John, The Stripling Bard; or, The Apostate Lartreate, iv. 521

Fairfax, Edward, translation of Tasso’s Ger. Lib.,
iii. 362; iv. 296

Falbowski, the pane (Lord), iv. 201, 212

Falconer, William, The Shipwreck, ii. 169

Faliero, Dogaressa Aluica, iv. 448

Faliero, Bertuccio, iv. 346, 367, 464

Faliero, Lucia, iv. 365

Faliero, Marino, iv. 239, 240;
story of, iv. 462;
Petrarch on the Conspiracy of, iv. 468

Faliero, Doge Ordetafo, iv. 336, 390

Faliero, Doge Vitale, iv. 336, 390

Falkland, Charles John Cary, 9th Viscount, i. 351

Falkland, Lucius Cary, Lord, i. 121, 128, 432; iv. 21

Falkner, Mr., i. xii

Fandango, the, i. 492

Fanshawe, Harriet, Enigma on the Letter H., iii. xx

Fare Thee Well, iii. 537

Farewell! if ever fondest prayer, iii. 409

Farewell Petition to J. C. H., Esq., vii. 7

Farewell to England (spurious), iii. xx

Farewell to Malta, iii. 24

Farewell to the Muse, i. 254

Farish, Rev. W., i. 417

Farquhar, The Beaux’ Stratagem, i. 415; iv. 481;
Recruiting Officer, ii. 88

[381]
Fas, or Fez, vi. 197, 198

Faucit, Helen, as “Angiolina” in Marino Faliero, iv. 324;
as “Marina” in The Two Foscari, v. 114;
as “Josephine” in Werner, v. 324

Faunus, Lucius, De Antiq. Urb. Rom., ii. 510-513

Fauvel, M., ii. 99, 168, 187, 190

Favell, iv. 225

Favila, Duke of Cantabria, v. 558

Fazillac, M. Roux-, iv. 514

Fazzioli, Venetian kerchiefs, vi. 83

Fea, the Abbate, Spiegazione dei Rami Storia, etc., ii. 518

Feere, consort or mate, ii. 22

“Feeble” used for “foible,” vi. 550

Feinagle, Gregor von, vi. 16

Fellowes, Henry Wallop, vi. 569

Fénélon, Télémaque, ii. 118; vi. 303

Fennell, C. A. M., Ancient Marbles in Great Britain, i. 455

Fenwick, John, translation of Dumourier’s Memoirs, vi. 13

Ferdinand and Isabella, ii. 47

Ferdinand V. of Spain, vi. 212

Ferdinand VII. of Spain, ii. 54, 55, 78, 90, 91; v. 538, 558

Ferdousi, i. 353

Ferney, iv. 53

Ferrand, M., Histoire des Trois Démembremens de la Pologne, v. 551

Ferrara, ii. 312, 354, 503, 505; iv. 141

Ferrara, Alfonso d’Este II., Duke of, iv. 266; vi. 212

Ferrari, Girolamo, iii. 441

Festus, De Verb. Signif., ii. 437

Fewterel, the prize-fighter, i. 433

Fiandra, Comte Baldovino di, iv. 352

Ficino, ii. 365, 495; iv. 280

Fielding, Beau, iv. 541

Fielding, The Tragedy of Tragedies, or the Life and Death of
Tom Thumb the Great, i. 313, 389, 392, 436;
Amelia, i. 385;
The Golden Rump, i. 414;
Jonathan Wild, ii. 171; iv. 284;
Tom Jones, ii. 386; iv. 284, 332;
History of the Adventures of Joseph Andrews, iv. 284;
vi. 254, 511;
Journey from this World to the Next, iv. 483, 518;
his “superior grossness,” vi. xviii, 210;
his use of “was,” vi. 208

Fielding, Sir John, Bow Street magistrate, i. 416

Figuranti, vi. 207

Fiji, v. 599

Filicaja, Poesie Toscaine, ii. 312, 361

Fill the goblet again, i. 283

Finden, Illustrations of the Life and Works of Lord Byron, ii. 11

Fingall, Arthur James Plunkett, 8th Earl of, iv. 559

Finlay, History of Greece,
ii. 107, 139, 140, 146, 165, 175, 180, 193, 441;
v. 556; vi. 168;
Greece under Othoman and Venetian Domination,
iii. 166, 194, 195, 481

Finley, John, the pioneer, vi. 349

First Kiss of Love, The, i. 82

Fitger, Arthur, iv. 324

Fitzgerald, Colonel, iv. 157

Fitzgerald, Edward, translation of Rubáiyát of Omar Khayyám,
iii. 87, 109

Fitzgerald, Lord Edward, iv. 548

Fitzgerald, Percy, Life of George IV., i. 416

Fitzgerald, W. L., The Tyrant’s Downfall, iii. 435

Fitzgerald, William Thomas
(Nelson’s Triumph; Tears of Hibernia; Nelson’s Tomb),
i. 297, 444, 448, 481, 485; iii. 312; iv. 549

Fitzpatrick, Richard, Dorinda: a Town Eclogue, i. 500

Flaminius, Consul, ii. 505, 508

Flaminius Vacca, Memorie, ii. 508, 509, 511, 515

Flash language, instances of, vi. 431-433

Flavian Amphitheatre (Colosseum), Rome, ii. 423-435

Fletcher,
Rule a Wife and Have a Wife, i. 415;
The Two Noble Kinsmen, ii. 217

Fletcher of Saltoun, Andrew, An Account of a Conversation, etc., v. 602

[382]
Fletcher, William (Byron’s servant), ii. 28, 52; iii. 381;
iv. 367; vii. 6, 8

Fletcher, Mrs. William, vi. 22

Florence, ii. 312; iv. 249; Uffizzi Gallery at, ii. 365

Florence Miscellany, i. 358

Florentine nobility, the, ii. 365

Florus, ii. 179

Foix, Odet de, v. 498

Folger, Captain Mayhew, of the American ship Topaz, v. 582, 622

Fontainebleau, Treaty of, ii. 90

Fontenelle, Le Bovier de, Entretiens sur la Pluralitè des Mondes,
ii. 198; iv. 523; vi. 246

Fontenoy, battle of, vi. 12

Foote, Samuel, The Mayor of Garratt, i. 412

Fop’s Alley, i. 410; vii. 58

Forbes, Lady Adelaide; ii. 447; vi. 116

Forbes, Sir W., Life of Beattie, ii. 5, 479

Forbin des Issarts, Marquis de, v. 566

Ford, John, i. 304, 397;
‘Tis Pity she’s a Whore, iv. 377

Fold, Richard, Handbook for Spain,
ii. 54, 57, 68, 79; vi. 116

Forli, vi. 212

Forman, Alfred,
The Metre of Dante’s Comedy discussed and exemplified, iv. 239

Forman, H. Buxton, i. xi;
Prose Works of P. B. Shelley, iv. 3, 18, 100; vi. xix;
The Metre of Dante’s Comedy, etc., iv. 239

Forster, John, v. 114

Forster the murderer, i. 308; vi. 50

Forsyth, Joseph, Remarks on Antiquities, etc., in Italy, ii. 435, 484

Forsyth, William, History of the Captivity of Napoleon, v. 544-546, 548

Forteguerri, Ricciardetto, iv. 156, 166, 176, 319

Fortunes of Nigel, i. 351

Foscari, Doge Francesco, ii. 327, 507; iv. 459; v. 115, 117, 118; vi. 199

Foscari, Jacopo, v. 115

Foscari, Lucrezia (née Contarini), v. 115, 130

Foscari, Marco, v. 118

Foscari, Maria, or Marina (née Nani), v. 115

Foscari, Nicolò, v. 115

Foscolo, Ugo, ii. 324, 496;
iv. 156, 166, 281, 319, 367, 436, 457

Foster, Augustus, iii. 31

Foster, Vere, The Two Duchesses, iii. 31; vii. 15

Foston-le-Clay (Foston, All Saints) Vicarage, vi. 596

Foulon, Joseph François, vi. 435

Four-Horse Club, the, vii. 26

Fox, C. J., i. 113; vi. 9;
Byron’s On the Death of Mr., i. 34;
Monodies on, i. 356;
his friend Fitzpatrick, i. 500;
one of “the wondrous Three,” iv. 75;
“with Fox’s lard was basting William Pitt,” iv. 511;
History of James II., iii. 170;
his grave in Westminster Abbey, v. 541

Fox, Charles Richard, ii. 80

Fracassetti, Giuseppe, Petrarch’s Letters, ii. 351

Fragment, A, i. 21, 192; iii. 123;
iv. 47, 51, 193, 203

Fragment from the Monk of Athos, iii. 18

Fragment of an Epistle to Thomas Moore, vii. 39

Fragment of a Novel by Byron, iv. 20

Fragment of a Translation from the 9th Book of Virgil’s Æneid,
i. xii, 151

Fragment—written shortly after the marriage of Miss Chaworth, i. 210

Fragments of School Exercises: from the “Prometheus Vinctus” of Æschylus, i. 14

Fragonard, his portrait of Franklin, v. 554

Frame Workers’ Bill, i. 412, 495

France, v. 553

Francesca of Rimini, iv. 313-322

[383]
Francis I., Emperor of Austria, i. 489;
v. 498, 503, 539, 573, 576

Francis Maria II., Duke of Rovere, ii. 498

Francis, Sir Philip, iv. 513

Franguestan (Circassia), iii. 111

Frankfort, i. 489

Franklin, Benjamin, iv. 516; Opinions and Conjectures concerning …
Electrical Matter, etc., v. 554

Fraser, Mrs. Susan, Camilla de Florian, iii. 26

Fraser’s Magazine, iv. 542; v. 204

Fraticelli, Il Canzoniere di Dante, iv. 248

Frederick the Great, i. 107; vi. 337

Frederick II. of Prussia, ii. 209, 282; iv. 334; v. 637

Frederick William III. of Prussia, v. 539, 550, 553, 577; vii. 39

French, Waterloo and the, vi. 345

French Revolution, ii. 82; vi. 13, 14

Frere, J. Hookham, i. 395; ii. 327, iii. 151; vii. 48, 49;
The Rovers, or the Double Arrangement, ii. 7;
British Minister, Spain, ii. 79;
The Needy Knife-Grinder, ii. 80;
his article in Q.R. on Lady Morgan’s France, ii. 187;
Whistlecraft, iv. 155, 156, 279, 283; vi. xvi; vii. 53;
the ottava rima, iv. 238

Fréron, Elie Catharine, ii. 282

Friar, the Black, at Newstead Abbey, vi. 576, 578, et seq.

Fricker, Edith (Mrs. R. Southey), iv. 521; vi. 175

Fricker, Mary (Mrs. Robert Lovell), iv. 521

Fricker, Sarah (Mrs. S. T. Coleridge), iv. 521; vi. 175

Fricker, Stephen, vi. 175

Friendly Islands, the, v. 581

Friuli’s mountains (Julian Alps), ii. 348

Frizzi, Antonio, Memorie per la Storia di Ferrara, iii. 507

From Anacreon, i. 149

From the French, iii. 428; vii. 76

From the Portuguese (“Tu mi chamas“), iii. 71

Frosini, or Phrosine, iii. 145

Frundsberg, George, leader of the Landsknechts, v. 520

Fry, Elizabeth, vi. 425

Fryer, John, master of the Bounty, v. 594

Fugitive Pieces, i. xi, 1-75, 213;
iii. 381, 383, 387, 388, 390, 400, 438; iv. 584

Fuller, Worthies: Lincolnshire, vi. 596

Fullerton, Lady Georgiana, v. 329

Fulvius Ursinus, ii. 510, 517

Funck-Brentano, M. Frantz, L’Homme au Masque de Velours Noir, iv. 514

Furius Leptinus, ii. 520

Furtwaengler, A., Masterpieces of Ancient Greek Sculpture, ii. 446

Fusina, ii. 349; vii. 72

Gabor, Bethlen, king of Hungary, iv. 331; v. 349, 352

Gabriel of Bergamo, Bishop, iv. 467

Gaddi, Cardinal de’, v. 516

Gail, Jean Baptiste, ii. 197

Galahad, iv. 320

Galiffe, J. A., Notices Généalogiques sur les Familles Genevoises, iv. 5;
Galignanis Gazette (or Messenger), i. 452; iv. 338;
v. 540; vii. 80

Galileo Galilei, ii. 369, 496; vi. 610

Galiongee, or galiongi, Turkish sailor, iii. 184

Gall, Richard, i. 211; vi. 462

Gallehault, iv. 320

Gallienus, vi. 446

Gallo, Cape, iii. 248

Gallois, Léonard, Historie de Napoléon d’après lui-même, iii. 304

Galt, John,
Voyages and Travels, i. 492;
Life of Lord Byron, iii. 150, 205; vi. 195

Galvani, Professor, i. 308; vi. 50

Galvanism, i. 307; vi. 50

[384]
Gamba, Count, vi. 179,
A Narrative of Lord Byron’s Last Journey to Greece, vii. 86

Gambas, the, iv. 259

Gambier, Admiral Lord, i. 468

Gandia, Duke of, iii. 367

Garcia, H. E. Don Juan, vi. 437

Garcilasso, or Garcias Lasso, de la Vega, vi. 40

Gardiki sacked by Ali Pasha, ii. 139
Garnett, Dr. Richard (keeper of Printed Books in the British Museum),
Italian Literature, ii. 324, 351, 370; iv. 281; v. 535

Garrick, David, i. 26, 344, 409; iii. 51, 52, 53;
Lying Valet, i. 400;
produces Don Juan; or, The Libertine Destroyed,
at Drury Lane Theatre, vi. 11

Garter, story of the, ii. 7

Garth, vi. 236

Gas, nitrous oxide, i. 307

Gas first used in London, vi. 434

Gas Light and Coke Co., i. 307

Gascoigne, M.P. for Liverpool, i. 479

Gaston de Foix, Due de Nemours, vi. 212

Gastuni, iii. 184

Gates, General, vi. 12

Gauls, the, ii. 413; iv. 331, 334

Gautier, Léon, Voyage en Espagne, ii. 67,
Les Epopées Françaises, v. 496

Gavotto, or Cabotto, Giovanni, iv. 262
Gay, The Beggar’s Opera, i. 416, iv. 75; vii. 74;
Trivia, iv. 160,
Epitaph, vi. 561

Gayarré, Charles Étienne Arthur, History of Louisiana;
Fernando de Lemos, iii. 298

Gayton, Miss, i. 347, 348

Gazette, i. 488

Gazette Extraordinary, iii. 303

Gazetteer, iv. 542

Gazetteer of the World, ii. xxiv; iii. 24

Gebhart, Émile, De l’Italie (Le Sac de Rome),
v. 471, 472, 510, 515, 520

Gebora, battle of, i. 470

Geddes, Rev. Alexander,
Critical Remarks on the Hebrew Scriptures, v. 208

Gelasius, ii. 512

Gell, Sir William, Topography of Troy; Ithaca;
Itinerary of Greece, i. 336, 379; ii. 109, 189, 204

Gelo the tyrant, iv. 440

Gemma, Dante’s wife, iv. 253

Genesis, iv. 127; v. 197, 201, 207, 210, 277, 280, 285, 291, 300, 527

Genest, English Stage, ii. 331; iv. 573; v. 324

Geneva, iv. 53

Genlis, Stephanie Félicité Ducrest, Marquise de Sillery, Madame de, i. 494

Genoa, v. 158

Genseric, king of the Vandals, ii. 390, 408; iii. 233, 251

Gentleman’s Magazine, i. 337; ii. 11, 216;
iv. 53, 82, 99, 139; v. 470, 578;
vi. 410, 508, 551; vii. 19, 27

Geoffrey II., of Villehouardin, iii. 185

George I., iii. 209, 299

George II., ii. 282; iv. 491; vi. 12, 496; vii. 76

George III., i. 416, 425, 486, 500; ii. 230;
iv. 476, 556; v. 542, 560;
vi. 77, 368, 451, 496;
vii. 31, 35, 76;
in Vision of Judgment, iv. 485-525

George IV., i. 319, 487, 491, 495, 497, 500;
ii. 360, 450; iii. 45; iv. 74, 548, 555;
v. 204, 206, 539, 569, 578;
vi. 374, 385, 425, 451, 478;
vii. 17, 20, 22, 27, 29, 32, 35-37, 40, 80

George William, Elector of Brandenburgh, v. 373

Georgia, i. 378; vi. 279

Gérard, his portrait of Napoleon, iii. 314

G. Dict. Univ., ii. 415

Germantown, battle of, i. 500; vi. 12

Germany, “how much we owe to thee,” i. 486

[385]
Gesner,
Death of Abel, iii. 31, 32; v. 200, 201, 208, 266;
Bibliotheca Univ., iii. 122

Ghibellines, the, iv. 253

Ghormezano, Signor, ii. 99

Ghosts, ii. 255

Giaffir Pacha, iii. 189

Giamschid, Sultan, iii. 108

Giant’s Grave (Bosphorus), vi. 219

“Giants’ Staircase” (Venice), iv. 325, 336

Giaour, the, ii. 37, 135, 136;
iii. 17, 85-146, 149, 150, 183, 210, 217, 225, 235, 254, 293, 384, 453, 464, 465, 481;
iv. 21, 38, 125; v. 428, 612; vi. 165, 244, 332

Gibbon, Edward, as a translator, i. 375;
Decline and Fall of the Roman Empire,
ii. 174, 185, 202, 283, 307, 350, 392, 434, 475, 479, 482, 508;
iii. 173, 251, 301, 519;
iv. 53, 141, 288, 386;
vi. 8, 9, 139, 179, 260, 279, 446;
Miscellaneous Works, ii. 490; iii. 299, 503;
Antiquities of the House of Brunswick, iii. 503

Gibraltar (Calpe’s Rock), i. 378; ii. 89, 113, 455, 525;
v. 588; vi. 344

Gieta, Colonel, iv. 205, 208

Gifford, William (editor of the Quarterly Review),
his edition of Massinger, i. 292, 304;
his Baviad and Mæviad, i. 294, 304, 362, 363;
short account of, i. 304;
Epistle to Peter Pindar;
edition of Ben Jonson and Ford, i. 304;
translation of Juvenal, i. 304, 362, 375;
iii. 301; v. 63, 64, 613; vi. 255, 256;
of Persius, i. 304;
“a true poet,” i. 306;
alludes in Mæviad to Kotzebue’s Pizarro, i. 344;
describes Miles Peter Andrews in Baviad, i. 353;
referred to in English Bards, and Scotch Reviewers:—”his heavy hand, etc,” i. 356;
“born beneath an adverse star,” i. 360;
“bear witness, Gifford, Sotheby, Macneil,” i. 362; iv. 182;
“Why slumbers Gifford?” i. 363;
attacks Delia Cruscans in Baviad and Mæviad, i. 358;
criticizes Jerningham in Baviad, i. 383;
on Weber, i. 397;
his patron, Lord Grosvenor, i. 412;
his “ultimus Romanorum,” i. 444;
“Edwin’s mewlings” in Baviad, i. 444, 445;
advises publication of Childe Harold, Canto I., ii. xi;
advises suppression of stanzas on Sir John Carr in Childe Harold, ii. 65
enthusiastic about Childe Harold, Canto III., ii. 211;
approves Canto IV., ii. 327;
on the Giaour, iii. 76;
Byron on Bride of Abydos, iii. 149;
on Corsair, iii. 217;
on Siege of Corinth, iii. 443;
his corrections of Siege of Corinth,
iii. 467-470, 474, 479-482, 484-486, 489, 492, 494, 495;
on Parisina, iii. 449;
on Manfred, iv. 79, 136;
Murray’s adviser, iv. 157;
on Marino Faliero, act i., iv. 367;
omits to correct Byron’s bad grammar, iv. 419;
reviews Lectures on the English Poets, etc., iv. 575;
his addition to Two Foscari, v. 196;
on Cain, v. 204;
revises Heaven and Earth, v. 279, 310;
his note to Don Juan on Memnon Statue, v. 497;
“we’ve Gifford here reading MS.,” vii. 48

Gight, i. 336

Gill, landlord of Byron’s lodgings in Nottingham, vii. 1

Gillies, History of Greece, iii. 90

Gillray’s Caricatures, i. 307, 476; iv. 509; vii. 29

Gindely, Anton, History of the Thirty Years’ War, v. 352, 371, 416

Ginguené, P. L., Hist. Lit. d’Italie, iv. 459

Giorgione (Giorgio Barbarelli), “Judgment of Solomon”, iv. 162

Giovanelli, Palazzo, iv. 163

Girl of Cadiz (To Inez), ii. 59, 75; iii. 1; vi. 82

[386]
Girondins, or Girondists, vi. 13, 14

Gisborne, v. 204

Gisborne, Mrs., iv. 100

Giustiniani, Franceschino, iv. 365

Giustiniani, Pietro Giovanni, v. 134, 179, 188, 195

Glaciers, ii. 385

Gladiators, ii. 431, 433, 520

Gladstone, W. E., iii. 157; vi. 26

Gladwin, Francis, translation of Sa’di’s Gulistan, iii. 160

Gleig, History of the British Empire in India, i. 468

Glenbervie, Sylvester Douglas, Lord, Ricciardetto, iv. 156, 176

Glenesk, Lord, MS. of Siege of Corinth,
iii. 448, 451, 452, 454-467, 469-471, 473, 476, 477, 479, 482, 483, 487-489, 491-495

Gloria, Maria da, of Portugal, ii. 11

Gloucester, Duke of, i. 498; iv. 177

Glover, i. 317

Gluck, music of Don Juan; or, The Libertine Destroyed, vi. 11;
Armida and Rinaldo, vi. 34

Gnatoo, or tappa cloth (Tonga Islands), v. 600

Gneisnau, August Wilhelm Antonius Neidhart von, vi. 345

Gobbi, iv. 271

Godfrey of Viterbo, ii. 337

Godoy, Manuel de, Duke of Alcudia, Principe de la Paz, ii. 54, 90

Godwin, William, iii. 444; iv. 475;
Essay Of Population, vi. 459

Goethe, Johann Wolfgang von, and Monk Lewis, i. 317;
Faust, i. 318; iv. 80, 81, 85, 110;
v. 201, 247, 281, 294, 409, 470, 471, 474, 493, 494; vi. 483;
Sorrows of Werther, i. 494;
Travels in Italy (“Letters from Italy”), ii. 330, 335, 424;
Kennst du das Land, iii. 157;
review of Mannfred in Kunst und Alterthum, iv. 21, 80-82, 340;
translation of Manfred, iv. 136; vii. 55;
Conversations of, iv. 157, 327, 328; v. 119, 122, 199, 204;
Marino Faliero dedicated to, iv. 328, 340-342; vi. 443; vii. 63;
Aus meinem Leben, iv. 342;
on Vision of Judgment, iv. 480;
on Irish Avatar, iv. 556;
Sardanapalus dedicated to, v. 7;
on The Two Foscari, v. 119, 122;
on Cain, v. 199, 204;
“The moment he reflects, he is a child,” v. 279;
on Heaven and Earth, v. 281;
Werner dedicated to, v. 335;
on Don Juan in Kunst und Alterthum, vi. xix;
Madame de Staël on, vi. 168

Goethe-Jahrbuch, iv. 82, 136; v. 282

Goettlingius, C., Hesiod Carm., ii. 188

Gold, vi. 455

Goldau, iv. 97

Golden Fleece, vi. 158

Goldoni, Carlo, iv. 157;
Belisarus; Le Bourru Bianfaisant, etc., iv. 164;
Mercanti, iv. 166

Goldsmith, Edmund, v. 289

Goldsmith, Oliver, Vicar of Wakefield, i. 480; vi. 145, 586;
Citizen of the World, ii. 88, 323;
Deserted Village, vi. 471

Golitsyn, Prince Basil, iv. 202

Gondola, description of a, iv. 165

Gondoliers of Venice, ii. 329, 468; iv. 165

Gonzaga, Cardinal Luigi Valenti, ii. 371, 495

Gonzaga, Scipio, iv. 143, 144

Good, John Mason, The Book of Job, iv. 498

Goodman’s Fields Theatre, i. 414

Goose, game of, vi. 471

Gordianus III., Emperor, ii. 423

Gordon, Duchess of, ii. 350, 479

Gordon, Lord George, i. 484

Gordon, Pryse Lockhart, Personal Memoirs, etc.,
ii. 226, 227, 294; iv. 156;
Life of Alexander VI., iii. 369

Gordon, Mrs. P. L., ii. 226

Gordon, Thomas, History of the Greek Revolution, v. 557; vii. 53

Gordon, Sir William, i. 173

[387]
Gordons, the, i. 172

Gorrequer, Major, v. 545

Gorton, Biog. Dict., ii. 173

Gosnell, S., printer, i. 478

Gothenburg (Gottenburg). i. 487, 488

Goths, Rome sacked by the, ii. 390

Gottschall, Rudolph von, iv. 203

Gouffier, Count Choiseul-, Voyage Pittoresque de la Grèce,
ii. 168; iii. 295; vi. 151

Gounod, his “Maid of Athens,” iii. 16

Gouria, ii. 143

Gower, Hon. F. Leveson, his article in Nineteenth Century—”Did
Byron write Werner?” v. 329

Goza (Calypso’s Isle), ii. 118, 173; iii. 10

Gozzi, Count Carlo, Memoirs, ii. 120, 339

Grabius, Joannes Ernestus, Spicilegium SS. Patrum, v. 302

Gracchus, Tiberius, vi. 407

Gradenigo, Dogaressa Aluica, iv. 333, 377

Gradenigo, Beriola, iv. 377

Gradenigo, Nicolò, iv. 377

Gradenigo, Doge Pietro, iv. 360

Grafton, Augustus Henry, 3rd Duke of, iv. 177;
Autobiography iv. 510

Grafton, Duchess of, iv. 177

Graham, Mrs. (Lady Callcott), iii. 532; vi. 206, 207

Graham, General Thomas (Lord Lynedoch), i. 469

Grahame, Rev. James, Sabbath Walks; Biblical Pictures;
British Georgics, i. 305, 323, 370, 429

Granada, ii. 46, 54; v. 558; vi. 30

Granard, George, 6th Earl of, vi. 116

Granby, John Manners, Marquis of, vi. 12

Grand Council (Venice), v. 169

Grande Encyclopédie, La, v. 566; vi. 313

Grange, James, pastry-cook, Piccadilly, i. 321; iv. 583

Granger, Biog. Hist. of England, iii. 298

Grant, Harding, Chancery Practice;
Lord Byron’s Cain, etc., with Notes, v. 203, 204

Granta, A Medley, i. 56; iv. 516

Granville, Lady, v. 329

Granville, Lord, v. 329; vii. 36

Grattan, i. 100; iv. 556, 561; vi. 226, 450

Graves, Oliver B., of Cambridge, Mass., vii. 3

Gray, May, Byron’s nurse, vii. 1

Gray, Thomas, Alcaic Fragment, i. 49;
The Fatal Sisters, i. 70; ii. 252;
Lloyd’s parodies on, i. 220;
Lewis’ Tales of Wonder, i. 317;
“glance their many-twinkling feet,” i. 483;
Elegy, ii. 399; iii. 240; vi. 181, 503;
Progress of Poesy, ii. 413;
his lyric measure, iii. 128;
Poemata, iii. 423

Great Council (Maggior Consiglio), Venice, iv. 360, 399

Greatheed, Bertie, i. 358

Greece, i. 424; ii. 62, 109, 149, 154; iii. 90, 446; v. 555; vii. 85, 87;
Isles of, vi. 169

Greek Committee, the, v. 331

Greeks, the, ii. 191, 192;
defeat Turks at Lerna, v. 556

Green, Hist. English People, i. 468

Green, poet, iii. 330

Greene, Robert, Friar Bacon and Friar Bungay, vi. 78

Greenwood, scene-painter, Drury Lane Theatre, i. 346

Grenville, Lord, i. 437, 470, 497; iii. 45

Grenville, Lord George, Portugal; a Poem, ii. 4

Grete, river (Southwell), i. 239

Greville, Charles, vi. 451

Greville, Colonel, i. 348

Grey, Charles, 2nd Earl of, vi. 478

Grey, Lord, i. 497; iii. 45

Grey, Mr., iii. 170

Grief, Martin, iv. 329

Griffin, A., i. 234

Griffith, H. T., edition of Cowper’s Task, etc., vi. 348

[388]
Griffiths, Arthur, Memorials of Millbank, vii. 34

Griffiths, George Edward, iv. 165

Grillion’s Hotel, Albemarle Streetvi. 437

Grillo, Angelo, iv. 146

Grillparzer, Sappho, v. 61

Grimaldi, Joseph, i. 345; vi. 11

Grimm, Baron F. M., Cor. Lit., ii. 266

Grindelwald, iv. 110

Gritti, Benedetto, v. 116

Grolierius (Grollier), Cæsar, Historia Expugnatæ …Urbis, v. 471, 510

Gronow, Captain, Reminiscences, i. 345, 357, 476;
vi. 69, 276, 507, 508, 529

Gropius, Karl Wilhelm, ii. 166, 171

Grose, Captain Edward, 1st Life Guards, vi. 355

Grose, Francis, Classical Dictionary of the Vulgar Tongue, ii. 66; vi. 433

Grosvenor, 1st Earl, i. 412

Grosvenor, Robert, 2nd Earl (afterwards Marquis of Westminster), i. 412

Grote, George, History of Greece, ii. 102, 158, 341; iii. 311; iv. 566

Grotta Ferrata, site of Cicero’s villa, ii. 522

Grouvelle, i. 402

Gruterus, ii. 299

Guadalquivir, ii. 54; vi. 112

Guadiana river, ii. 46

Gualandra hills, ii. 505-507

Guardian, i. 418

Guariglia, Signor, vi. 205

Guarini, Pastor Fido, iv. 141

Guasti, Tasso’s Letters, ii. 355

Guelphs, the, iv. 253

Guesclin, Bertrand du, v. 549

Guhl, ii. 441

Guicciardini, Francesco (Luigi), Sacco di Roma, iv. 258; v. 471

Guiccioli, Countess (My Recollections of Lord Byron), i. 99;
ii. 289, 374; iv. 119, 213, 237, 241, 545, 547, 549, 563, 570;
v. 5; vi. 52, 297, 373

Guiccioli, Palazzo, ii. 372; iv. 279

Guido, fresco of the Aurora, vi. 526

Guilford, Earl of, iv. 143

Guiscard, Robert, ii. 390

Gunpowder, discovered by Friar Bacon, vi. 340

Gurney, Hudson, The Golden Ass of Apuleius;
in English Verse, entitled Cupid and Psyche, vi. 165

Gurney, William Brodie, vi. 66

Gurwood, Colonel, Wellington Dispatches, vi. 266

Gustavus Adolphus, king of Sweden, “The Lion of the North,” v. 371, 373, 553

Guy Mannering, iv. 566

Gwynne, Nell, vi. 496

“Gynocracy” used for “gynæcocracy,” vi. 473, 588

Hachette, iv. 14

Hadrian, i. 20, 462, 493; ii. 167, 411, 431, 436, 440

Hadrian’s Mole, ii. 439

Hafiz. See Stott

Hague, vi. 419

Haivali (or Kidognis), ii. 200, 207

Hales, Sir Matthew, vi. 610

Halford, Bart., Sir H.,
An Account of what appeared on Opening the Coffin of King Charles the First, vii. 35

Halgh of Halgh, George, vi. 294

Halifax, George Savile, Marquis of, i. 413

Hall, Captain Basil, Narrative of a Voyage to Java, 1840;
Voyage to the Corea and the Loochoo Islands;
Extracts from a Journal written on the Coast of Chili, etc., v. 546, 548, 556

Hallam, Henry, i. 306, 340, 380;
Middle Ages, i. 337; iv. 288; vi. 464

Hallet, midshipman on the Bounty, v. 588

[389]
Hamburg, i. 487, 488

Hamet Benengeli, Cid, i. 299

Hamilton, Anthony, Archdeacon of Colchester, ii. 108

Hamilton, Archibald, 9th Duke of, i. 311

Hamilton, Lady Anne, Epics of the Ton,
i. 294, 311, 330, 343, 353, 468, 471;
Secret Memories of the Court of England, i. 311; vii. 78

Hamilton, Sir William Richard (“Dark Hamilton”), Lord Elgin’s
Secretary, Memorandum on the Earl of Elgin’s Pursuits in Greece,
i. 455, 466; ii. x, 108, 167, 168, 204

Hamlet, i. 401; ii. 64, 99, 103, 154, 418, 450;
iii. 543; iv. 77, 95, 458; v. 25, 423;
vi. 309, 342, 386, 394, 432, 456, 511, 550, 570-572

Hammer-Purgstall, J. von, Histoire de l’Empire Othoman,
iii. 166, 312, 441, 454, 455

Hammond, George, iii. 217; iv. 472; vii. 49

Hamond, Mrs. (Miss Chaworth Musters), i. 277

Hampstead, ii. 66

Handbooks for—Central Italy,
ii. 373, 380; iv. 275;
Greece, ii. 117, 127, 157, 166, 189;
Northern Italy, ii. 372; iv. 336, 392, 430; vi. 212;
Rome, ii. 389, 403; iv. 271, 273

Hanmer, vi. 487

Hannibal, i. 349, 493; ii. 187, 459, 505;
iii. 301; v. 606

Hansard, Parliamentary Debates, iv. 482

Hanson, Charles, vi. 460

Hanson, Hargreaves, i. 86

Hanson, John, i. 25, 86; iii. 540; vi. 100

Hanson, Mary Anne (Lady Portsmouth), vi. 569

Hanson, Newton, i. 86

Happiness, “was born a twin,” vi. 130; Horace’s Art of, vi. 490

Haratch, Turkish capitation tax, iii. 195

Harcourt, General, ii. 23

Harcourt, Mrs., ii. 23

Hardinge, George (“Jeffries Hardsman”), Senior Justice of Brecon, etc., vi. 508

Hare, Francis (“Silent Hare”), vi. 529

Harley, Lady Charlotte Mary (afterwards Bacon), “Ianthe,” ii. xii, 11

Harmodius and Aristogeiton, ii. 228, 291; v. 556

Harmonists, the, vi. 554

Harness, Rev. W., i. 66; ii. 204; iv. 575

Harold, Baron de, iii. 100

Harper’s New Monthly Magazine, vi. 349

Harpocration, vi. 169

Harrison, John (“Longitude Harrison”), inventor of watch compensation, vi. 19

“Harroviensis,” A letter to Sir Walter Scott, etc., v. 202

Harrow, i. 15-20, 25, 84-106, 208, 222, 237, 259; ii. 66; vi. 49;
“Byron’s Tomb” at, i. 26;
speech-day at, i. 86, 102;
rebellion at, i. 93;
Byron’s first English exercise at, iv. 48

Harrowby, Lord, vii. 13

Harte, Bret, The Society upon the Stanislaus, iv. 296

Hartford, Works of Lord Byron, In verse and Prose, iii. xxi;
Remarkable Shipwrecks, vi. 98, 102, 103

Harvard University Library, vii. 3

Harvey, i. 405

Hasell, E. J., Tasso, ii. 356

Hastings, Francis Rawdon, 1st Marquis of, i. 497

Hastings, Warren, impeachment of, iv. 72; v. 542

Hathaway, Miss, as “Zarina” in Sardanapalus, v. 2

Havard, William, i. 428

Hawarden, Lady, i. 485

Hawke, Admiral Edward, Lord, vi. 12

[390]
Hawkesbury, Lord, vii. 13

Hawksworth, Voyages, ii. 7

Hay, iii. 217

Haydn, iii. 376

Haydon, Life of, i. 456; “The Elgin Horse’s Head,” ii. 336

Hayley (or Hailey), William,
The Triumph of Temper; The Triumph of Music,
i. 305, 321, 322, 370; vi. 587;
translation of three cantos of Dante’s Inferno, iv. 238, 244, 313;
Essay on Epic Poetry, iv. 244;
Life of Milton, vi. 7

Haymarket Theatre, Werner at, v. 324

Hayter, Bishop of Norwich, iii. 299

Hayward, Peter, midshipman on the Bounty, v. 588, 605

Hazlitt, William, ii. 17;
My First Acquaintance with Poets, iv. 518;
“Scamp, the Lecturer,” of The Blues, iv. 570;
Lectures on the English Poets, iv. 570, 586; vi. 12, 175;
Lectures of 1818, iv. 575;
The Spirit of the Age, vi. 506, 509

Hearne, Journey from Hudson’s Bay, iv. 220

Heath, James, Flagellum, vi. 174

Heath, Miss, actress, as “The Witch of the Alps,” in Manfred, iv. 78;
as “Zarina” in Sardanapalus, v. 2

Heathcote, Katherine Sophia Manners, Lady, vii. 17

Heathcote, Sir Gilbert, vii. 17

Heaven and Earth, iv. 50; v. 277-321, 469, 527

Heaviside, Dr., i. 431, 432

Heber, Richard, Early English Poets, i. 396

Heber, Reginald, Bishop of Calcutta, i. 396; iii. 151, 217; v. 111;
Reviews Marino Faliero in Quarterly Review, iv. 329;
reviews Sardanapalus, Two Foscari, and Cain
in Quarterly Review, v. 5, 111, 119, 204;
on Don Juan in Quarterly Review, vi. xx

Hebrew Melodies, ii. 273; iii. xix, 382-406, 417; v. 199, 231

Hecatonnesi Islands, ii. 200

Hecla (Iceland), vi. 569

Hector, v. 488, 577

Heinemann (G. Vuillier), History of Dancing, i. 492

Heiss, Baron, iv. 514

Helbig, Guide to the Collection of Public Antiquities in Rome, ii. 432

Helen, iv. 334; vi. 535

Helena, Princess (Duchess of Albany), iii. 157

Helicon, i. 373, 397

Heligoland, i. 487, 488

Hell, Byron’s definition of a gambling, i. 407; vi. 436
paved with good intentions, iv. 499; vi. 338

Hellespont, iii. 13, 178, 179; vi. 112, 204

Helps, vi. 567

Helvetii, the, ii. 299

Helvoetsluys, vi. 419

Hemans, Captain, vii. 70

Hemans, Mrs. Felicia Dorothea (née Browne), vii. 70

Henley, S., Notes to Vathek, iii. 76, 87, 105, 109, 110, 120; iv. 244

Henley, “Orator,” vi. 303

Henry, John, v. 560

Henry, Patrick, one of the leaders of the American Revolution, v. 560

Henry of Prussia, Prince, v. 550

Henry I., i. 493

Henry II., i. 1, 116; v. 495

Henry IV., i. 399; iii. 134, 432; iv. 13, 262, 407

Henry IV., vi. 20, 48, 256, 342, 347, 431, 444, 453

Henry IV., Emperor of Germany, ii. 390

Henry V., ii. 19, 216

Henry V., vi. 487

Henry VI., vi. 347

Henry VII, vi. 496

Henry VII., Emperor of Germany, ii. 403, 494

Henry VIII., i. 1, 119; v. 499; vii. 35, 36

Henry VIII., vi. 495

[391]
Hephæstion, vi. 378

Hephæstus, v. 396

Heraclidæ, the, ii. 431

Herbert, Baron, Austrian Ambassador, iii. 4

Herbert, George, Jacula Prudentum, iv. 500

Herbert, William, Dean of Manchester, i. 306;
Horæ Scandicæ, i. 336

Hercules (Alcides), i. 144; v. 27; Couch of, vi. 220

Hercules, wreck of American ship, vi. 90

Hermann, Mrs., as “Angiolina” in Marino Faliero, iv. 324

Hero and Leander, iii. 14, 178

Herod the Great, iii. 400

Herod, king of Chalcis, vi. 139

Herodes Atticus, ii. 416

Herodias, i. 490

Herodotus, ii. 272; v. 107; vi. 79, 169, 572;
Cleobis and Biton, vi. 186

Herod’s Lament for Mariamne, iii. 400

Herostratus, i. 467

Herrick, Robert, To Anthea, iv. 35

Hertford, Marchioness of, vii. 22

Hervey, Lord (“Lord Fanny”), Lines to the Imitator of Horace, i. 326

Hesiod, ii. 188; Works and Days, vi. 169

Hesperus, vi. 180

Heterodoxy, vi. 267

Hetman of the Cossacks, vii. 39

Heyne, Christian Gottlob, i. 490

Hiero, a painter, ii. 168

Highgate, “swearing on the horns” at, ii. 66

Highland Light Infantry, iii. 416

Highland Society, the, iii. 415

Highland welcome, a, vi. 272

Hildyard, Lieutenant J. T.,
Historical Record of the 71st Highland Light Infantry, iii. 416

Hill, Rev. H., iv. 476; vi. 4

Hill, S. McCalmont, iii. 18

Hints from Horace, i. 298, 303, 343, 359, 360, 385-450, 453;
ii. ix, 108, 192, 196; iv. 517; vi. 433, 442

Hippocrates, ii. 197

Hippocrene, i. 328, 373

Hippolytus, vi. 255

Hiron, vi. 153

Hispalis (Seville), ii. 52, 60, 93; vi. 15

Historical Records of the Life Guards, i. 495

Hita, Ginès Perez de, Historia de las Guerras Civiles de Granada,
iv. 529, 530; v. 558

Hoadley, ii. 504

Hoare, Rev. Charles James, i. 372

Hobbes, Thomas, v. 615; vi. 195, 200, 570; vii. 32

Hobhouse, John Cam (afterwards Lord Broughton de Gyfford),
Imitations and Translations, i. xiii, 264, 327;
ii. 30; iii. xix; vi. 62, 142; vii. 8;
his lines in English Bards, and Scotch Reviewers,
i. xiv, xv, 292; Epistle to a Young Nobleman in Love, i. 267;
on Hints from Horace, i. 388;
Travels in Albania and other Provinces of Turkey, in 1809 and 1810,
i. 454, 460; ii. 15, 60, 84, 100, 106, 125, 130,
131, 133, 136, 137, 142, 145, 148, 153, 157, 158, 169, 171, 174,
182, 189, 194, 198, 200, 208, 441, 461;
iii. 7, 8, 14, 20, 85, 93, 145, 173, 179, 180, 194, 272, 468;
iv. 31; vi. 151, 204, 208, 231, 261; vii. 9;
“I don’t remember any crosses here,” ii. 36;
“one of the finest stanzas I ever read,” ii. 42;
with Byron in Spain, ii. 52;
“said they were vultures,” ii. 61;
en route for the Negroponte, ii. 75;
Historical Illustrations to the Fourth Canto of Childe Harold,
ii. 313-315, 358, 379, 380, 389, 390, 403, 408, 410, 412, 435, 437, 439, 486, 512, 524;
iv. 146, 245; v. 153; vi. 233;
Italy: Remarks made in Several Visits from the Year 1816 to 1854, ii. 315;
Childe Harold dedicated to, ii. 321;
[392]
Letters written by an Englishman resident in Paris, etc., ii. 326; v. 545;
the Abbé de Sade’s Mémoires, ii. 350, 351;
Notes to Childe Harold, Canto IV., ii. 465-525;
at Theodora Macri’s, iii. 16;
the Giaour story, iii. 76;
an odd report about Byron, iii. 218;
Siege of Corinth dedicated to, iii. 445;
his parody of Stanzas to Augusta, iv. 56;
“went to the highest pinnacle,” iv. 95;
“pelted with a snowball,” iv. 97;
note on Dante, iv. 238;
Essay on the Present Literature of Italy, iv. 245;
on Cain, v. 204;
the MS. of Werner, v. 326;
“about morality,” vi. xix;
the Zoili of Albemarle Street, vi. xix, 467;
his article in Westminster Review on Don Juan, vi. 3;
“this is so very pointed,” vi. 22;
his remarks on Don Juan, vi. 22, 26, 47, 50, 52, 59, 62, 78, 79, 98;
MS. of Don Juan, Canto XVII., given to, vi. 608;
on the Lisbon Packet, vii. 6;
Farewell Petition to, vii. 7;
Miscellany, vii. 8;
“will bring it safe in his portmanteau,” vii. 51;
My Boy Hubbie O! vii. 66;
his pamphlet,
A Trifling Mistake in Thomas Lord Erskine’s recent Preface, vii. 66;
M.P. for Westminster, vii. 69;
Byron’s Love and Death, vii. 85

Hobhouse, Sir John, iii. 76

Hobson, Captain, vi. 146

Hoche, General L., ii. 251, 296; vi. 14

Hock, i. 486

Hodgson, Rev. Francis, Byron on Boatswain’s death, i. 280;
letters from Byron to, i. 280, 282, 379;
ii. 29, 42, 63, 78, 104, 187, 192, 331;
iii. 35, 38, 449; vi. 182, 467; vii. 10;
Gentle Alterative for the Reviewers, i. 295;
Bland’s Greek Anthology, i. 306, 366; iii. 32;
translation of Juvenal, i. 337;
referred to in English Bards, and Scotch Reviewers, i. 375;
Lines on a Ruined Abbey, ii. 20, 170;
Byron’s Epistle to a Friend, ii. 163; iii. 28-30;
Lady Jane Grey, ii. 170;
Monitor of Childe Harold, ii. 360;
on the Giaour, iii. 137;
on the Bride of Abydos, iii. 151;
“scribbler Mr. Hodgson,” iv. 165;
and Cain, v. 199;
Byron’s Lines to—written on board the Lisbon Packet, vii. 4;
MS. of Devil’s Drive, vii. 21;
“principally to shock your neighbour,” vii. 42

Hodgson, Rev. James T., Life of the Rev. Francis Hodgson,
i. 375; ii. 288; iii. 28, 30

Hofmann. Lexicon Universale, ii. 156, 173, 261, 328, 390; iii. 181

Hofmann, C., Primavera y Flor de Romances, iv. 174, 529

Hogarth, caricature of Wilkes, iv. 508

Hohenlinden, battle of, vi. 14

Hohenlohe, Prince, v. 550

Holbein, Dance of Death, vi. 555

Hole, Rev. Richard, Arthur; or, The Northern Enchantment, i. 314, 436

Holford, Margaret, Margaret of Anjou, vii. 44, 45, 59

Holland, Henry Fox, 1st Lord, ii. 40

Holland, Henry Richard Vassall Fox, 2nd Lord, ii. 80

Holland, Henry Richard Vassall, 3rd Lord,
i. 294, 306, 337, 338, 340, 356, 380, 417;
ii. xi, 51-54; iii. 151, 155, 170;
“Sir Richard Bluebottle” of The Blues, iv. 570;
his motion on Napoleon’s treatment at St. Helena, v. 545

Holland, Elizabeth, Lady (née Vassall), i. 294, 355, 380;
ii. 80; vi. 541;
A Memoir of the Rev. Sydney Smith, vi. 596;
Napoleon’s snuff-box, vii. 77

[393]
Holy Alliance, the, ii. 402; v. 538, 539, 564; vi. 267

Homer, i. 312, 379, 398, 404;
vi. 73, 173, 177, 211, 263, 327, 478; vii. 62;
a punster, i. 377;
Odyssey, i. 426; ii. 100, 173; iv. 264;
“and Homer (damn him) calls,” i. 427;
in Hints from Horace, i. 432, 438;
the Homeric ghosts, ii. 255;
v. Ariosto, ii. 359; iv. 266;
Iliad, ii. 301, 452, 462; v. 488, 512, 573;
vi. 117, 218, 339, 513, 534;
Dante superior to! ii. 495;
ἀπείρων, iii. 179;
his Ocean stream, vi. 218; catalogue of ships, vi. 503

Homunculi, v. 493

Hone, W., publisher of
Poems on his Domestic Circumstances, i. 452, 453; iii. xx, 24;
Every Day Book, ii. 66; publishes Wat Tyler, iv. 521

Honorius, ii. 35, 86, 440, 521

Hood and Sharpe, publishers, i. 379

Hook, James, A Lass of Richmond Hill, vii. 59

Hook, Theodore, i. 306, 344;
Tekeli; Fortress; Music Mad, i. 341;
editor of John Bull, v. 206

Hoole’s Tasso, ii. 143

Hooper, G., Waterloo: The Downfall of the First Napoleon, ii. 234

Hooper, W., Rational Recreations, vi. 550

Hope, Thomas, Anastasius, i. 390;
Byron omits stanzas in Childe Harold on, ii. xi;
Household Furniture and Internal Decoration, ii. 108

Hope, Mrs. Thomas (Louisa Beckford), i. 390; iv. 580

Hoppner, John, R.A., vii. 54

Hoppner, John William Rizzo, vii. 54

Hoppner, Richard Belgrave, English Consul at Venice, ii. 351;
iv. 15, 459, 471, 472, 547; vii. 54;
translation of Goethe’s review of Manfred, iv. 82

Horace, Odes, i. 81; ii. 40, 76, 262, 387, 421, 448;
iv. 197, 243, 323; vi. 15, 77, 78, 236, 453, 521; vii. 73;
Satires, i. 184; ii. 405; v. 568; vi. 391, 446;
Ars Poetica, i. 385, 402, 409; ii. ix, xiv; iv. 518;
“Farewell, Horace—whom I hated so,” ii. 388;
his Sabine farm, ii. 455, 524;
Epist., v. 367; vi. 246, 273, 474, 490;
Louis XVIII.’s criticisms on Sanadon’s translations of, v. 567;
Epist. ad Pisones, vi. 15, 177, 505;
Scholar of Love, vi. 139; Epodes, vi. 378, 536;
his Art of Happiness, vi. 490

Horistan Castle, Derbyshire, i. 2

Homer, Francis, i. 302, 470

“Horns,” “swearing on the,” at Highgate, ii. 66

Horsetails, a Pasha’s standard, iii. 480

Hortensius, vi. 270

Horton, Eusebius, iii. 381

Horton, Anne Beatrix, Lady Wilmot, origin of “She walks in beauty,”
iii. 381; iv. 569, 570; vii. 54, 61

Horton, Sir Robert J. Wilmot, vii. 54

Hoste, Captain Sir William, iv. 456

Hounslow Heath, i. 484

Houris, ii. 60; iii. 110; vi. 364

Hours of Idleness, and Other Early Poems, i. xi-xiii, 1-288,
303, 311, 374, 432; iii. 182; iv. 67

Houson, Miss Anne, i. 70, 244, 246, 251, 253

Houson, Rev. Henry, i. 70

Howard, Hon. Frederick, i. 355; ii. 11, 234, 293

Howatt, Hill, iv. 31

Howe, Admiral Richard, Earl (“Black Dick”), v. 588; vi. 12, 14

Howell, iv. 167

Hoyle, Rev. Charles, Exodus, i. 372, 430

Hoyle, Edmund, i. 372; vi. 173

Hroswitha, Lapsus et Conversio Theophrasti Vice-domini, iv. 81

[394]
Huascar, Supreme Inca of Peru, ii. 82

Hucknall Torkard Church, i. 3, 70; ii. 334; iv. 14, 479

Hughes, iii. 16

Hughes, Mrs., vi. 496

Hugo, Victor, Les Feuilles d’Automne, ii. 358;
Le Rhin, iv. 14; Orientale, iv. 202

Hulme, Thomas, Journal, vi. 554

Humane Society, vi. 50

Humboldt, Baron Alexander von, v. 539; vi. 215

Hume, David, History of England, i. 374; ii. 266

Hume, Joseph, ii. 504

Hungary, Bethlen Gabor, king of, iv. 331; v. 349, 352

Hunt, James Henry Leigh,
his copy of Fourth Edition of Childe Harold, i. xvi, 311, 334;
Byron’s letters to, iii. 218; v. 537, 582, 584;
Lord Byron and Some of his Contemporaries, iii. 474;
Autobiography, iii. 509; vi. 26;
the Examiner, iii. 532, 538;
Story of Rimini, iv. 36;
Stories from the Italian Poets, iv. 275, 281, 314;
Morgante Maggiore, iv. 285;
the Liberal, iv. 571;
in Horsemonger Lane Gaol, vii. 16;
“Blackguard Hunt,” vii. 67, 68

Hunt, John, iv. 281, 285, 478, 479; v. 279, 325, 537, 581;
publishes The Deformed Transformed, v. 472;
and Don Juan, vi. xvi

Hunt, Dr., i. 455

Hunter, Imperial Gazetteer of India, v. 631

Hunter, William, vi. 412

Huntingdon Peerage, ii. 215

Huntly, George, 2nd Earl of, i. 173

Huon, of Bordeaux, v. 496

Hussite, or Taborite, Crusade, v. 549

Hyde of land, a, vi. 411

Hydra, Hydrea, or Idra, island, i. 457; iii. 270

Hyginus, Fabulæ, iv. 287; vi. 535

Hymettus, i. 459; ii. 157; iii. 271

Hypocrisy, vi. 410, 453

Hypsilantes, v. 556

I saw thee weep, iii. 390

I would I were a careless child, i. 205

“Ianthe” (“Flower o’ the Narcissus”). See Harley, Lady Charlotte M.

Ibort, Jorge (Tio Jorge), ii. 94; v. 559

Ibrahim Pasha, ii. 174

Ich Dien (Windsor Poetics), vii. 36

Idra, Hydra, or Hydrea, island, i. 457; iii. 270

Iermolof, Catherine II.’s favourite, vi. 388, 389

If that high world, iii. 383

Ihne, Hist. of Rome, ii. 377

Ile de Paix, iv. 26

Ilissus, i. 459; iii. 272

Illyria, ii. 129

Imitated from Catullus, i. xi, 75

Imitation of Tibullus, i. 74

Imitations and Translations,
i. 264, 266, 268, 272, 277, 281-283, 285, 287, 288; vi. 62

Imlay, North America, vi. 349

Imperial Dictionary, ii. 137

Imperial Gazetteer of India, v. 631

Imperial Magazine, iv. 43

Impromptu, vii. 82

Impromptu, in reply to a friend, iii. 69

Incantation, the (Manfred), iv. 15, 63, 64, 79, 91

Independent Whig, iii. 534

India, i. 468; conquered by Dionysus, v. 21; invaded by Nadir Shah, vi. 384

Inglefield, Captain, H.M.S. Centaur, vi. 90, 92, 94-96, 99

Ingleston, George, “Brewer,” i. 433

Innocent II., Pope, ii. 389

Inquisition, Spanish, v. 558

Inscription on the Monument of a Newfoundland Dog, i. 280; ii. 30; vi. 304

[395]
Interlaken, iv. 119

Invercauld, i. 171

Ionian Islands, ii. 193

Iphis, ii. 13

Irad, son of Enoch, v. 285

Ireland, W. H. (“Flagellum”),
All the Blocks, an Antidote to All the Talents, i. 294, 356

Iris, The, i. 331, ii. 383

Irish and Carthaginians, vi. 337

Irish Avatar, iv. 49, 555; vi. 368, 439

Iron Mask, Man in the, iv. 514

Irving, Sir Henry, iv. 78; as “Werner,” v. 324

Irving, Washington,
Abbotsford and Newstead Abbey, iv. 32, 38; vi. 497,
Chronicle of the Conquest of Granada, vi. 30,
History of the Life and Voyages of Christopher Columbus, vi. 552

Isaiah, ii. 166, 398, iii. 305

Iskra, iv. 202

Island, The; or, Christian and his Comrades, i. 173;
iii. 459, 467, 494, v. 579-639; iv. 61, 485;
v. 514, vi. xvi, 106, 193, 405

Isles of Greece, vi. 169

Ismail, siege of, vi. 264, 304-370

Ismenus river, ii. 189

Israello, Bertuccio, iv. 356, 464

Italy, ii. 361; iv. 256; vi. 8

Ithaca, ii. 124, 177

Itys, iv. 287

Ilulus, i. 159

Jackals, vi. 382

Jackson, General Andrew, iii. 298

Jackson, “Gentleman,” i. 433; iv. 303; vi. 433

Jackson, James Grey, Account of the Empire of Marocco and Suez … to
which is added an account of Tombuctoo, vi. 51, 198

Jackson, Lady, The Court of the Tuileries, v. 567

Jackson, Rev. Luke, i. 70

Jackson, William, a Keswick carrier, vi. 177

Jacobi, M., i. 494

Jacobinism, v. 544

Jacob’s Reports, v. 204; vi. 460

Jacobs, Epig. Græc., i. 18

Jamat-al-Aden, the Mussulman paradise, iii. 197

Jamblichus, the philosopher, iv. 105; v. 480

James I., i. 173, 198, iv. 543

James II., ii. 121, 292; iv. 504

James V., ii. 295

Jāmā, Medjnoun and Leila, iii. 160

Janina, or Joannina (Yanina), lake of, ii. 129, 179, 189;
Archbishop of, iii. 145

Japhet, v. 284

Jason, i. 170, vi. 177, 521

Jassy, Treaty of, v. 551

Jeaffreson, Cordy, Real Lord Byron, iv. 32

Jefferies, Judge, i. 332

Jefferson, Thomas, iv. 159

Jeffrey, Francis, Lord,
referred to in English Bards, and Scotch Reviewers,
i. xiv, 301, 302, 332, 333, 339;
Moore’s duel with, i. 203, 305, 333-335, 380;
“self-constituted Judge of Poesy,” i. 301;
“his pay is just the sterling pound a sheet,” i. 302;
founder of the Edinburgh Review, i. 302; v. 338;
reviews Marmion in E.R., i. 310,
Montgomery’s poems in E.R., i. 331;
article on de Cavallos’ work in E.R. by Brougham and, i. 338;
Byron accused of personality towards, i. 382;
“the Devil and Jeffrey,” i. 429;
lines in Hints from Horace on, i. 430-433;
counsel for Sir F. Burdett v. William Scott, i. 436,
his articles in E.R. on:—Childe Harold, ii. 213;
Giaour, iii. 77;
Corsair and Bride of Abydos, iii. 151, 219;
Hebrew Melodies, iii. 377;
Prisoner of Chillon, iv. 6;
Manfred, iv. 80-82; Beppo, iv. 158;
Prophecy of Dante, and Marino Faliero, iv. 329;
Sardanapalus, Two Foscari, and Cain, v. 5, 119, 204;
Heaven and Earth, v. 282;
[396]
Werner, v. 338; Don Juan, vi. xx;
“refreshing,” iv. 574; on Moore and Byron, v. 280;
on the Pantisocratic or Lake School, vi. 175;
on Byron’s abuse of Southey, vi. 403;
“once my most redoubted foe,” vi. 404;
his review of Barry Cornwall’s Sicilian Story;—comparison
of Don Juan with Diego di Montilla, vi, 445;
holds up Scott as an example to Byron, vi. 459

Jehoshaphat, valley of, iv. 288

Jekyll, Joseph, Corr., i. 319; vi. 413, 504

Jemappes, battle of, vi. 13

Jenner, Edward, i. 307; and vaccination, vi. 50

Jephson, Two Strings to your Bow, i. 345;
The Servant with Two Masters, i. 445

Jephtha’s Daughter, iii. 387

Jeremiah, iii. 312; iv. 43

Jerningham, Edward, The Nunnery; The Old Bard’s Farewell, i. 383

Jerningham Letters, i. 383

Jerningham, Sir George, Bart., i. 383

Jerreed, djerrid, jarīd, a Turkish javelin, in. 97, 168

Jersey, Sarah, Countess of, vi. 541; vii. 37, 40

Jersey, Earl of, iv. 472

Jerusalem, iii. 401

Jesse, J. H., Memoirs, etc., of George III., vii. 31

Jesuits, the, ii. 493; v. 558

Jesus Christ, vi. 267

Jeux d’Esprit and Minor Poems, 1798-1824, vii. 1-88

Jews, v. 100, 236, 573

Jex-Blake, K., The Elder Pliny’s Chapters on the History of Art, ii. 432

Joan of Arc, i. 313

João V., Don, ii. 87

Job, Book of, iii. 406; iv. 498; vi. 59, 605; vii. 34

Joel, iv. 43

John Bull, iv. 555, 571; v. 206

John Bull’s Letter, iii. 280; vi. 75

John, of Trocnow, surnamed Zižka, or the “One-eyed,” v. 549

John George, elector of Saxony, v. 373

John II. of France, v. 549

John Casimir V., king of Poland, iv. 201, 205, 211, 212; vi. 246

John Keats, vii. 76

Johnson, James, Musical Museum, vi. 64

Johnson, Miss, iii. 45

Johnson, Dr. Samuel, Lives of the Poets, i. 220, 401, 416, 423;
Prologue to Irene, i. 400;
Boswell’s Life of, i. 401, 409, 449; ii. 460, 489; vi. 247;
Rasselas, ii. 37, iii. 145; vi. 574;
“Hell is paved with good intentions,” iv. 499;
“brandy for heroes,” v. 592; Life of Milton, vi. 174;
Life of Dryden, vi. 182; Vanity of Human Wishes, vi. 183;
on misers, vi. 455; “liked an honest hater,” vi. 482;
Dictionary, vi. 575,
and Lord Auchinlech’s reminder, vii. 35

Johnston, J., “the Cheapside impostor,” ii. 212, 213; iii. xx

Johnston, Major, leader of insurrection (1805) in N.S. Wales, v. 588

Johnstone, Sir James, ii. 4

Joncières, Victorini, v. 2

Jones, Inigo, iv. 161

Jones, Sir William, iii. 86;
A Grammar of the Persian Language, iii. 100;
Solima, iii. 110;
Asiatic Research, iv. 555

Jonson, Ben, i. 304, 398, 420; iv. 239; and Sylvester, vi. 7;
Every Man in his Humour, vi. 68

Jordan, Mrs., i. 353

Jordan, Professor, ii. 413

Jornandes, De Getarum Origine, iii. 235

Joseph and Potiphar’s wife, vi. 255

Joseph, king, ii. 53, 89

Joseph II., Emperor, vi. 313. 414

Josephus, v. 208

Joshua, grave of, vi. 220

[397]
Joubert, Barthélémi Catherine, vi. 14

Journal de Savants, iv. 578

Journal de Trévoux, iv. 578

Journal des Economistes, vi. 461

Journal in Cephalonia, vii. 83

Journal of a Soldier of the 71st Regiment, vi. 376

Journal of the Archæological Association, vi. 497

Journals of the House of Lords, iv. 542

Joy, Mr., iv. 472

Juba, king of Mauretania, vi. 236

Judges, iii. 118

Julia Alpinula, ii. 256, 299

Julian (A Fragment), iii. xxi, 419

Julian Alps (“Friuli’s mountains”), ii. 348

Julian, Count, ii. 46, 89

Julian the Apostate, vi. 9

Juliet, i. 37, 38; her tomb at Verona, v. 562

Julius Alpinus, ii. 299

Julius Cæsar, ii. 375, 392, 434, 490, 514, 520; v. 476

Julius Cæsar, vi. 268

Julius II., Pope, iv. 271, 273; vi. 212

Julius III., Pope, ii. 508

Jungfrau, the, ii. 385; iv. 81, 82, 94, 102, 109

Junia, wife of Cassius, ii. 374

Junius, Letters of, iv. 476, 480, 512-515

Juno, wreck of the, vi. 105, 107, 108

Junot (Duke d’Abrantés), ii. 39, 40

Jupiter, i. 14; vi. 130

Jupiter Olympius, temple of, i. 462; ii. 167

Jupiter Optimus Maximus, temple of, ii. 412

Jura range, the, ii. 269, 273

Justin Martyr, ii. 513

Justinian, ii. 166

Justinius, Hist., ii. 60; iv. 40; v. 79

Juvenal, i. 297, 303, 304, 351;
ii. 187, 190, 416, 516;
iii. 16, 301;
v. 63, 64, 543, 613; vi. 27, 139, 254-256

Juvenilia, i. xi

Kaff (Mount Caucasus), i. 378; vi. 292

Kahn, Gustave, Don Juan, vi. xx

Kalamas river (Acheron), ii. 131, 180, 181

Kalamata, gulf of, iii. 249

Kaleidoscope, vi. 109

Kamschatka, i. 492

Kant, Professor Immanuel, vi. 418; vii. 32

Kara Osman, or Carasman, Oglou, iii. 166

Kashmeer, the butterfly of, iii. 105

Katzones, Lambros, iii. 194, 219

Kava, cava, or ava, a Tongan intoxicating drink, v. 600

Kazdaghy, Mount, vi. 211

Kean, Charles, as “Sardanapalus,” v. 2;
as “Manuel, Count Valdis,” vii. 48

Kean, Mrs. Charles (Miss Ellen Tree), iv. 78;
as “Myrrha” in Sardanapalus, v. 2

Kean, Edmund, i. 344; iv. 338, 436, 584, 587

Keary, C. F., The Francis Letters, iv. 513

Keates, Admiral Sir Richard Goodwin, iii. 25

Keats, George, vi. 446

Keats, Georgiana, vi. 446

Keats, John, Lines on, iii. xx; vii. 76; and Coleridge, v. 175;
“killed off by one critique,” vi. 445; Endymion, vii. 76

Kebbiera, Lilla, vi. 160

Keble, Christian Year, ii. 292

Keith, Lord, iii. 428

Kellerman, General, ii. 39

Kemble, Charles, i. 46, 344, 353

Kemble, John Philip, iv. 338

Kendal, Duchess of, iii. 209

Kennard, John Peirse, v. 175

Kennedy, Dr. James, Conversations on Religion with Lord Byron,
iii. 393; v. 199

[398]
Kennet, D.D., White, Memoirs of the Family of Cavendish, v. 615

Kenney, James, i. 306; Raising the Wind, i. 342;
Sweethearts and Wives, i. 343

Kent, Duke of, i. 498

Kent’s London Directory, iv. 583

Kentucky, wars of, vi. 348

Keppel, Admiral Augustus, Viscount, vi. 12

Khmelnítzky, Bogdán, iv. 211

Kibitka, springless carriage, vi. 383

Kidd, Captain, vii. 5

Kiepert, Carte de l’Épire et de la Thessalie, ii. xxiv

Killiecrankie, ii. 292

Kilworth, Lord, i. 485

King, “Jew,” i. 357; vi. 100

King, Leonard W., his article “Assyria” in Enc. Biblica, v. 4

King, R. J., Handbook to the Cathedrals of England, vi. 596

King, Rosa, i. 357

King John, i. 356; vi. 165

King Lear, ii. 196; vi. 256, 446

King Richard, i. 401

King’s College, Cambridge, i. 392

Kings, Book of, v. 107

Kingsley, Rev. Charles, Last Buccaneer, iii. 451;
on Don Juan, vi. xviii; Westward Ho! vi. 483;
Letters and Memoirs, vi. 517

Kinkel, G., editor of Bibliotheca Teubneriana, iv. 243

Kinnaird, Douglas, iii. 375, 402;
iv. 70, 343, 472, 478, 545, 549; v. 325, 537;
vi. 12, 100, 373, 450, 455, 458, 546; vii. 77;
Letter to the Earl of Liverpool, vi. 374;
Letter to the Duke of Wellington on the Arrest of M. Marinet, ibid.

Kinnaird, Lord, iv. 472

Kipling, Rudyard, Barrack-Room Ballads, v. 72

Kirk, J. F., History of Charles the Bold, ii. 298

Kit-Cat Club, vii. 57

Kitto, Travels in Persia, v. 294

Kizlar aghasi, head of the black eunuchs, iii. 168

Kleeman, Nicholas Ernest, Voyage de Vienne à Belgrade, vi. 216, 280

Klencke, Professor, Alexander von Humboldt, vi. 216

Knebel, iv. 81

Kneller, Sir Godfrey, vi. 496

Knight, American Mechanical Dictionary, v. 404

Knight, Cornelia, Personal Reminiscences, v. 563;
Autobiography, vii. 35

Knight, H. Gally (Ilderim, a Syrian Tale; Phrosyne, a Grecian Tale;
Alashtar, an Arabian Tale),
iv. 175; vi. 230; vii. 44, 45, 51, 60, 70;
Byron’s Ballad on, vii. 58

Knight, Richard Payne, Taste, i. 337, 383;
Monody on the death of C. J. Fox, i. 356;
Specimens of Ancient Sculpture, i. 378, 454

Knight, Professor W.,
Life of William Wordsworth, iv. 341, 582; vi. 91, 178;
Shakespeare, vi. 487, 502

Knight and Lacy, i. 234, 452

Knights of St. John, iv. 400

Knolles, The Turkish History, vi. 259

Koch, History of Europe, i. 468; ii. 364; iv. 197

Kochlani horses, v. 496

Kodrikas, Professor Panagios (Panagiotes), translation of Fontenelle, ii. 198

Koepang Bay, v. 583

Kölbing, Professor Engen (Englische Studien),
Ada Byron, ii. 289;
Siege of Corinth, iii. 442, 449, 454, 472, 475, 496;
Prisoner of Chillon, and other Poems, iv. 6, 15, 21, 42;
Mazeppa, iv. 214;
Marino Faliero, iv. 324, 329

Kolokotrones, v. 556

Kopreas, the herald, ii. 431

Korân, the, iii. 103, 109, 110, 113, 119, 181, 186, 195, 206

Kosciusko, v. 550, 551; vi. 418

Kotchúbey, Matrena, iv. 202

[399]
Kotzebue, Augustus Frederick Ferdinand von, Pizarro, i. 344, 489

Kourakin, Prince Alexis Borisovitch, vi. 307

Koutousof, Michailo Smolenskoi,
Commander of Austro-Russians at Austerlitz, vi. 351-354

Koutsonika, Suliote leader, ii. 180

Krasnoi, battle of, iv. 207

Krdschalies, Turkish levies, iii. 188

Krüdener, Baronne de (Barbe Julie de Wietenhoff), v. 564

Kruitzner, Friedrich (Count Siegendorf), v. 327

Kunst und Alterthum, iv. 21, 80, 81, 340

Kyrle, John, “The Man of Ross,” vi. 350

La Bédoyère, Charles Angélique François Huchet, Comte de, iii. 431

La Revanche, vii. 15

Lacedæmon, ii. 155

Lachin y Gair, i. 171

Lactantius, De Falsâ Religione, ii. 512

Lady Hobart, wreck of the ship, vi. 96, 109, 110

Lady of the Lake, ii. 347

Laertius, Diogenes, i. 18, 414

La Fayette, v. 567; vi. 13

Lafitte, Jacques, Governor of Bank of France, vi. 456

Lafitte, Jean, chief of the Pirates of Barataria, iii. 296-298

Lafitte, Marshal, v. 567

Lafitte, Pierre, iii. 297

La Fontaine, de, vi. xviii; Contes et Nouvelles en Vers, vi. 62

La Harpe, Frédéric César, v. 564

Laing, Malcolm, History of Scotland, etc.; Poems of Ossian, etc., i. 183

Laïus, ii. 431

Lake School of Poets, the, ii. 115, 281; iii. 320, 473;
iv. 184, 339, 485

Lalla Rookh, iii. 181, 186; iv. 176, 587

Lamartine, Voyage en Orient, ii. 171

Lamb, Lady Caroline (Glenarvon), i. 301, 476; ii. 429;
iii. xx, xxi, 31, 59; iv. 177; v. 329; vi. 138, 451; vii. 45

Lamb, Sir P., Viscount Melbourne, i. 300, 380; vii. 15

Lamb, Charles, i. 329, 343, 438; ii. 22, iv. 478;
Specimens of English Dramatic Poets, iv. 81, 377; v. 489;
Triumph of the Whale, iii. xx;
On the Tragedies of Shakespeare, v. 339;
Fragments of Criticism, vii. 18

Lamb, Hon. George, i. 300-302, 306, 368, 380; vii. 15;
Whistle for It, i. 338

Lamb, Hon. Mrs. George (Caroline Rosalie Adelaide St. Jules),
i. 301; iii. 31, 32, vii. 15

Lamb, Mary, i. 343

Lamb, William, i. 300, 306

Lamberti, Anton Maria, La biondina in gondoleta, iv. 456, 457

Lambro Canzani (or Lambros Katzones), iii. 194, 219

Lamech, v. 209

Lament of Tasso, ii. 354; iii. 503;
iv. 139-152, 237, 266; v. 152; vii. 55

Lamentations, ii. 166

L’Amitié est l’Amour sans Ailes, i. 106, 220; ii. 12

Lamotte, i. 423

Lancashire Glossary, ii. 71

Lancaster, Henry, Duke of, v. 549

Lanciani, Professor R., Ruins and Excavations of Ancient Rome,
ii. 413, 416, 424, 425, 436, 440

Lancilotto, iv. 321

Landino, Commentary on Dante, iv. 272

Landor, Walter Savage, Works, iii. 402;
Idyllia Heroica Decem. Librum Phaleuciorum Unum, iv. 484;
Gebir, iv. 485; v. 613, 614;
A Satire on Satirists, etc., iv. 518; v. 614;
Juvenal, v. 613;
“that deep-mouthed Boeotian,” vi. 445;
[400]
his use of “commence” with the infinitive, vi. 567

Landsknechts, the, v. 520

Landwehr, Prussian troops at Leipsic battle, vii. 23

Lanfranchi, Palazzo, vi. 402

Lang, Andrew, Life and Letters of J. G. Lockhart, iii. 532;
The Making of Religion, v. 601

Langeron, Andrault, Comte de, vi. 312

Langhorne, Rev. John, translator of Plutarch’s Lives,
iv. 109, 251, 352, 386, 423; v. 4, 5, 21, 72, 486, 487, 506;
vi. 139, 226, 270, 339, 348, 376, 404, 477, 547

Lansdowne, Lady, iii. 72

Lansdowne, Granville George, Lord, Inscription for a Figure representing
the God of Love, v. 633

Lansdowne, Henry Petty, 3rd Marquis of, i. 319, 340; iv. 472

Lanskoï, Catherine II.’s favourite, vi. 388, 389, 391, 412

Lanzi, ii. 490

Laocoon, ii. 445; vi. 200

Laos river, ii. 134, 182

La Peña, Captain-General, i. 469

Lapland, i. 489

La Plata, ii. 82

Lara, iii. 188, 219, 323-371, 443, 477, 508; vi. 235

Lardner and Co., i. 307

La Rousse, ii. 415

Las Cases, Mémorial de Ste. Hélène, v. 537

Lascy, General de, vi. 340, 347

Last Words on Greece, vii. 85

Latour, Major A. La Carrière, Historical Memoirs of the War in W.
Florida and Louisiana, iii. 298

Lauderdale, Lord, iii. 45; iv. 472; vi. 67

Laugier, Sig. Abate, Istoria della Repubblica di Venezia, iv. 332, 335

Laura, Petrarch’s, vi. 145

Laurence, Richard, translation of The Book of Enoch, v. 281, 302

Lausanne, iv. 53

Lavater, ii. 107

Laverne, L. M. P. Tranchant de, The Life of Field-Marshal Souvarof,
vi. 222, 320-322

Lawler, C. F., the pseudo-Peter Pindar, ii. 213

Lawrence, Sir Thomas, i. 389; iv. 565

Lawrence v. Smith, v. 204

Lay of the Last Minstrel, i. 309, 310; ii. 19;
iii. 96, 472; vi. 406, 458, 560

Layard, Sir A. H., Handbook of Painting, iv. 163

Lazzarino, Vittorio, Marino Faliero avant il Dogado, iv. 331, 403;
Marino Faliero, La Congiura, iv. 325, 332, 333, 346, 349, 351, 356, 365, 383, 384, 432, 439, 448, 462

Leacroft, Julia, i. 38, 41

Leake, William Martin, Researches in Greece, ii. 174, 204

Leander, iii. 13, 178

Lear, i. 26, 400

Le Chevalier, Jean Baptiste, Voyage de la Propontide, etc.,
iii. 13, 179, 210

Leckie, G. F., i. 349

Lecky, W. E. H., History of England in the Eighteenth Century, iv. 513

Le Clercq, Miss Rosa, actress, iv. 78

Lee, Harriet, Kruitzner; or, The German’s Tale,
v. 325, 326, 328-332, 337, 349, 418

Lee, Lady Margaret, vi. 146

Lee, Sophia, The Young Lady’s Tale; The Clergyman’s Tale, v. 337

Lee, Sophia and Harriet, Canterbury Tales,
v. 325, 326, 381-384, 446; vii. 33

Leeds, Duchess of, i. 443

Leeds, Duke of, ii. 23

Leen river, vi. 495

Leeuwarden, ii. 407

Lefanu, Alicia, Memoirs of Mrs. F. Sheridan, vii. 33

Lefebvre, Marshal, ii. 94.

Leigh, Colonel George, ii. 23

[401]
Leigh, Hon. Mrs. George (Augusta Byron), i. 283;
ii. 23, 212, 247, 248, 288; iii. 31, 32, 540, 544;
iv. 80; vi. 22, 30, 410, 541;
Stanzas to Augusta, iv. 54;
Epistle to Augusta, iv. 57;
Journal of Byron’s Swiss tour, iv. 95

Leipzig (Leipsic), Fairs of, i. 489;
battle of, v. 371, 553; vi. 50; vii. 22, 23

Lely, Sir Peter, vi. 496, 501

Le Mann, vi. 22

Leman, Lake, ii. 257, 269; iv. 17, 53

Lemprière, i. 437

Lenclos, Ninon de, iv. 212; vi. 246

Lens, Mr. Serjeant, vii. 22

Lentulus Spinther, ii. 405

Lenzoni, Marchioness, ii. 499

Leo X., Pope, ii. 489; iii. 367-369; iv. 273

Leoben, Treaty of, ii. 297

Leochares, ii. 446

Leon, Don Rodrigo Ponce de, iv. 530

Leone, Port, ii. 94

Leoni, Michele, Italian translation of Childe Harold,
and of Lament of Tasso, iv. 244; of Don Juan, vi. 8

Leonidas, iii. 21; vi. 331

Leonora, Tasso’s, iv. 145, 147

Leopardi, Alessandro, iv. 336

Leopold of Saxe-Coburg, ii. 450

Lepanto, battle of, ii. 126, 178, 340

Lepidus, ii. 492

Leptinus, Furius, ii. 520

Le Roux de Lincy, A. J. V., Recuel de Chants historiques français, v. 472

Le Sage, Diable Boiteux, i. 56; iv. 516

Lesbia, i. 72

L’Espinasse, Mdlle. Claire Françoise, ii. 209

Lestrange, Sir R., iv. 484; vi. 550

Le Sur, Charles Louis, Histoire des Kosaques, iv. 211

Lethe, vi. 184

Letronne, J. A., La Statue vocale de Memnon, v. 497

Letter to the Editor of My Grandmother’s Review, vi. 76

Lettere di Torquato Tasso, iv. 143, 144, 146, 150

Leucadia, now Santa Maura, ii. 126, 178

Leucadia’s Cape (Cape Ducato), ii. 125

Leuctra, battle of, ii. 294

le Vasseur, Theresa, ii. 266

Levati, Professor Ambrogio, Viaggi di Francesco Petrarca, iv. 469

Levett, Ellis, vi. 410

Lewis, Matthew Gregory (“Monk” Lewis),
i. 305, 307, 346, 356, 369; iii. 473;
iv. 53, 80-82, 325, 337, 342;
Tales of Terror, i. 309, 317;
short account of, i. 317;
Tales of Wonder; Ambrosio the Monk, ibid.;
The Castle Spectre, i. 317, 409, 489;
Life and Correspondence of, i. 318;
Romantic Tales, iii. 389;
The Wood Demon, v. 474

Lewtas, Matthew, ii. 36

Lexicon Universelle, iv. 174; vi. 259

Lezze, Luga da, iv. 432

Liakura mountain (Parnassus), i. 426; ii. 60, 62, 92, 186; iii. 113, 464

Liberal, The, iv. 281, 478, 479, 495, 518, 520, 570;
v. 279, 471, 540; vi. 266; vii. 75, 76, 81

Libochabo, ii. 174, 177

Libokhoro, ii. 134

Licensing Act, i. 415

Licenza village, ii. 523

Licinus (Cæsar’s barber), i. 422

Licoo, Tonga, v. 601

Lido, the, ii. 470

Lie, lye, or ley, solution of potassium salts, vi. 505

Lieven, Count de, vii. 32

Lieven, Countess de, i. 476; vii. 32

Life, Writings, Times, and Opinions of Lord Byron, vii. 12

Lincoln, Bishop of, i. 356

[402]
Lincoln Cathedral, vi. 596

Lincy, A. J. V. Le Roux de, Recueil de Chants historiques français, v. 472

Lindenau, vii. 83

Lindsay, Lady Anne, ii. 288

Lindsay, Lord, ii. 288

Lightning, ii. 360, 488

Ligne, Charles, Prince de, vi. 333

Ligne, Charles Joseph, Prince de, vi. 312;
Mélanges Militaires, etc., vi. 313, 333;
Memoirs, vi. 414

Ligny, vi. 345

Lines addressed by Lord Byron to Mr. Hobhouse on his Election for
Westminster, iii. xx; vii. 69

Lines addressed to a Young Lady, i. 70

Lines addressed to George Anson Byron (spurious?), iii. xxi; vii. 41

Lines addressed to the Rev. J. T. Beecher, etc., i. 112

Lines composed during a Thunderstorm, ii. 119, 130

Lines found in the Travellers’ Book at Chamouni (spurious), iii. xxi

Lines in the Travellers’ Book at Orchomenus, iii. 15

Lines inscribed upon a Cup formed from a Skull, i. 276; iii. 129

Lines on hearing that Lady Byron was Ill, ii. 429; iv. 63

Lines on the Bust of Helen by Canova, ii. 370

Lines to a Lady Weeping, iii. 45

Lines to Mr. Hodgson. Written on board the Lisbon Packet, vii. 4

Lines to the Countess of Blessington, iv. 62, 64; v. 346

Lines written beneath a Picture, iii. 19

Lines written beneath an Elm in the Churchyard of Harrow, i. 208

Lines written in an Album at Malta, iii. 4

Lines written in “Letters of an Italian Nun, etc.” by Rousseau, i. 15

Lines written in the Bible (spurious), iii. xx

Lines written on a blank leaf of “The Pleasures of Memory”, iii. 50

Lintot, Barnaby Bernard, publisher of Pope’s Iliad and Odyssey, vi. 56

Lioni, Niccolo, iv. 465

Lippincott’s Magazine, iv. 32

Lipsius, Justus, ii. 299; Saturn. Sermon., ii. 520, 521

Lisbon, ii. 32; assassinations in, ii. 36, 86

Lissa, naval battle of, iii. 25; iv. 456, 457

Liszt, Franz, Mazeppa the “symphonic poem,” iv. 203

Literary Chronicle, iv. 571; v. 540, 584

Literary Fund, i. 448

Literary Gazette, iii. 280; iv. 478, 571;
v. 196, 540, 584; vi. xx

Literary Panorama, ii. xiv; iii. 444, 500

Literary Register, iv. 571, 580

Literary Souvenir, iv. 314

Literature, v. 333

Litta, Conte Pompeo, Celebri Famiglie Italiane, iii. 507

Liverpool, Robert Bankes Jenkinson, 2nd Earl of,
i. 496, 497; vi. 374; vii. 14, 20, 28

Lividia, Point, iii. 248, 349

Livingstone, David, vi. 497

Livy, ii. 372, 377, 391, 392, 413, 496, 505, 510, 512, 513;
iv. 251; v. 607

Lloyd, Charles, Poems on the Death of Priscilla Farmer, i. 368

Lloyd, Robert, Odes to Obscurity and Oblivion, i. 220

Loch na Garr, i. 238

Locke, John, i. 425; ii. 353, 504; v. 615;
vi. 548, 610; vii. 12

Lockhart, John Gibson, Life of Scott, i. 318, 397;
ii. 88; iii. 443; v. 206;
Lang’s Life of, iii. 532; A Sketch, v. 206

Lodge, G. H., Rosalynd, ii. 293;
History of Ancient Art, ii. 431

Lodi, battle of, vi. 14

Lofft, Capel, i. 359, 441

[403]
Logotheti, Signor, ii. 176

Lombardy, ii. 342; Venetian, iv. 197

London, Don Juan’s description of, vi. 425

London Gazette Extraordinary, ii. 40; vi. 336

London Magazine, iii. 535; iv. 42; v. 472; vi. 188

London Review, i. 403

Londonderry, Robert Stewart, Lord, iv. 560; v. 568, 569, 570; vi. 307

Londos, Andreas, vi. 168, 169

Long, Edward Noel (“Cleon”), i. 101

Long, Sir Tylney, Bart., i. 485

Longfellow, translation of Dante’s Paradiso, iv. 247

Longinus, On the Sublime, vi. 26, 74, 551

Longman, i. xii, 234, 427; ii. x; v. 280; vii. 9

Longwood controversy, the, v. 538, 544

Lonsdale, James, 1st Earl, iv. 586

Lonsdale, William, 2nd Earl, iv. 341, 582, 585; vi. 5

Lord Byron’s Verses on Sam Rogers, iv. 538

Lord of the Isles, ii. 244

Loredano, iv. 377

Loredano, Jacopo, v. 123, 195

Loredano, Marco, v. 123

Loredano, Pietro, Admiral of the Venetian fleet, v. 123

Lorraine, Claude, ii. 168; vi. 502

Lorraine, François Mercy de, ii. 186

Louis Philippe, vi. 425

Louis XII., vi. 212

Louis XIV., i. 402; ii. 453; iv. 334, 514

Louis XV., ii. 282

Louis XVI., iv. 13, 493

Louis XVIII., v. 539; vi. 313, 333, 374; Letters d’Artwell, v. 566

Louisiana, iii. 296-298

Louvel, v. 567

Love and Death, vii. 84

Love and Gold, iii. 411

Lovelace, Lady (Augusta Ada Byron), ii. 215, 287, 289; vi. 274

Lovelace, Ralph Gordon Noel, 2nd Earl of, i. 262, 264, 387;
ii. 215; MS.,
i. 265-267, 271-273, 277, 278, 387, 389, 391-397, 399, 400, 402, 404-408, 410-413, 416, 418-430, 433, 434, 436, 438, 440, 443, 444, 446-450

Lovelace, Richard, Orpheus to Beasts, iii. 165;
To Althea—From Prison, iv. 28

Lovelace, William King Noel, 1st Earl of, ii. 215

Lovell, Robert, iv. 521

Love’s Labour’s Lost, vi. 87

Love’s Last Adieu, i. 109

Lowe, Sir Hudson, Governor of St. Helena, ii. 239; v. 544, 545; vi. 444

Lowe, John Hudson, surgeon in the Army, v. 545

Lowertz, iv. 97

Lozère, v. 549

Lucan, Pharsalia, ii. 156, 246, 372

Lucanus, Ocellus, De Universi Naturâ, ii. 198

Lucian, Veræ Historiæ, iv. 43;
De Syriâ Deâ, iv. 115; Hermotimus, v. 396

Lucietta. A Fragment, vii. 81

Lucifer, Byron’s conception of, v. 199-203, 210; vi. 183

Lucius Faunus, De Antiq. Urb. Rom., ii. 510-513

Lucretia, iv. 334

Lucretius, i. 485; ii. 93, 121, 367; iii. 57;
De Rerum Nat., vi. 604

Lucullus, L., vi. 563

Lud, General Ned, vii. 42

Luddites, the, vii. 42

Ludus Coventriæ, v. 200, 207

Ludwig, Otto, iv. 329

Luis, Maria José, Regent of Portugal, ii. 43

Lunéville, Treaty of, ii. 297

Lupercalia, the, ii. 512

Lusieri, Don Battista, ii. 109, 168, 171, 172, 190

Luther, vi. 303, 380

[404]
Lutherans, the, v. 520

Lutraki, or Utraikey, ii. 142, 143

Luttrell, H., vi. 175

Lutzen, battle of, iii. 431; v. 371, 553

Lycanthropy, vi. 380

Lyceum Theatre, Werner at, v. 324;
Moore’s M.P.; or, The Blue Stocking at, vii. 12

Lycophron, Cassandra or Alexandra, iv. 243

Lycurgus, i. 29

Lynedoch, Thomas, Lord, i. 469

Lyons, Gulf of, vi. 92

Lysander, ii. 336

Lysippus, ii. 336

Lyttleton, Lord, iii. 209

Lytton, Bulwer (The Last of the Tribunes), ii. 415; vi. 567

Macassar oil, vi. 19

Macaulay, Lord,
Lays of Ancient Rome, ii. 391;
Byron “singled out as an expiatory sacrifice,” iii. 534;
Critical and Historical Essays, iv. 72; v. 542

Macbeth, i. 84, 131, 401, 408, 432;
ii. 50, 57, 244, 291, 307, 423, 452;
iii. 280, 346, 476, 480, 483, 510;
iv. 44, 157, 181, 338, 341, 386, 388, 401, 451;
v. 393, 611; vi. 12, 184, 199, 202, 203, 265, 281, 375, 441, 453, 505, 559, 578, 590, 594

Macchiavelli, ii. 369, 493

Macdonald of Rineton, Captain, i. 192

Macdonell, Sir James (“Jack Jargon”), vi. 508

Macdonough, Commodore, vi. 508

Macfarlane, Charles, Constantinople in 1828, iii. 207

Machiavelli, Niccolò, The Prince (Il Principe), vi. 303, 424

Maciejowice, battle of, v. 551

Mackenzie, Sir Alexander Campbell, “Incidental Music to Manfred,” iv. 78

Mackenzie, Henry, Julia de Roubigné, iii. 510

Mackinnon, Daniel, vi. 69, 276

Mackinnon, Henry, vi. 69

Mackintosh, Sir James (“Dick Dubious”), iii. 535; vi. 507;
Vindiciæ Gallicæ; Introductory Discourse;
lecture in The Law of Nature and Nations, vii. 32

Macklin, Love à la Mode, i. 464

Maclise, Daniel, iv. 540; his portrait of Macready as “Werner,” v. 324

McMahon, Colonel, vii. 27

Mac-Murchad, Dermot, king of Leinster, iv. 334

Macneil, Hector, Scotland’s Skaith, etc.;
The Waes of War, i. 362; iv. 182

Macpherson, James, Ossian, i. 177, 183; iii. 26

Macready, as “Pierre” in Venice Preserved, ii. 331;
“the Doge” in Marino Faliero, iv. 324;
as “Sardanapalus,” v. 2; Reminiscences, v. 2, 114, 324;
as “Francis Foscari,” v. 114; “Werner,” v. 324

Macri, Catinco or Katinka, iii. 16; vi. 280

Macri, Mariana, iii. 16

Macri, Theodora, ii. 176; iii. 15

Macri, Theresa (afterwards Black), “Maid of Athens,” ii. 75, 176; iii. 15, 16

Madame Lavalette (spurious), iii. xx

Madden, i. 470

Madison, President, iii. 298

Madrid, taken by the French, v. 550; its clime, vi. 409

Mæcenas, ii. 409

Maffei, ii. 431

Mafra, the Escurial of Portugal, ii. 37, 43, 87

Magarenses, the, ii. 431

Magasin Encyclopédique, v. 302

Magazine of History (American), iii. 298

Magdalen College, Oxford, vi. 496

Magdeburg, siege of, v. 416

[405]
Maggior Consiglio (Great Council, Venice), iv. 361, 382, 399, 427, 438

Maghinard of Cavalcanti, Marshal, ii. 501

Maginn, William, John Gilpin and Mazeppa, iv. 203;
Miscellanies, v. 326, 329

Mahala, Cain’s wife, v. 209

Maharbal, ii. 508

Mahmout Pasha, ii. 206

Mahomet (Macon), iv. 296; vi. 139

Mahomet II., ii. 201

Maï, Cardinal Angelo, ii. 324

Maid of Saragoza, ii. 58, 91

Maimonides, Moses, Porta Mosis, iii. 109, 121

Mainotes (or Mainates), ii. 169, 193; iii. 83, 94, 132, 134

Maitland, Captain F. L., of the Bellerophon, v. 546

Maitland, G., printer, i. 478

Majorian, Emperor, iii. 251

Malamani, Isabella Teotochi, I suoi amici, iv. 457

Malatesta, Parisina, ii. 354

Mal bigatto (silkworm), term of contempt and reproach, iv. 389

Malcolm, Colonel, ii. 50

Malcolm, Sir John, History of Persia, vii. 49

Malespini, Celio de’, alias Orazio, iv. 144

Malipiero, Doge Pasquale, v. 118

Mallet, i. 326

Malone, Edmund, editor of Spence’s Anecdotes, vii. 53

Malo-yaroslavetz, battle of, vi. 351

Malplaquet, iv. 262

Malta, iii. 24;

Maltby, Harriet (Mrs. Nichols), i. 129, 263

Malthus, Thomas Robert, vi. 436, 459, 461, 555

Malthus, Mrs. T. R. (née Eckersall), vi. 461

Malvern Hills, v. 609

Mamonoff, Dmitrief, Catherine II.’s favourite, vi. 389

Mamurra, vii. 17

Man in the Iron Mask (Man in the Black Velvet Mask), iv. 514

Mandeville’s Tales, i. 314

Manetti, Giannozzo, iv. 253

Manfred, ii. 122, 218, 223, 254, 286, 383, 424, 426;
iv. 15, 21, 41, 48, 51, 52, 63-65, 77-136, 325, 327, 340;
v. 199, 200, 223, 227, 286, 332, 385, 469, 480, 500;
vi. xvi, 129, 198; vii. 55

Manfrini Palace, iv. 162

Manichæans, the, v. 202, 209, 216, 232

Manicheism, Byron’s, v. 206, 209, 254

Manilius, Astronomicon, v. 554

Manin, Doge Lodovico, iv. 457

Manley, Mrs., Secret Memoirs and Manners of several Persons of Quality,
of Both Sexes, from the New Atalantis, vi. 453

Manlius, M., ii. 413

Mann, Sir Horace, iv. 339

Manners, George, editor of The Satirist, vi. 69

Manners, Katherine Sophia (Lady Heathcote), vii. 17

Mannheim, vi. 419

Manoncourt, Sonnini de, Voyage en Grèce et en Turquie, ii. 191, 194

Mansel, Dr. William Lort, Bishop of Bristol (“Magnus”), i. 28

Mansfeld, v. 340

Mansfield, Lord, vi. 247

Mansion House, the, vi. 435

Mansour Effendi, iii. 145

Mantinea, ii. 294

Mantua, Ferdinando Carlo Gonzaga, Duke of, iv. 514

Manurza, Arab General, v. 558

Mar, Countess of, vi. 246

Marangoni, Delle memorie sacre e profane dell’ Anfiteatro Flavin, ii. 521

Marat, Jean Paul, vi. 13

Marathon, ii. 75, 99, 102, 157, 158, 187, 255, 294; vi. 169

Marceau, General François Sévérin Desgravins, ii. 251, 296, 297; vi. 14

Marcello, Andrea, v. 134

[406]
Marcello, Giovanni, iv. 432

Marcellus, Nonius, De Compt. Doct., ii. 92

Marchetti degli Angelini, Conte Giovanni,
Discorso … della prima e principale Allegoria del Poema di Dante, iv. 237, 245

Marciana Library, Venice, iv. 457

Marengo, battle of, iii. 313; v. 538; vi. 14

Mareschalchi Gallery, Bologna, iv. 162

Maria I., Queen of Portugal, ii. 43

Maria da Gloria, of Portugal, ii. 11

Maria José Luis, Regent of Portugal, ii. 43

Marialva, Marchese, ii. 38, 86

Mariamne, wife of Herod the Great, iii. 400

Mariana, Hist., iv. 523

Marie Antoinette, ii. 7; iii. 513; iv. 13, 334

Marie Louise, of Austria (Archduchess of Parma), wife of Napoleon,
afterwards Madame de Neipperg, iii. 311; v. 498, 539, 576

Marignano, battle of, v. 498

Mariner, William, Account of the Tonga Islands,
v. 581, 584, 598-601, 609, 639-631; vi. 577.

Marinet, or Nicholle, M., vi. 373, 374

Marino Faliero, ii. 337; iii. 485; iv. 323-472;
v. 3, 40, 115, 139, 148, 158, 332, 389, 469, 479;
vi. 24, 443; vii. 63

Marius, Caius, ii. 393; iv. 251; vi. 477

Markland, J. H., editor of the Roxburgh Club issue of Chester Mysteries, vi. 551

Markow, General, vi. 333

Marlborough, John, Duke of, i. 107, 493; iii. 57; iv. 262, 334; vi. 174

Marlianus, Urb. Rom. Topograph., ii. 510

Marlowe, The Tragical History of Dr. Faustus, iv. 80, 81; v. 470, 483;
Edward II., iv. 80; Tamburlaine the Great, v. 489

Marly, or malái, a grass plat for public ceremonies, Tonga, v. 600

Marmarotouri, ii. 199, 208

Marmion, i. 309, 310, 311, 312, 371; ii. 360;
iii. 289, 329, 461, 475, 518; iv. 13; v. 542; vi. 426

Marmont, v. 553

Marsden, Mary, iv. 38

Marshall, Frank, v. 324

Marshall, John, Royal Naval Biog., v. 589

Marston, Westland, Our Recent Actors, v. 324

Marston Moor, battle of, i. 2

Martia, Cato’s wife, vi. 270

Martial, Epig., ii. 410, 412; iii. 16; v. 613; vi. 27, 550; vii. 74

Martin, Henry, the regicide, iv. 477, 482

Martin, Isaac, v. 593

Martin, Dr. John, Mariner’s Account, etc., v. 581, 584, 598-601

Martin, Lady. See Faucit, Helen

Martin, Sir Theodore, iii. 32

Martin, R. Montgomery, The Indian Empire, vi. 384

Mary, Queen of Scots, ii. 453; v. 605; vi. 246, 396

Masham, Lady, ii. 353

Masham, Mrs., iv. 334

Mason, Monck, Massinger, i. 220, 304

Massena, ii. 89

Massingberd, Mrs., vi. 100

Massinger, i. 292, 304, 345; The Two Noble Kinsmen, ii. 217;
Unnatural Combat, iii. 219; iv. 35;
A New Way to Pay Old Debts, iv. 436, 525; vi. 393

Masson, C. F. P., Mémoires Secrets sur la Russie, vi. 321, 351, 388, 399, 412

Massorites, the, v. 219

Matapan, Cape, vi. 147

Mathews, Charles, Memoirs, v. 477

Mathias, J. T., Pursuits of Literature, i. 294, 374, 383

Matten, iv. 119

Matthews, Charles Skinner, ii. x, xi, 16, 95; vi. 153; vii. 9

[407]
Matthews, Henry, Diary of an Invalid, iv. 131

Mattioli, Count Ercole Antonio (Man in the Iron Mask), iv. 514

Maturin, Charles, iii. 444;
Bertram, iv. 338; vi. xiii, 4;
Manuel, vii. 45, 48

Matz, F., Antike Bildwerke in Rom., ii. 395

Maugabree, Moorish mercenaries, iii. 168

Maupertius, President of the Berlin Academy, ii. 282

Maurice, Rev. Thomas, History of Ancient and Modern Hindostan;
Richmond Hill; Memoirs, i. 330

Mauritania, ii. 114

Mawman, J., i. xii

Maxwell, Sir Herbert, Bart., The Life of the Duke of Wellington, vi. 345

Maxwell, John, Lord, ii. 4, 25

Maxwell, W. H., Life of the Duke of Wellington, vi. 345

Maypo, battle on the plains of, v. 556

Mazarin, Cardinal, vi. 317

Mazeppa, iii. xix; iv. 193, 198, 201-233, 423;
vi. 124, 162, 246, 262

Mazeppa, or Mazepa, Ivan Stepánovitch, iv. 201, 327

Meadley, G. W., Two Pairs of Historical Portraits, ii. 415

Meadowbank, Lord, i. 436

Measure for Measure, ii. 102, 166, 367;
iii. 90; v. 541

Mecca, ii. 151, 186

Mecklenburg, Albrecht Wenceslaus Eusebius, Count of Waldstein, Duke of, v. 371

Medea, i. 170; vi. 177, 536

Medes, v. 4

Medici, Cosmo de’, ii. 365, 503

Medici, Giovanni de’, ii. 365

Medici, Giuliano de’, ii. 375

Medici, Julian de’, ii. 489

Medici, Lorenzo de’, ii. 365, 375; iv. 280

Medici, Venus of, ii. 489

Medici, the, ii. 355, 503

Medici Chapel, ii. 375

Medici Gallery, Florence, iv. 162

Medinah, ii. 151, 186

Mediterranean, ii. 460

Medwin, Conversations with Lord Byron, i. 93, 189, 276, 355;
iii. xx, 17, 59, 76, 90, 443, 472;
iv. 39, 40, 81, 238, 326, 410, 478, 545, 555;
v. 119, 279, 281, 296, 321, 331, 348, 469-471;
vi. 22, 138, 188; vii. 58, 64, 71, 75, 77, 78
Angler in Wales, iv. 539

Mee, Mrs. Anne, a miniature-painter, vii. 37

Megara, ii. 362

Meillerie, ii. 303-306; iv. 18, 107

Meineke, Augustus, editor of Menandri et Philemonis reliquæ, vi. 186

Meiner, Christopher, History of the Female Sex, i. 489

Mejnoun and Leila (the Romeo and Juliet of the East), iii. 160

Meknop, General, vi. 306, 354

Melancthon, vi. 380

Melbourne, Elizabeth, Lady (née Milbanke), i. 300, 301

Melbourne, Viscount (Sir Peniston Lamb), i. 300, 380; vii. 15

Meleager, Epitaphium in Heliodoram, iii. 32

Meletius of Janina, Archbishop of Athens, Ancient and Modern Geography, ii. 198;
Eccles. Hist., ii. 208

Melton Mowbray, vi. 504

Melville’s Mantle, etc., i. 294, 356

Memmo, Jacopo, v. 170

Memmo, Marco, v. 120

Memmo, Marin, v. 170

Memnon, statue of, v. 497; vi. 500

Mémoires de Trévoux, iv. 578

Memorials of Coleorton, iv. 585

Menabrea, F. L., Notices sur le machine Analytique de Mr. Babbage, ii. 215

Menander, ii. 178; vi. 186

Menard, Claud, Histoire de Messire Bertrand du Guesclin, v. 549

Mendeli, the ancient Pentelicus, ii. 186

Mender river, vi. 204, 211

[408]
Mendoza, i. 433

Menelaus, king, vi. 535

Mengeaud, Napoleon’s surgeon, v. 546

Menken, Adah Isaacs, iv. 203

Merchant of Venice, ii. 331, 342; iv. 166, 273, 436, 473; vi. 472

Mercure de France, vi. xx, 387

Meretrici, in Venice, iv. 456

Merivale, Charles, Dean of Ely, the historian, iv. 283

Merivale, Herman, Under-Secretary for India, iv. 283

Merivale, J. H., Greek Anthology, i. 367; iii. 32;
Orlando in Roncesvalles, iv. 156, 279, 283;
The Two First Cantos of Richardetto, iv. 156

Merry, Robert, i. 358, 441

Merry Wives of Windsor, i. 496; v. 388, 410; vi. 484

Meschinello, G., La Chiesa Ducale, iv. 390

Mesihi, iii. 86, 105

Mestri, vii. 72

Metastasio, iv. 264

Metella, Cecilia, tomb of, ii. 402-405

Methodism, ii. 302

Metsovo, Monte (Pindus), ii. 126, 129

Metternich, Prince, v. 539, 575; vii. 39

Mexico, ii. 82; gulf of, iii. 296

Meyer of Aaru, the brothers, iv. 109

Meyer, F. J. L., Voyage en Italie, iv. 470

Mezzofanti, Giuseppe, ii. 324

Michael Angelo, ii. 369, 375, 376, 432, 435, 446; iv. 270, 280;
his “Last Judgment,” iv. 272; his “Moses,” iv. 271, 273; vi. 262

Michaelis, A., Ancient Marbles in Great Britain, i. 455

Michaelis, Professor Johann David, iv. 498

Michie, Rev. J., i. 192

Michiel, Madame Giustina Renier, translation of Shakespeare; Origine delle
Feste Veneziane, iv. 456, 457

Midas, v. 573

Middleton, Dr. Conyers, Life of Cicero, ii. 362, 408, 523

Midsummer Night’s Dream, iv. 21; v. 408; vi. 535

Migne, Opera Cassiodori, iii. 306;
Patrologiæ Cursus, vi. 168

Miguel, Dom, of Portugal, ii. 11

Milan, Filippo Visconti, Duke of, v. 116, 133

Milbanke, Lady, i. 437, 443

Milbanke, Miss. See Byron, Lady

Milbanke, Sir Ralph, i. 301

Milbourne, Rev. Luke, Notes on Dryden’s Virgil, i. 220

Milit. Dict., vi. 305, 343, 353

Milky Way, the, ii. 439

Mill, James, vi. 480

Millbank Penitentiary, vii. 34

Miller, William, publisher, i. 311; ii. x

Miller, Mr. (U.S.A.), iii. 307

Miller, “Joe,” i. 301

Milliard, vi. 542

Millin, A. L., Voyage dans le Milanais, ii. 507

Milman, Dean, History of Latin Christianity, ii. 336, 338;
Belvidere Apollo, ii. 447; History of the Jews, iii. 400;
Fall of Jerusalem, iv. 339; “Cybele’s priest,” vi. 445;
“poet-priest,” vii. 76

Milner, Joseph, ii. 283

Milo and the Oak, iii. 307

Miltiades, vi. 171

Milton, John, Paradise Lost, i. 312, 313, 397, 404; ii. 64; iii. 111;
iv. 133, 135, 245, 274, 504, 506; v. 203, 204, 208, 216, 234, 255, 262, 272;
vi. 6, 183, 518;
Hayley’s Biography of, i. 321; “deigns to doze,” i. 428;
Lycidas, i. 446; iii. 480; iv. 227, 241;
Sonnets, ii. 364; Samson Agonistes, ii. 422;
his lyric measure, iii. 128; Comus, iii. 209;
his blank verse, iii. 224;
Morning of Christ’s Nativity (The Hymn), iv. 115;
“pratticke,” iv. 167; his terza rima, iv. 239;
his Satan, v. 201; use of “shook,” v. 135;
“thou shalt believe in,” vi. 74; his first wife, vi. 146, 174;
[409]
“the Prince of Poets,” vi. 174; Lord Thurlow on, vii. 20

Milton, Mrs. John (née Powell), vi. 146, 174

Minden, battle of, vi. 12

Minerva, i. 447, 457-474

Minetto, Giacomo, iii. 442

Mingrelia, vi. 279

Minos, iv. 518

Minotaur, fable of the, vi. 125

Minotti, iii. 448, 458

Minstrelsy of the Scottish Border, ii. 4

Minturnæ, iv. 251

Mira, La, ii. 349

Mirabeau, Honoré Gabriel Riquetti, Comte de, v. 548; vi. 13

Mirror, the, iv. 32

Miscellaneous Poems, vii. 69

Misers, vi. 48, 455

Mississippi river, iii. 196

Missouri, vi. 349

Mistère du Viel Testament, v. 200, 207, 226

Misti Consiglio X., iv. 447

Mitford, Miss, Christina, the Maid of the South Seas, v. 582

Mitford, William, Greece, iv. 566; v. 16, 24; vi. 460

Mithridates, king of Pontus, ii. 393; iv. 40

Mobility (mobilité) defined, vi. 600

Mocenigo, Giovanni, iv. 432

Mocenigo, Doge Tomaso, v. 118

Modern British Drama, iii. 200

Modern Universal History, ii. 82; iv. 211, 258, 523; v. 499

Mohammed II., ii. 173

Mohammed Ben Abd-el-Wahab, ii. 151

Mohammed Pasha, ii. 140

Moira, Francis Rawdon, Lord (1st Marquis of Hastings), i. 497; iii. 45

Molière, vi. 246, 510;
Dom Juan, on Le Festin de Pierre, vi. xvi, 11

Molina, Tirso de (Gabriel Tellez), El Burlador de Sevilla y Convidado de Piedra, vi. xvi

Molinari, Signor, vi. 205

Mollett, John W., Life of Sir D. Wilkie, ii. 92

Mollwitz, battle of, vi. 337

Momus, the god of cruel mockery, v. 396

Monaci, Lorenzo de, iv. 349, 356

Monbron, Fougeret de, Le Cosmopolite, ou le Citoyen du Monde, ii. 1

Moncey, ii. 94

Moniteur, Le, i. 489; v. 562, 575; vi. 12; vii. 41

Moniteur Universel, v. 552

Monk, General, ii. 292

Monk of Athos, The, ii. xiii

Monkir and Nekir, inquisitors of the dead, iii. 121

Monmouth Street, noted for sale of second-hand clothes, iv. 160

Monody on the Death of the Right Hon. R. B. Sheridan, iv. 69-75, 79; v. 537

Mont Blanc, iv. 87

Montagu, Lady Mary Wortley, vi. 151; Letters, vi. 219, 246

Montague, Mrs., iv. 573

Montaigne, ii. 345; vi. 379

Montanti, Antonio, sculptor and architect of Florence, iv. 272

Montanvert, iv. 475

Montebello, battle of, vi. 14

Montecuccoli, Raimondo, iv. 262

Montemajor, Jorge de, Diana, i. 44

Montesquieu, Charles de Secondat, Baron de,
Considérations … de la Grandeur des Romains, etc., ii. 393

Montfauçon, Diarium Italic., ii. 431, 511, 515

Montford, Colonel, vii. 24

Montgomery, James, The Wanderer of Switzerland, etc.,
i. 107, 305, 330, 331, 370; ii. 450

Monthly Literary Recreations, i. 234

Monthly Magazine, i. 441; iv. 156, 229, 367;
v. 540; vi. 87

Monthly Review, i. 379; iii. 444, 499;
iv. 82, 158, 165, 203, 240; v. 472, 540, 584; vi. xx

Montholon, Count, v. 548

[410]
Monti, Vincenzo, ii. 324, 496; iv. 245, 325

Monticolo, G., Le Vite dei Dogi di Marin Sanudo, iv. 462

Montmartre, heights of, v. 553

Montmorenci, Jean Mathieu Felicité, Duc de, v. 539, 573, 575

Montorsoli, ii. 446

Montpensier, Comte de, Charles V., Dauphin d’Auvergne, ii. 390;
iv. 258; v. 495, 498, 515-518, 520

Montreal Herald, vi. 508

Montrond, Casimir, Comte de (Byron’s “preux Chevalier de la Ruse”), vi. 507

Montrose, Marquis of, iv. 338

Montucci, A., Tragedie di Alfieri, iv. 368

Mooa, capital of an island (Tonga), v. 600

Moor, Charles de, iii. 296

Moore, Dr. John, Letters to Burns, i. 118;
Zeluco; Various Views of Human Nature, etc., ii. 8;
A View of the Society and Manners in Italy, iv. 333-335, 469;
History of Ireland, iv. 334

Moore, Sir John, ii. 8

Moore, Thomas, Life of Lord Byron,
i. xii, xiii, 2, 4, 5, 15, 21, 25, 26, 33, 45, 78, 84, 88, 89, 93, 98, 119, 128, 184, 192, 205, 210, 213, 222, 224, 257, 259, 261, 280, 303, 304, 310, 325, 327, 347, 349, 368, 387, 411, 475, 497, 499;
ii. xii, 16, 20, 34, 65, 118, 139, 187, 236, 258, 304, 322, 324, 352, 369, 387, 461;
iii. xix, xx, 15, 16, 25, 30, 75, 90, 103, 109, 128, 272, 280, 304, 319, 320, 329, 331, 376, 415, 443, 444, 477, 531, 535, 537;
iv. 3, 31, 32, 35, 36, 39, 58, 61, 63, 74, 92, 213, 267, 308, 340, 447, 489, 545, 587;
v. 82, 210, 348, 470, 471, 477, 489, 610;
vi. 21, 128, 143, 297, 578, 601; viii. 12, 18, 19, 21, 71, 82;
Poetical Works of the late Thomas Little,
i. 78, 202, 305, 307, 319, 324, 325, 333, 431; vi. 43;
Byron’s letters to, i. 195; ii. 30, 238, 351, 447;
iii. 69, 75, 77, 149, 219, 249, 255, 303, 319, 320, 376, 413, 417, 423, 433, 496;
iv. 53, 64, 69, 157, 159, 169, 176, 178, 214, 279, 411, 478, 520, 538, 555, 558, 561, 570, 578;
v. 202, 204, 242, 255, 470, 561;
vi. xvii, 24, 149, 227, 302, 373, 403, 578;
vii. 35, 37, 42, 46, 48, 70, 71, 73, 74;
and Jeffrey, i. 203, 305, 333-335;
referred to in English Bards, and Scotch Reviewers, i. 321, 370;
“Anacreon,” i. 374;
Intercepted Letters; or, The Twopenny Post-Bag, by Thomas Brown the Younger,
i. 496; iv. 158, 555; vii. 16, 22, 27, 29, 30;
the stanza on Beckford, in Childe Harold, ii. 37;
The Meeting of the Waters, ii. 246;
Irish Melodies, iii. 73;
Lalla Rookh, iii. 87, 181, 186; iv. 176, 587; vi. 230;
on The Corsair, iii. 217;
Corsair dedicated to, iii. 223; Notices, etc., iv. 63;
Life of Sheridan, iv. 69, 73;
Lines on the Death of Sh-r-d-n, iv. 74;
referred to in Beppo, iv. 183; Byron’s exclusiveness, iv. 472;
calls Madame de Staël the Begum of Literature, iv. 570;
“Tracy” of The Blues, ibid.;
M.P.; or, The Blue Stocking, iv. 573; vii. 12;
on Cain, v. 204; Loves of the Angels, v. 280, 281;
Fables for the Holy Alliance, v. 563;
“the question of posterity,” vi. 6; “flirtation with the muse of,” vi. 75;
“Oft in the Stilly Night,” vi. 234;
Fudge Family in Paris, vi. 243;
Fum and Hum, the Two Birds of Royalty, vi. 389, 451;
“reigned before and after me,” vi. 444;
“Here’s the Bower she lov’d so much,” vi. 447;
on Byron’s first rhymes, vii. 1;
Byron’s Jeux d’Esprit on, vii. 12, 16;
his noms de plume, vii. 12;
the “When Rogers” incident, vii. 17, 18;
on The Devil’s Drive, vii. 21;
“Epigram,” vii. 22; at Venice, vii. 72

[411]
Moors, expelled from Granada, ii. 47; Cadiz captured from, ii. 77

Moorzuk, vi. 474

Morat, battle of, ii. 255, 297; bones, ii. 298

Moravians, the, i. 305, 322

Mordaunt, Miss, as “Ida” in Werner, v. 324

More, Mrs. Hannah, Bas Bleu, iv. 176, 573;
Coelebs in Search of a Wife, vi. 18

More, Sir Thomas, iii. 265

Morea, the, i. 457; iii. 83, 270, 447

Moreau, Jean Victor, vi. 14

Morelli, Cosimo, ii. 324

Morelli, Giacomo, ii. 324

Morelli, Abbate Jacopo, Chronica iadratina seu historia obsidionis Jaderæ, iv. 331;
Monumenti Veneziani, iv. 332, 456, 457

Morena, ii. 55

Moreotes, the, v. 556

Morgan, Sydney, Lady (née Owenson), Woman, or Ida of Athens;
France; Italy, ii. 187; v. 158; vi. 233;
Memoirs, iv. 587

Morgante Maggiore, iv. 157, 279-309; vi. xvi, 184

Morghen, Raphael, iii. 314

Moriah, the goddess of folly, i. 82

Morier, James, A Journey through Persia, i. 492, 500

Morley, John, Rousseau, ii. 266

Morning Chronicle, i. 319, 347, 444, 445, 489;
ii. xii, 212;
iii. 45, 46, 51, 55, 57, 58, 79, 80, 151, 304, 315, 377, 419, 431, 435, 532-534;
iv. 74, 177, 555-557, 559, 560;
v. 130, 203, 539, 540, 553, 556, 572, 578, 602;
vi. 11, 437, 451; vii. 13, 14, 23, 28, 32, 41, 86, 88

Morning Herald, vi. 179

Morning Post, i. 31, 34, 308, 309, 350, 351, 357, 358, 441, 485, 489, 499;
ii. 397, 401; iii. 534;
v. 544; vi. 175, 452, 494; vii. 6, 21, 44, 66

Mornington, Lady (Catherine Long), i. 485

Mornington, William Wellesley Pole, 3rd Earl of, ii. 79

Mornington, William Pole-Wellesley, 4th Earl of, i. 484

Morocco, vi. 198

Morosini, Conte Domenico, Medea in Corinto;
Giulio Sabino, iv. 456, 457

Morosini, Doge Francesco, ii. 165; iv. 459

Morrison, James, boatswain’s mate on the Bounty,
Journal, v. 588, 594, 622

Morritt, J. B. S., ii. 88

Morven, Mount, i. 182, 191

Moscow, i. 487; Napoleon’s retreat from, iv. 207; v. 551; vi. 351;
its clime, vi. 409

Moses, Michael Angelo’s statue of, iv. 271, 273; vi. 380

Moses, Henry, engraver of Canova’s Works, iv. 536

Mossop, Henry, tragedian, i. 26

Mosti, Agostino (Tasso’s gaoler), iv. 146

Mottley, John, i. 301

Moussine-Pousckine, Count Alexis Iwanowitch, vi. 307

Moustoxides (or Moustoxudes), Andreas, ii. 324; iv. 456, 457;
Su i Quattro Cavalli della Basilica di S. Marco in Venezia, ii. 472

Moxon, iv. 485

Mozart, iii. 376; vi. 586; Don Giovanni, vi. xvi

Muchtar, or Mukhtar, Pasha, of Berat, ii. 148; iii. 144; vi. 244

Mucia, Pompey’s third wife, vi. 139

Mules, Italian name of bastards and foundlings, vi. 609

Muley, Abul Hacen, king of Granada, iv. 530

Mulgrave, John Sheffield, Earl of, i. 354

Müller, the artist, vi. 321

Müller, F. Max, Sacred Books of the East, iii. 110

Müllinen, iv. 119

Muncker, Thomas, Notes on the Fabulæ of Hyginus, vi. 535

Munster, Duchess of, iii. 299

Müntz, Professor E., ii. 424; Raphael, iv. 174

[412]
Murad Effendi (Franz von Werner), iv. 329

Murat, Joachim, king of Naples and the Two Sicilies, ii. 90; iii. 432; v. 550

Muratori, ii. 502; Nov. Thes, Inscr. Vet., ii. 519;
Italic. Rerum Scriptores, iv. 332, 349, 352, 462; v. 134

Murin, Tio, ii. 94

Murphy, Arthur, Apprentice, vi. 601

Murray, Dr. A. S., History of Greek Sculpture, ii. 432, 441

Murray, Joe, i. 280; ii. 27, 52; vii. 6

Murray, Rev. William, i. 347

Murray, A. H. Hallam, iii. 60; MS. of Ich Dien, vii. 36

Murray, John, I., ii. 169

Murray, John, II., Byron’s letters to,
i. 21, 208, 293, 325, 411, 421, 422, 453, 475;
ii. xii, 11, 15, 16, 22, 187, 211, 212, 215, 287, 304, 305, 307, 311, 313, 324, 334, 343, 344, 359, 366, 369, 370, 375, 381, 429, 453, 460, 461;
iii. xx, 32, 75, 76, 102, 128, 137, 151, 155, 181, 187, 197-199, 206, 210, 270, 301, 303, 308, 312, 324, 435, 443, 449, 468, 488, 519, 540, 544;
iv. 3, 21, 31, 36, 54, 70, 79-81, 107, 126, 136, 157, 162, 163, 165, 168, 174, 182, 198, 214, 237, 239, 245, 259, 279, 280, 285, 304, 308, 313, 325-328, 332, 339, 340, 362, 366, 367, 431, 436, 447, 471, 475, 478, 479, 490, 536, 539, 542, 545, 549, 555, 569;
v. 3, 15, 64, 115, 201, 202, 204, 271, 272, 279, 331, 367;
vi. xvi, xvii, 3, 4, 8, 18, 52, 70, 75, 76, 87, 142, 153, 160, 175, 210, 260, 263, 294, 428;
vii. 45, 47, 48, 62, 66, 69, 72, 77;
Byron’s copy of Catullus, i. 75;
Byron’s copy of English Bards, and Scotch Reviewers, i. 291, 294;
Byron on Edinburgh Review of English Bards, and Scotch Reviewers, i. 293;
Marmion, i. 310, 311;
MS. of:—English Bards, and Scotch Reviewers, i. 354;
Hints from Horace, i. 387, 390, 391-394, 397, 399, 405, 406, 408, 411, 412, 414, 416, 418, 421, 426, 429, 430, 439-444, 448, 449;
The Waltz, i. 487, 488, 490, 492, 493, 496, 498, 501;
Childe Harold,
ii. xvi, xvii, 11, 71, 249, 327-330, 332-337, 339, 341-346, 352-354, 357-359, 361, 363, 365, 368, 370, 371, 375, 377-382, 385, 388, 389, 391, 392, 394, 398-401, 403, 404, 406, 407, 409, 410, 413, 415, 418, 427, 429, 431-434, 436, 438-446, 448, 449, 453-456, 458-462;
Poems of 1809-1813, iii. 1, 2-4, 6, 12, 23, 24, 28, 61, 64, 65, 67-72;
Lara, iii. 335; Hebrew Melodies, iii. 382, 383, 388, 389;
Poems of the Separation, iii. 532, 540, 545;
The Giaour, iii. 78; Fare Thee Well, iii. 532;
Morgante Maggiore, iv. 281;
Sardanapalus,
v. 14, 15, 17, 19, 21, 31, 34, 38, 43, 47, 49, 52, 54, 56, 58, 60, 66, 68, 70-72, 75, 76, 78, 84, 88, 89, 91, 93, 95, 97, 102, 103, 109, 110;
Two Foscari, v. 124-127, 132, 135, 137, 138, 141, 148, 149, 159, 160-162, 165, 171, 175, 188, 192-194;
Cain, v. 219, 220, 228-230, 233, 234, 239, 240, 246, 252, 265;
Werner, v. 339, 368, 391, 406, 407;
Age of Bronze, v. 571, 577;
Don Juan, vi. 35, 53, 58, 71, 72, 87, 159;
La Revanche, vii. 16;
E Nihilo Nihil, vii. 56;
The Ballad, vii. 60; Another Simple Ballat, vii. 62;
Lucietta, vii. 81; Song to the Suliotes, vii. 84;
accepts Childe Harold, ii. x, xi;
suppression of stanzas in Childe Harold, ii. 65;
Byron on Quarterly Review and Lady Morgan’s France, ii. 187;
Shelley and the Childe Harold MS., ii. 211;
purchase of Childe Harold, Canto III., ii. 212;
his compliment to Lady Byron, ii. 288;
the Morat bones, ii. 298; Byron’s autograph MSS., iii. 411, 419, 425;
bears testimony to Byron’s genius, iii. 444;
[413]
Scott’s letter on Cain dedication, v. 206;
declines Don Juan, vi. xvi;
the stanzas on Castlereagh in Don Juan, vi. 8;
copyright of Don Juan, Canto XVII., vi. 608;
Hammond his “chief 4-o’clock man,” vii. 49;
the offer of Madame de Staël’s Considérations sur la Révolution Française, vii. 49;
his share in Blackwood’s Edinburgh Magazine, vii. 51, 57;
his “columns,” vii. 55; Navy List, vii. 57;
Mrs. Rundell’s Domestic Cookery, ibid.;
bookseller to the Admiralty, and the Board of Longitude, vii. 58;
Gally Knight, vii. 59, 62;
his offer of £2000 to Byron, vii. 77

Murray, John, III., dedication of Marino Faliero to Goethe, iv. 328, 340;
MS. of Werner, v. 326

Murray, John, IV., iii. 66

Murray, Sir George, vi. 374

Murray v. Benbow and Another, v. 204

Murray’s Handbooks—
Central Italy, ii. 373, 380; iv. 275;
Constantinople, vi. 220;
Greece, ii. 117, 125, 157, 166, 189;
Northern Italy, ii. 372; iv. 336, 392, 430;
Rome, ii. 389, 403; iv. 271, 273;
Switzerland, ii. 306; iv. 98

Murray’s Magazine, ii. 229; iii. 319, 324; vii. 10, 69, 85, 86

Musæ Etonenses, i. 336

Musæus, De Herone atque Leandro, iii. 178

Musca, ii. 89

Musk-bull, vi. 478

Mussulmans, Albanian, ii. 144; their devotion, ii. 302

Musters, John, i. 210

Musters, Mrs. Chaworth. See Chaworth, Mary Anne

My Boy Hobbie O., vii. 66

My Epitaph, iii. 38; vii. 10

My Grandmother’s Review, iv. 578

Myrina, Queen of the Amazons, v. 5

Myrrha, a character in Sardanapalus, v. 12

My soul is dark, iii. 389

Mystery Plays, v. 207

Nabopolassar, v. 107

Nadir Shah, or Thamas Kouli Khan, vi. 384

Naef, A., Guide to the Castle of Chillon, iv. 14, 15, 19

Nahum, v. 4

Naldi, Giuseppe, i. 346

Nani, Bartolommeo, v. 115

Nani, Maria or Marina, v. 115

Napier, History of the Peninsular War, i. 469, 470;
ii. 53, 54, 87, 90-94

Napoleon Buonaparte, his snuff-box, i. 355; vii. 77
mentioned in Hints from Horace, i. 410;
the affair of Copenhagen, i. 468; “Buonaparte’s fiat,” i. 487;
fall of Hamburg, i. 488;
“then flamed of Austerlitz the blest despatch,” i. 489;
unwhiskered, i. 493; repulsed at Vimiera, ii. 39;
“to swell one bloated chiefs unwholesome reign,” ii. 56;
abdication of Ferdinand VII., ii. 78;
invasion of Spain, ii. 82, 90; blockade of Corfu, ii. 193;
Shelley’s Feelings of a Republican on the Fall of Buonaparte, ii. 227;
“there sunk the greatest, nor the worst of men,” etc. (Childe Harold), ii. 238-241, 294;
his star, ii. 270; the Horses of St. Mark, ii. 336;
the Venus de’ Medici, ii. 365; Coleridge on, ii. 397;
described by Pitt as “the child and champion of Jacobinism,” etc., ii. 400; v. 544;
a prisoner, ii. 453; “Waterloo,” ii. 459; vi. 539;
and Mrs. Spencer Smith, iii. 4; his abdication, iii. 303;
Ode to, iii. 305-315; his Farewell, iii. 427, 428;
“crushed by the Northern Thor,” iv. 179;
the retreat from Moscow, iv. 207; vi. 351, 352;
[414]
Werther, v., iv. 342;
his reply to the Venetian envoys, iv. 456;
Scott’s Life of, iv. 456; crowned king of Italy, iv. 458;
his death, iv. 489; Hazlitt on, iv. 570;
at St. Helena, v. 537, 538 (see also The Age of Bronze);
his grave, v. 548; his wife Marie Louise, v. 576;
causes his soldiers to be vaccinated, vi. 50;
takes Missouri from the Spaniards, vi. 349;
and the sculptor Bartolini, vi. 360; in Don Juan, vi. 377;
his cancer, vi. 378; “Ceres fell with Buonaparte,” vi. 383;
his blue eyes, vi. 396; “Ah! my old Guard,” vi. 418;
“Where is Napoleon the Grand?” vi. 450;
“shrink to a Saturn,” vi. 452; and the Comte de Montrond, vi. 507;
“Ausu Romano, ære Veneto,” vi. 590; his escape from Elba, vii. 41

Napoleon Buonaparte, Ode to, ii. 187, 238; iii. 305-315;
iv. 49, 269; vi. 12

Napoleon’s farewell, iii. 427; iv. 111

Napoleon’s Snuff-Box, vii. 77

Napoli di Romania, iii. 447

Nardini, F., Roma Vetus, ii. 510, 511, 513, 515, 517

Nash, the architect, i. 349

Nash, Edward, artist, iv. 475

Nasoni, Giovanni Gradenigo, iv. 465

Nathan, Isaac (Hebrew Melodies), iii. 375;
Fugitive Pieces, iii. 376, 381, 383, 387, 388, 390, 400

National Gallery, i. 472

National Intelligencer (U.S.A.), iii. 297

Nauck, A., Incert. Fab. Fragm.; Trag. Græc. Fragm., iv. 264

Naupli, Gulf of, i. 457

Navagero, Andrea, Storia della Republica Veneziana, iv. 326, 332, 349, 463; v. 115

Neapolitan Government, v. 574

Nebuchadnezzar, Nabuchadonosor, vi. 235, 236

Nectanebus II., v. 543

Negropont, the, iii. 173

Neipperg, Count Albert Adam de, iii. 311; v. 539, 576

Nekir and Monkir, inquisitors of the dead, iii. 121

Nelson, vi. 14

Nemesis, ii. 426, 518, 519

Nemi, village of, ii. 454

Nemours, Gaston de Foix, Duc de, i. 107; vi. 212

Neoptolemus, or Pyrrhus, v. 577

Nepos, Cornelius, Epam., vi. 376

Nepos, Emperor, iii. 301

Neptune, v. 616; vi. 130

Nereus, iv. 243

Nero, Emperor, i. 349; ii. 408, 409, 472; iv. 124; v. 606; vi. 181

Nero, the Consul, v. 606

Nerva, ii. 412

Nervii, the, vi. 339

Nesselrode, Count, v. 539; vii. 39

Nessus, robe of, vi. 447, 575

Neuhaus, iv. 119

Neuman, Johannes Christiaan (A. van Amstel), iv. 5

Neumann, i. 476

Neva, vi. 475

New English Dictionary, i. 314;
ii. 4, 57, 70, 122, 146, 172, 181, 205, 294, 325, 385;
iii. 113, 157; iv. 13, 166, 171, 172, 445;
v. 228; vi. 68, 208, 316, 473, 487, 550, 567

New Grenada, v. 555

New Monthly Magazine, i. 452, 453; ii. 366;
iv. 65, 552, 564; v. 282, 584; vi. xx

New Orleans, iii. 296

New Plan of the Town of Nottingham, A, vii. 1

New South Wales, insurrection (1805) in, v. 588

New Testament, v. 208

New Vicar of Bray, The, vii. 78

Newbury, battle of, i. 3, 121

Newcastle, Duke of, i. 457

Newcastle Herald, i. 373

Newstead Abbey, i. 1, 116, 256, 280; ii. 16; iii. 27;
the lake at, iv. 60; description of, vi. 495

[415]
Newstead MS.,
i. 47, 79, 82, 87, 91, 129, 130, 147-150, 153, 155, 159-162, 164-168, 174-178, 181, 182, 185-188, 212, 213, 217, 220, 226, 228, 229, 231, 233, 240, 242, 244, 247, 253-256, 258, 262, 263

Newton, Professor A., iii. 130

Newton, Sir Isaac, iv. 47; vi. 303, 400

Newton, D. D., Thomas, Life of Milton, vi. 146

Ney, Michel, Duke of Elchingen, vi. 373

Nicholas III., iii. 503

Nicholle, or Marinet, M., vi. 373, 374

Nicholls, Colonel E., iii. 298

Nichols, John, editor of Hardinge’s Miscellaneous Works, vi. 508

Nichols, Mrs. (Harriet Maltby), i. 129, 263

Nicnac, iii. xxi; vii. 41, 42

Nicolo III. (d’Este) of Tuscany, ii. 354

Nicopolis, ii. 128, 148, 179

Niebuhr, vi. 122

Niger, delta of the, iv. 515

Nightingale and the rose, iii. 86; v. 428, 612

Niketas, Greek general, v. 556

Nile, v. 550

Nimrod, v. 14, 18, 28, 36, 58; vi. 235, 236

Nineteenth Century, iv. 5; v. 326, 329

Nineveh, fall of, v. 4, 13, 25; vi. 348

Ninus, king of Assyria, v. 11

Ninya, v. 79

Niobe, ii. 389

Nisbet, Mary (Lady Elgin), i. 463

Nisbet, William Hamilton, i. 463

Nisus, i. 151, 175; ii. 387

Nitrous oxide gas, i. 307

Nizam Gedidd, new Turkish ordinance, ii. 207

Noah, i. 325; v. 284

Noble, Rev. Mark, continuation of Granger’s Biographical History of England, iii. 298

Noel, Captain the Hon. F. L. King, iv. 159

Noel, Lady, vi. 274; vii. 75

Noel, Lady Anna Isabella (Scawen Blunt), ii. 215

Noel, Hon. Elizabeth, i. 437

Noel, Hon. Roden, Life of Lord Byron, ii. xiii; ii. 117; iii. 18

Nogaret, v. 554

Nonius Marcellus, ii. 92

Norbury, Mr., private secretary to Lord Granville, vii. 36

Norbury, Hon. Mrs., vii. 36

Nordlingen, battle of, ii. 186

Norfolk, Charles Howard, 11th Duke of (“Jockey of Norfolk”), vii. 28

Normanby, John Sheffield, Marquis of, i. 354

North, Lord, i. 500

Norton, Mrs., i. 343

Nossa Señora da Peña, Convent of, ii. 35, 85

Notaras, ii. 203

Notes and Queries, ii. 430, 460; iii. 72;
iv. 15, 46, 75, 530, 533; vi. 483; vii. 59

Nott, Dr. George Frederick, Prebendary of Winchester and Salisbury, vii. 78

Notti, Signori di, iv. 465

Nouveau Dictionnaire de l’Économie Politique, vi. 461

Nouvelle Biographie Universelle, iii. 311; v. 499

Novelists Magazine, iv. 519

Novi, battle of, vi. 14

Nugent, vi. 175

Numa Pompilius, ii. 416; vi. 24

Numbers, ii. 271

Nunez, translation of de Quevedo’s Sueños, etc., iv. 484

Nuovo Archivio Veneto, iv. 327, 331, 332, 349, 403, 462

Nympholepsy, ii. 415

Oakes, Major-General Hildebrand, iii. 25

[416]
Oaths, British and Continental, vi. 440

Observations upon Observations, v. 537; vii. 75

Observer, i. 414

Occasional Pieces (Poems, 1809-1813; Poems, 1814-1816),
ii. 37; iii. xix

Occasional Poems, iii. 449

Occasional Prologue previous to the Performance of the Wheel of Fortune, i. 45

Ocellus Lucanus, De Universi Naturâ, ii. 198

Ochakof, siege of, vi. 313

Ockham, Viscount, ii. 215

O’Connell, Daniel, iv. 559

Odalisques, ladies of the Seraglio, vi. 277

Ode from the French, ii. 227; iii. 431; iv. 110; vi. 266, 373

Ode on the Death of Sir Peter Parker, iii. xix, 417

Ode on Venice, ii. 338; iii. xix; iv. 193, 203, 458

Ode to a Lady whose lover was killed by a ball, which at the
same time shattered a portrait next his heart, iv. 552; vi. 144

Ode to Napoleon Buonaparte, ii. 187, 238;
iii. 305-315; iv. 49, 269; v. 519; vi. 12, 348

Ode to the Framers of the Frame Bill, vii. 13

Ode to the Isle of St. Helena (spurious), iii. xx

Oder, river, v. 348

Odessa, vi. 264

O’Doherty, parody of the “Pisa letter,” v. 204; Miscellanies, v. 326

Odysseus, iii. 272

OEdipus, ii. 93, 431

Ogilvy, i. 314, 403

Ogle, Sir Chaloner, vii. 48

Oh, Shame to thee, Land of the Gaul (spurious), iii. xx

Oh! snatched away in beauty’s bloom, iii. 388

Oh! weep for those, iii. 385

Old Testament, iii. 187; v. 199, 279

Oliphant, Mrs., Annals of a Publishing House, iii. 444

Olivier, G. A., iii. 13;
Voyage dans l’Empire Othoman, iii. 188

Ollah, a Turkish cry, iii. 168

Olympias, mother of Alexander the Great, ii. 123; v. 543

Olympieion, Temple of Zeus Olympius, i. 462; ii. 167

Olympus, Mount, ii. 286

Olytsika, Mount (ancient Tomarus), ii. 132, 182

Omar Khayyám, Rubáîyát, iii. 87, 109

Ombre, the game of, iv. 507

O’Meara, Dr. Barry Edward, Napoleon in Exile, or a Voice
from St. Helena, v. 537, 540, 544-547

Omegarus and Syderia, iv. 42, 43

On a change of Masters at a Great Public School, i. 16, 84, 91

On a Cornelian heart which was broken, iii. 48

On a distant view of the village and school of Harrow-on-the-Hill, i. 25

On a Royal Visit to the Vaults (Windsor Poetics), vii. 36

On being asked what was the “Origin of Love”, iii. 65

On finding a Fan, i. 253

On Jordan’s banks, iii. 386

On leaving Newstead Abbey, i. 1; vi. 499

On Lord Thurlow’s Poems, vii. 17

On Moore’s last Operatic Farce or Farcical Opera, vii. 12

On my Thirty-Third Birthday, vii. 73

On my Wedding-Day, ii. 322; vii. 64

On Napoleon’s Escape from Elba, vii. 41

On Parting, iii. 23

On revisiting Harrow, i. 259

On the Birth of John William Rizzo Hoppner, vii. 54

On the Bust of Helen by Canova, iv. 536

[417]
sOn the day of the Destruction of Jerusalem by Titus, iii. 401

On the death of a Young Lady, Cousin to the Author,
and very dear to Him, i. 5

On the death of Mr. Fox, i. 34

On the death of the Duke of Dorset, iii. xxi, 425

On the eyes of Miss A—— H——, i. 244

On the Morning of my Daughter’s Birth (spurious), iii. xx

On the Quotation “And my true faith can alter never, / Though
thou art gone perhaps for ever”, ii. xxi, 65

On the Star of “The Legion of Honour”, iii. 436

On this day I complete my thirty-sixth year, vii. 86

One struggle more, and I am free, iii. 31, 32, 36

O’Neill, Miss Elizabeth (afterwards Lady Becher), actress,
ii. 331; iv. 338; vii. 50

Opera Comique, i. 413

Opie, Mrs., The Warrior’s Return, iii. 424

Oracle, The, i. 358

Orange, Prince of, iv. 197

Orazio, alias Celio de’ Malespini, iv. 144

Orbe, Madame, ii. 304

Orchomenus, iii. 15

O’Reilly, Count Alexander, vi. 56

Orestes, i. 175; ii. 427

Orford, Lord (Horace Walpole),
Reminiscences; Works, iii. 209; iv. 340;
Memoirs … of George II., vii. 76

Oriental Antiquities, ii. 136

Orla, i. 177

Orleans, Duke of, ii. 282; iv. 334

Orlow (Orloff), General, vi. 314, 353, 354

Ormsby, John, translation of Don Quixote, ii. 178

Orosius, Hist., ii. 179, 392, 512

Orpheus, i. 437, 484; ii. 11; vi. 173

Orsini, the, v. 576

O’Ruarc, Dervogilla, iv. 334

O’Ruarc, Tiernan, iv. 334

Orthodoxy, vi. 267

Oscar of Alva, i. 131; ii. 343

Ossian, Poems, i. 1, 116, 177, 183, 191, 229;
iii. 100, 115, 389, 416, 426; iv. 126; vii. 2

Ossian’s Address to the Sun in “Carthon”, i. 229; iv. 126; vii. 2

Ossory, John, 1st Earl of, i. 500

Otaheite (Tahiti), v. 582-584, 588

Othello, i. 340, 342; iii. 131, 313, 540;
iv. 164; vi. 271, 379, 502, 543

Otho, v. 63, 64

Otway (Venice Preserved), i. 306, 345; ii. 331, 342;
iv. 325, 326, 454; vii. 57

Ouchy, iv. 3

Oude, Begum of, iv. 72

Outalissi, i. 430

Ovid, i. 437; v. 573; vi. 26, 139, 218;
Metamorph., ii. 13; iii. 199; v. 570; vi. 38, 177, 235, 273, 535; vii. 9;
Amor., ii. 31, 367, 509; v. 289
Fasti, ii. 255, 515; iv. 164
Heroïdes, iii. 178; vi. 447, 575

Owen, Rev. E. C. Everard, ii. 82, 157, 172, 335

Oxenstiern, Chanc. Axel, vi. 531

Oxenstiern, John, vi. 531

Oxford and Mortimer, Edward, 5th Earl of, ii. 11

“Oxoniensis” (Rev. J. H. Todd), v. 202

Oziosi, the, a literary society at Florence, i. 358

Pacchierotti, vi. 207

Pacciaudi, ii. 472

Pactolus, v. 487

Padua, iv. 262, 386

Page, Mrs. Anne, vi. 442

Paine, Tom, vii. 65

Palæopolis, iii. 184

Palafox, ii. 78, 94

Palampore, a flowered shawl, iii. 117

Palatine, Rome, ii. 407; iv. 257

Palazzi, Fasti Ducales, v. 124, 195

[418]
Paley, vii. 32

Palgrave, Sir Francis (formerly Cohen), translation of Old Chronicle
(Marino Faliero); Rise and Progress of the English Constitution;
History of the Anglo-Saxons, iv. 462

Palikar, general name for Greek and Albanese soldiers, ii. 144, 183

Pallas Athene, vii. 12

Palmer, E. H., Sacred Books of the East—translation of the Qu’rân, iii. 110, 181, 195, 206

Palmerston, Lady (Cowper), i. 301

Palmerston, Lord, i. 57, 476

Pambotis, lake of Yanina, ii. 179

Pan, vi. 130

Pandion, king of Attica, iv. 287

Pandora, i. 285

Pandora, wreck of the, vi. 96

Panizzi, Preface to the Orlando Innamorato of Boïardo, iv. 281

Pantaloni, nickname of the Venetians, ii. 339

Pantheon, Rome, ii. 435

Pantisocracy, iv. 521; vi. 174

Panvinius, ii. 392

Paphos, ii. 19, 63

Paracelsus, v. 208

Parcæ, the, vi. 220

Parenthetical Address, iii. 55

Parga, pirates of, ii. 145, 146, 147; vi. 171, 172

Paris, Treaties of, ii. 342, 402; v. 550, 576;
Allied Army in, iii. 431; v. 553

Parisina, ii. 113, 288, 354; iii. 377, 443, 505-548;
iv. 35, 141, 215; v. 326

Park, Mungo, Journal of a Mission to the Interior of Africa, v. 631

Park Theatre, New York, Werner at, v. 324

Parker, Charlotte Augusta (née Byron), iii. 417

Parker, Christopher, iii. 417

Parker, Margaret, i. 5

Parker, Rev. J., translation of Dionysius’ Celestial Hierarchy, v. 286

Parker, Bart., Sir Peter, i. 5; iii. 417

Parkins, Miss Fanny, vi. 578

Parliamentary Debates, i. 412; v. 545; vi. 69, 506, 549

Parliamentary History, i. 412

Parma, Alessandro Farnese, Duke of, iv. 262

Parma, University of, ii. 354

Parnassus (Liakura), i. 426; ii. 60-62, 92, 129, 186; iii. 113, 464

Parnell, Vigil of Venus, i. 317; ii. 279

Paros, island, iii. 273

Parrot, Professor Friedrich, Journey to Ararat, v. 294

Parry, Sir Edward, Voyage in 1819-1820 in Search of a North-West
Passage, iv. 496; vi. 51, 478, 491, 521

Parsons, William, i. 358

Parthenon, Athens, i. 454, 455, 462, 463; ii. 166, 172

Parthians, the, ii. 412

Parton, James, Life and Times of Benjamin Franklin, v. 554

Pascal, vi. 379

Pasiphae, vi. 126

Pasqualigo, Nicolò, iv. 456, 457

Pasqualigo, Orio, iv. 432

Pasqualino, iv. 171

Pasquin, v. 471

Passavant, J. D., Raphael of Urbino, iv. 174

Paswan Oglou, iii. 188

Paterculus, C. Vell., Hist., ii. 492

Paternoster Row, iv. 574; vii. 9

Paterson, Sir John, iii. 301

Patras, ii. 124, 178

Patroclus, i. 175; ii. 462; vi. 117, 204

Patterson, Commander Daniel, iii. 298

Paul, Czar, vi. 333

Paul III., Pope, ii. 411; iii. 122; iv. 270

Pausanias, king of Sparta, and Cleonice, iv. 108

Pausanias, the Sophist, ii. 85;
Laconica, iv. 108, 566; Descriptio Gratiæ, v. 526

Pauw, Cornelius de, Recherches philosophiques sur les Grecs,
i. 414; ii. 191, 194-196

[419]
Pavia, battle of, v. 503

Payne, J., i. 356

Paxos, ii. 193

Pazig, Christianus, Magic Incantations, v. 289

Peachey, or Peachie, i. 208

Peacock, “that royal bird, whose tail’s a diadem,” vi. 326

Peacock, Thomas Love, ii. 355; iv. 3, 18, 475;
Melincourt, iv. 569, 574; Nightmare Abbey, iv. 569

Pearson, John, vii. 14

Pearson’s Cautions, etc., i. 417

Pedro III., Portugal, ii. 43

Peel, Sir Robert, v. 572

Peggy, wreck of the American ship, vi. 103

Pelagius, ii. 89

Pelayo, ii. 46; v. 558

Peleus, v. 488

Pelican, the, iii. 130

Pellegrino, Caraffa, ii. 486

Pemberton, vi. 400

Peña, Convent of Nossa Señora da, ii. 35, 85

Penelope, ii. 124

Peninsular War, i. 469; iii. 416

Pennant, Thomas, Some Account of London, vi. 435

Pentelicus, Mount (Mount Mendeli), ii. 186

Penthesilea, Queen of the Amazons, v. 526

Perceval, Spencer, i. 28, 471, 472, 496, 497; ii. 79; vii. 28

Percy’s Reliques, i. 317; ii. 22

Pericles, i. 462; ii. 190

Perkinean Institution, London, i. 308

Perkins, Benjamin Charles, his metallic tractors, vi. 50

Perrier, M. Casimir, Opinions et Discours, v. 566

Perry, editor of Morning Chronicle, iii. 532; vii. 37, 44

Persians, capture Teos, vi. 171; “taught three useful things,” vi. 572

Persius, i. 304; ii. 201

Peru, Independence of, v. 556; vi. 457

Pescara, Ferdinando Francesco dagli Avalos, Marquis of, iv. 262

Peter the Great, iv. 202; v. 564; vi. 381

Peter III., vi. 388

Peter Pindar. See Wolcot, Dr.

Peterborough, Lord, i. 484; v. 576

Peterborow, Henry Mordaunt, Earl of, iv. 504

Peterwaradin, battle of, iii. 455

Petrarch, i. 108; ii. 350-353, 365, 371, 372, 415, 424, 478, 501-503;
iv. 239, 265; and Laura, ii. 480-484; vi. 145;
on the conspiracy of Marino Faliero, iv. 468;
“the Platonic pimp of all posterity,” vi. 218

Petronius, “Arbiter Elegantiarum” to Nero, i. 349;
Satyricôn, vi. 380, 602

Pettigrew, T. J., vi. 497

Petty, Lord Henry (afterwards Marquis of Lansdowne), i. 31, 57, 340, 471

Peucker, Dr. Karl, Griechenland, ii. xxiv

Phædra, vi. 254

Pharnaces II., ii. 398

Phelps, as “Jaffier” in Venice Preserved, ii. 331; as “Manfred,” iv. 78;
as “The Doge” in Marino Faliero, iv. 324; as “Werner,” v. 324

Phelps, Edmund, as “Ulric” in Werner, v. 324

Phidias, i. 378, 454; iv. 270

Philadelphia Record, vii. 62

Philanthes, ii. 485

Philanthropist, The, ii. 554

Philemon, vi. 186

Philip of Macedon, i. 56; ii. 166; v. 543

Philip II. of Spain, ii. 504; iii. 299, 309

Philippi, battle of, iv. 386

Philips, Ambrose, Epistle to the Earl of Dorset; Pastorals, i. 418

Phillips, Josiah, printer and publisher of The Authentic Memoirs
of the Court of England for the last Seventy Years, vii. 31

[420]
Phillips, J. O. Halliwell, reprints Ludus Coventriæ, v. 207

Phillips, Miss, as “Zarina” in Sardanapalus, v. 2

Phillips, Sir Richard, Personal Tour through the United Kingdom, iv. 32

Philo, v. 281

Philo Byzantius, De Septem Orbis Miraculis, ii. 441

Philomela, iv. 287

“Philo-Milton,” Vindication of Paradise Lost from the charge of exculpating Cain, v. 202

Phingari, the moon, iii. 108

Phocas, column of, ii. 410

Phoenix, vi. 117

Phrosine or Frosini, iii. 145

Phyle, Fort, ii. 150, 185, 189

Piazza, the, Covent Garden, iv. 160

“Pibroch” confused with “bagpipe,” i. 133, 134, 136, 140

Picadores, horsemen, ii. 68

Pickersgill, Junior, Joshua, The Three Brothers, v. 469, 470, 473

Picton, General, ii. 293

Pignus Amoris, i. 231, 240, 241; ii. 458; iii. 48

Pigot, Miss Elizabeth B., i. 41, 45, 47, 66, 129, 210, 233, 258, 264, 293, 406

Pigot, Mrs., i. 239; vii. 8

Pigot, J. M. B., i. xi, xiv, 45, 63, 213; vi. 30

Pilgrimage to the Holy Land (spurious), iii. xx

Pilgrim’s Oak at Newstead Abbey, vi. 497

Pillans, Professor James, i. 306, 337

Pilsen, v. 340

Pindar, i. 337, 465, 490; ii. 93; vi. 168

Pindemonte, Ippolito, ii. 324; iv. 245, 457; v. 562

Pindus mount (Monte Metsovo), ii. 126, 129; iii. 7

Pinel, M., Sur l’Insanité, ii. 447

Pineta of Ravenna, the, vi. 178, 180

Piombi, the (Venice prisons), iv. 363; v. 148

Piozzi, Mrs., i. 358

Piræus, ii. 362

Pisa, Byron’s household at, v. 348

Pisani, Nicolò, iv. 356

Pisani, Vettor, ii. 477, 497

Pisistratus, ii. 167

Pisse Vache, or Salanfe, ii. 383

Pitcairn Island, v. 582-584. See also Island, The

Pitiscus, ii. 509

Pitt, William, appoints Mansel Master of Trinity College, Cambridge, i. 28;
“rules the hour,” i. 31;
“expired in plenitude of power,” i. 34, 57;
Sayer’s Elijah’s Mantle, i. 294, 356;
mentioned in English Bards, and Scotch Reviewers, i. 377;
in Hints from Horace, i. 395;
“heaven-born,” i. 486; the “heavy news” of Austerlitz, i. 489;
his description of Napoleon, ii. 400; v. 544;
Sheridan’s speech on the Begum of Oude, iv. 72;
one of “the wondrous Three,” iv. 75;
George III. and Catholic Emancipation, iv. 503,
“with Fox’s lard was basting William Pitt,” iv. 511;
his grave in Westminster Abbey, v. 541;
“The Pilot that weathered the storm,” v. 568; vi. 482,
refusal to accept £100,000 from the merchants of London, vi. 376;
“Chatham gone,” vi. 478; “so like his friend Billy,” vii. 28;
Byron’s Epitaph for, vii. 64

Pitt and Grenville Acts, the, iv. 512

Pius VII., Pope, Napoleon’s snuff-box, vii. 78

Pizarro, Francisco, ii. 81; v. 555

Pizarro, Hernando, ii. 81

Pizarro, Juan Gonzalo, ii. 81

Plancus, ii. 492

Platæa, battle of, ii. 294; iv. 108

Plato, i. 414; ii. 169, 196, 325; v. 485, vi. 46, 303, 568, 585

[421]
Plato, the comic poet, iii. 85

Plato’s Epitaph, i. 18; iii. 136

Platonic love, vi. 396, 397

Platow (Platoff), General, vi. 353; vii. 39

Plattsburg Bay, battle of, vi. 508

Plautus, Truculentus, vi. 548

Playfair, Dr., vii. 52

Pliny, Hist. Nat., ii. 31, 378, 379, 384, 432, 437, 441, 445, 488;
vi. 220, 236, 563; Epist., ii. 380; Panegyricus, ii. 412

Plum, a, = £100,000, i. 425

Plumptre, E. H., D.D., Commedia, etc., v. 562

Plumptre, E. J., and Gallehault, iv. 320

Plunket, Catholic Emancipation Bills, v. 569

Plutarch, Lives, i. 467; ii. 123, 179, 341, 393, 405, 518;
iii. 85, 180, 311; iv. 108, 251, 264, 339, 352, 386, 423, 446;
v. 4, 5, 21, 72, 486, 487, 506;
vi. 139, 226, 339, 348, 376, 404, 461, 477, 547;
Scripta Moralia, etc., ii. 335; v. 619; vi. 479

Po, the river, iv. 545

Pococke, Edward, Notæ Miscellaneæ, iii. 109, 121

Poems 1814-1816, iii. 409-438

Poems 1816-1823, iv. 529-566

Poems of July-September, 1816, iv. 29-65

Poems of the Separation, iii. 537-546

Poems on his Domestic Circumstances, i. 452, 453; iii. xx, 24

Poems on Various Occasions, i. xi, xii, 1, 3, 18, 20-22, 27, 29, 31, 32, 38, 41, 46, 47, 52-54, 57, 58, 60, 62, 63, 65, 70, 74, 76-116, 82-84, 89, 91, 96, 99, 101, 102, 104, 110, 112, 113, 115, 116, 118, 122, 123, 125, 151, 152

Poems Original and Translated, i. xii, 31, 126, 127, 147, 149, 168, 171, 184, 187, 189, 191-208, 354, 374; iv. 281

Poet’s Corner at Newstead Abbey, vi. 498

Poggio, De Fort. Var., ii. 364, 365, 403

Point Lividia, iii. 248, 249

Pola, battle of, ii. 476

Poland, partition of, v. 500, 551; and Alexander I., v. 563

Polenta, Guido Novello da, ii. 371, 494

Polenta, Guido Vecchio da, Lord of Ravenna, iv. 316

Polidori, Dr. J. W., i. 318; iv. 40; vii. 47

Polidori, G., iv. 143

Political Eclogues, i. 395

Political Economy Club, vi. 480

Political Miscellanies, i. 395

Political Ode by Lord Byron, hitherto unknown as his production, vii. 14

Polixena, v. 488

Poliziano, ii. 365; iv. 280

Polozk (Polouzki), vi. 354

Poltáva, battle of, iv. 207, 233

Polybius, Hist., ii. 377, 506

Polycrates, of Samos, ii. 519; vi. 171

Polynices, v. 403

Polyphontes, the herald, ii. 431

Polyzois, an Albanian poet, ii. 198

Pombal, ii. 43

Pompadour, Madame de, iv. 334

Pompeia, Cæsar’s third wife, i. 351; iv. 352; vi. 139

Pompey, i. 422; ii. 395, 492; iv. 264; vi. 139;
statue of, ii. 508; pillar of, v. 548

Pompignan, Franc de, ii. 282

Poniatowsky, Prince, vii. 24

Ponsonby, Lady Caroline. See Lamb, Lady Caroline

Ponsonby, William, v. 329

Ponte, Antonio da, ii. 327

Poole, Thomas, and his Friends, i. 437

Pope, Alexander, Prologue to the Satires, i. 91, 392; vi. 519, 602;
on Earl of Dorset, i. 198;
Dunciad, i. 220, 294, 321, 326, 327, 397; iv. 161; vi. 494;
Essay on Criticism, i. 289; ii. 13; iv. 481;
mentioned in English Bards, and Scotch Reviewers,
i. 304-306, 312, 368, 371;
[422]
his advice to Wycherley, i. 322; Essay on Man, i. 361; v. 593;
mentioned in Hints from Horace, i. 395, 397, 441, 449;
his youthful Eclogues, i. 418, 421; and Homer, i. 427;
his “prescription,” i. 430; “blest paper credit,” i. 470;
and Wellington, i. 484;
Imitations of Horace, ii. 188; iv. 484; v. 576; vi. 247;
the Egerian grots, ii. 517; Windsor forest, iii. 227;
letter to Steele, iii. 348; Satires, iii. 439;
Works, iii. 452; vi. 555;
“These be good rhymes,” iv. 139; depreciated, iv. 342;
Rape of the Lock, iv. 507; vi. 18, 454;
his “delicious lobster-nights,” iv. 587;
Byron’s English Bards, in the style of, v. 537;
Moral Essays, v. 606; vi. 350, 358;
January and May, vi. 62; “Thou shalt believe in,” vi. 74;
Lady M. W. Montagu’s letter to, vi. 151, 219; on Crashaw, vi. 166;
Eloïsa to Abelard, vi. 395; use of the word “gynocracy,” vi. 473;
and “commence,” vi. 567; “Lady Adeline” on, vi. 587;
Homer’s Iliad and Odyssey, vii. 57

Porphyry, ii. 78

Porson, Richard, i. 30, 313, 438; ii. 283; iii. 402;
The Devil’s Walk attributed to, vii. 21

Porta Capena, ii. 416, 516

Porter, Jane, Thaddeus of Warsaw, iv. 166

Portfolio, The, iii. 321; iv. 6

Portfolio (Philadelphia), v. 5

Portinari, Beatrice, iv. 247, 248, 251

Portinari, Folco, iv. 248

Portland, William Henry Cavendish, 3rd Duke of, i. 377, 471; iv. 513

Porto Bello taken by Admiral Vernon, vi. 12

Portogallo, Semiramide, i. 347

Portsmouth, Lady (Mary Anne Hanson), vi. 569

Portsmouth, Lord, vi. 569

Portuguese, Byron’s estimate of the, i. 469; ii. 33, 45, 87

Potemkin, Prince Gregor Alexandrovitch, ii. 200;
vi. 313, 314, 316, 317, 370, 412

Potiphar’s wife (Zuleika), iii. 187; vi. 254

Pouqueville, Dr., Travels; Voyage en Morée, ii. 179, 180, 194, 195

Poussin, Nicholas, vi. 152

Powell, A., i. 350, 432

Powell, Mary, Milton’s first wife, vi. 146

Power, publisher, iii. 423

Powerscourt, Richard, 4th Viscount, i. 96

Pozzi, the Venice state dungeons, ii. 465; iv. 363; v. 148, 153

Pozzo di Borgo, Count, v. 539

Pradt, M. Dufour de, Narrative of an Embassy to Warsaw, v. 551, 552

Praed, The Belle of the Ball-Room, i. 347; vii. 12

Prague, Treaty of, v. 340, 423; battle of, v. 371

Pratt, Lord Chief Justice, iv. 510

Pratt, Samuel Jackson (Courtney Melmoth), Gleanings, i. 322, 323, 442;
Blacket’s Remains, i. 359, 443

Praxiteles, ii. 236

Prayer of Nature, The, i. 224

Predestination, Byron’s belief in, iv. 58

Pregadi, Venetian Senate, iv. 441

Presle, Mdlle., i. 347, 348

Pretty Miss Jaqueline, i. 361

Prevesa, ii. 125, 148, 185

Prevost, Sir George (“General Fireface”), Governor-General of British North America, vi. 508

Priam, v. 488

Priestley, Joseph, ii. 283

Prince’s Theatre, Manchester, Manfred at, iv. 78

Princess’s Theatre Royal, Manfred at, iv. 78; Sardanapalus at, v. 2

Printer’s Devil, The, i. 495

[423]
Prior, Matthew, i. 198; iv. 158; vi. xviii, 210; Solomon, ii. 76;
Paulo Purganti; Hans Carvel, vi. 62

Prisoner of Chillon, ii. 212, 214; iii. xix, 499;
iv. 3-28, 63, 79, 92, 182, 194; v. 152, 423, 494;
vi. 129, 475

Priuli, Andrea, v. 115

Priuli, Maria, v. 115

Probus, Emperor, i. 375

Procne, iv. 287

Procter, Bryan W. (Barry Cornwall), “Euphues,” v. 114;
A Sicilian Story, vi. 445

Prometheus, ii. 448; iii. 312; v. 554; vi. 49

Prometheus, iv. 48, 118, 269

Propertius, Eleg., vi. 445

Prophecy of Dante, ii. 441;
iv. 7, 26, 49, 144, 237-276, 313, 329; v. 471; vii. xvi, 146, 212

Protasoff, Miss, the “Protassova,” vi. 399

Protesilaus, vi. 204

Protestant League, v. 371

Prussian troops at Leipsic, vii. 23

Pruth, river, v. 551; Treaty of, v. 564

Psalidas, Athanasius, True Felicity, ii. 198, 202

Psalms, i. 208; ii. 398, 458; iii. 193; vi. 166, 401

Pseudo-Callisthenes, v. 543

Psyche, vi. 165, 387

Ptolemæus Cocces, v. 542

Ptolemæus Soter, v. 542

Ptolemy, i. 402; iv. 523; v. 487

Ptolemy Philadelphus, iv. 243

Public Characters of 1799-1800, vi. 175

Publius Syrus, i. 414

Pückler, Herman Fürst von, iv. 81

Puffend, Hist. Gen., iv. 211

Pugilistic Club, i. 434

Pulci, G., ed. of Morgante Maggiore, iv. 309

Pulci, Luigi, Morgante Maggiore, iv. 156, 279-309, 325, 484;
vi. xvi, 156, 184, 505

Pulk, Polish for “regiment,” v. 564

Pulteney, Sir James, Bart., i. 347

Pultency Hotel, Piccadilly, vii. 39

“Pultowa’s Day,” iv. 202, 207

Purgstall, J. von Hammer-, Hist. de l’Empire Othoman,
iii. 166, 312, 441, 454, 455

Purple, Tyrian, vi. 574

Purvis, Admiral, ii. 93

Pushkin, Poltava, iv. 203

Puttenham, Art of Poesie, iv. 239

Pye, Henry James, poet-laureate, i. 305, 314, 329, 404, 435; iv. 519

Pygmalion, vi. 281, 390

Pylades, i. 175

Pym, iv. 519

Pyramus, vi. 235

Pyrenees, the, ii. 45

Pyrrhic war-dance, Pyrrhica, vi. 151, 171

Pyrrho, master of the Pyrrhonists or Sceptics, vi. 379

Pyrrhus (or Neoptolemus), ii. 174; v. 577

Pythagoras, i. 59; vi. 610

Pythian Oracle, the, i. 56

Pythias, i. 175

Quarantia Criminale (Council of Forty), iv. 333, 345

Quarterly Review,
i. 304, 321;
ii. xiii, xv, 5, 139, 187, 212, 213, 266, 299, 315, 325, 356;
iii. 77, 151, 219, 225, 321;
iv. 6, 37, 42, 46, 57, 156, 166, 244, 281, 313, 327, 329, 514, 575;
v. 5, 111, 119, 204, 205, 544, 552, 582, 613;
vi. xx, 76, 79, 360, 445, 456, 508; vii. 49, 57, 76

Quebec, siege of, vi. 12

Queensberry, William Douglas, 3rd Earl of March, and 4th Duke of (“Old Q.”), i. 500

Quem Deus vult perdere prius dementat, vii. 45

Quercetanus, Andreas, notes to Historia Calamitatum Abælardi, v. 634

Queries to Casuists, i. 262

Querini, Alvisi (Ormildo Emeressio), L’Ammiraglio dell’ Indie, iv. 456, 457

[424]
Question and Answer, iv. 538

Quevedo of Villegas, Francisco Gomez de, Sueños, iv. 484;
Dream of Skulls, iv. 496

Quiberon Bay, French fleet defeated by Hawke in, vi. 12

Quinctilian, iv. 270; vi. 16

Quincy, De, Confessions of an English Opium-Eater, vi. 188

Quirini, Angelo, ii. 389

Quito, capital of Ecuador, ii. 81

Quotidienne, La, v. 566, 573, 577

Rabbe, Biographie des Contemporains, ii. 168

Rabelais, Life of Gargantua, etc., v. 354

Rack, or arrack, punch, vi. 197

Radcliffe, Mrs. Ann, Mysteries of Udolpho, ii. 327, 342;
iii. 89, 351; iv. 364, 413

Rae, W. Fraser, Life of Sheridan, iv. 74;
Wilkes, Sheridan, Fox, iv. 511;
articles in Athenæum on Junius’ Letters, iv. 513

Rag Fair or Rosemary Lane (now Royal Mint Street), iv. 161

Raikes, Thomas, Personal Reminiscences, i. 476; v. 563;
A Portion of the Journal, etc., vi. 507

Rainbow described, vi. 108

Rajna, Pio, iv. 280; Ricerche sui Reali di Francia, iv. 309

Ralph the rhymester, i. 326

Ralston, W. R. S., Russian Folk-Tales, iii. 123

Ramassieh (Alexandria), battle of, ii. 108

Ramazân, or Turkish Lent, ii. 134, 137; iii. 96

Rambaud, M., History of Russia, v. 563

Ramsay, the artist, vi. 496

Ramsay, Chevalier, vi. 303

Ramsden, Rev.——, i. 431

Rangoni, Aldobrandino, iii. 506

Ranke, Leopold, The Popes of Rome, v. 520

Ransom and Morland, vi. 546

“Ranz des Vaches,” v. 159

Raphael, Archangel, v. 281

Raphael, ii. 437; iv. 174; his “Transfiguration,” vi. 548

Rapp, George, the harmonist, vi. 554

Rapresentatione di Abel et di Caino, La, v. 264

Raschid, iii. 441

Rasponi, Countess Clelia, iv. 547

Rasselas, iii. 145

Ravenna, ii. 372; iv. 237, 238, 243; v. 138; battle of, vi. 212

Ravenna, Cardinal of, v. 516

Ravenna, Guido Vecchio da Polenta, Lord of, iv. 316

Raven-stone (rabenstein), a German stone gibbet, iv. 122; v. 385

Ravignani, Benintendi de, Grand Chancellor, iv. 431

Rawlinson, Canon, The Five Great Monarchies, etc., v. 24, 107

Rayet, Olivier, Monuments de l’Art Antique, ii. 396

Read, General Meredith, Historic Studies in Vaud, Berne, and Savoy, ii. 299, 303, 307

Read, T., i. 301

Reade, Sir Thomas, v. 544

Rebeck, fiddle, ii. 53

Red Sea, the, vi. 122

Reeve, Henry, Petrarch, ii. 351, 372;
Greville Memoirs, vi. 451

Reeves, John, The Rothschilds, v. 574

Reformadoes, vi. 404

Regent, Prince. See George IV.

Regnier, General of Saxons at Leipsic, v. 553

Rehnskjöld, Swedish General, iv. 207

Reichenbach, Falls of, ii. 383

Reichstadt, Napoleon François Charles Joseph, Duke of, v. 545, 576; vi. 590

Reid, vii. 32

Reinagle, R. R., ii. 226; iv. 425

Rejected Addresses, i. 462, 481, 485; iii. 55

Rembrandt, vi. 502

[425]
Remember him, whom Passion’s power, iii. 67

Remember thee! Remember thee! iii. xx, 59

Remembrance, i. 211

Remind me not, remind me not, i. 268

Renault, iv. 454

Rendlesham, Lord, i. 471

Renegado, renegade, ii. 488

Rennes, siege of, v. 549

Reply to some Verses of J. M. B. Pigot, Esq., on the Cruelty of his Mistress, i. xi, 53

Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, iv. 178

Retz, Cardinal de, Mémoires du, iv. 338; vi. 93, 94

Retzsch, illustrations to Goethe’s Faust, v. 493

Revanche, La, vii. 15

Revelation, ii. 271; iii. 432; iv. 102; v. 499

Revilliod, Gustave, ed. of Advis, etc., iv. 5

Revue Arch., ii. 424

Revue des Deux Mondes, iv. 5

Revue de Paris, La, vi. 507

Revue Encyclopédique, vi. xx

Revue Historique, iv. 514

Reynolds, Frederick, i. 306, 353;
The Caravan; or, The Driver and his Dog, i. 342;
Life and Times, i. 416

Reynolds, Sir Joshua, i. 389; Discourses, iv. 271

Rheinfeld, battle of, v. 372

Rhianus, the Alexandrian poet, iv. 566

Rhigas, or Rigas, Constantine, ii. 199; iii. 29, 194

Rhine, the, i. 249, 353; vi. 418; Confederation of, i. 486

Rhodes, iv. 400; vi. 111

Rhoeteum, ii. 99

Rhone, the, ii. 261, 300; iv. 18, 26, 120

Rialto (Rivo alto), Venice, ii. 331; iv. 165

Ribas, Admiral Josef de, vi. 313, 319, 359, 366

Ribaupierre, General, vi. 352

Ricardo, David, vi. 480

Ricci’s monument to Dante, ii. 375

Rich, Claudius James, Memoir on the Ruins of Babylon, vi. 236

Richard II., iii. 517; vi. 210

Richard III., iv. 391; vi. 392, 570

Richards, Rev. George, The Aboriginal Britons, i. 306, 376

Richardson, iii. 109

Richelieu, Armand Emanuel du Plessis, Duc de,
Journal de mon Voyage en Allemagne, vi. 264, 317, 333, 340, 347, 358, 359

Richelieu, Louis François, Duc de, Marshal of France, vi. 333

Richmond, Duchess of, ii. 228

Richmond, Duke of, ii. 229, 230

Richmond Hill, ii. 66

Ricimer, a Sueve, ii. 390

Ridge, S. and J., i. xi, xii, xiv, 234

Ridgeway, bookseller, iv. 482

Ridotto, iv. 178, 180

Rienzi, or Rienzo (commonly called Cola di’ Rienzi), Nicolas Gabrino di’, ii. 414

Riese, Varro. Satur. Menipp. Rel., ii. 92

Rigadoon, the, i. 491

Rimini, Francesca da (née da Polenta), iv. 316

Rimini, Malatesta da Verrucchio, Lord of, iv. 316

Rinaldo and Armida, vi. 34

Riots, O.P., at Covent Garden, i. 347

Rivington, F. and C., i. xii; their Annual Register, q.v.

Rivoli, battle of, vi. 14

Rizzo, Antonio, iv. 336

Roberts, William, iv. 578

Roberts, W. Rhys, Longinus on the Sublime, vi. 26

Robertson, James, i. 192

Robertson, J. L., Burns’ Selected Poems, iii. 449

Robertson, Mary, i. 192

Robertson, Dr. William, Charles V., iii. 309; v. 471, 560

Robespierre, iv. 476; vi. 13, 14

[426]
Robinson, H. Crabb, Diary, i. 337, 475; ii. x, 74;
iv. 475. 478, 479, 492, 512, 538, 556;
v. 199, 281, 470, 614; vi. 444

Robinson, editor of Morning Post, i. 358

Robinson, Mrs., “Perdita” (née Darby), The Mistletoe, i. 358

Rocca, Giovane, ii. 523; vii. 50

Rochefoucauld, Maximes, ii. 307, 419
Réflexions, iv. 552; vi. 144, 246, 303

Rochester, John Wilmot, Earl of, Poems, i. 218

Rodd, Thomas, Ancient Ballads from the Civil Wars of Granada, iv. 529, 530

Roderick the Goth, ii. 89

Rogers, Samuel, Byron’s withdrawal of English Bards, and Scotch Reviewers, i. 294;
“a true poet,” i. 306;
Recollections of the Table Talk of, i. 329, 429; iv. 539; vi. 17;
Byron and Lord Carlisle, i. 355;
Pleasures of Memory, i. 361; iii. 50, 207;
Italy, ii. 329, 343, 353, 372, 376-378, 407; iv. 539; v. 130;
Byron’s opinion of, iii. 50; Voyage of Columbus, iii. 76;
Giaour dedicated to, iii. 81; Jacqueline, iii. 319, 320, 323;
Byron’s letters to, iii. 545; iv. 80; vi. 83, 173;
and Byron’s Dream, iv. 31;
first meeting of Byron and Sheridan at his house, iv. 69;
Sheridan’s appeal to, iv. 73; Brides of Venice, iv. 166;
referred to in Beppo, iv. 183;
translation of Zappi’s Sonetto, iv. 271;
Byron’s verses on (Question and Answer), iv. 538;
Human Life, iv. 539, 574; at Sir George Beaumont’s, iv. 570;
in Don Juan, vi. 6;
“I wished to learn the Art of forgetting,” vi. 17;
“Thou shalt not steal from,” vi. 75; “have deserted,” vii. 17;
Lord Thurlow’s An Epistle to a Friend, vii. 18–20

Roland, v. 553

Rolland (d’Erceville), M. le Président, Recherches sur les Prérogatives
des Dames chez les Gaulois sur les Cours d’Amours, ii. 6;
Foscari, v. 130

Rolliad, i. 294, 319, 395, 500

Romaika, kerchief-waving dance, i. 492; vi. 151

Romance Muy Doloroso, iv. 529

Romanceros, the, ii. 47

Romanelli, Dr., ii. 175; vii. 11

Romanin, S., Documentata Storia di Venezia,
v. 116, 117, 119, 121, 144, 171, 172, 178, 179, 195

Rome, i. 376; ii. 312, 388; v. 158; vi. 348; siege and sack of, v. 471

Romeï, Laodamia, iii. 507

Romeo and Juliet, vi. 540

Romilly, Sir Samuel, ii. 213; v. 181; vi. 17, 451

Romney, i. 321

Romuald of Salermo, ii. 473-476

Ronalds, Sir Francis, iv. 505

Ronco river, vi. 212

Ronda, mount, ii. 54

Roque, M., ii. 190

Ros, Georgiana, Lady de (Lennox),
Personal Recollections of the Great Duke of Wellington, ii. 229

Rosa, ii. 425

Rosbach, battle of, iv. 334

Rosciad, i. 294

Roscoe, Life and Pontificate of Leo Tenth, iii. 369

Roscommon, Wentworth Dillon, 4th Earl of, i. 354

Rose and nightingale, iii. 86; v. 428, 612

Rose, George, Treasurer of the Navy, vii. 30; Diaries, etc., vii. 31

Rose, Sir William Stewart (“Parthenopex Puff” of Vivian Grey),
Court and Parliament of Beasts, etc., iv. 156; vi. 506; vii. 55

Rosebery, Earl of, iv. 163; Napoleon, The Last Phase, v. 547;
Pitt, vi. 377

Rosetta Stone, ii. 108

Ross, Sir John,
A Voyage of Discovery … for the purpose of exploring Baffin’s Bay, vi. 51

[427]
Rossberg, or Rufiberg. fall of the, iv. 97

Rosse, Sir Laurence Parsons, 2nd Earl of,
Defence of the Antient History of Ireland, vi. 337

Rossetti, D. G., Dante and his Circle, iv. 248;
Dante at Verona, v. 562

Rossi, Professor V., iv. 309

Rossini, v. 562; vi. 586; Armida and Rinaldo, vi. 34;
L’Italiana in Algieri, vi. 205

Rostopchin, General, i. 488

Rothen, iv. 97

Rothschild, Baron Anselm (of Frankfort), v. 573

Rothschild, Baron Charles (of Naples), v. 573

Rothschild, Baron James (of Paris), v. 573;
reprints Le Mistère du Viel Testament, v. 207

Rothschild, Baron Nathan Mayer (of London), v. 573; vi. 456

Rothschild, Baron Salomon (of Vienna), v. 573

Rousseau, J. J., i. 15; ii. 260, 264-267; v. 548; vi. 303;
Confessions, ii. 280, 300, 302; iv. 53;
Julie, ou La Nouvelle Héloïse, ii. 277, 278, 303; iv. 18; vi. 536;
on the Ranz des Vaches, v. 159

Roux-Fazillac, M., iv. 514

Rovere, Francis Maria II., Duke of, ii. 498

Rowfant Library, iv. 508

Rowland, Junior, Alexander, An Historical, Philosophical, and
Practical Essay on the Human Hair, vi. 19

Rowlandson’s caricatures, iv. 509

Roxburgh Club, v. 200; reprints the
Chester Plays, or Mysteries, v. 207; vi. 551

Royal Alexandra Theatre, Liverpool, Manfred at, iv. 78;
Sardanapalus at, v. 2

Royal Amphitheatre, Westminster Bridge, iv. 203; vii. 59

Royal Caledonian Asylum, iii. 415

Royal Institution, vi. 16

Royalty Theatre, Goodman’s Fields,
Don Juan; or, The Libertine Destroyed at, vi. 11

Royston, Philip Yorke, Viscount, translation of Lycophron’s Cassandra, iv. 243

Ruffin, Marshal, i. 469; vi. 261

Rufinus, the præfect, ii. 518

Rulhière, Claude Carloman de, vi. 395;
Anecdotes sur la révolution de Russie en l’année 1762;
Histoire de l’anarchic de Pologne, etc., vii. 62

Rundell, Mrs., Domestic Cookery, vii. 57

Runic, Byron’s use of the word, iv. 241

Rushton, Robert, ii. 26, 52; vii. 6

Ruskin, John, Stones of Venice, ii. 327;
Modern Painters, iv. 18, 26

Russell, Lord John, ii. 352; iv. 314;
Moore Memoirs, iv. 587; v. 5, 280

Russia, her intrigues in Greece, v. 557

Russians v. Swedes, iv. 207, 233;
“rushing from hot baths to snows,” vi. 475; at Leipsic battle, vii. 23

Rustica (the Ustica of Horace), valley of, ii. 523

Rusticucci, Jacopo, iv. 254

Rycquius, Just., De Capit. Roman. Comm., ii. 511, 512

Ryder, Mrs., as “Ida” in Werner, v. 324

Ryder, Richard, Home Secretary, vii. 13

Sabellicus, Marcus Antonius Coccius, De Venetæ Urbis Situ Narratio, ii. 328; v. 179

Sabina, Empress, i. 493

Sabio, Alonso el, ii. 77

Sackville, Lord George, iv. 513

Sacy, Silvestre de, Notice du Libre d’ Enoch, v. 302

Sadducees, the, ii. 104

[428]
Sade, Abbé de, Mémoires pour la Vie de François Pétrarque,
ii. 350, 479, 480, 481

Sade, Hugo de, ii. 350, 480

Sade, Laura de (née de Noves), Petrarch’s Laura, ii. 350, 479

Sa’di, The Gulistan, or Rose Garden, i. 353; iii. 160

Sadler’s Wells Theatre, Werner at, v. 324;
Don Juan; or, The Libertine Destroyed at, vi. 11

Safety-lamp, Sir H. Davy’s, vi. 51

Saick, a Levantine barque, iii. 252

St. Albans, Duke of, iv. 541

St. Aldegonde, i. 476

St. Angelo, castle of, ii. 439

St. Anthony, vi. 32

St. Augustine, ii. 480; v. 209, vi. 573;
De Civitate Dei, v. 235; Confessions, vi. 28;
Epist., vi. 168; Black Canons of, vi. 495

St. Bartholomew, iv. 494; vi. 230

St. Bernard, Convent of, ii. 306

St. Christopher, of Paris, vi. 93

St. Domingo Island, ii. 90; iii. 296

Saint-Evremond, vi. 246

St. Francis of Assisi, vi. 32, 33, 273

St. Gingolph, ii. 304; iv. 18

St. Helena, v. 544

St. Honorius, ii. 35, 86

St. James of Compostella, ii. 206

St. Jean, Mount, ii. 293, 325

St. Jerome, vi. 28

St. John, i. 326

St. John, Knights of, iv. 400

St. Jules, Caroline Rosalie Adelaide (Hon. Mrs. George Lamb), i. 301; vii. 15

St. Lambert, ii. 300

St. Lorenzo, Church of, Florence, ii. 375, 503

St. Mark’s, Venice, horses, ii. 336; lions, ii. 471; bells, iv. 363;
Doges buried at, iv. 366

St. Maurice, iv. 120

S. Nicola in Carcere, Church of, Rome, ii. 437

St. Pantaleon, of Nicomedia, ii. 339

St. Peter’s, Rome, ii. 376, 440, et seq.; iv. 270

St. Petersburg, “that pleasant capital of painted snows,” vi. 386

St. Preux, ii. 260, 305

St. Sophia’s, Constantinople, ii. 152, 176, 442

St. Thomas Aquinas, vi. 572

St. Ursula, vi. 419

St. Victor, Monastery of, iv. 4

St. Vincent, Lord, vi. 14

Sainte Croix, Guilhem de Clermont Lodève, Baron de,
Examen Critique, etc., vi. 226

Sainte-Palaye, De la Curne de, Mémoires sur l’Ancienne Chevalerie, ii. 6

Salakhora, ii. 145, 148

Salam aleikoum! aleikoum salam! Moslem salutation, iii. 104

Salamanca, battle of, i. 496

Salamis, battle of, i. 458; iii. 91, 270, 273; vi. 169

Salanfe, or Pisse-Vache, ii. 383

Sale, Preliminary Discourse to the Koran, iii. 110, 121, 197
translation of the Koran, vii. 9

Sale, Alberto dal, iii. 506

Salemenes, a character in Sardanapalus, v. 12

Salisbury, Countess of, ii. 7

Sallust, Catilina, vi. 299

Salsette frigate, ii. 13, 205

Salt-mines, Poland, iv. 212

Saluces, Marquis de, v. 471

Salvator Rosa, vi. 502

Salviati, Lionardo, ii. 357, 485

Salvo, Marquis de, Travels in the Year 1806, etc., iii. 4

Samoïlovitch, president of the Eastern Ukraine, iv. 201

Samos, vi. 171

San Caetano, Ignatio de, ii. 43

San Liberatore alla Majella, Benedictine Monastery of, iv. 288

San Martin, General José de, v. 556

San Zanipolo, Church of, iv. 336

Sanadon, Père, v. 567

Sancho Panza, i. 490

Sandall, Prior William, vi. 496

Sandasarmū, of Cilicia, v. 4

Sandford, Francis, History of the Coronation of James the Second, iv. 504

[429]
Sandford, Mrs., Thomas Poole and his Friends, i. 437

Sandi, Vettor, Principi di Storia civile della Repubb. di Venezia, iv. 326, 332

Sandwich, Lord, vi. 267

Sandys, translation of Ovid, iii. 199

Sanguinetto river, ii. 379, 507

Sansovino, F., Venetia cittá nobilissima, iv. 166, 390

Sant’ Anna, Hospital of, Ferrari, ii. 355; iv. 139, 141, 143, 144, 147

Santa Croce, Church of, ii. 369, 374, 375, 490

Santa Maura (Leucadia), ii. 126, 178

Santi Giovanno e Paolo (or San Zanipolo), Church of, Venice, iv. 336

Sanudo, or Sanuto, Marin, Vitæ Ducum Venetorum, ii. 475;
iv. 326, 331, 347, 349, 352, 357, 363, 384, 431, 435, 450, 452, 461, 462;
v. 115, 134

Sapienza, island of, iv. 356, 365

Sappho, ii. 125, 178; vi. 26, 139, 180

Saracus, last king of Assyria, v. 107

Saragoza, Augustina, Maid of, ii. 58, 91

Saragoza, siege of, ii. 58, 91, 94

Saratoga, battle of, vi. 12

Sardanapalus, iii. 493;
v. 3-112, 115, 199, 203, 204, 243, 279, 469;
vi. 140, 461, 538; vii. 77

Sardi, iii. 505

Saronic Gulf, ii. 362

Sassi, the brothers, ii. 389

Satan, v. 201

Satanic School of Poetry, iv. 477, 481, 483; v. 196

Satibarzanes, the eunuch, v. 72

Satirist, The, i. 373, 374, 383; vi. 69

Saul, iii. 392

Saussure, Horace Bénédict de, Essai sur Hygrométrie,
inventor of the cyanometer, vi. 216

Savage, Richard, The Wanderer, iii. 261

Savary, Marshal, iii. 428

Savelli family, the, ii. 403

Savini, Guido, ii. 487

Savioli, Conte Ludovico, iv. 250

Savoie, Louis de (wife of Louis XVIII.), v. 498, 566

Savoy, Charles III., Duke of, iii. 299; iv. 4, 10

Savoy-Carignan, François Eugene, Prince of, iv. 262

Sawbridge, vi. 100

Saya, or basquiña, the outer petticoat, vi. 116

Sayer, Elizabeth Price, translation of Dante’s Il Convito, iv. 253, 256

Sayer, James, Elijah’s Mantle, i. 294, 356

Saxe, Count, i. 107

Saxe-Cobourg, Leopold of, ii. 450

Saxe-Weimar, Bernhard, Duke of, v. 371

Saxons, the, v. 371, 553

Saxony, John George, Elector of, v. 373

Sbergo, or usbergo, iv. 308

Sbirri, Venetian policemen, iv. 383

Scalanova, Port, Asia Minor, iii. 252

Scaliger, J. J., v. 281, 302

Scaligers, tombs of the, v. 561, 562

Scamander river, ii. 182

Scanderberg, or Scander Bey (George Castriota), ii. 124, 173

Scarron, vi. 246

Sceptics, or Pyrrhonists, vi. 379

Schaffhausen, ii. 383

Schaffner, Alfred, Lord Byron’s Cain und Seine Quellen, v. 200

Schaumburg, v. 371

Scheible, Das Kloster, vi. xx

Scheremetov, Count Boris Petrowitch, Russian General, vi. 307

Schiavoni, Giorgio, iii. 368

Schiller, iii. 503;
Armenian, or the Ghost-Seer (Der Geisterseher), i. 131; ii. 342;
Bride of Messina, iii. 150; Wilhelm Tell, ii. 385;
Piccolomini, iv. 566

Schipper, Dr. J., Englische Metrik, iv. 239

[430]
Schlegel, Friedrich, ii. 472; iv. 237, 238, 341, 342; vii. 50

Schlegel, J. S. B., Tagebuch, etc., vi. 605

Schlick, M., Corr. of, iv. 470

Schoene, A., v. 107

Schroepfer, Johann Georg, vi. 605

Schultz, Hans, Der Sacco di Roma, v. 520

Schumann, R., Music to Byron’s Manfred, iv. 78

Schuyler, Eugene, Peter the Great, iv. 203, 207, 233

Scio island, iii. 252

Scipio Africanus, i. 493; ii. 371, 389, 459, 496; (II.), v. 512

Scipio Barbatus, ii. 389

Scipio, Lucius, ii. 389

Scipio, Metellus, iv. 264

Scipios, tomb of the, ii. 389

Semelet, W., iii. 160

Scorpion, The, iii. 107

Scotland, vi. 405

Scot’s Magazine, iv. 139; v. 329, 470, 540

Scott, John, iii. 532, 535; iv. 472

Scott, Sir Walter, i. 303, 305, 306, 331, 384; vi. 6;
The Wild Huntsman, i. 117, 317;
mentioned in English Bards, and Scotch Reviewers, i. 309-312, 319, 337, 369;
Lay of the Last Minstrel, i. 309, 310; iii. 472; vi. 406, 458, 560;
contributes to Monk Lewis’ Tales of Wonder, i. 317, 318;
The Fire King; Glenfinlas; The Eve of St. John;
Frederick and Alice, i. 317;
Marmion, i. 310, 371; ii. 360; iii. 474; iv. 13; v. 542; vi. 426;
Fortunes of Nigel, i. 351; in Hints from Horace, i. 395, 419;
his amanuensis, W. H. Weber, i. 396;
Antiquary, i. 413; iv. 524; v. 377;
and Ballantyne, i. 435;
The Vision of Don Roderick, i. 436; ii. 4, 51, 88, 89;
Border Minstrelsy, ii. 4, 295; Young Lochinvar, ii. 70;
Nossa Señora da Peña, ii. 86; Sir Tristrem, ii. 203;
reviews Childe Harold in Quarterly Review,
ii. 213, 315, 325; iv. 6;
Lord of the Isles, ii. 244; The Dance of Death, ii. 292;
Field of Waterloo, ii. 292; iii. 434; vi. 266;
the “Ariosto of the North,” ii. 311, 359;
Tales of a Grandfather, ii. 337; vi. 12;
Lady of the Lake, ii. 347; Byron accused of copying, iii. 128;
octosyllabic verse, iii. 224; The Corsair, iii. 225;
Byron’s present of a silver urn, iii. 301;
Coleridge’s Christabel, iii. 443, 472;
Byron and Wordsworth, iii. 533;
reviews Prisoner of Chillon in Quarterly Review, iv. 6;
article in Q.R. on The Dream, iv. 37;
on Darkness, iv. 42; on Coleridge’s imagination, ibid.;
on Churchill’s Grave, iv. 46; referred to in Beppo, iv. 183;
Tales of my Landlord, iv. 284;
Life of Napoleon Buonaparte, iv. 456; v. 546; vi. 418;
Guy Mannering, iv. 566;
meets Byron frequently in society, iv. 570;
Memoirs of the Life, etc., iv. 570, 585, 587;
The Search after Happiness, iv. 574;
Lydia White’s death, iv. 587;
on Cain and its dedication, v. 204, 205, 206;
Waverley, v. 209; vi. 272, 404; on Byron and Alcibiades, v. 485;
on Don Juan, vi. xix; edition of Dryden’s Works, vi. 178;
Byron’s letters to, vi. 178, 186, 405, 479;
on Byron’s features, vi. 360;
Letters on Demonology and Witchcraft, vi. 380, 491;
The Abbot, vi. 440; “reigned before me,” vi. 444;
“my buon camerado,” vi. 459;
his use of “gynocracy,” vi. 473; Journal, vii. 25

Scott, William, i. 436

Scourge, The, i. 374

Sea-coal (Newcastle coal), vi. 503

Sea-sickness, remedies for, vi. 84

Seale, John Barlow, An Analysis of the Greek Metres, etc., i. 59

Searment, cerecloth, or searcloth, ii. 154

[431]
Seaton, R.C., Sir Hudson Lowe and Napoleon, v. 544

Sebastiani, General François Horace Bastien, ii. 89, 200

Sedition Bill, iv. 511

Segati, Marianna, iv. 214

Segovia, Cardinal of, iii. 369

Segur, Louis Philippe, Comte de, vi. 314

Selictar, sword-bearer, ii. 149

Selim II., Sultan, vi. 259

Selim III., ii. 207

Sellers, E., ii. 432

Sellis (Sélis), Duke of Cumberland’s valet, vii. 31

Semiramis, v. 14, 15, 19-21, 23, 36, 50, 58, 79; vi. 235, 236

Senebier, Jean, Histoire Littéraire de Genève, iv. 3, 11

Seneca, v. 3, 543; De Irâ, vi. 292

Senger, Richard, Die beiden Foscari, v. 119, 121, 135, 183

Senhouse, Humphrey, iv. 475

Sennacherib, iii. 404; v. 4, 24

Separation, the, iii. xx

Septemberes, Septembriseurs, vi. 595

Septimius Severus, ii. 408, 511, 520; v. 542

Seraphim, the, v. 228

Serassi, La Vita di Tasso, ii. 485, 498

Serenissima Signoria (Venice), iv. 345

Servan, Joseph, vi. 13

Servetus, i. 417

Servius, ii. 133

Servius Sulpicius, ii. 362

Sesostris, v. 405, 543

Sestos, iii. 13

Seven Towers, the, vi. 260

Severus, Sulpitius, ii. 133

Sévigné, Madame de, i. 402

Sévigné, M. de, i. 402; vi. 246

Seville (Hispalis of the Romans), ii. 52, 63, 93; vi. 15

Sextilius, Governor of Carthage, iv. 251

Sforza, Cardinal Ascanio, iii. 367

Sforza, Ludovico, iv. 13

Sgricci, Signor, ii. 492

Shadwell, Lancelot, Vice-Chancellor, v. 203

Shadwell, Libertine, vi. xvi, 4, 11

Shaftesbury, Earl of, vi. 482

Shakespeare, i. 29, 37, 38, 193, 289, 345, 399;
ii. xiii, 217; iii. 51, 52; iv. 325, 326;
v. 3, 28, 339; vi. 174;
compared with Byron, v. 205; his use of “shook,” v. 135;
of “skirred,” v. 163

Sharp, Richard, “Conversation,” iv. 570; “Kit-Cat,” vi. 511

Shaving, “a daily plague,” vi. 522

Shee, Sir Martin Archer, i. 365

Shelley, P. B., ii. 115; translation of Plato’s Epitaph, i. 19;
letter from Byron, i. 293; witnesses Lewis’ will, i. 318;
Peter Bell the Third, i. 416;
Queen Mab, ii. 13; v. 75, 234, 237, 257, 258, 268;
Byron’s Albanian song, ii. 145;
Third Canto of Childe Harold, ii. 211, 315;
Wordsworth as preached by, ii. 219, 311;
Feelings of a Republican on the Fall of Bonaparte, ii. 227;
“the only important calumny,” ii. 248; iv. 63;
his companionship, ii. 258; iv. 82;
Adonais, ii. 260, 271; iii. 137; vi. 401, 446;
Letters from Abroad, etc., ii. 305, 306, 307;
his “delicate spirit,” ii. 315;
Prometheus Unbound, ii. 325, 417; v. 281;
Lines written among the Euganean Hills, ii. 338, 343;
Julian and Maddalo, ii. 349; “a very decent dungeon,” ii. 355;
Hellas; Ode to Liberty, ii. 402; Poetical Works, ii. 407;
the Castle of Chillon, iv. 3, 18;
Revolt of Islam, iv. 38; v. 603;
translation of Calderon’s El Mágico Prodigioso, iv. 81;
To a Skylark, iv. 96; on Manfred and incest, iv. 100;
Prince Athanase; The Woodman and the Nightingale;
Ode to the West Wind, iv. 239; Cenci, iv. 367;
the entry in the travellers’ album at Montanvert, iv. 475;
[432]
on Cain, v. 204; Greek choruses, v. 281; Prose Works, v. 331;
his death, v. 469; on The Deformed Transformed, ibid.; May-Day Night, v. 470;
on Don Juan, vi. xix;
his mystical affinities and divagations, vi. 188;
on Croker’s review of Keats, vi. 446;
in Pisa with Byron, vii. 78

Shelley, Mrs. P. B., ii. 143, 305; iv. 320, 570;
her transcript of:—Werner, v. 331;
The Deformed Transformed, v. 474; Age of Bronze, v. 537;
Don Juan, vi. 268, 269, 272, 274, 310, 373

Shenstone, William, Poetical Works, iii. 41, 59

Sheppard, v. 199

Sheridan, Charles, iv. 74

Sheridan, Mrs. Frances (née Chamberlaine), Nourjahad, etc., vii. 33

Sheridan, R. B., i. 306, 317, 343, 500; iii. 45, 51, 545; iv. 561; vi. 450;
The Critic, i. 343, 383; iv. 73, 75; v. 113; vi. 537;
Pizarro, i. 344, 489; iv. 73;
The Rivals, i. 431, 494; ii. 334; iv. 72, 514; vi. 258;
his doggerel on Brunck, i. 490;
Lines on Waltzing, i. 499;
“ere Brinsley ceased to write,” iii. 53;
Monody, etc., iv. 69-75;
Byron’s first meeting with, iv. 69;
The Scheming Lieutenant; The Duenna, iv. 72;
his Begum and Warren Hastings speeches, iv. 72, 75;
A Trip to Scarborough, iv. 73;
A School for Scandal, iv. 73, 75, 338;
Monologue on Garrick, iv. 75;
contrasted with Brougham, iv. 195;
his pasquinade on Wilkes, iv. 511

Sheridan, Thomas, iv. 74; Bonduca, i. 343

Sherwood, Southey v., v. 204

Sherwood Forest, vi. 495

Sherwood, Neely, and Jones, i. 478; iii. 256; iv. 482

“Ship of the desert,” camel or dromedary, v. 606

Shipwreck, description of a, vi. 88-101

Shiraz, iii. 182

Shirley, Sir Anthony, iii. 105

Shooter’s Hill, vi. 424, 429

Shtcherbatof, Princess, vi. 389

Shyness, Byron’s, i. 207

Siddons, Mrs. (Sarah Kemble), i. 46, 344, 345; iii. 51, 52; iv. 338

Sidney, wreck of the, vi. 95

Sidney, A., Discourses concerning Government, ii. 504

Siege of Corinth, ii. 113, 288; iii. 449-496, 508;
iv. 227, 230, 423; v. 163, 326, 503, 626; vi. 111, 332, 382

Siegendorf, Count (F. Kruitzner), v. 327

Siena, Bindo Borrichi da, iv. 248

Sierke, Dr. Eugen, Schwärmer und Schwindler, vi. 605

Sierra Morena, ii. 54, 55, 91

Sigeum, ii. 99; Cape, vi. 204

Sigismund, king of Burgundy, iv. 120

Signori di notte, Venetian police, iv. 383, 427, 467

Silius Italicus, Pun., ii. 379

Silver and Co., De, printers, i. 452, 453

Simar, or cymar, a shroud, iii. 143

Sime, J., Sir Francis Renalds, F.R.S., and his Works in connection with Electric Telegraphy, iv. 505

Simeon, Rev. Charles, i. 417, 431

Simon Magus, ii. 513

Simoon, the, iii. 99; vi. 198

Simpliciad, The, i. 294, 316

Simplon, the, vi. 394

Sinsariskim (Assyria), v. 4

Siria, the bitch-star, vi. 505

Sirocco, the, ii. 48; iii. 9

Sisi, Porta, vi. 212

Sismondi, J. C. L, Simonde de, Histoire des Républiques Italiennes du Moyen Age, iii. 235; iv. 332; v. 115, 138, 196; vi. 199, 461

Sisyphus, i. 329; vi. 538

Sitwell, Lady, iii. 381

[433]
Sixtus V., Pope, ii. 384, 411; iv. 271

Skeat, Rev. W., Complete Works of Chaucer, iv. 239

Skeffington, Sir Lumley St. George, The Maid of Honour;
The Mysterious Bride; The Sleeping Beauty, i. 306, 345, 346

Sketch, A, iii. xix, 499, 540; iv. 64; vi. 22

Slave-market, Constantinople, vi. 216

Slavery, abolition of, vi. 549

Sleep, iv. 33; vi. 123

Sligo, Lord, iii. 75, 441

Slowacki, J., iv. 203

Smalkeld articles, v. 520

Small-pox and vaccination, vi. 50

Srmaragdus, the Exarch, ii. 410

Smedley, Sketches from Venetian History, ii. 329; iii. 455; iv. 363; v. 115

Smiles, Dr. Samuel, Memoir of John Murray,
i. 310; ii. 327, 359; iii. 98, 217, 313, 320, 443, 488, 499, 519;
iv. 3, 139; v. 203; vii. 47, 57

Smith, Alexander, able seaman on the Bounty (John Adams of Pitcairn Island),
v. 583, 588, 605, 623

Smith, Miss Araminta, vi. 443

Smith, Horace and James, Horace in London, i. 462, 465;
Rejected Addresses, i. 481; iii. 55

Smith, John Spencer, Minister to Turkey, iii. 4

Smith, Mrs. Spencer (“Florence”), ii. xvii, 75, 110, 118; iii. 4

Smith, Rev. Sydney, i. 302, 306, 336; “twelve-parson power,” vi. 410;
Peter Plymley’s Letters, vi. 596

Smith, William, M.P. for Norwich, iii. 488; iv. 482, 516, 578; vi. 175

Smith, Sir William, Classical Dictionary, ii. 156;
Dictionary of Greek and Roman Antiquities, ii. 424;
Dictionary of the Bible, iv. 499

Smith, Admiral Sir Sidney, iii. 4

Smollett, History and Adventures of an Atom, ii. 40;
Humphry Clinker, ii. 203; Roderick Random, vi. 210

Smyth, Sir Harry, vi. 153

Smyth, Professor William, English Lyrics, i. 372

Smythe, i. 306

So we’ll go no more a-roving, iv. 411, 538

Soane, Sir John, Museum in Lincoln’s Inn Fields, iv. 141

Sobieski, John, king of Poland, iii. 458

Social War, B.C. 88, iv. 251

Société d’Histoire, etc., de Genève, iv. 5

Société Imperiale d’Histoire de Russie, vi. 317, 340

Society Islands, the, v. 583

Socrates, i. 458; ii. 101, 103; iii. 271; iv. 253;
v. 485; vi. 267, 303, 483, 548, 567, 568, 610

Sodom, apple of, ii. 294

Soignies, wood of, ii. 293

Soissons, Bishop of, ii. 337

Solano, Marquis of. Commander-in-Chief at Cadiz, ii. 77, 93

Solerti, Angelo, Vita di Torquato Tasso, ii. 355-357; iv. 144-146

Soliloquy of a Bard in the Country, i. 217

Solitude, ii. 116, 272, 457; vi. 234

Sollikoff, vi. 370

Solomon, vi. 303

Solon, iv. 438

Solyman, ii. 201; vi. 259

Somerset, Duchess of, i. 343; vi. 417

Sonetto di Vittorelli, iii. xix; iv. 535

Song, i. 262

Song for the Luddites, vii. 42

Song of Saul before his Last Battle, iii. 393

Song of Solomon, v. 491

Song to the Suliotes, vii. 83

Sonnet on Chillon, ii. 214; iv. 7

Sonnet on the Nuptials of the Marquis Antonio Cavalli with
the Countess Clelia Rasponi of Ravenna, iv. 547

[434]
Sonnet—To Genevra, ii. 67, 70, 71, 390

Sonnet to Lake Leman, iv. 53

Sonnet to the Prince Regent (on the repeal of Lord Edward Fitzgerald’s forfeiture), iv. 548

Sophia, Princess, vi. 18

Sophia, Tzarina, iv. 202

Sophie of Russia, Princess, vi. 425

Sophocles, iv. 264; Ajax, vi. 172

Sophron, Mimes, i. 414

Soracte, ii. 386, 388

Soranzo, Marco, iv. 384

Sotheby, William (“Botherby”), iv. 182, 569, 570; vi. 75;
Saul, i. 362; vii. 59; Oberon, i. 362; iii. 263; v. 496;
Ivan, iii. 280; iv. 338; vii. 48;
Five Unpublished Tragedies, iii. 280; iv. 578, 584; vii. 48, 70;
Constance de Castile, iii. 348; “a bore,” iv. 580;
The Blues, vii. 17;
Orestes; The Death of Darnley, vii. 48;
Farewell to Italy; Occasional Poems, vii. 52;
“sate sweating behind her,” vii. 61

Sotheby, Wilkinson, and Hodges, iii. 537

Soudan, vi. 474

Soult, ii. 51, 77

South, Dr., vi. 128

Southcott, Joanna, Book of Wonders, iv. 497; vi. 176, 452

Southey, Robert, i. 331, 443; ii. 56; iii. 402; v. 613, 614; vi. 166;
The Devil’s Walk, i. 31; vii. 21;
Letters from Spain, i. 44; ii. 43;
Letters, Life, and Correspondence, i. 303, 344, 359, 396; ii. 34, 87; iv. 225, 476, 482; vi. 3, 4, 175, 350;
“notable remarks on,” i. 305;
“Southey’s epics cram the creaking shelves,” i. 307; “soaring,” i. 308;
Epics of the Ton on, i. 311; “the Ballad-monger,” i. 313;
Thalaba, i. 313, 434; iii. 121, 472; iv. 24;
Joan of Arc, i. 313, 437; Madoc, i. 313, 314, 437; vi. 215;
The Old Woman of Berkeley, i. 315, 317;
on Hayley, i. 321; iv. 244;
on Pizarro, i. 344;
Life of Henry Kirke White, i. 363; iv. 521, 522;
his followers, Lamb and Lloyd, i. 368; “his teeming muse,” i. 369;
his epic bathos, i. 403; “sink to Southey’s level in a trice,” i. 404;
Curse of Kehama, i. 435, 436; v. 271, 281, 469;
History of the Peninsular War, ii. 43, 91, 92, 94;
Roderick, ii. 46; iii. 477, 496; v. 565;
Poet’s Pilgrimage to Waterloo, ii. 227, 234, 235; iv. 521;
Funeral Song for the Princess Charlotte of Wales, ii. 450;
on vampires, iii. 123; Carmen Triumphale, iii. 217; vii. 39;
The Doctor, iii. 488;
Wat Tyler, iii. 488; iv. 477, 481, 482, 521;
English Eclogues, iv. 47; The Inchcape Rock, iv. 428;
Byron’s quarrel with, iv. 474-485;
Vision of Judgment, iv. 475, 476, 478, 489, 491, 495, 497, 508, 512, 522, 524; v. 196;
Elegy on H. Martin, iv. 477, 482;
Essays Moral and Political, iv. 479, 482; vi. 175;
his “quartos,” iv. 516; Byron on his appearance, iv. 520;
The Pious Painter, iv. 520; Battle of Blenheim, iv. 521;
Life of Wesley, and Rise and Progress of Methodism, iv. 522;
Common-Place Book, iv. 529; Chronicle of the Cid, ibid.;
“renegade,” iv. 578; his indictment of the Satanic School, v. 196;
on the “Byron Head,” Castle Street, v. 203; Don Juan dedicated to, vi. 3;
“so quaint and mouthy,” vi. 74;
Epilogue to the Lay of the Laureate, vi. 80;
Coleridge’s eulogy of, vi. 168; his marriage, vi. 175;
March to Moscow, vi. 307; Byron’s abuse of, vi. 403;
“turncoat,” vi. 444; “rogue Southey’s gander,” vi. 445;
Omniana, vi. 576; “Who shot the arrow?” vii. 76

Southey, Herbert, iv. 485

Southey, Mrs. Robert, iv. 521

[435]
Southey v. Sherwood, v. 204

Southwell, vii. 1, 8

Southwell Minster, i. 119

Spagnoletto, vi. 502

Spain, i. 469; revolution in, v. 537, 538; vi. 456;
royalist reign of terror in, v. 558; the Inquisition in, ibid.

Spalding, Lieut.-Colonel, Suvóroff, vi. 320, 321, 370

Spanish women, their style of beauty, ii. 59

Sparamizus, the eunuch, v. 11

Sparks, Jared, Works of Benjamin Franklin, v. 554

Sparta, iii. 21

Spartans, ii. 195

Spectator, ii. 133; iii. 98; vii. 57

Spelman, iv. 445

Spence, Rev. Joseph, Observations, Anecdotes, and Characters of
Books and Men, vi. 303; vii. 52

Spence, Thomas, vi. 265

Spencer, General, ii. 93

Spencer, William, iv. 581

Spenser (Faërie Queene), i. 395; ii. x, 4, 5, 17, 71, 72, 101, 139, 146;
iii. 224, 474; vi. 592

Spercheus, a river-god, v. 488

Sperone Speroni, ii. 498

Spinola, Ambrogio, Marchese di, iv. 262

Spinther, Lentulus, ii. 405

Spurious verses, attributed to Byron, iii. xx, xxi

Spottiswoode, William, the mathematician, vii. 56

Staël, Madame de, i. 494; vi. 70;
Corinne, ou L’Italie, ii. 424, 490, 503; iv. 413; vi. 71, 541; vii. 32;
De L’Allemagne, iii. 164; vi. 168; vii. 32;
on Fare Thee Well, iii. 534; on Byron’s Sonnet to Lake Leman, iv. 53;
attempts to reconcile the Byrons, iv. 63;
quizzed by Sheridan, iv. 75; on Goethe’s Werther, iv. 341;
“the Begum of Literature,” iv. 570;
Considérations sur la Révolution Française, vii. 49

Staines, Sir Thomas, v. 582

Stamboul, i. 378; ii. 152, 194

Stamp Acts, v. 560

Stanhope, Colonel, iii. 272; vii. 86

Stanhope, Lord, i. 452, 457, 471; ii. 299; Life of Pitt, iv. 503

Stanislaus of Poland, iv. 202

Stanley, Dean, Life of Arnold, v. 224

Stanzas, iv. 549; vii. 70

Stanzas composed during a Thunderstorm, iii. 4, 7

Stanzas for Music, iii. 413, 423, 426, 435, 438; iv. 91, 147

Stanzas to a Hindoo Air, iv. 563

Stanzas to a Lady, on leaving England, i. 285; ii. 18, 29

Stanzas to a Lady, with the Poems of Camoëns, i. 78

Stanzas to Augusta, ii. 247, 248, 271; iii. 544; iv. 54

Stanzas to Jessy, i. 234

Stanzas to the Po, iv. 545

Stanzas written in passing the Ambracian Gulf, ii. 128; iii. 4, 11

Stanzas written on the road between Florence and Pisa, iv. 562

Star, The, iii. 534

Stasicrates the architect, vi. 479

Statesman, The, i. 319

Statius, Thebaidos, ii. 189

Staubbach, ii. 383; iv. 81, 82, 119, 124

Steno, Michele, iv. 333, 345, 349, 463

Stefanovíc, Vuk (Wuk Stephanowitsch), Narodne Srpske Pjesme;
Chants Populaires des Servics, iii. 188

Steinmetz, Adam, v. 175

Stephani, ii. 446; Thesaurus, iv. 113

Stephen, Leslie, iv. 513

Sterne, Tristram Shandy, ii. 176; vi. 487;
Sentimental Journey, vi. 214

Sternhold and Hopkins, v. 279

Sternhold, Tom, vii. 39

Stevens, John, continuation of Dugdale’s Monasticon, v. 200, 207

Stevenson, Sir John, iii. 423

[436]
Stewart, Dugald, Philosophical Essays;
Outlines of Moral Philosophy, vi. 63

Stewart, George, midshipman on the Bounty
(“Torquil” of The Island), v. 583, 584; short account of, v. 605

Stewart, Peggy, v. 605

Stickles, John, i. 417

Stilicho, ii. 390

Stillingfleet, Benjamin, iv. 573

Stirling, Edward (“Vetus”), vii. 28

Stoics, “men without a heart,” vi. 225

Stole, a long loosely-flowing robe, ii. 101

Stonehenge, vi. 434

Stott, Robert (“Hafiz”), i. 306, 308, 352, 357, 358, 370; ii. 139

Stout, Captain Benjamin, of the American ship Hercules, vi. 89

Strabo, ii. 173, 178, 196, 204, 512; v. 497; vi. 116, 122;
Rerum Geog., v. 21, 24, 542

Strahan, William, publisher of Johnson’s Dictionary,
Gibbon’s Decline and Fall, Cook’s Voyages, etc., vii. 56

Stralenheim, Baron, v. 327

Strangford, Percy Clinton Sydney Smythe, 6th Viscount,
Poems from the Portuguese by Luis de Camoëns, i. 78, 305, 320, 370

Stroganoff Collection, St. Petersburg, ii. 446

Strutt, Joseph, Sports and Pastimes, vi. 471

Stuart, editor of Morning Post, i. 31

Stuart, Daniel, editor of Courier, i. 422

Stuart, Personal Reminiscences of the late Miss, i. 423

Stuart, Princess Annabella (Countess of Huntly), i. 173

Stumpf, De, Chroniques des Ligues, iv. 4

Styx, river, vi. 184

Substitute for an Epitaph, vii. 11

Suetonius, ii. 298, 409, 488; iv. 270;
Vitæ C. Julius Cæsar, ii. 397, 434, 509; v. 484; vi. 181, 276, 575;
Vit. August., ii. 488, 509, 518; Vit. Tiberii, ii. 488;
De XII. Cæsaribus, iv. 124, 445; vi. 174;
Opera Omnia, v. 501; in Tiberium, vii. 36

Suicide, vi. 265, 517

Suleyman Aga, ii. 205; v. 558

Suli, district of, ii. 126, 141; vi. 171

Suliotes, the, ii. 129, 146, 180; vii. 83

Sulla, iv. 251; vi. 348

Sulpicius Servius, ii. 362

Sulpitius Severus, ii. 133

Sun of the Sleepless! iii. 399

Sunday News, ii. 535

Sunium, vi. 172

Supernaculum, v. 354

Superstition, ii. 128

Surrey, Henry Howard, Earl of, iv. 239

Surrey Institution, iv. 575; vi. 12

Surrey Theatre, vii. 59

Surtees Society, v. 207

Sussex, Duke of, vi. 590

Suwarrow (Suvóroff, Suwarof, Souvarof, Souwarrow), Field-Marshal Aleksandr Vasilievitch,
vi. 14, 222, 304, 315, 316, 317, 319, 320, 322-326, 370, 393

Swedes, v. Russians, iv. 207, 233;
Bohemia evacuated by the, v. 371

Swift, Dean, i. 397, 414, 418, 419; ii. 78; iv. 342;
vi. 142, 303; Tale of a Tub, iv. 484;
The South Sea Project, v. 159;
The Journal of Stella, vi. 187;
Corinna, vi. 454; Letters, vi. 528

Swimming, Byron’s feats of, ii. 461

Swinburne, A. C., Marino Faliero, a Tragedy, iv. 329, 367;
Selections from the Works of Lord Byron, vi. xvi, xx

Swine Green, Nottingham, vii. 1

Swinton, Hon. Mrs. J. R.,
A Sketch of the Life of Georgiana, Lady de Ros, ii. 229

Swiss Tour, Journal of Byron’s, iv. 95, 107

[437]
Sylla, ii. 166, 392; iii. 308; iv. 179

Sylvester, John, vi. 7

Symonds, J. A.,
Renaissance in Italy, ii. 355, 356; iv. 280, 281, 289;
Memoirs of Count Carlo Gozzi, ii. 339;
translation of Life of Benvenuto Cellini, v. 516, 518, 521;
“Evening, all things thou bringest,” vi. 180

Symonds, bookseller, iv. 482

Sympathetic Address to a Young Lady (Lines to a Lady Weeping), iii. 45

Symplegades, the Cyanean, ii. 456, 525; v. 573; vi. 129; vii. 10

Syncellus, Georgius, Chronographia, v. 281, 302

Syracuse, battle of, ii. 341

Syri Sententiæ, ii. 420

Syrius, Publius, i. 414

Taborite, or Hussite, Crusade, v. 549

Tacitus, Annales, ii. 242, 293, 375, 409;
Histor., ii. 294, 299; Agricola, iii. 198

Tact, vi. 63

Tænaron, Cape, ii. 193

Tagus, river, ii. 31

Tahiri, Dervish, ii. 175, 176; iii. 134, 450

Tahiti, v. 582-584, 588

Tahiti, Queen of, ii. 7

Talavera, battle of, ii. xi, 39, 49, 50, 89

Tales, vi. xv

Tales of a Grandfather, ii. 337; vi. 12

Tales of my Landlord, iv. 284

Talfourd, v. 114

Talleyrand, v. 573; vi. 507

Talleyrand, Dorothée, Duchesse de, vi. 417

Talleyrand, Edmond de Talleyrand Périgord, Duc de, vi. 417

Talus, the slope or inclination of a wall, vi. 343

Talvi, Languages and Literature ofthe Slavic Nations, iii. 188

Tambour, Turkish drum, iii. 160

Tambourgi, drummer, ii. 146

Tamerlane, iii. 312; v. 489

Taming of the Shrew, vi. 297

Tappa-cloth, or guatoo (Tonga), v. 600

Tarentum, Duke of, vii. 24

Tarik, ii. 89

Tarkū (Tirhakah), king of Ethiopia, v. 4

Tarleton, General, i. 479

Tarpeian Rock, ii. 413

Tarquins, the, iv. 334

Tarragona, British Consul, iii. 13

Tarsus, v. 23

Tasso, Cornelia, iv. 146

Tasso, Torquato, i. 313; iv. 265; vii. 52;
Gerusalemme Liberata, i. 312;
ii. 133, 143, 246, 329, 467, 485; iii. 215, 362; vi. 34;
Rinaldo, i. 398; “In Venice Tasso’s echoes are no more,” ii. 329;
“Thy choral memory of the Bard divine,” etc., ii. 342;
“their glory and their shame,” ii. 355; “Peace to Torquato’s injured shade,” ii. 358;
Boileau v., ii. 484; and the Cruscans, ii. 485;
Sonnet, iii. 417; The Lament of, iv. 139-152, 237

Tattersall, Rev. John Cecil (“Davus”), i. 97, 98

Tauchnitz, ii. 335

Taurida Palace, St. Petersburg, vi. 386

Tavell, Rev. G. F., i. 406

Taylor, Thomas, translation of the Periegesis Græciæ, iv. 109, 566

Tcharacovista valley, ii. 132, 182

Tchocadar, Turkish attendant, iii. 176

Telemachus, ii. 118

Telemachus, an Eastern monk, ii. 520

Tellez, Gabriel (Tirso de Molina),
El Burlador de Sevilla y Convidado de Piedra, vi. xvi

Temenos, ii. 132

Tempe, ii. 129, 384

Tempest, The (Shakespeare), ii. 213; v. 478; vi. 428

[438]
Tempest, The (spurious), iii. xx

Temple, Lord, iv. 510

Teniers, vi. 502

Tennyson, Lord, Palace of Art, ii. 123;
Break, break, break, ii. 126;
In Memoriam, ii. 461; vi. 516;
Locksley Hall, iv. 43, 319;
“Of old sat Freedom on the Heights,” iv. 196;
Ode on the Death of the Duke of Wellington, iv. 501;
Locksley Hall, Sixty Years After, vi. 180

Tenorio, Don Juan, vi. xvi

Teos, birthplace of Anacreon, vi. 171

Tepeleni, ii. 134, 174, 202

Terence, i. 480; Andrea, vi. 484; Eun., vi. 598

Terentia, wife of Tully, iv. 253

Terentius Varro, M., ii. 92; iv. 253; Rerum Rusticarum, vi. 348

Tereus, iv. 287

Terni, the Cascata del Marmore of, ii. 383

Terpsichore, i. 483

Terrick, Richard, Bishop of London, ii. 108

Terry, Ellen, as “Josephine” in Werner, v. 324

Tertullian, De Carne Christi, vi. 573

Terza rima, iv. 239, 243, 244, 313

Teuman, king of Elam, v. 4

Thackeray, W. M., Vanity Fair, vi. 197

Thakombau, king, v. 600

Thamas Kouli Khan, Nadir Shah, vi. 384

Thames, ii. 66; vi. 434

The Harp the Monarch Minstrel swept, iii. 382

The spell is broke, the charm is flown, iii. 12

Théatre Impérial Lyrique, v. 2

Theatre Royal, Brussels, v. 2

Theatre Royal, Haymarket, Werner at, v. 324

Theatre Royal, Manchester, Sardanapalus at, v. 2

Thebes, ii. 93

Thellusson, Peter Isaac (Lord Rendlesham), banker, i. 425, 471

Themistocles, ii. 190; iii. 85; iv. 423

Theodoret, Hist. Eccl., ii. 521

Theodoric, iv. 386

Theodosius, ii. 390, 472

There was a time, I need not name, i. 264

Thermia (Kythnos) island, ii. 156

Thermopylæ, ii. 149; iii. 21, 91

Theseus, ii. 102; vi. 255; Temple of, i. 459; iii. 272

Thessaly, ii. 126

Thetis, v. 489; vi. 184

Thibault, Mes Souvenirs de vingt ans de Séjour à Berlin, ou Frédéric le Grand, etc., v. 637

Thirty Years’ War, the, ii. 186; v. 340

Thirza, Abel’s wife, v. 209

Thisbe, vi. 235

Thistlewood, vi. 67

Thomas, wreck of the, vi. 103, 110

Thomson (Seasons), ii. 5, 65, 489; iii. 224; v. 615; vi. 200;
his use of “shook,” v. 135; Castle of Indolence, v. 502;
Liberty, vi. 200

Thomson, Ninian Hill, translation of Machiavelli’s Il Principe, vi. 424

Thornton, Thomas, Present State of Turkey, ii. 191, 194-196, 206

Thoroton, History of Nottinghamshire, iv. 35

Thorpe, Markham, iii. 425

Thorwaldsen, vi. 79

Thou art not false, but thou art fickle, iii. 64

Thoughts suggested by a College Examination, i. 28

Thrasybulus, ii. 150, 185; iv. 440

Thrasymene, Lake, ii. 377-379; battle of, ii. 505

Throsby, Thornton’s History of Nottinghamshire, iv. 35

Thun, Lake, iv. 119

Thurlow, Edward Hovell, Lord, Poems on Several Occasions, vii. 17-19;
Hermilda in Palestine, vii. 19

Thy days are done, iii. 391

[439]
Thyrza, iii. 30, 388

Tiber, ii. 390

Tiberius Cæsar, ii. 374, 408, 488

Tibullus, i. 73; Sulpicia ad Cerinthum, i. 74;
Eleg., iii. 199

Tickell, pasquinade on Wilkes, iv. 511

Ticknor, George, History of Spanish Literature,
iv. 484, 496, 523, 530; v. 207; vi. xx, 40, 41

Tigris, river, v. 13

Tilleman, Peter, his picture of Newstead Abbey, vi. 590

Tillotson, Archbishop, vi. 128, 303

Tilly, Johann Tserclas, Count von, v. 371, 416

Tilly, Mr., possessor of Tom Paine’s bones, vii. 65

Timariots, the, iii. 166

Timbuctoo, vi. 51

Times, The, ii. xii, 11, 288, 401; iii. 534;
v. 114, 324; vi. 275; vii. 27, 28

Timoleon, iii. 452; iv. 423

Timon, ii. 8

Timophanes, iii. 452; iv. 423

Timor island, v. 583

Timúr Bey, or Timúr Lang (Tamerlane), iii. 312; v. 489

Tindal, Dr., i. 449

Tio Jorge (Jorge Ibort), v. 559

Tipaldo, Biografia degli Italian Illustri, iv. 245, 457

Tiraboschi, Storia delta Letteratura Italiana,
ii. 481, 486, 494, 496, 501

Tiresias, vi. 535

Tirhakah (Tarkū), king of Ethiopia, v. 4

Titans, vi. 385

Tithonus, v. 497

Titian, iv. 141; vi. 502, 589; Venus of, iv. 162;
his portrait of, Ariosto, iv. 162

Titius, ii. 492

Titus, ii. 392, 409, 410, 424, 445; iii. 401; vi. 139, 174;
“Amici, diem perdidi,” vi. 575

Titus Andronicus, ii. 22

Tlepolemus, a worker in wax, ii. 168

To——, i. 242; iv. 564

To a beautiful Quaker, i. 38

To a knot of Ungenerous Critics, i. 38, 213

To a Lady, i. 189; iv. 37

To a Lady, on being asked my reason for quitting England in the Spring, i. 282

To a Lady who presented the Author with the velvet band which bound her tresses, i. 212, 233

To a Lady, who presented to the Author a lock of hair braided with
his own, and appointed a night in December to meet him in the garden, i. 36

To a vain Lady, i. 70, 244

To a youthful friend, i. 271

To an Oak at Newstead, i. 256

To Anne, i. 70, 246, 251

To Belshazzar, iii. 421

To Caroline, i. xi, 8, 9, 21, 23

To D——, i. 7

To Dives. A Fragment, ii. 37; vii. 7

To E——, i. 4, 20

To Edward Noel Long, i. 101, 184, 244

To Eliza, i. xi, 47

To Emma, i. 12

To Florence, iii. 4, 5

To Genevra (sonnet), iii. 67, 70, 71

To George, Earl of Delawarr, i. 7, 126

To George Anson Byron, vii. 41

To Harriet, i. 263

To her who can best understand them (spurious), iii. xxi

To Ianthe, ii. 11; iii. 65, 384

To Inez, ii. 59, 75; iii. 1

To Lady Caroline Lamb (spurious), iii. xxi

To Lesbia, i. 41

To Lord Thurlow, vii. 19

To M—, i. 68

To M. S. G., i. 76, 79

To Marion, i. 129, 263

To Mary, i. xi, xiii

To Mary, on receiving her Picture, i. 32, 192

To Miss Chaworth (spurious), iii. xx

[440]
To Miss E. P. [To Eliza], i. xi

To Mr. Murray, vii. 44, 56, 76

To my dear Mary Anne (spurious), iii. xx

To my Son, i. 260; vi. 591

To Penelope, vii. 71

To Romance, i. 174

To the Author of a Sonnet beginning,
“‘Sad is my Verse,’ you say, ‘And yet no tear'”, i. 252

To the Countess of Blessington, iv. 565

To the Duke of Dorset, i. 194

To the Earl of Clare, i. 200

To the Hon. Mrs. George Lamb, vii. 15

To the Lily of France (spurious), iii. xx

To the sighing Strephon, i. 63

To Thomas Moore, vii. 43, 46

To Thomas Moore, written the Evening before his visit to Mr. Leigh
Hunt in Horsemonger Lane Gaol, May 19, 1813, vii. 16

To Thyrza, ii. 104; iii. 30

To Woman, i. 43

Toa, a drooping casuarina, v. 599

Tobacco, in praise of, v. 615

Tobit, v. 286, 527

Todd, Rev. J. H., Archdeacon of Cleveland (“Oxoniensis”),
A Remonstrance to Mr. John Murray respecting a Recent Publication, v. 202

Token-flowers, iii. 17

Tolbooth prison, Edinburgh, i. 334

Toledo, Judah de, translation of Avicenna’s Works, iv. 523

Tolstoi, War and Peace, vi. 351

Tomaros, Mount (Olytsika), ii. 132, 134, 182

Tomasini, Petrarca Redivivus, ii. 373

Tonson, Jacob, publisher of The Spectator, vi. 555; vii. 56

Toobo Neuha, a Tongau chieftain, v. 609

Tooke, Andrew, Pantheon, vi. 26

Tooke, John Home (Pantheon), ii. 156; iv. 513, 516; vi. 580

Tooke, Thomas, vi. 480

Tooke, W., Life of Catherine II., vi. 314, 370, 386, 389, 395, 417

Tophaike, musquet, iii. 96

Topham, Captain, editor of The World, i. 353, 358

Tornabuoni, Lucrezia, iv. 280

Torniellus, v. 306

Torrens. W. T. M’Cullagh, Memoirs of Viscount Melbourne, i. 476

Torriano, Anonimo, iv. 332

Torstenson, Lennart, Swedish General, v. 371

Tortoises, in the Troad, vi. 204

Tott, Baron de, Memoirs concerning the State of the Turkish Empire, vi. 261, 277

Tournefort, Joseph Pitton de, Relation d’un Voyage du Levant,
iii. 121, 295; v. 294; vi. 216, 233

Tower of London, i. 438

Towneley Plays, v. 207

Townly, i. 399

Townsend, Rev. George, Canon of Durham, Armageddon, i. 403

Townshend, Lord John, pasquinade on Wilkes, iv. 511

Tozer, H. F. Geography of Greece; Childe Harold,
ii. 60, 62, 113, 117, 123, 134, 139, 143, 146, 158, 167, 180-182, 186, 217, 271, 292, 344, 373, 452

Tractors, metallic, i. 307

Trafalgar, ii. 126, 178, 459

Trajan, his column, ii. 410, 411

Tranchant de Laverne, L. M. P., The Life of Field Marshal Souvaroff,
vi. 222, 320-322

Translation from Adrian, i. 20

Translation from Anacreon, i. 147, 149, 228

Translation from Catullus, Ad Lesbiam, i. 72

Translation from Horace, i. 81

Translation from Prometheus Vinctus of Æschylus, i. 14

Translation from the Medea of Euripides, i. 168

Translation from Vittorelli, iv. 535

Translation of a Romaic Love Song, iii. 62

[441]
Translation of the Epitaph on Virgil and Tibullus by Domitius Marsus, i. 73

Translation of the famous Greek War Song,
Δευτε παιδες τωv Ἑλλήνων, iii. 20

Translation of the Nurse’s Dole in the Medea of Euripides, vii. 10

Translation of the Romaic Song,
Μρένω μες’ τὸ περιβόλι, Ὡραιοτάτη Χαηδή, κ.τ.λ., iii. 22

Travis, Archdeacon George, ii. 283

Treason Bill, iv. 511

Trecentisti, the, vi. 168

Tree, Miss Ellen (afterwards Mrs. Charles Kean), iv. 78;
as “Myrrha” in Sardanapalus, v. 2

Trelawny, E. T., Records of Shelley, Byron, and the Author,
iv. 539; vii. 78;
Recollections, etc., vi. 608

Trévoux, Journal de (Mémoires de), iv. 578

Trimmer, Sarah, Easy Introduction to the Study of Nature;
History of the Robins, vi. 18

Tripolitza, iii. 447

Tripp, Baron, i. 476, 499

Triptolemus, v. 570

Tritonia, or Tritogenia, epithet of Athene, ii. 156

Troad, the, vi. 204

Trocnow, John of (surnamed Žižka, or the “One-eyed”), v. 549

Troilus and Cressida, ii. 124; iv. 319

Troppau, Congress at, v. 563

Troubadours, the, ii. 6

Troy, ii. 294; iv. 243, 334; vi. 173, 211

Troyes, Bishop of, ii. 338

Tschairowsky, “Manfred Symphony,” iv. 78

Tubal-Cain, v. 291

“Tuism,” vi. 575

Tullia, Cicero’s daughter, ii. 405

Tully, iv. 253

Tully, Richard,
Narrative of a Ten Years’ Residence in Tripoli in Africa, etc., vi. 160

Turcomans, the, iii. 453

Turenne, Marshal, i. 493; iv. 262

Turgot, v. 554

Turin, Agilulf, Duke of, ii. 489

Turkey, travelling in, ii. 204

Turks, ii. 206; their hatred of the Arabs, iii. 163;
defeated by Greeks near Lerna, v. 556

Turnus, i. 157, 161, 163

Turtukey, or Tutrahaw, fall of, vi. 370

Tuscan, “that soft bastard Latin,” iv. 173

Tuscany and its Dukes, ii. 503

Tusculum, ii. 454, 522

Tweddell, Remains of the late John, iii. 4

Tweed, river, i. 334

Twelfth Night, vi. 268, 272

Two Foscari, The, ii. 187, 327; iv. 364, 477, 479;
v. 3, 5, 9, 113-196, 199, 203, 469; vi. 199, 586; vii. 77

Two Gentlemen of Verona, vi. 189

Tyndal, N., translation of Cantemir’s Othman Empire, vi. 259

Tyrants, the Thirty, vi. 446

Tyrconnel, Fanny Jennings, Duchess of, vi. 496

Tyre, i. 376; v. 4; vi. 348

Tyrian purple, vi. 574

Tyrwhitt, Rev. Edmund, vii. 27

Tyrwhitt, Thomas, editor of Canterbury Tales, vii. 27

Tyrwhitt, Sir Thomas, Private Secretary to the Prince of Wales,
auditor of the Duchy of Cornwall, Lord Warden of the Stannaries,
Gentleman Usher of the Black Rod, vii. 27

Tzigaras, A., ii. 198

Uberti, Fazio degli, iv. 248

Ude, Louis Eustache, The French Cook, vi. 562

Uffizi Gallery, Florence, ii. 365

Ugolino, iv. 258

Ukraine, Russian, or frontier region, iv. 201, 220

Ulysses, vi. 117, 149

[442]
Umbrinus, ii. 416, 516

United States of America, war with England, i. 496

Unspunnen, Castle of, iv. 110, 129

Upton, William, Poems on Several Occasions;
Words of the most Favourite Songs, Duets, etc., vii. 59

Urban V., ii. 482

Urbino, Duke of, ii. 503

Urbino, Simone di Battista di Ciarla da, iv. 174

Urdamanē, king of Ethiopia, v. 4

Urlichs, Dr. H. S., The Elder Pliny’s Chapters on the History of Art, ii. 432

Urquhart, translation of Rabelais’ Gargantua, v. 354

Ursinus, Fulvius, ii. 510, 517

Usbergo, or sbergo, iv. 308

Ushant, battle of, vi. 12

Uticans, the, v. 506

Utraikey, or Lutraki, ii. 142, 143

Utrecht, Peace of, iv. 334

Vacca, Flaminius, ii. 508, 509, 511, 515

Vaccination, i. 307; vi. 50

Vaga, Pierrin del, ii. 437

Valentia, George Annesley, Viscount, Voyages and Travels, etc., i. 378, 379

Valenza, Cardinal of, ii. 367

Valerianus, I. P., De fulminum significationibus Declamatio, ii. 489

Valerius Flaccus, Argonaut, i. 200

Valerius Maximus, Factorum Dictorumque Memorabilia,
ii. 437; iii. 307; v. 543; vi. 46

Valetta, iii. 24

Valid, son of Abdalmalek, iii. 120

Vallance, General Charles, R.E., Essay on the Celtic Language, vi. 337

Vallaresso, Ermolao, v. 134

Valley of Sweet Waters, ii. 153

Valori, vi. 337

Valpy, A. J., ii. 437

Vampires, iii. 121-123

Vanbrugh, The Provoked Husband, i. 399

Vandals, the, iii. 235, 251

Vansittart, i. 471

Varchi, Ercolano, ii. 495

Varro, M. Terentius, ii. 92; iv. 253; Rerum Rusticarum, vi. 348

Vasari, iv. 163

Vasilly the Albanian, ii. 75, 130

Vathek (W. Beckford), ii. 37;
iii. 59, 76, 87, 105, 109, 110, 121, 145, 478;
iv. 45, 89, 113, 244

Vauban, vi. 344

Vaughan, Charles Richard, Narrative of the Siege of Saragoza, ii. 91, 94

Vaughan, Taylor, A Familiar Epistle, etc., i. 445; iv. 74

Vault, The, vii. 35

Vaux, James Hardy, Vocabulary of the Flash Language, vi. 431

Velinus, Lake, ii. 382, 384

Vely Pasha, Vizier of the Morea, ii. 203, 205

Vendôme Column, v. 548

Vendoti, Georgie (Bentotes, or Bendotes), ii. 197; iii. 121

Venetian Institute, the, iv. 457

Venetian Lombardy, iv. 197

Venetians, besiege Athens, ii. 165; their love of music and poetry, ii. 471;
their society and manners, iv. 469

Veneziano, Luca, iv. 283

Venezuela, v. 555

Venice, ii. 327; decline of, ii. 477; iv. 193-198, 456;
Alamanni’s prophecy, iv. 459

Venice, a Fragment, iv. 537

Veniero, Sebastian, ii. 340

Venturi, iv. 318

Venus de’ Medici, ii. 365, 489; vi. 200

Venus, cestus of, ii. 272

Venus and Adonis, vi. 487

Venuti, Ab. R., Accurata et Succincta Descrizione di Roma moderna, ii. 513, 517

Vercingetorix, iv. 331

[443]
Vernet, vi. 502

Vernon, Admiral Edward, vi. 12

Vernon, Lady, Journal of Mary Frampton, vii. 40

Veroccio, Andrea, iv. 336

Verona, Congress at, v. 537-539, 562, 573, 574, 575, 576;
vi. 453; amphitheatre at, v. 561

Verres, i. 455; ii. 168, 170

Verrucchio, Gianciotto da, iv. 316

Verrucchio, Malatesta da, Lord of Rimini, iv. 316

Verrucchio, Paolo da, iv. 316

Verses addressed in the Year 1812 to the Hon. Mrs. George Lamb, iii. 32

Verses found in a Summer-house at Hales-Owen, iii. 59

Versicles, vii. 45

Version of Ossian’s Address to the Sun, A, vii. 2

Very mournful Ballad on the Siege and Conquest of Alhama, A, iii. xix; iv. 529

Vespasian, ii. 298, 392, 408, 410, 512, 524

Vespucci, Amerigo, iv. 262

Vestris, i. 347

Vesuvius, v. 552

Vevey, ii. 277, 303

Vianolo, L’Histoire Vénitienne, v. 124

Vicovaro, village of, ii. 523

Vienna, Congress of, ii. 402; v. 538, 550, 562; vi. 399;
Siege of, iii. 458; taken by the French, v. 550; Treaty of, v. 550

Villa Ludovisi, ii. 432

Villani, P., Liber de Florentiæ Famosis Civibus, iv. 309

Villanuova, Alberti di, Dizzionario Universale, iv. 309

Villari, Professor, ii. 415

Villehardouin, ii. 329

Villêle, M. de, v. 575

Villeneuve, town, iv. 18, 26, 120

Villeneuve, Jérôme Petion de, Mayor of Paris, vi. 13

Villiers, De, Le Festin de Pierre, ou le fils criminel, vi. xvi

Vimercato, Augustino, Canzoni di Dante, etc., iv. 248

Vimiera, battle of, ii. 39

Virgil, iv. 319; vi. 73, 478;
Æneid, i. xii, 25, 151, 372, 382, 451, 477;
ii. 64, 71, 133, 143, 189, 384, 396, 407, 510, 514; vi. 521, 526;
Domitius Marsus’ epitaph on, i. 73; “and Maro sang,” i. 312;
Georgics, i. 362, 440; ii. 379; vi. 323;
“forced no more to groan O’er Virgil’s devilish verses,” i. 405;
Heyne’s edition of, i. 490; “Alas, for Virgil’s lay,” ii. 392;
Petrarch’s, ii. 480; Mantua his birthplace, ii. 507;
Eclogues, iv. 567; v. 289; vi. 26, 185, 492

Visconti, Ennius Quirinus, ii. 324, 518

Visconti, Filippo, Duke of Milan, v. 116

Vision of Belshazzar, iii. 397

Vision of Don Roderick, i. 436; ii. 4, 51

Vision of Judgment, i. 305; iv. 280, 473-525, 579;
v. 196; vi. xvi, 4, 75, 338, 445

Vitellius, ii. 299

Vitepsk, battle of, iv. 207

Vitiges, a Dalmatian, ii. 390

Vittorelli, Jacopo, iv. 535

Vittoria, battle of, iii. 416

Vittoria Colonna, iv. 262

Vivian, General, ii. 234

Viviani, Vincenzo, ii. 369

Vlack (Wallachia), Bey of, ii. 199

Vocabolario Italiano-Latino, iv. 308

Vogüé, Viscount E. Melchior de, Le Fils de Pierre Le Grand, Mazeppa, etc., iv. 203, 220

Voïart, Madame Elise, Chants Populaires des Servics, iii. 188

Volondorako, ii. 142

Voltaire, François Marie Arouet de, Pucelle, i. 437;
Candide, ou l’Optimisme, ii. 41, 89, 281; vi. 226;
Rousseau and, ii. 266; imprisoned in the Bastille, ii. 282;
his Ferney Estate, ii. 306; Henriade, iii. 361;
Mariamne, iii. 400; Benjamin Brue, iii. 442;
Byron’s Sonnet to Lake Leman, iv. 53;
[444]
Wordsworth and Coleridge v., iv. 184; vi. 363;
Histoire de Charles XII., iv. 201, 205, 220;
OEuvres, iv. 212; on Venice, iv. 456;
La Bible enfin expliquée, etc., v. 208;
Dieu et les Hommes, v. 210; his grave, v. 548;
Essai sur les Moeurs et L’Esprit des Nations, v. 549;
Nino de Lenclos’ bequest, vi. 246; Byron’s two quotations from, vi. 266;
and Frederick the Great, vi. 337;
Correspondence avec L’Emperatrice de Russie, vi. 381;
Éléments de la Philosophie de Newton, vi. 400;
“la bonne société régle tout,” vi. 470

Volume of Nonsense, A, vii. 70

von Duhn, F., ii. 395

von Ranke, Leopold, History of Servia, iii. 188

von Stolberg, Louise, ii. 369

von Talvi, Volkslieder der Serben, iii. 188

Vopiscus, ii. 520

Vórskla river, iv. 208, 233

Vossius, I., De Ant. Urb. Rom. Mag., ii. 516

Vostizza, ii. 60

Voygoux, Louis Charles Antoine Desaix de, vi. 14

Vuilliemin, Chillon Étude Historique, iv. 5

Vuillier, G. (Heinemann), History of Dancing, i. 492

Waddington, Samuel Ferrand, A Key to a Delicate Investigation.
An Address to the People of the United Kingdom, vi. 265

Wagner, Richard, Rienzi, ii. 415

Wahabees, the, ii. 151, 186

Waithman, Sir Robert (“Bobby”), M.P. for the City of London, vii. 67, 68

Wake, Kyd, iv. 511

Walcheren Expedition, the, vii. 29

Waldegrave, James Earl, Memoirs, vii. 76

Waldie, Miss Jane, iii. 313; Sketches Descriptive of Italy, iv. 471

Waldstein, Albrecht Wenceslaus Eusebius, Count of, v. 371

Wales, Princess Charlotte of, vi. 19

Waliszewski, K., The Story of a Throne, vi. 381, 389, 399, 412;
Romance of an Empress, vi. 388

Walker, Wolcot v., v. 204

Wallace Collection, the, iv. 461

Wallach, J. W., as “Ulric” in Werner, v. 324

Wallachia (Vlack), Bey of, ii. 199; conquered by the Austrians, vi. 222

Waller, i. 306

Walpole, Horace, ii. 480; vi. 208;
Memoirs of the Reign of King George II., iii. 299; vii. 76;
Letters, iv. 339, 367; vi. 528;
Castle of Otranto; Mysterious Mother, iv. 339, 367;
“the summer has set in with its usual severity,” iv. 505

Walpole, Sir Robert, i. 414; vii. 68

Walpole, Rev. Robert, ii. 204

Walsh, Rev. Dr. R., Narrative of a Resident in Constantinople, iii. 16

Walton, Izaak, vi. 513

Waltz, The, i. 475-502; ii. 53, 177; iii. 251;
v. 537; vi. 151, 448, 451; vii. 33, 46

Warburton, Bishop (The Divine Legation of Moses, etc.), v. 209; vi. 487;
“orthodoxy is my doxy,” vi. 267;
Works of Pope, vi. 453

Ward, Hon. J. W., iii. 217, 499; vii. 49, 54

Warden, William, Letters written on board His Majesty’s Ship the
Northumberland, and at St. Helena, v. 545

Wardle, Colonel Gwyllim Lloyd, i. 391

Ware, ii. 66, 88; bed of, vi. 272

Warens, Madame de, ii. 266, 303

Waring, Major John Scott, ii. 7

Warner, Mrs., as “Josephine” in Werner, v. 324

[445]
Warton, Dr. Joseph, ii. 480

Warton, Dr. Thomas, poet-laureate, i. 305, 411; iii. 452, 474;
vi. 166; History of English Poetry, v. 200, 207

Warville, Jean Pierre Brissot de, vi. 13

Washington, George, iv. 516; v. 554; vi. 331, 376

Waterloo, ii. 226, 255, 293, 459; iii. 429, 431; v. 538; vi. 345, 375, 539

Watkins, Dr. John, Memoirs, etc., of Lord Byron, v. 203, 474

Watson, James, a Radical agitator, vi. 265

Watson, Richard, Bishop of Llandaff, ii. 283;
Anecdotes of the Life of, v. 208

Watts, A. A., iii. 280

Waverley, iv. 334; v. 209; vi. 272, 404

Way, Billy, i. 348

Webb, William Frederick, vi. 497

Webb, Miss Geraldine (Lady Chermside), vi. 497

Weber, W. H. (Scott’s amanuensis),
Metrical Romances of the 13th, 14th, and 15th Centuries, i. 396; iii. 145

Webster, Lady Elizabeth (afterwards Lady Holland), ii. 80

Webster, Lady Frances Wedderburn, iii. 67, 69, 149, 218, 319, 390;
vi. 375, 451

Webster, James Wedderburn, iii. 149, 381; iv. 459
Waterloo and other Poems, vii. 45

Webster, Sir Godfrey, Bart., ii. 80

Weekly Messenger (Boston), iii. 297, 307

Weekly Political Register, ii. 40

Weekly Register, v. 540, 572; vi. 266

Weevers, John, Funerall Monuments, vi. 422

Well! thou art happy, i. 277; iv. 37

Wellesley, Marquis of, ii. 79, 497

Wellesley, William Pole Tylney Long, vi. 451

Wellington, Duke of, i. 485; v. 568, 575-577;
“new victories,” i. 496; Childe Harold on, ii. xi;
Convention of Cintra, ii. 39, 86; has enacted marvels, ii. 88;
Lady de Ros, ii. 230; The “Holy Alliance,” ii. 402;
Waterloo, ii. 459; vi. 345; in Parenthetical Address, iii. 57;
Mrs. Boehm’s masquerade, iv. 177;
Achilles statue in Hyde Park inscribed to, v. 535;
at the Vienna Congress, v. 539;
“filled the sign-posts then, like Wellesley now,” vi. 12;
“great moral lesson,” vi. 266; and Dan Mackinnon, vi. 276;
Don Juan, Canto IX., vi. 373;
the Kinnaird-Marinet incident, vi. 374;
“I have seen a Duke turn politician stupider,” vi. 452;
“has but enslaved the whites,” vi. 461

Wellington Despatches, ii. 50, 51; vi. 345, 374

Wells, Bishop Hugh de, vi. 596

Welschinger, Henri, L’Ami de M. de Tallyrand, vi. 507

Wentworth, Lord, i. 437

Wentworth, W. C., A Statistical Description, etc., of N.S. Wales, v. 588

Were my bosom as false, etc., iii. 399

Werner, i. 369; iii. 521; iv. 19, 21, 81, 122, 226;
v. 279, 323-466, 543, 549, 611, 612; vi. 148

Werner, Franz von (Murad Effendi), iv. 329

Werner, Friedrich Ludwig Zacharias, v. 347

Werther, i. 476, 494

Wesley, John, iv. 522; vi. 303

West, Benjamin, i. 389, 466

West, Mrs. W., actress, iv. 324

Westall, W., A.R.A., ii. 11; vi. 478

Western, v. 572

Westminster, Marquis of (Lord Robert Grosvenor), i. 412

Westminster Review, iii. 25, 76; vi. 3; vii. 86

[446]
Westmoreland, John Fane, 10th Earl of, vii. 28

Westphalia, Peace of, v. 340, 372; Congress of, vi. 531

Wharton, Henry Thornton, Sappho, vi. 180

Wheat, prices in England (1818-1822), v. 539

Wheatley, H. B., London Past and Present, iv. 161

When coldness wraps this suffering clay, iii. 395

When I roved a young Highlander, i. 191

When we two parted, iii. 410

Whig Club of Fox’s time, its uniform of blue and buff, vi. 9

Whig Club, Cambridge, vii. 66, 68

Whiskey, a light carriage, ii. 65

Whist, vi. 173

Whiston, vi. 400

Whitbread, Samuel, iii. 54; iv. 75, 519; vi. 451; vii. 30

White, Henry Kirke, i. 363; ii. 123; Remains, iv. 522

White, Miss Lydia, Sydney Smith’s “Tory Virgin,” iv. 569;
“Miss Diddle” of The Blues, iv. 570; her death, iv. 587

Whitefield, i. 412

Whitworth, Earl of, i. 195

Wicklow, the Irish gold-mine in, i. 426

Wicksteed, Rev. Philip H., iv. 248

Wiel, Alethea, Two Doges of Venice, v. 119, 121, 133, 143, 171, 178, 179, 183, 190, 193

Wieland’s Oberon, i. 362; iii. 263

Wilberforce, iv. 181; vi. 461, 549

Wild Gazelle, The, iii. 384

Wilderswyl, village of, iv. 119

Wildman, Colonel Thomas, i. 89, 257; vi. 496, 497, 589

Wilhelm, Paul, ii. 299

Wilkes, John, iv. 476, 480, 508-511

Wilkie, Dr. W., i. 403; Epigoniad, i. 436

Wilkie, Sir David, “The Defence of Saragossa,” ii. 92

William the Conqueror, iv. 543; vi. 410

William and Mary, vi. 496

William I. of Germany, his “triumphant piety,” vi. 370

William I. of Holland, ii. 225

William III., i. 198

Williams, Edward, v. 331

Williams, Hugh W., Travels in Italy, Greece, etc., iii. 15, 16

Williams (Anthony Pasquin), i. 304

Williams, Dr., Theol. Lib., iv. 479

Willis, Chief Justice, iv. 585

Willis, Rev. Dr. Francis, i. 416; ii. 43

Willis, John, i. 416

Willis, Margaret (Lady Beaumont), iv. 585

Willis’ Rooms, i. 347

Wilmot, Juliana, Lady, iii. 381

Wilmot, Mrs. (Barberina Ogle), afterwards Lady Wilmot Horton,
then Lady Dacre, the original of “She walks in Beauty,”
iii. 381; iv. 569, 570; vii. 48, 54;
Ina, a Tragedy, vii. 48

Wilmot, Sir Robert John (afterwards Wilmot Horton), iii. 381; vii. 54

Wilmot, Sir Robert, iii. 381

Wilson, printer, i. 452

Wilson, John (Christopher North), ii. 315, 462;
Isle of Palms, iii. 230; on Moore, iv. 61; v. 280;
on Manfred, iv. 80, 81; on Marino Faliero, iv. 329;
City of the Plague, iv. 339;
Noctes Ambrosianæ, iv. 570;
on Heaven and Earth, v. 280, 282;
on Don Juan, vi. 213

Wilson, Sir Robert Thomas, “Southwark’s Knight,” vii. 67

Wilson, W., A Missionary Voyage to the South Pacific Ocean, etc., v. 605

Winckelmann, Storia delle Arti, etc.,
ii. 396, 431, 432, 490, 509, 511, 512, 518

Windsor Poetics. Lines composed on the Occasion of His Royal
Highness the Prince Regent being seen standing between the coffins of
Henry VIII. and Charles I. in the Royal Vault at Windsor, vii. 35

[447]
Wingfield, Hon. John, i. 96; ii. 81, 82, 94

Winsor, Justin, History of America, iv. 198

Wirt, William, Life of Patrick Henry, v. 560

Wolcot, Dr. John (Peter Pindar), i. 294, 304, 390, 395, 412; iv. 158;
Instructions to a Laureat, iv. 519;
Ode to a Margate Hoy, vii. 5

Wolcot v. Walker, v. 204

Wolf of the Capitol, Rome, ii. 396

Wolf, F., Primavera y Flor de Romances, iv. 529

Wolfe, General James, vi. 12

Wolfe, Rev. C., vi. 165

Wolmar, Madame, ii. 305

Wolseley, Lord, Decline and Fall of Napoleon, v. 551

Woman’s Hair, A, i. 233; iii. 12

Wood, J. T., Modern Discoveries on the Site of Ancient Ephesus, ii. 441

Wood, the pedestrian, i. 322

Woodhouselee, Alexander Fraser Tytler, Lord, Essay on Petrarch, ii. 351

Woodward, Dr. John, Fossils of England, v. 632

Worcester, battle of, ii. 395

Wordsworth, Miss Dorothy, i. 422; iv. 585

Wordsworth, John, captain of The Earl of Abergavenny, vi. 91

Wordsworth, William, i. 305, 318, 331; ii. 311; iii. 149; vi. 39, 80, 587; vii. 70
Byron’s review of his Poems, i. 234;
Lyrical Ballads, i. 315, 316; iv. 269;
Distributor of Stamps for the County of Westmorland, i. 321; iv. 582; vi. 5;
“Yet let them not to vulgar Wordsworth stoop,” etc., i. 368;
“Let simple Wordsworth chime his childish verse,” i. 369;
“write but like Wordsworth—live beside a lake,” i. 422;
on Bland Burges, i. 437;
Concerning the Relations of Great Britain, Spain, and Portugal, ii. 87;
“l’acent Wordsworthien,” ii. 115; iv. 6;
as preached by Shelley, ii. 219;
Emperors and Kings, etc., ii. 227;
“Not in the Lucid Intervals of Life,” ii. 258;
Tintern Abbey, ii. 261, 272; v. 613;
Intimations of Immortality, ii. 271, 352;
Excursion, ii. 272, 281; v. 94, 613; vi. 4, 176;
On the Extinction of the Venetian Republic, ii. 336;
In the Pass of Killycranky, ii. 337;
Near the Lake of Thrasymene, ii. 377, 378;
Descriptive Sketches, ii. 385;
“How clear, how keen, how marvellously bright!” iii. xx;
Coleridge’s Lines to a Gentleman, iii. 336;
his quarrel with Byron, iii. 533; iv. 479;
Song at the Feast of Brougham Castle, iv. 16, 27;
Ruth, iv. 24; Works, iv. 25, 27, 33, 220;
A Poet’s Epitaph, iv. 26;
Byron an admirer of, iv. 47; “Wordsworth and Co.,” iv. 182;
depreciates Voltaire, iv. 184;
Resolution and Independence (originally The Leech-gatherer), iv. 267, 582
Two Addresses to the Freeholders of Westmorland, iv. 341;
Peter Bell, iv. 341; vi. 177; vii. 63, 64;
Hazlitt on, iv. 518; referred to in The Blues, iv. 585;
Sonnet to a Painter, v. 251;
“crazed beyond all hope,” vi. 74; “unexcised, unhired,” vi. 175;
Benjamin the Waggoner, vi. 177;
“poet Wordy,” vi. 214;
Supplement to the Preface (Poems), ibid.;
compared with Jacob Benmen, vi. 268;
Thanksgiving Ode, vi. 332;
“has supporters two or three,” vi. 445;
Mackintosh, vii. 32;
The White Doe of Rylstone; or, The Fate of the Nortons, a Poem, vii. 45;
“the great metaquizzical poet,” vii. 72, 73

World, The, i. 358; vi. 525

Wormeley, Katharine Prescott, translation of Prince de Ligne’s Memoirs, vi. 415

[448]
Wraxall, Sir N. W., Historical Memoirs, vi. 478;
Posthumous Memoirs, vii. 29, 30

Wren, C., i. 438

Wright, John, ii. 217; iii. 75, 443; iv. 63

Wright, Walter Rodwell, Horæ Ionicæ, i. 366; ii. x, 104, 202

Wright, Professor, Kufic Tombstones in the British Museum, iii. 120

Written after swimming from Sestos to Abydos, iii. 13; vi. 112

Wul-wulleh, death-song of Turkish women, iii. 205

Wyatt, Sir Thomas, iv. 239

Wycherley, i. 322

Wylde, G., i. 45

Wynn, iv. 520

Wynne, iv. 476

Xantippe, iv. 253

Xeres, v. 565

Xerxes, ii. 166; iv. 259; vi. 46, 169

Yakintu, king of Arvad, v. 4

Yanina, Janina, or Joannina, lake of, ii. 179, 189

Yarmouth, Maria Fagniani, Lady, i. 501

Yarmouth, Lord, “Red Herrings,” i. 493, 497, 501; vii. 22

Yearsley, Ann, i. 329

Yesoukoï, Lieutenant-Colonel, vi. 354

Yonge, C. D., translation of Athenæus’ Deipno., v. 11

York, Duchess of, iii. 45

York, Duke of, i. 3, 391; ii. 169; iii. 45;
iv. 587; vi. 67, 451, 507

Young, Edward, Revenge, i. 26, 409; iii. 158, 200;
Night Thoughts, ii. 95, 161; iii. 129, 262; vi. 186, 450;
Resignation, vi. 450;
Love of fame, the Universal Passion, vi. 461

Young, Rosalind A., The Mutiny, etc., v. 622

Young Lochinvar, ii. 70

Zama, battle of, ii. 459

Zanetti, ii. 472

Zanga, a character in Young’s Revenge, i. 26, 409

Zappi, Giovanni Battista, iv. 271

Zara, siege of, iv. 331, 332

Zaragoza, Augustina, maid of, ii. 58, 91

Zarina, Queen, character in Sardanapalus, v. 12

Zarotti, iv. 287

Zechariah, v. 286

Zegri, the, a Moorish tribe, v. 558

Zela, battle of, ii. 398

Zeller, Dr. E., Socrates and the Socratic Schools, ii. 103

Zend-Avesta, iii. 110; iv. 112

Zendrini, A., Elogio di Jacopo Morelli, iv. 457

Zeno, Carlo, ii. 477, 497

Zeus Olympius, Temple of, ii. 167

Ziani, Doge Sebastian, ii. 473

Zibeon, Esau’s wife, v. 285

Zimri, king of Israel, v. 107

Zitza, convent and village of, ii. 129, 174, 180; iii. 7

Žižka, John of Trocnow, v. 549

Zoffani, iv. 508

Zoili of Albemarle Street, the, vi. xix, 467

Zonaras, Annales, ii. 202

Zonta of Twenty, the, iv. 385, 441

Zoritch, or Zovitch, Catherine II.’s favourite, vi. 388

Zoroaster, the creed of, vi. 491

Zosimado, ii. 197

Zosimus, Historiæ, ii. 172

Zoubof, Plato, Catherine II.’s favourite, vi. 388

Zrini, Hungarian commander, iii. 442

Zsigetvar, siege of, iii. 442

Zuccari, ii. 437

Zuccato, Bartolommeo, iv. 332

Zuleika, Persian name of Potiphar’s wife, iii. 187; vi. 254

[449]

INDEX TO FIRST LINES.

(The first line is given of every Poem, and of each Canto of the longer
Poems: that of the Plays is omitted.)

A noble Lady of the Italian shore (Poems 1816-1823), iv. 547

A Spirit passed before me: I beheld (Hebrew Melodies), iii. 406

A Year ago you swore, fond she! (Jeux d’Esprit, etc.), vii. 41

Absent or present, still to thee (Poems 1809-1813), iii. 50

Adieu, adieu! my native shore (Childe Harold, Canto I.), ii. 26

Adieu, thou Hill! where early joy (Hours of Idleness), i. 237

Adieu, ye joys of La Valette (Poems 1809-1813), iii. 24

Ægle, beauty and poet, has two little crimes (Jeux d’Esprit, etc.), vii. 76

Ah! gentle, fleeting, wav’ring sprite (Hours of Idleness), i. 20

Ah, heedless girl! why thus disclose (Hours of Idleness), i. 244

Ah! Love was never yet without (Poems 1809-1813), iii. 62

Ah!—What should follow slips from my reflection (Don Juan, Canto XV.), vi. 544

And dost thou ask the reason of my sadness? (Jeux of Esprit, etc.), vii. 41

And thou art dead, as young and fair (Poems 1809-1813), iii. 32, 41

And thou wert sad—yet I was not with thee (Poems of July-September, 1816), iv. 63

And “thy true faith can alter never” (Poems 1809-1813), iii. 65

And wilt thou weep when I am low? (Hours of Idleness), i. 266

Anne’s Eye is liken’d to the Sun (Hours of Idleness), i. 244

As by the fix’d decrees of Heaven (Hours of Idleness), i. 231

As o’er the cold sepulchral stone (Poems 1809-1813), iii. 4

As the Liberty lads o’er the sea (Jeux d’Esprit, etc.), vii. 42

Away, away, ye notes of Woe! (Poems 1809-1813), iii. 32, 35

Away, away,—your flattering arts (Hours of Idleness), i. 15

Away with your fictions of flimsy romance (Hours of Idleness), i. 82

Away, ye gay landscapes, ye gardens of rose (Hours of Idleness), i. 171

Behold the blessings of a lucky lot! (Jeux d’Esprit, etc.), vii. 75

Belshazzar! from the banquet turn (Poems 1814-1816), iii. 421

Beneath Blessington’s eyes (Jeux d’Esprit, etc.), vii. 82

Beside the confines of the Ægean main (Poems 1809-1813), iii. 18

Bob Southey! You’re a poet—Poet-Laureate (Don Juan, Dedication), vi. 3

[450]
Born in a garret, in the kitchen bred (Poems of the Separation), iii. 540

Breeze of the night in gentler sighs (Hours of Idleness), i. 262

Bright be the place of thy soul! (Poems 1814-1816), iii. 426

But once I dared to lift my eyes (Poems 1816-1823), iv. 564

By the rivers of Babylon we sat down and wept (Hebrew Melodies), iii. 402

Candour compels me, Becher! to commend (Hours of Idleness), i. 114

Chill and mirk is the nightly blast (Poems 1809-1813), iii. 7

Come, blue-eyed Maid of Heaven!—but Thou alas! (Childe Harold, Canto II.), ii. 99

Could I remount the river of my years (Poems of July-September, 1816), iv. 51

Could Love for ever (Poems 1816-1823), iv. 549

Cruel Cerinthus! does the fell disease (Hours of Idleness), i. 74

Dear are the days of youth! (Hours of Idleness), i. 177

Dear Becher, you tell me to mix with mankind (Hours of Idleness), i. 112

Dear Doctor, I have read your play (Jeux d’Esprit, etc.), vii. 47

Dear Long, in this sequester’d scene (Hours of Idleness), i. 184

Dear Murray,—You ask for a “Volume of Nonsense” (Jeux d’Esprit, etc.), vii. 70

Dear object of defeated care! (Poems 1809-1813), iii. 19

Dear simple girl, those flattering arts (Hours of Idlaiess), i. 15

Do you know Dr. Nott? (Jeux d’Esprit, etc.), vii. 78

Dorset! whose early steps with mine have stray’d (Hours of Idleness), i. 194

Doubtless, sweet girl! the hissing lead (Hours of Idleness), i. 70

Eliza! What fools are the Mussulman sect! (Hours of Idleness), i. 47

Equal to Jove that youth must be (Hours of Idleness), i. 72

Ere the daughter of Brunswick is cold in her grave (Poems 1816-1823), iv. 555

Eternal Spirit of the chainless Mind (Sonnet on Chillon), iv. 7

Fame, Wisdom, Love, and Power were mine (Hebrew Melodies), iii. 394

Famed for the contemptuous breach of sacred ties (Jeux d’Esprit, etc.), vii. 35

Famed for their civil and domestic quarrels (Jeux d’Esprit, etc.), vii. 36

Fare thee Well! and if for ever (Poems of the Separation), ii. 274; iii. 499, 537

Farewell! if ever fondest prayer (Poems 1814-1816), iii. 409

Farewell to the Land, where the gloom of my Glory (Poems 1814-1816), iii. 427

Father of Light, great God of Heaven (Hours of Idleness), i. 224

Few years have pass’d since thou and I (Hours of Idleness), i. 271

Fill the goblet again! for I never before (Hours of Idleness), i. 283

For Orford and for Waldegrave (Jeux d’Esprit, etc.), vii. 76

Friend of my youth! when young we rov’d (Hours of Idleness), i. 200

[451]
From out the mass of never-dying ill (Prophecy of Dante, Canto III.), iv. 261

From the last hill that looks on thy once holy dome (Hebrew Melodies), iii. 401

From this emblem what variance your motto evinces! (Jeux d’Esprit, etc.), vii. 36

God maddens him whom ‘t is his will to lose (Jeux d’Esprit, etc.), vii. 45

Good plays are scarce (Jeux d’Esprit, etc.), vii. 12

Great Jove! to whose Almighty Throne (Hours of Idleness), i. 14

Harriet, to see such Circumspection (Hours of Idleness), i. 263

He, unto whom thou art so partial (Jeux d’Esprit, etc.), vii. 74

He who, sublime, in epic numbers roll’d (Hours of Idleness), i. 73

Here once engaged the stranger’s view (Hours of Idleness), i. 259

Here’s a happy New Year! but with reason (Jeux d’Esprit, etc.), ii. 322; vii. 64

High in the midst, surrounded by his peers (Hours of Idleness), i. 28

Hills of Annesley, Bleak and Barren (Hours of Idleness), i. 210

His father’s sense, his mother’s grace (Jeux d’Esprit, etc.), vii. 54

How came you in Hob’s pound to cool? (Jeux d’Esprit, etc.), vii. 66

How pleasant were the songs of Toobonai! (Island, Canto II.), v. 598

How sweetly shines, through azure skies (Hours of Idleness), i. 131

Hush’d are the winds, and still the evening gloom (Hours of Idleness), i. 5

Huzza! Hodgson, we are going (Jeux d’Esprit, etc.), vii. 4

I cannot talk of Love to thee (Poems 1814-1816), iii. 411

I enter thy garden of roses (Poems 1809-1813), iii. 22

I had a dream, which was not all a dream (Poems of July-September, 1816), iv. 42

I heard thy fate without a tear (Poems 1814-1816), iii. 425

I now mean to be serious;—it is time (Don Juan, Canto XIII.), vi. 481

I read the “Christabel” (Jeux d’Esprit, etc.), vii. 45

I saw thee weep—the big bright tear (Hebrew Melodies), iii. 390

I speak not, I trace not, I breathe not thy name (Poems 1814-1816), iii. 319, 413

I stood beside the grave of him who blazed (Poems of July-September, 1816), iv. 45

I stood in Venice on the “Bridge of Sighs” (Childe Harold, Canto IV.), ii. 327

I want a hero: an uncommon want (Don Juan, Canto I.), vi. 11

I watched thee when the foe was at our side (Jeux d’Esprit, etc.), vii. 84

I wish to tune my quivering lyre (Hours of Idleness), i. 147

I would I were a careless child (Hours of Idleness), i. 205

I would to Heaven that I were so much clay (Fragment on back of MS. of Don Juan, Canto I.), vi. 2

If Fate should seal my Death to-morrow (Hours of Idleness), i. 247

If for silver, or for gold (Jeux d’Esprit, etc.), vii. 62

[452]
If from great Nature’s or our own abyss (Don Juan, Canto XIV.), vi. 516

If, in the month of dark December (Poems 1809-1813), iii. 13

If sometimes in the haunts of men (Poems 1809-1813), iii. 46

If that high world, which lies beyond (Hebrew Melodies), iii. 383

Ill-fated heart! and can it be (Poems 1809-1813), iii. 48

In Coron’s bay floats many a galley light (Corsair, Canto II.), iii. 249

In digging up your bones, Tom Paine (Jeux d’Esprit, etc.), vii. 65

In hearts like thine ne’er may I hold a place (Jeux d’Esprit, etc.), vii. 40

In law an infant, and in years a boy (Hours of Idleness), i. 128

In moments to delight devoted (Poems 1809-1813), iii. 71

In Nottingham county there lives at Swan Green (Jeux d’Esprit, etc.), vii. 1

In one dread night our city saw and sighed (Poems 1809-1813), iii. 51

In one who felt as once he felt (Hours of Idleness), i. 253

In the beginning was the Word next God (Morgante Maggiore, Canto I.), iv. 285

In the dome of my Sires as the clear moonbeam falls (Poems 1809-1813), iii. 27

In the valley of waters we wept on the day (Hebrew Melodies), iii. 404

In the year since Jesus died for men (Siege of Corinth), iii. 449

In thee, I fondly hop’d to clasp (Hours of Idleness), i. 7

In this belovéd marble view (Poems 1816-1823), iv. 536

Is thy face like thy mother’s, my fair child? (Childe Harold, Canto III.), ii. 215

It is the hour when from the boughs (Parisina), iii. 505

It seems that the Braziers propose soon to pass (Jeux d’Esprit, etc.), vii. 72

Kind Reader! take your choice to cry or laugh (Jeux d’Esprit, etc.), vii. 11

Know ye the land where the cypress and myrtle (Bride of Abydos, Canto I.), iii. 157

Lady! if the cold and cloudy clime (Prophecy of Dante, Dedication), iv. 241

Lady! in whose heroic port (Poems 1816-1823), iv. 552

Lesbia! since far from you I’ve rang’d (Hours of Idleness), i. 41

Let Folly smile to view the names (Hours of Idleness), i. 4

Long years!—It tries the thrilling frame to bear (Lament of Tasso), iv. 143

Lucietta, my deary (Jeux d’Esprit, etc.), vii. 81

Maid of Athens, ere we part (Poems 1809-1813), iii. 15; iv. 214

Many are Poets who have never penned (Prophecy of Dante, Canto IV.), iv. 269

Marion! why that pensive brow? (Hours of Idleness), i. 129

Mingle with the genial bowl (Hours of Idleness), i. 228

Montgomery! true the common lot (Hours of Idleness), i. 107

Mrs. Wilmot sate scribbling a play (Jeux d’Esprit, etc.), vii. 61

Muse of the many-twinkling feet! whose charms (The Waltz), i. 483

Must thou go, my glorious Chief? (Poems 1814-1816), iii. 428

My boat is on the Shore (Jeux d’Esprit, etc.), vii. 46

My dear Mr. Murray (Jeux d’Esprit, etc.), vii. 51

[453]
My hair is grey, but not with years (Prisoner of Chillon), iv. 13

My Sister! my sweet Sister! if a name (Poems of July-September, 1816), iv. 57

My soul is dark—Oh! quickly string (Hebrew Melodies), iii. 389

Nay, smile not at my sullen brow (Childe Harold, Canto I.: To Inez), ii. 75

Newstead! fast-falling, once-resplendent dome! (Hours of Idleness), i. 116

Night wanes—the vapours round the mountains curled (Lara, Canto II.), iii. 348

Nisus, the guardian of the portal stood (Hours of Idleness), i. 151

No breath of air to break the wave (Giaour), iii. 85

No specious splendour of this stone (Hours of Idleness), i. 66

Nose and Chin that make a knocker (Poems 1816-1823), iv. 538

Not in those climes where I have late been staying (Childe Harold, Canto I.: To Ianthe), ii. 11

Nothing so difficult as a beginning (Don Juan, Canto IV.), vi. 183

O Love! O Glory! what are ye who fly? (Don Juan, Canto VII.), vi. 302

O Thou! who rollest in yon azure field (Jeux d’Esprit, etc.), vii. 2

O thou yclep’d by vulgar sons of Men (Jeux d’Esprit, etc.), vii. 7

O’er the glad waters of the dark blue sea (Corsair, Canto I.), iii. 227

Of all the barbarous middle ages, that (Don Juan, Canto XII.), vi. 455

Of rhymes I printed seven volumes (Jeux d’Esprit, etc.), vii. 55

Of two fair Virgins, modest, though admired (Poems 1816-1823), iv. 535

Oh, Anne, your offences to me have been grievous (Hours of Idleness), i. 246

“Oh banish care”—such ever be (Poems 1809-1813), iii. 28

Oh, blood and thunder! and oh! blood and wounds! (Don Juan, Canto VIII.), vi. 330

Oh! could Le Sage’s demon gift (Hours of Idleness), i. 56

Oh! did those eyes, instead of fire (Hours of Idleness), i. 68

Oh, factious viper! whose envenom’d tooth (Hours of Idleness), i. 34

Oh, Friend! for ever lov’d, for ever dear (Hours of Idleness), i. 18

Oh! had my Fate been join’d with thine (Hours of Idleness), i. 189

Oh how I wish that an embargo (Jeux d’Esprit, etc.), vii. 10

Oh Lady! when I left the shore (Poems 1809-1813), iii. 5

Oh! little lock of golden hue (Hours of Idleness), i. 211, 233

Oh, Mariamne! now for thee (Hebrew Melodies), iii. 400

Oh! might I kiss those eyes of fire (Hours of Idleness), i. 75

Oh! my lonely—lonely—lonely—Pillow! (Poems, 1816-1823), iv. 563

Oh never talk again to me (Poems 1809-1813), iii. 1

Oh say not, sweet Anne, that the Fates have decreed (Hours of Idleness), i. 251

Oh! snatched away in beauty’s bloom (Hebrew Melodies), iii. 388

Oh, talk not to me of a name great in story (Poems 1816-1823), vi. 562

Oh, thou! in Hellas deemed of heavenly birth (Childe Harold, Canto I.), ii. 15

Oh! thou that roll’st above thy glorious Fire (Hours of Idleness), i. 229

[454]
Oh Venice! Venice! when thy marble walls (Ode on Venice), iv. 193

Oh! weep for those that wept by Babel’s stream (Hebrew Melodies), iii. 385

Oh well done Lord E—— n! and better done R—— r! (Jeux d’ Esprit, etc.), vii. 13

Oh! well I know your subtle sex (Hours of Idleness), i. 242

Oh! Wellington! (or “Villainton”)—for Fame (Don Juan, Canto IX.), vi. 373

Oh! when shall the grave hide for ever my sorrow? (Hours of Idleness), i. 21

Oh ye! who teach the ingenuous youth of nations (Don Juan, Canto II.), vi. 87

Oh! yes, I will own we were dear to each other (Hours of Idleness), i. 126

Oh you, who in all names can tickle the town (Jeux d’Esprit, etc.), vii. 16

On Jordan’s banks the Arab’s camels stray (Hebrew Melodies), iii. 386

Once fairly set out on his party of pleasure (Jeux d’ Esprit, etc.), vii. 41

Once more in Man’s frail world! which I had left (Prophecy of Dante, Canto I.), iv. 247

One struggle more, and I am free (Poems 1809-1813), iii. 31, 32, 36

Our life is two fold: Sleep hath its own world (The Dream), iv. 33

Parent of golden dreams, Romance! (Hours of Idleness), i. 174

Posterity will ne’er survey (Jeux d’Esprit, etc.), vii. 65

Rail on, Rail on, ye heartless crew (Hours of Idleness), i. 213

Remember him, whom Passion’s power (Poems 1809-1813), iii. 67

Remember thee! Remember thee! (Poems 1809-1813), iii. 59

Remind me not, remind me not (Hours of Idleness), i. 268

River, that rollest by the ancient walls (Poems 1816-1833), iv. 545

Rousseau—Voltaire—our Gibbon—and De Staël (Poems of July-September, 1816), iv. 53

Saint Peter sat by the celestial gate (Vision of Judgment), iv. 487

She walks in Beauty, like the night (Hebrew Melodies), iii. 381

Since now the hour is come at last (Hours of Idleness), i. 12

Since our Country, our God—Oh, my Sire (Hebrew Melodies), iii. 387

Since the refinement of this polish’d age (Hours of Idleness), i. 45

Slow sinks, more lovely ere his race be run (Corsair, Canto III.), iii. 270

Slow sinks, more lovely ere his race be run (The Curse of Minerva), i. 457

So we’ll go no more a-roving (Poems 1816-1823), iv. 411, 538

Sons of the Greeks, arise (Poems 1809-1813), iii. 20

Spot of my youth! whose hoary branches sigh (Hours of Idleness), i. 208

Star of the brave!—whose beam hath shed (Poems 1814-1816), iii. 436

Start not—nor deem my spirit fled (Hours of Idleness), i. 276

Still must I hear?—shall hoarse Fitzgerald bawl?
(English Bards, and Scotch Reviewers), i. 297

Strahan, Tonson, Lintot of the times (Jeux d’ Esprit, etc.), vii. 56

Stranger! behold interred together (Jeux d’ Esprit, etc.), vii. 11

[455]
Sun of the sleepless! melancholy star! (Hebrew Melodies), iii. 399

Sweet girl, though only once we met (Hours of Idleness), i. 38

Tambourgi! Tambourgi! thy ‘larum afar (Childe Harold, Canto II.), ii. 146

The antique Persians taught three useful things (Don Juan, Canto XVI.), vi. 572

The Assyrian came down like the wolf on the fold (Hebrew Melodies), iii. 404.

The chain I gave was fair to view (Poems 1809-1813), iii. 49

The dead have been awakened—shall I sleep? (Jeux d’Esprit, etc.), vii. 83

The Devil returned to Hell by two (Jeux d’Esprit, etc.), vii. 21

The fight was o’er; the flashing through the gloom (Island, Canto III.), v. 618

The Gods of old are silent on their shore (Poems 1816-1823), iv. 566

The “good old times”—all times when old are good (Age of Bronze), v. 541

The Harp the Monarch Minstrel swept (Hebrew Melodies), iii. 382

The Isles of Greece, The Isles of Greece (Don Juan, Canto III.), vi. 169

The King was on his throne (Hebrew Melodies), iii. 397

The kiss, dear maid! thy lip has left (Poems, 1809-1813), iii. 23

The Land where I was born sits by the seas (Francesca of Rimini), iv. 317

The man of firm and noble soul (Hours of Idleness), i. 81

The modest bard, like many a bard unknown (Poems 1809-1813), iii. 15

The Moorish King rides up and down (Poems 1816-1823), iv. 529

The Moralists tell us that Loving is Sinning (Hours of Idleness), i. 262

The morning watch was come; the vessel lay (Island, Canto I.), v. 587

The Night came on the Waters—all was rest (Poems 1814-1816), iii. 419

The “Origin of Love”!—Ah, why (Poems 1809-1813), iii. 65

The roses of Love glad the garden of life (Hours of Idleness), i. 109

The sacred song that on mine ear (Jeux d’Esprit, etc.), iii. 32; vii. 15

The Serfs are glad through Lara’s wide domain (Lara, Canto I.), iii. 323

The Son of Love and Lord of War I sing (Jeux d’Esprit, etc.), vii. 82

The Spell is broke, the charm is flown (Poems 1809-1813), iii. 12

The Spirit of the fervent days of Old (Prophecy of Dante, Canto II.), iv. 255

The wild gazelle on Judah’s Hills (Hebrew Melodies), iii. 384

The winds are high on Helle’s wave (Bride of Abydos, Canto II.), iii. 178

The world is a bundle of hay (Jeux d’Esprit, etc.), vii. 65

The world is full of orphans: firstly those (Don Juan, Canto XVII.), vi. 608

There be none of Beauty’s daughters (Poems 1814-1816), iii. 435

There is a mystic thread of life (Hours of Idleness), i. 234

There is a tear for all that die (Poems 1814-1816), iii. 417

There is a tide in the affairs of men (Don Juan, Canto VI.), vi. 268

There is no more for me to hope (Jeux d’Esprit, etc.), vii. 15

There was a time, I need not name (Hours of Idleness), i. 264

There’s not a joy the world can give like that it takes away (Poems 1814-1816), iii. 423

There’s something in a stupid ass (Jeux d’Esprit, etc.), vii. 63

[456]
These locks, which fondly thus entwine (Hours of Idleness), i. 36

They say that Hope is happiness (Poems 1814-1816), iii. 438

Thine eyes’ blue tenderness, thy long fair hair (Poems 1809-1813), iii. 70, 390

Think’st thou I saw thy beauteous eyes (Hours of Idleness), i. 8

This Band, which bound thy yellow hair (Hours of Idleness), i. 212

This day, of all our days, has done (Jeux d’Esprit, etc.). vii. 71

This faint resemblance of thy charms (Hours of Idleness), i. 32, 36

This votive pledge of fond esteem (Hours of Idleness), i. 78

Those flaxen locks, those eyes of blue (Hours of Idleness), i. 260

Thou art not false, but thou art fickle (Poems 1809-1818), iii. 64

Thou lay thy branch of laurel down (Jeux d’Esprit, etc.), vii. 19

Thou Power! who hast ruled me through Infancy’s days (Hours of Idleness), i. 254

Thou whose spell can raise the dead (Hebrew Melodies), iii. 392

Though the day of my Destiny’s over (Poems of July-September, 1816), iv. 54

Through cloudless skies, in silvery sheen (Poems 1809-1818), iii. 11

Through Life’s dull road, so dim and dirty (Jeux d’Esprit, etc.), vii. 73

Through thy battlements, Newstead, the hollow winds whistle (Hours of Idleness), i. 1

Thy cheek is pale with thought, but not from woe (Poems 1809-1813), iii. 71

Thy days are done, thy fame begun (Hebrew Melodies), iii. 391

Thy verse is “sad” enough, no doubt (Hours of Idleness), i. 252

Time! on whose arbitrary wing (Poems 1809-1813), iii. 60

‘T is done—and shivering in the gale (Hours of Idleness), i. 285

‘T is done—but yesterday a King! (Ode to Napoleon Buonaparte), iii. 305

‘T is done—I saw it in my dreams (Hours of Idleness), i. 211

‘T is fifty years, and yet their fray (Poems 1816-1823), iv. 542

‘T is known, at least it should be, that throughout (Beppo), iv. 159

‘T is midnight—but it is not dark (Poems 1816-1823), iv. 537

‘T is time this heart should be unmoved (Jeux d’Esprit, etc.), vii. 86

Titan! to whose immortal eyes (Poems of July-September, 1816), iv. 48

To be the father of the fatherless (Poems 1816-1823), iv. 548

To hook the Reader, you, John Murray (Jeux d’Esprit, etc.), vii. 44

‘T was after dread Pultowa’s day (Maseppa), iv. 207

‘T was now the hour, when Night had driven (Hours of Idleness), i. 149

‘T was now the noon of night, and all was still (Hours of Idleness), i. 217

Unhappy Dives! in an evil hour (Jeux d’Esprit, etc.), vii. 7

Up to battle! Sons of Suli (Jeux d’Esprit, etc.), vii. 83

Warriors and chiefs! should the shaft or the sword (Hebrew Melodies), iii. 393

We do not curse thee, Waterloo! (Poems 1814-1816), iii. 431

We sate down and wept by the waters (Hebrew Melodies), iii. 402

Weep, daughter of a royal line (Poems 1809-1813), iii. 45

Well! thou art happy, and I feel (Hours of Idleness), i. 277; iv. 37

[457]
Were my bosom as false as thou deem’st it to be (Hebrew Melodies), iii. 399

What are to me those honours or renown? (Jeux d’Esprit, etc.), vii. 85

What are you doing now? (Jeux d’Esprit, etc.), vii. 43

What matter the pangs of a husband and father? (Jeux d’Esprit, etc.), vii. 71

What say I?—not a syllable further in prose (Jeux d’Esprit, etc.), vi. 39

When a man hath no freedom to fight for at home (Jeux d’Esprit, etc.), vii. 70

When all around grew drear and dark (Poems of the Separation), iii. 544

When amatory poets sing their woes (Don Juan, Canto V.), vi. 218

When Bishop Berkeley said “there was no matter” (Don Juan, Canto XI.), vi. 427

When coldness wraps this suffering clay (Hebrew Melodies), iii. 395

When Dryden’s fool, “unknowing what he sought” (Poems 1809-1813), iii. 59

When energising objects men pursue (Poems 1809-1813), iii. 55

When fierce conflicting passions urge (Hours of Idleness), i. 168

When Friendship or Love (Hours of Idleness), i. 49

When from the heart where Sorrow sits (Poems 1809-1813), iii. 69

When I hear you express an affection so warm (Hours of Idleness), i. 23

When I rov’d a young Highlander o’er the dark heath (Hours of Idleness), i. 191

When Man, expell’d from Eden’s bowers (Hours of Idleness), i. 282

When Newton saw an apple fall, he found (Don Juan, Canto X.), vi. 400

When slow Disease, with all her host of Pains (Hours of Idleness [Childish Recollections]), i. 84

When some proud son of man returns to earth (Hours of Idleness), i. 280

When the last sunshine of expiring Day (Monody on the Death of Sheridan), iv. 71

When the vain triumph of the imperial lord (Jeux d’Esprit, etc.), vii. 37

When Thurlow this damned nonsense sent (Jeux d’Esprit, etc.), vii. 17

When Time, or soon or late, shall bring (Poems, 1809-1813), iii. 39

When, to their airy hall, my Father’s voice (Hours of Idleness), i. 21

When we two parted (Poems 1814-1816), iii. 410

Whene’er I view those lips of thine (Hours of Idleness), i. 76

Where are those honours, Ida, once your own? (Hours of Idleness), i. 16

White as a white sail on a dusky sea (Island, Canto IV.), v. 626

Who hath not glowed above the page where Fame (Poems 1814-1816), iii. 415

Who killed John Keats? (Jeux d’Esprit, etc.), vii. 76

Who would not laugh, if Lawrence, hired to grace (Hints from Horace), i. 389

Why, how now, saucy Tom? (Jeux d’Esprit, etc.), vii. 74

Why, Pigot, complain? (Hours of Idleness), i. 53

Why should my anxious breast repine? (Hours of Idleness), i. 220

With Death doomed to grapple (Jeux d’Esprit, etc.), vii. 64

Without a stone to mark the spot (Poems 1809-1813), iii. 30

Woman! Experience might have told me (Hours of Idleness), i. 43

Would you go to the house by the true gate? (Jeux d’Esprit, etc.), vii. 69

[458]
Ye cupids, droop each little head (Hours of Idleness), i. 74

Ye scenes of my childhood, whose lov’d recollection (Hours of Idleness), i. 25

Yes! wisdom shines in all his mien (Jeux d’Esprit, etc.), vii. 12

You call me still your Life.—Oh! change the word (Poems 1809-1813), iii. 72

You have asked for a verse:—the request (Poems 1816-1823), iv. 565

You say you love, and yet your eye (Hours of Idleness), i. 9

Young Oak! when I planted thee deep in the ground (Hours of Idleness), i. 256

Your pardon, my friend (Hours of Idleness), i. 63

Youth, Nature, and relenting Jove (Jeux d’Esprit, etc.), vii. 10

THE END.

PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, LONDON AND BECCLES.

The Works OF LORD BYRON

A NEW, REVISED AND ENLARGED EDITION WITH ILLUSTRATIONS.

Poetry. Vol. VII.

EDITED BY ERNEST HARTLEY COLERIDGE, M.A., HON. F.R.S.L.

LONDON: JOHN MURRAY, ALBEMARLE STREET. NEW YORK: CHARLES SCRIBNER’S SONS.

1904.

PREFACE TOTHE SEVENTH VOLUME.

CONTENTS OF VOL. VII.

LIST OF ILLUSTRATIONS

JEUX D’ESPRIT AND MINOR POEMS, 1798-1824.

EPIGRAM ON AN OLD LADY WHO HAD SOME CURIOUS NOTIONS RESPECTING THE SOUL.

FOOTNOTES:

EPITAPH ON JOHN ADAMS, OF SOUTHWELL, A CARRIER, WHO DIED OF DRUNKENNESS.

A VERSION OF OSSIAN’S ADDRESS TO THE SUN. FROM THE POEM “CARTHON.”

FOOTNOTES:

LINES TO MR. HODGSON. WRITTEN ON BOARD THE LISBON PACKET.

FOOTNOTES:

[TO DIVES.[7] A FRAGMENT.]

FOOTNOTES:

FAREWELL PETITION TO R. C. H., ESQRE.

FOOTNOTES:

TRANSLATION OF THE NURSE’S DOLE IN THE MEDEA OF EURIPIDES.

FOOTNOTES:

MY EPITAPH.[16]

FOOTNOTES:

SUBSTITUTE FOR AN EPITAPH.

EPITAPH FOR JOSEPH BLACKET, LATE POET AND SHOEMAKER.[17]

FOOTNOTES:

ON MOORE’S LAST OPERATIC FARCE, OR FARCICAL OPERA.[18]

FOOTNOTES:

[R. C. DALLAS.][19]

FOOTNOTES:

AN ODE[20] TO THE FRAMERS OF THE FRAME BILL.[21]

FOOTNOTES:

TO THE HONBLE MRS GEORGE LAMB.[24]

FOOTNOTES:

[LA REVANCHE.]

TO THOMAS MOORE. WRITTEN THE EVENING BEFORE HIS VISIT TO MR. LEIGH HUNT IN HORSEMONGER LANE GAOL, MAY 19, 1813.

FOOTNOTES:

ON LORD THURLOW’S POEMS.[30]

FOOTNOTES:

TO LORD THURLOW.[32]

FOOTNOTES:

THE DEVIL’S DRIVE.[ii][34]

FOOTNOTES:

WINDSOR POETICS.

LINES COMPOSED ON THE OCCASION OF HIS ROYAL HIGHNESS THE PRINCE REGENT BEING SEEN STANDING BETWEEN THE COFFINS OF HENRY VIII. AND CHARLES I., IN THE ROYAL VAULT AT WINDSOR.

[Another Version.]

ON A ROYAL VISIT TO THE VAULTS.[54]

[or Cæsar’s Discovery of C. I. AND H. 8. in ye same Vault.]

FOOTNOTES:

ICH DIEN.

CONDOLATORY ADDRESS

TO SARAH COUNTESS OF JERSEY, ON THE PRINCE REGENT’S RETURNING HER PICTURE TO MRS. MEE.[56]

FOOTNOTES:

FRAGMENT OF AN EPISTLE TO THOMAS MOORE.

FOOTNOTES:

ANSWER TO ‘S PROFESSIONS OF AFFECTION.

FOOTNOTES:

ON NAPOLEON’S ESCAPE FROM ELBA.[63]

FOOTNOTES:

ENDORSEMENT TO THE DEED OF SEPARATION, IN THE APRIL OF 1816.

[TO GEORGE ANSON BYRON(?)[64]]

FOOTNOTES:

SONG FOR THE LUDDITES.[65]

FOOTNOTES:

TO THOMAS MOORE.

TO MR. MURRAY.

FOOTNOTES:

FOOTNOTES:

QUEM DEUS VULT PERDERE PRIUS DEMENTAT.[73]

FOOTNOTES:

TO THOMAS MOORE.

FOOTNOTES:

EPISTLE FROM MR. MURRAY TO DR. POLIDORI.[75]

FOOTNOTES:

EPISTLE TO MR. MURRAY.

FOOTNOTES:

ON THE BIRTH OF JOHN WILLIAM RIZZO HOPPNER.[95]

FOOTNOTES:

The Works
OF
LORD BYRON

A NEW, REVISED AND ENLARGED EDITION
WITH ILLUSTRATIONS.

EDITED BY
ERNEST HARTLEY COLERIDGE, M.A.,
HON. F.R.S.L.

LONDON:
JOHN MURRAY, ALBEMARLE STREET.
NEW YORK: CHARLES SCRIBNER’S SONS.

PREFACE TO
THE SEVENTH VOLUME.

JEUX D’ESPRIT AND
MINOR POEMS, 1798-1824.

EPIGRAM ON AN OLD LADY WHO HAD
SOME CURIOUS NOTIONS RESPECTING THE SOUL.

EPITAPH ON JOHN ADAMS, OF SOUTHWELL,
A CARRIER, WHO DIED OF DRUNKENNESS.

A VERSION OF OSSIAN’S ADDRESS
TO THE SUN.
FROM THE POEM “CARTHON.”

LINES TO MR. HODGSON.
WRITTEN ON BOARD THE LISBON PACKET.

FAREWELL PETITION TO R. C. H., ESQ^RE.

TRANSLATION OF THE NURSE’S DOLE IN
THE MEDEA OF EURIPIDES.

EPITAPH FOR JOSEPH BLACKET, LATE
POET AND SHOEMAKER.[17]

AN
ODE [20]
TO THE FRAMERS OF THE FRAME BILL.[21]

TO THOMAS MOORE.
WRITTEN THE EVENING BEFORE HIS VISIT TO MR. LEIGH
HUNT IN HORSEMONGER LANE GAOL, MAY 19, 1813.

LINES COMPOSED ON THE OCCASION OF HIS ROYAL HIGHNESS
THE PRINCE REGENT BEING SEEN STANDING BETWEEN THE COFFINS
OF HENRY VIII. AND CHARLES I., IN THE ROYAL VAULT AT WINDSOR.

TO SARAH COUNTESS OF JERSEY, ON THE PRINCE REGENT’S
RETURNING HER PICTURE TO MRS. MEE.[56]

ENDORSEMENT TO THE DEED OF
SEPARATION, IN THE APRIL OF 1816.

[E NIHILO NIHIL;
OR
AN EPIGRAM BEWITCHED.]

BALLAD.
TO THE TUNE OF “SALLEY IN OUR ALLEY.”

EPIGRAM.
FROM THE FRENCH OF RULHIÈRES.[108]

LINES
ADDRESSED BY LORD BYRON TO MR. HOBHOUSE ON HIS
ELECTION FOR WESTMINSTER.[114]

TO PENELOPE.[117]

January 2, 1821.

EPIGRAM
ON THE BRAZIERS’ ADDRESS TO BE PRESENTED IN
ARMOUR BY THE COMPANY TO QUEEN CAROLINE.[119]

ON MY THIRTY-THIRD BIRTHDAY.
JANUARY 22, 1821.[120]

A
BIBLIOGRAPHY
of the
SUCCESSIVE EDITIONS AND TRANSLATIONS
of
LORD BYRON’S POETICAL WORKS.